Impunguza matwi (Open your ears)
- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136912 , vital:37440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-13
- Description: "Cyo tya amatwi wumve abakuvuba, Balirimba akamaro ubafitiye, Si urulinu ruvuga ubasa, Ni umutima ushima ubikwiye, Turakakwanga Mubyeyi." Morality song.
- Full Text: false
- Date Issued: 1957
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136912 , vital:37440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-13
- Description: "Cyo tya amatwi wumve abakuvuba, Balirimba akamaro ubafitiye, Si urulinu ruvuga ubasa, Ni umutima ushima ubikwiye, Turakakwanga Mubyeyi." Morality song.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umosuko (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umusambi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Zigezikaragwe (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukina (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umuganura (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukantege (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Imilindi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Akanimba (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga k'i gaseke (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Indilimbo y' Ingeruzabahizi (The song of the 'Ingeruzabahizi)
- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136902 , vital:37439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-12
- Description: The song refers to the recruiting of the men of Ruanda-Urundi for work on the cooper mines of the Katanga Province in the south of the Congo Belge. The Union Miniere asked the Mwami of Ruanda for strong men for this work and when they arrived at the airfield they asked their leader which way they would travel. "It was not by land nor by water, he replied, but by air they would go." So they were taken from Usumbura to Elisabethville by air. Topical song
- Full Text: false
- Date Issued: 1957
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136902 , vital:37439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-12
- Description: The song refers to the recruiting of the men of Ruanda-Urundi for work on the cooper mines of the Katanga Province in the south of the Congo Belge. The Union Miniere asked the Mwami of Ruanda for strong men for this work and when they arrived at the airfield they asked their leader which way they would travel. "It was not by land nor by water, he replied, but by air they would go." So they were taken from Usumbura to Elisabethville by air. Topical song
- Full Text: false
- Date Issued: 1957
Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi 1993 -2005: a mediation perspective
- Authors: Kanuwa, Juma Mabasa
- Date: 2018
- Subjects: Mediation -- Tanzania , Mediation -- Burundi Conflict management -- Tanzania Conflict management -- Burundi Hutu (African people) -- Burundi
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/30671 , vital:31011
- Description: The goal of this research was to examine Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi from 1993 to 2005, from a mediation theoretical perspective. To achieve this, a critical paradigm was used as the way to view the mediation process in the Great Lakes Region. The study also aimed at attaining a grounded theoretical understanding of the topic under study, including an in depth understanding of Tanzania’s history in conflict resolution, the historical causes of Burundi’s deep-rooted social conflict, theories of conflict and conflict resolution, third party intervention and mediation theories and perspectives. This study is underpinned by Bercovitch’s Mediation Framework and its quest for problem-solving. It is a qualitative study that used documentary review, individual interviews and focus group interviews as data-gathering instruments. The selection of the study sample was carried out according to a purposive approach. The data was collected from minutes of meetings, verbatim reports, letters, journals, books, individual interviews and focus group interviews. The findings of the study culminated in three major findings which are: the finding of the first research question on Tanzania’s mediation process that Tanzania’s motivation for mediating stemmed from its traditional foreign policy, the effectiveness of the intervention stemmed from its sound understanding of the root causes of the conflict between the Hutu and Tutsi and because the parties retained ownership of the mediation process. Other success factors were due to the third-party collaboration with International Organizations, and the use of a transformative mediation approach. The finding in respect of the second research question comparing Tanzania’s mediation process with the mediation perspectives of Bercovitch and Burton was that there were similarities which were based on their assumptions in respect of social conflict, responses to conflict, the objectives of mediation, the role of mediator, the mediation action itself, the focus of mediator, timing of mediation and the success of mediation. With regards to the third question, the findings proposed improvements in respect of vii professionalism of the mediator, a change of mediation culture and attitude, the personality of mediators, diplomatic support for mediation and the institutionalisation and consolidation of conflict management. The study concluded by proposing a Professional Integration Mediation Practice (PIMP) framework. The PIMP framework was developed, based on the findings of the study, and anticipates the provision of guidance to mediators and facilitators on the use of a more Professional Integration Mediation Practice approach to facilitate a positive mediation process. The PIMP framework further provides a range of advantages in the process of conflict resolution with respect to deep–rooted social conflict. However, there is a need for agreement of international organizations on the use of professional mediators and facilitators in a mediation process. The PIMP framework can go a long way to effectively resolve deep–rooted social conflicts with the appropriate support of international organisations, and the international community as a whole.
- Full Text:
- Date Issued: 2018
- Authors: Kanuwa, Juma Mabasa
- Date: 2018
- Subjects: Mediation -- Tanzania , Mediation -- Burundi Conflict management -- Tanzania Conflict management -- Burundi Hutu (African people) -- Burundi
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/30671 , vital:31011
- Description: The goal of this research was to examine Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi from 1993 to 2005, from a mediation theoretical perspective. To achieve this, a critical paradigm was used as the way to view the mediation process in the Great Lakes Region. The study also aimed at attaining a grounded theoretical understanding of the topic under study, including an in depth understanding of Tanzania’s history in conflict resolution, the historical causes of Burundi’s deep-rooted social conflict, theories of conflict and conflict resolution, third party intervention and mediation theories and perspectives. This study is underpinned by Bercovitch’s Mediation Framework and its quest for problem-solving. It is a qualitative study that used documentary review, individual interviews and focus group interviews as data-gathering instruments. The selection of the study sample was carried out according to a purposive approach. The data was collected from minutes of meetings, verbatim reports, letters, journals, books, individual interviews and focus group interviews. The findings of the study culminated in three major findings which are: the finding of the first research question on Tanzania’s mediation process that Tanzania’s motivation for mediating stemmed from its traditional foreign policy, the effectiveness of the intervention stemmed from its sound understanding of the root causes of the conflict between the Hutu and Tutsi and because the parties retained ownership of the mediation process. Other success factors were due to the third-party collaboration with International Organizations, and the use of a transformative mediation approach. The finding in respect of the second research question comparing Tanzania’s mediation process with the mediation perspectives of Bercovitch and Burton was that there were similarities which were based on their assumptions in respect of social conflict, responses to conflict, the objectives of mediation, the role of mediator, the mediation action itself, the focus of mediator, timing of mediation and the success of mediation. With regards to the third question, the findings proposed improvements in respect of vii professionalism of the mediator, a change of mediation culture and attitude, the personality of mediators, diplomatic support for mediation and the institutionalisation and consolidation of conflict management. The study concluded by proposing a Professional Integration Mediation Practice (PIMP) framework. The PIMP framework was developed, based on the findings of the study, and anticipates the provision of guidance to mediators and facilitators on the use of a more Professional Integration Mediation Practice approach to facilitate a positive mediation process. The PIMP framework further provides a range of advantages in the process of conflict resolution with respect to deep–rooted social conflict. However, there is a need for agreement of international organizations on the use of professional mediators and facilitators in a mediation process. The PIMP framework can go a long way to effectively resolve deep–rooted social conflicts with the appropriate support of international organisations, and the international community as a whole.
- Full Text:
- Date Issued: 2018
Imilishyo y’ingoma
- Eight Hutu men (Performer), Composer not specified
- Authors: Eight Hutu men (Performer) , Composer not specified
- Subjects: Drum rhythms , Indigenous folk music , Conical drums , Cylindical drums (laced closed with wooden beaters) , Treble drum (cylindical laced with wooden beaters) , Cite Indigene , Kipushi , Katanga , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15209 , MOA14-08 , http://hdl.handle.net/10962/d1017462 , MOA14
- Description: Drum rhythms by 8 Hutu men, with 2 conical drums, 5 cylindical drums (laced, closed, with wooden beaters) and a treble drum (cylindical, laced, with wooden beaters) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Eight Hutu men (Performer) , Composer not specified
- Subjects: Drum rhythms , Indigenous folk music , Conical drums , Cylindical drums (laced closed with wooden beaters) , Treble drum (cylindical laced with wooden beaters) , Cite Indigene , Kipushi , Katanga , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15209 , MOA14-08 , http://hdl.handle.net/10962/d1017462 , MOA14
- Description: Drum rhythms by 8 Hutu men, with 2 conical drums, 5 cylindical drums (laced, closed, with wooden beaters) and a treble drum (cylindical, laced, with wooden beaters) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
“Rwanda cannot be exorcised”: representations of the trauma of the Rwandan Genocide in selected films and novels
- Authors: Jennings, Kathleen
- Date: 2023-10-13
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/425067 , vital:72206
- Description: Although the Rwandan genocide (itsembabwoko in Kinyarwanda) has often been compared with the Holocaust, in terms of literary and cinematic narratives it has been largely underrepresented, with the notable exception of the release of the films Hotel Rwanda (2004) and Sometimes in April (2005), as well as novels such as Gil Courtemanche’s A Sunday at the Pool in Kigali (2003). However, although there is now a larger oeuvre of works on the subject, they are often not widely known or disseminated beyond their countries of origin. Of even greater concern is the fact that most cinematic narratives on itsembabwoko rely on Western narrative structures in their approach to storytelling. As a result, trauma in these narratives largely tends to focus on the experiences of Western protagonists or on Rwandan protagonists from a Western point of view. This tendency can be tied to the use of Western trauma theory in exploring the effects of the genocide on its witnesses and survivors, at the expense of arguably more relevant postcolonial trauma theory. This presents a problem in theorising the trauma of itsembabwoko, which occurred in a highly specific historical context involving the processes of colonization and decolonization, and in which the difficulties in unifying a population which had been split along socio-economic lines since pre-colonial times remained unresolved. Despite its shortcomings in the postcolonial African context, it would be a mistake to dismiss Yale trauma theory entirely, however, since theorists such as Cathy Caruth still provide valuable insights into the effects of trauma on both the individual and the collective. As a result, I have sought to find commonalities between the two schools of thought, so as to create a more nuanced view of itsembabwoko, its repercussions and the violence preceding it. In writing this thesis, I have selected mostly Rwandan authors, often survivors of the genocide, whose works provide an alternative view of Rwanda’s violent history to that presented in the works mentioned above. Given that the majority of the texts I focus on have been released more recently – mostly the mid-2010s – and are less well-known than their Western counterparts, they provide the opportunity to compare first-hand accounts with those that can only partially recreate the terror of anti-Tutsi violence in Rwanda. My analysis hopefully provides a new perspective on the dominant narratives which have shaped the way in which non-Rwandan (predominantly Western) audiences understand the genocide. The overall aim of this thesis, then, is to demonstrate the importance of placing the genocide and its resultant trauma in a broader historical context, with a view to establishing that it is shortsighted to ignore the impact of pre- and post-genocide trauma on the Rwandan people when discussing itsembabwoko. Though this has been achieved in socio-historical studies, such as Mahmood Mamdani’s When Victims Become Killers: Colonialism, Nativism, and the Genocide in Rwanda, very little has been produced on literary and cinematic representations of the genocide. , Thesis (MA) -- Faculty of Humanities, Literary Studies in English 2023
- Full Text:
- Date Issued: 2023-10-13
- Authors: Jennings, Kathleen
- Date: 2023-10-13
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/425067 , vital:72206
- Description: Although the Rwandan genocide (itsembabwoko in Kinyarwanda) has often been compared with the Holocaust, in terms of literary and cinematic narratives it has been largely underrepresented, with the notable exception of the release of the films Hotel Rwanda (2004) and Sometimes in April (2005), as well as novels such as Gil Courtemanche’s A Sunday at the Pool in Kigali (2003). However, although there is now a larger oeuvre of works on the subject, they are often not widely known or disseminated beyond their countries of origin. Of even greater concern is the fact that most cinematic narratives on itsembabwoko rely on Western narrative structures in their approach to storytelling. As a result, trauma in these narratives largely tends to focus on the experiences of Western protagonists or on Rwandan protagonists from a Western point of view. This tendency can be tied to the use of Western trauma theory in exploring the effects of the genocide on its witnesses and survivors, at the expense of arguably more relevant postcolonial trauma theory. This presents a problem in theorising the trauma of itsembabwoko, which occurred in a highly specific historical context involving the processes of colonization and decolonization, and in which the difficulties in unifying a population which had been split along socio-economic lines since pre-colonial times remained unresolved. Despite its shortcomings in the postcolonial African context, it would be a mistake to dismiss Yale trauma theory entirely, however, since theorists such as Cathy Caruth still provide valuable insights into the effects of trauma on both the individual and the collective. As a result, I have sought to find commonalities between the two schools of thought, so as to create a more nuanced view of itsembabwoko, its repercussions and the violence preceding it. In writing this thesis, I have selected mostly Rwandan authors, often survivors of the genocide, whose works provide an alternative view of Rwanda’s violent history to that presented in the works mentioned above. Given that the majority of the texts I focus on have been released more recently – mostly the mid-2010s – and are less well-known than their Western counterparts, they provide the opportunity to compare first-hand accounts with those that can only partially recreate the terror of anti-Tutsi violence in Rwanda. My analysis hopefully provides a new perspective on the dominant narratives which have shaped the way in which non-Rwandan (predominantly Western) audiences understand the genocide. The overall aim of this thesis, then, is to demonstrate the importance of placing the genocide and its resultant trauma in a broader historical context, with a view to establishing that it is shortsighted to ignore the impact of pre- and post-genocide trauma on the Rwandan people when discussing itsembabwoko. Though this has been achieved in socio-historical studies, such as Mahmood Mamdani’s When Victims Become Killers: Colonialism, Nativism, and the Genocide in Rwanda, very little has been produced on literary and cinematic representations of the genocide. , Thesis (MA) -- Faculty of Humanities, Literary Studies in English 2023
- Full Text:
- Date Issued: 2023-10-13
Uruchantege
- Group of Hutu drummers, Hugh Tracey
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183625 , vital:44016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-07
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183625 , vital:44016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-07
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957
Imirindi
- Group of Hutu drummers, Hugh Tracey
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183634 , vital:44017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-08
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183634 , vital:44017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-08
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957
Urucantege
- Bijyiyobyenda, Simon, 8 Hutu men, Composer not specified, Tracey, Hugh
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244758 , vital:51292 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT532-L154 , Research no. L3H2a
- Description: Indigenous folk drum rhythms with 8 conical drums.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244758 , vital:51292 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT532-L154 , Research no. L3H2a
- Description: Indigenous folk drum rhythms with 8 conical drums.
- Full Text: false
- Date Issued: 1957-08-02
Ibiteyo
- Bijyiyobyenda, Simon, 8 Hutu men, Composer not specified, Tracey, Hugh
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244641 , vital:51279 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1a
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244641 , vital:51279 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1a
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02