Oui ou non
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128663 , vital:36136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-08
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128663 , vital:36136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-08
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Matayi
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128690 , vital:36139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-11
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128690 , vital:36139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-11
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Tibilila
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Gnewagne
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128658 , vital:36135 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-07
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128658 , vital:36135 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-07
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Ousmane
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128685 , vital:36138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-10
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128685 , vital:36138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-10
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Sodia
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128604 , vital:36127 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-01
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128604 , vital:36127 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-01
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Tamayi
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128649 , vital:36134 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-06
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128649 , vital:36134 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-06
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Afo Pardon
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128622 , vital:36130 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-03
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128622 , vital:36130 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-03
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Amoussoussa
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128613 , vital:36129 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-02
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128613 , vital:36129 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-02
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Kolondji
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Adama
- Kenza Batoma Diallo (author, composer, lead singer), Aliou Traore (violin), Benogo Diakite (ngoni, kangnan), Kabin Kaba Diakite (guitar, bass, yabara), Halima Sangare (chorus), Souleymane Dembele (balafon), Kalibou Diarra (djembe), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Kenza Batoma Diallo (author, composer, lead singer) , Aliou Traore (violin) , Benogo Diakite (ngoni, kangnan) , Kabin Kaba Diakite (guitar, bass, yabara) , Halima Sangare (chorus) , Souleymane Dembele (balafon) , Kalibou Diarra (djembe) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1998
- Subjects: Popular music , Folk music , Africa Mali Bamako f-ml
- Language: Fulani
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129758 , vital:36328 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC32-07
- Description: Traditional Malian music from the south, performed on traditional instruments, ngoni, kangnan, yabara, balafon, djembe and a violin
- Full Text: false
- Date Issued: 1998
- Authors: Kenza Batoma Diallo (author, composer, lead singer) , Aliou Traore (violin) , Benogo Diakite (ngoni, kangnan) , Kabin Kaba Diakite (guitar, bass, yabara) , Halima Sangare (chorus) , Souleymane Dembele (balafon) , Kalibou Diarra (djembe) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1998
- Subjects: Popular music , Folk music , Africa Mali Bamako f-ml
- Language: Fulani
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129758 , vital:36328 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC32-07
- Description: Traditional Malian music from the south, performed on traditional instruments, ngoni, kangnan, yabara, balafon, djembe and a violin
- Full Text: false
- Date Issued: 1998
The evolution of fashion discourse: examining vogue magazine’s role as fashion authority
- Authors: Wissink, Emma Seline
- Date: 2018
- Subjects: Fashion -- Research , Fashion -- Forecasting Clothing trade -- Forecasting Advertising -- Fashion Fashion writing
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/36026 , vital:33883
- Description: The aim of this study was to investigate the evolution of Vogue magazine’s role as a fashion authority. The methodology of Foucauldian discourse analysis motivated the enquiry into the establishment of Vogue’s fashion authority over time. The corpus of Vogue’s September Point of View editorials between the period of 1960 and 2015 was divided into four epochs using the period of editorship held by the four editors (Jessica Daves, Diana Vreeland, Grace Mirabella and Anna Wintour). Features of Vogue’s discourse were identified in literature and applied to the corpus using a concurrent embedded mixed methods approach, employing the quantitative and qualitative methods of content and discourse analysis respectively. The analysis suggested that Vogue maintained fashion authority through changing its discourse to suit changes occurring in the field of fashion and the evolving needs and perspectives of the reader. Changes in the way Vogue presents itself; addresses the reader; attributes material, commercial, or intellectual features to fashion; addresses concepts of time and novelty; and negotiates the relationship between American fashion and European or global fashion were the focus of the analysis. The findings conceptualise Vogue’s voice as evolving through the four roles of reporting, fictionalizing, translating and connecting fashion. The shift in Vogue’s voice suggests that the conceptualization of fashion in the publication shifts towards a more abstract and general conception of fashion and reader. The results suggest that Vogue’s fashion discourse shifts from a focus on the specific material features of fashion and craft and the conception of fashion as news and Vogue as a reporter towards a focus on the more abstract, general intellectual and commercial properties of fashion and the conception of fashion as commerce promoting Vogue’s role as a facilitating platform.
- Full Text:
- Date Issued: 2018
- Authors: Wissink, Emma Seline
- Date: 2018
- Subjects: Fashion -- Research , Fashion -- Forecasting Clothing trade -- Forecasting Advertising -- Fashion Fashion writing
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/36026 , vital:33883
- Description: The aim of this study was to investigate the evolution of Vogue magazine’s role as a fashion authority. The methodology of Foucauldian discourse analysis motivated the enquiry into the establishment of Vogue’s fashion authority over time. The corpus of Vogue’s September Point of View editorials between the period of 1960 and 2015 was divided into four epochs using the period of editorship held by the four editors (Jessica Daves, Diana Vreeland, Grace Mirabella and Anna Wintour). Features of Vogue’s discourse were identified in literature and applied to the corpus using a concurrent embedded mixed methods approach, employing the quantitative and qualitative methods of content and discourse analysis respectively. The analysis suggested that Vogue maintained fashion authority through changing its discourse to suit changes occurring in the field of fashion and the evolving needs and perspectives of the reader. Changes in the way Vogue presents itself; addresses the reader; attributes material, commercial, or intellectual features to fashion; addresses concepts of time and novelty; and negotiates the relationship between American fashion and European or global fashion were the focus of the analysis. The findings conceptualise Vogue’s voice as evolving through the four roles of reporting, fictionalizing, translating and connecting fashion. The shift in Vogue’s voice suggests that the conceptualization of fashion in the publication shifts towards a more abstract and general conception of fashion and reader. The results suggest that Vogue’s fashion discourse shifts from a focus on the specific material features of fashion and craft and the conception of fashion as news and Vogue as a reporter towards a focus on the more abstract, general intellectual and commercial properties of fashion and the conception of fashion as commerce promoting Vogue’s role as a facilitating platform.
- Full Text:
- Date Issued: 2018
N'gotolen
- Rokia Traore (author, composer, arranger, interpreter, lead singer), Adama Diarra (balafon), Toumani Diabate (kora), Andra Kouyate (N'Goni), Mamah Diabate (N'Goni Ba), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer) , Adama Diarra (balafon) , Toumani Diabate (kora) , Andra Kouyate (N'Goni) , Mamah Diabate (N'Goni Ba) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131145 , vital:36528 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-11
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer) , Adama Diarra (balafon) , Toumani Diabate (kora) , Andra Kouyate (N'Goni) , Mamah Diabate (N'Goni Ba) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131145 , vital:36528 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-11
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Yaafa N'ma
- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate (N'Goni), Sidiki Camara (percussion), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131123 , vital:36526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-09
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131123 , vital:36526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-09
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Wanita
- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate, Andra Kouyate (N'Goni), Sidiki Camara (percussion), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate, Andra Kouyate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131018 , vital:36515 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-02
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate, Andra Kouyate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131018 , vital:36515 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-02
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Tolon
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Tama
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kounkan
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Bakouende
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Dramedjeli
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000