Abissa
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (accoustic guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127484 , vital:36016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-02
- Description: Singing accompanied by synthesiser, percussion, guitars
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127484 , vital:36016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-02
- Description: Singing accompanied by synthesiser, percussion, guitars
- Full Text: false
- Date Issued: 2000
Remix Abissa
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127580 , vital:36023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-08
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127580 , vital:36023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-08
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Ah! les hommes
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser, Briskard Kouadio (accoustic guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser , Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127459 , vital:36013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-01
- Description: Ivorian band with solo and chorus,accompained by synthesiser, guitars and percission
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser , Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127459 , vital:36013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-01
- Description: Ivorian band with solo and chorus,accompained by synthesiser, guitars and percission
- Full Text: false
- Date Issued: 2000
Lekoussa
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (accoustic guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127509 , vital:36018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-03
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127509 , vital:36018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-03
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Belesky
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127558 , vital:36021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-06
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127558 , vital:36021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-06
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Moya
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127541 , vital:36020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-05
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127541 , vital:36020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-05
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Minwoun
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127563 , vital:36022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-07
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127563 , vital:36022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-07
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Maudit soit de jour
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127518 , vital:36019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-04
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127518 , vital:36019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-04
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
a Eee jawila lelo
- Yao girls at the African Hospital, Zomba, performer not specified, composer not specified, Tracey, Hugh
- Authors: Yao girls at the African Hospital, Zomba , performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/391448 , vital:68652 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0817-C5J29
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Yao girls at the African Hospital, Zomba , performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/391448 , vital:68652 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0817-C5J29
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mukanda ngalwo Nyamulenzhe
- Kruger, Jaco (Recorded by), Shonisani, Flora (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Flora (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15614 , JKC12a-22 , http://hdl.handle.net/10962/d1008803 , Tape number: JKC12 , Original tape number: 12 , Track number: 22
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 137
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Flora (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15614 , JKC12a-22 , http://hdl.handle.net/10962/d1008803 , Tape number: JKC12 , Original tape number: 12 , Track number: 22
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 137
- Full Text: false
Mathipiruthi vamillako
- Lomwe men at Kapele Government Lines, Blantrye, performer not specified, M. Newa, Tracey, Hugh
- Authors: Lomwe men at Kapele Government Lines, Blantrye , performer not specified , M. Newa , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/393227 , vital:68844 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0843-C5N22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Lomwe men at Kapele Government Lines, Blantrye , performer not specified , M. Newa , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/393227 , vital:68844 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0843-C5N22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Nadu
- Medje Men (Performer), Composer unknown
- Authors: Medje Men (Performer) , Composer unknown
- Subjects: Folk dance song , Drums , Nabita , Nedundu , Nekbokbo , Emandru , Nengbongbo , Rattles , Nezeza , Hand bell , Marriage dance song , Medje , Paulis , Northern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15411 , MOA29-15 , http://hdl.handle.net/10962/d1017717 , MOA29
- Description: Marriage dance song accompanied by 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Medje Men (Performer) , Composer unknown
- Subjects: Folk dance song , Drums , Nabita , Nedundu , Nekbokbo , Emandru , Nengbongbo , Rattles , Nezeza , Hand bell , Marriage dance song , Medje , Paulis , Northern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15411 , MOA29-15 , http://hdl.handle.net/10962/d1017717 , MOA29
- Description: Marriage dance song accompanied by 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Sekerera ngoma
- Furedi Benhura, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Furedi Benhura , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381075 , vital:67523 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0562-C6C3a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Furedi Benhura , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381075 , vital:67523 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0562-C6C3a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Agreement and coordination in XiTsonga, SeSotho and IsiXhosa: an optimality theoretic perspective
- Authors: Mitchley, Hazel
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3423 , vital:20491
- Description: This thesis provides a unified Optimality Theoretic analysis of subject-verb agreement with coordinated preverbal subjects in three Southern Bantu languages: Xitsonga (S53), Sesotho (S33), and isiXhosa (S41). This analysis is then used to formulate a typology of agreement resolution strategies and the contexts which trigger them. Although some accounts in the Bantu literature suggest that agreement with coordinate structures is avoided by speakers (e.g. Schadeberg 1992, Voeltz 1971) especially when conjuncts are from different noun classes, I show that there is ample evidence to the contrary, and that the subject marker used is dependent on several factors, including (i) the [-HUMAN] specification on the conjuncts, (ii) whether the conjuncts are singular or plural, (iii) whether or not the conjuncts both carry the same noun class feature, and (iv) the order of the conjuncts. This thesis shows that there are various agreement resolution strategies which can beused: 1) agreement with the [+HUMAN] feature on the conjuncts, 2) agreement with the[-HUMAN] feature on the conjuncts, 3) agreement with the noun class feature on both conjuncts, 4) agreement with the noun class feature on the conjunct closest to the verb, and 5) agreement with the noun class feature on the conjunct furthest from the verb. Not all of these strategies are used by all languages, nor are these strategies interchangeable in the languages which do use them – instead, multiple factors conspire to trigger the use of a specific agreement strategy within a specific agreement featural context. I show that these effects can be captured using Optimality Theory (Prince and Smolensky 2004). The analysis makes use of seven constraints: RES#, MAX[+H], MAX[-H], DEP[-H], MAXNC, DEPNC, and AGREECLOSEST. The hierarchical ranking of these constraints not only accounts for the confinement of particular strategies to specific agreement featural contexts within a language, but also accounts for the cross-linguistic differences in the use of these strategies. I end off by examining the typological implications which follow from the OT analysis provided in this thesis.
- Full Text:
- Date Issued: 2016
- Authors: Mitchley, Hazel
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3423 , vital:20491
- Description: This thesis provides a unified Optimality Theoretic analysis of subject-verb agreement with coordinated preverbal subjects in three Southern Bantu languages: Xitsonga (S53), Sesotho (S33), and isiXhosa (S41). This analysis is then used to formulate a typology of agreement resolution strategies and the contexts which trigger them. Although some accounts in the Bantu literature suggest that agreement with coordinate structures is avoided by speakers (e.g. Schadeberg 1992, Voeltz 1971) especially when conjuncts are from different noun classes, I show that there is ample evidence to the contrary, and that the subject marker used is dependent on several factors, including (i) the [-HUMAN] specification on the conjuncts, (ii) whether the conjuncts are singular or plural, (iii) whether or not the conjuncts both carry the same noun class feature, and (iv) the order of the conjuncts. This thesis shows that there are various agreement resolution strategies which can beused: 1) agreement with the [+HUMAN] feature on the conjuncts, 2) agreement with the[-HUMAN] feature on the conjuncts, 3) agreement with the noun class feature on both conjuncts, 4) agreement with the noun class feature on the conjunct closest to the verb, and 5) agreement with the noun class feature on the conjunct furthest from the verb. Not all of these strategies are used by all languages, nor are these strategies interchangeable in the languages which do use them – instead, multiple factors conspire to trigger the use of a specific agreement strategy within a specific agreement featural context. I show that these effects can be captured using Optimality Theory (Prince and Smolensky 2004). The analysis makes use of seven constraints: RES#, MAX[+H], MAX[-H], DEP[-H], MAXNC, DEPNC, and AGREECLOSEST. The hierarchical ranking of these constraints not only accounts for the confinement of particular strategies to specific agreement featural contexts within a language, but also accounts for the cross-linguistic differences in the use of these strategies. I end off by examining the typological implications which follow from the OT analysis provided in this thesis.
- Full Text:
- Date Issued: 2016
Ndiri
- Lokwa Albert na Iarimo (Performer), Composer not specified
- Authors: Lokwa Albert na Iarimo (Performer) , Composer not specified
- Subjects: Duet , Indigenous folk music , Likembe natine (treble) , Likembe minu (bass) , Box with mirliton buzzer and sound-hole , Bunia , North Eastern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15380 , MOA28-04 , http://hdl.handle.net/10962/d1017686 , MOA28
- Description: Duet with likembes; natine (treble) and minu (bass), by Lokwa Albert na Iarimo , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Lokwa Albert na Iarimo (Performer) , Composer not specified
- Subjects: Duet , Indigenous folk music , Likembe natine (treble) , Likembe minu (bass) , Box with mirliton buzzer and sound-hole , Bunia , North Eastern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15380 , MOA28-04 , http://hdl.handle.net/10962/d1017686 , MOA28
- Description: Duet with likembes; natine (treble) and minu (bass), by Lokwa Albert na Iarimo , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Towards the performer-creator in contemporary mime, with specific reference to the physical theatre of Andrew Buckland, 1988-2000
- Authors: Murray, Robert Ian
- Date: 2002
- Subjects: Buckland, Andrew , Mime , Mimes -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2158 , http://hdl.handle.net/10962/d1007720
- Description: Part one of this thesis investigates the conceptualisation of the performer-creator and its relevance in late twentieth century physical performance by examining some of the theoretical, but mainly artistic, traditions that suggest a movement towards this. Chapter one tackles the question of definition, linking mime within a wider physical theatre phenomenon. Chapter two looks at the importance of mime training for contemporary performance. This requires a focus on selected theatre practitioners who have significantly advanced the development of mime training and performance during the twentieth century. Chapter three examines the issue of silence in mime and questions a potential liberation of the word and language in contemporary performance and consequently how this affects the role of the performer, particularly in South Africa. Chapter four investigates the figure of the theatrical clown and how this late twentieth century development is playing an increasingly important role in contemporary performance. Chapter five then wraps up part one by pulling the preceding chapters together and thereby providing a working conceptualisation of the performer-creator, locating it within an overall appreciation of contemporary mime. Part two then tests the notion of the performer-creator by focussing on a case study through the investigation of Andrew Buckland to develop this idea. Andrew Buckland, and his work under the ethos of Mouthpeace from 1988-2000, provides a clear and unique example of this movement in contemporary South African performance. Trained as an actor and in classical illusion-based mime technique, as well as many dance forms such as ballet, contemporary and jazz, he has virtually single-handedly created and shaped a particular performance trend that is in line with contemporary international trends but retains a distinctive South African flavour. There is no space to attempt a definitive or exhaustive examination of his works, and nor is the intent to do so; rather, the aim is to draw from his work their essences that reveal his development as an artist: as both a creator and a performer.
- Full Text:
- Date Issued: 2002
- Authors: Murray, Robert Ian
- Date: 2002
- Subjects: Buckland, Andrew , Mime , Mimes -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2158 , http://hdl.handle.net/10962/d1007720
- Description: Part one of this thesis investigates the conceptualisation of the performer-creator and its relevance in late twentieth century physical performance by examining some of the theoretical, but mainly artistic, traditions that suggest a movement towards this. Chapter one tackles the question of definition, linking mime within a wider physical theatre phenomenon. Chapter two looks at the importance of mime training for contemporary performance. This requires a focus on selected theatre practitioners who have significantly advanced the development of mime training and performance during the twentieth century. Chapter three examines the issue of silence in mime and questions a potential liberation of the word and language in contemporary performance and consequently how this affects the role of the performer, particularly in South Africa. Chapter four investigates the figure of the theatrical clown and how this late twentieth century development is playing an increasingly important role in contemporary performance. Chapter five then wraps up part one by pulling the preceding chapters together and thereby providing a working conceptualisation of the performer-creator, locating it within an overall appreciation of contemporary mime. Part two then tests the notion of the performer-creator by focussing on a case study through the investigation of Andrew Buckland to develop this idea. Andrew Buckland, and his work under the ethos of Mouthpeace from 1988-2000, provides a clear and unique example of this movement in contemporary South African performance. Trained as an actor and in classical illusion-based mime technique, as well as many dance forms such as ballet, contemporary and jazz, he has virtually single-handedly created and shaped a particular performance trend that is in line with contemporary international trends but retains a distinctive South African flavour. There is no space to attempt a definitive or exhaustive examination of his works, and nor is the intent to do so; rather, the aim is to draw from his work their essences that reveal his development as an artist: as both a creator and a performer.
- Full Text:
- Date Issued: 2002
Paisekele
- Botha, Karika (Recorded by), Sesotho children (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Love song , Clapping
- Type: Music , Sound
- Identifier: vital:15699 , JKC17b-29 , http://hdl.handle.net/10962/d1008888 , Tape number: JKC17 , Original tape number: 17 , Track number: 29
- Description: English translation of title: 'Bicycle' , Love song with clapping accompaniment about a damaged bicycle used for visiting a lover , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Love song , Clapping
- Type: Music , Sound
- Identifier: vital:15699 , JKC17b-29 , http://hdl.handle.net/10962/d1008888 , Tape number: JKC17 , Original tape number: 17 , Track number: 29
- Description: English translation of title: 'Bicycle' , Love song with clapping accompaniment about a damaged bicycle used for visiting a lover , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Manyanga drum rhythms I
- Husuni Isike Salumu Athman and Ramadhani Khuluwa (Performer), Rasomangila (Composer)
- Authors: Husuni Isike Salumu Athman and Ramadhani Khuluwa (Performer) , Rasomangila (Composer)
- Subjects: Drum rhythms , Bell , Baraza Ndono , Tabora District , Tanganyika (Tanzania)
- Type: Sound , Music
- Identifier: vital:15400 , MOA29-04 , http://hdl.handle.net/10962/d1017706 , MOA29
- Description: Drum rhythm tune accompanied by 3 conical drums, 1 globlet drum and small bells , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Husuni Isike Salumu Athman and Ramadhani Khuluwa (Performer) , Rasomangila (Composer)
- Subjects: Drum rhythms , Bell , Baraza Ndono , Tabora District , Tanganyika (Tanzania)
- Type: Sound , Music
- Identifier: vital:15400 , MOA29-04 , http://hdl.handle.net/10962/d1017706 , MOA29
- Description: Drum rhythm tune accompanied by 3 conical drums, 1 globlet drum and small bells , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Chiwele dance rhythm
- Seyombe, Magaya, Composer not specified, Tracey, Hugh
- Authors: Seyombe, Magaya , Composer not specified , Tracey, Hugh
- Date: 1949-09-19
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Tete f-mz
- Language: Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210033 , vital:47452 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT115-C133 , Research no. C5Q13
- Description: Indigenous folk song for self entertainment, with singing accompanied by a 28 note njari.
- Full Text: false
- Date Issued: 1949-09-19
- Authors: Seyombe, Magaya , Composer not specified , Tracey, Hugh
- Date: 1949-09-19
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Tete f-mz
- Language: Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210033 , vital:47452 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT115-C133 , Research no. C5Q13
- Description: Indigenous folk song for self entertainment, with singing accompanied by a 28 note njari.
- Full Text: false
- Date Issued: 1949-09-19
Speech by Chief Mwanjawanthu
- Chief Mwanjawanthu, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Chief Mwanjawanthu , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/380191 , vital:67428 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0549-C4V22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chief Mwanjawanthu , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/380191 , vital:67428 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0549-C4V22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949