‘There is nothing to hold onto here’: complicity and vulnerability in Gavin Krastin’s On Seeing Red and Other Fantasies (2015)

Title: ‘There is nothing to hold onto here’: complicity and vulnerability in Gavin Krastin’s On Seeing Red and Other Fantasies (2015)
Creator: Smit, Sonja
Date Issued: 2018
Date: 2018
Type: text
Type: article
Identifier: http://hdl.handle.net/10962/156352
Identifier: vital:39981
Identifier: DOI: 10.1080/10137548.2018.1553626
Description: In this article, I analyse some of the ways in which Gavin Krastin’s On Seeing Red and Other Fantasies (2015) engages with outrage and protest in a self-reflexive way. The idea of art as means to question and institute change in society, is contentious and my discussion here focuses on how forms of resistance, are easily subsumed within a capitalist context.
Format: 16 pages
Format: pdf
Language: English
Relation: South African Theatre Journal
Relation: Smit, S., 2018. ‘There is nothing to hold onto here’: complicity and vulnerability in Gavin Krastin’s On Seeing Red and Other Fantasies (2015). South African Theatre Journal, pp.1-15.
Relation: South African Theatre Journal volume number 1 15 2018 2222-3436
Rights: Publisher
Rights: Use of this resource is governed by the terms and conditions of the South African Journal of Economic and Management Sciences Statement (https://sajems.org/index.php/sajems/pages/view/policies#part_4)

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