- Title
- Whose voice is it anyway?
- Creator
- Krueger, Anton
- Subject
- To be catalogued
- Date Issued
- 2015
- Date
- 2015
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/225695
- Identifier
- vital:49249
- Identifier
- xlink:href="https://doi.org/10.1080/1013929X.2015.1086195"
- Description
- This essay surveys a number of different interpretations of the metaphor of “voice”. It begins by exploring the use of free writing exercises as a means of nurturing the emergence of physical (audible) voice in creative writing classes before assessing some of the ramifications and implications of the trope, both diachronically and synchronically. A key issue of this discussion is whether voice is regarded as individual or social.
- Format
- computer
- Format
- online resource
- Format
- application/pdf
- Format
- 1 online resource (9 pages)
- Format
- Publisher
- Taylor and Francis Online
- Language
- English
- Relation
- Current Writing: Text and Reception in Southern Africa
- Relation
- Krueger, A., 2015. Whose voice is it anyway? Implications of free writing. Current Writing: Text and Reception in Southern Africa, 27(2), pp.103-110
- Relation
- Current Writing: Text and Reception in Southern Africa volume 27 number 2 p. 103 2015 2159-9130
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
- Rights
- Open Access
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- Visitors: 555
- Downloads: 73
Collections
Krueger, Anton (Prof)
RU Department of Drama
| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details Download | SOURCE1 | Whose voice is it anyway Implications of free writing.pdf | 396 KB | Adobe Acrobat PDF | View Details Download |