The potential of claywork to facilitate the integration of the self in psychotherapy with an adult survivor of childhood trauma: a Jungian perspective
- Authors: Smuts, Tanja
- Date: 2005
- Subjects: Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3062 , http://hdl.handle.net/10962/d1002571 , Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Description: The aim of this thesis was to explore the experience of “self” within the clinical context of adult survivors of childhood trauma. Childhood trauma in this study referred to a range of childhood experiences of emotional and physical assault, including encounters with various kinds of abuse and neglect. The focus was on the experience of a sense of disintegration and dislocation, associated to aspects of self being in conflict. This was explored from theoretical perspectives of Jungian analytic psychology, as well as art therapy.Answers were sought to the questions of how claywork, as a form of art therapy, may facilitate the integration of the self and contribute to the development of a healing dialogue with feared and hated aspects of self. Grounded in Jungian theory, integration of the self was conceptualised as a movement towards “differentiating wholeness”. The study took the form of a phenomenological-hermeneutic case study. One participant’s experience of making and discussing a clay sculpture in a therapeutic setting according to Edwards’ method, was analysed thematically. It was concluded that the potential of claywork in therapy to facilitate the integration of the self is related to three aspects. Firstly, claywork in therapy may promote a concrete personification of feared and hated aspects of self, which may enable the maker to view these aspects from a distance, and learn to understand them in a new way. Secondly, claywork in therapy may facilitate the safe ‘unearthing’ of repressed feelings as well as hidden aspects of the personality. Thirdly, claywork’s potential to mediate symbolic functioning was shown to be an important aspect of the integration process. These findings confirmed and extended existing theory regarding the usefulness of claywork in psychotherapy with adult survivors of childhood trauma. Brief recommendations for future research were provided.
- Full Text:
- Date Issued: 2005
- Authors: Smuts, Tanja
- Date: 2005
- Subjects: Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3062 , http://hdl.handle.net/10962/d1002571 , Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Description: The aim of this thesis was to explore the experience of “self” within the clinical context of adult survivors of childhood trauma. Childhood trauma in this study referred to a range of childhood experiences of emotional and physical assault, including encounters with various kinds of abuse and neglect. The focus was on the experience of a sense of disintegration and dislocation, associated to aspects of self being in conflict. This was explored from theoretical perspectives of Jungian analytic psychology, as well as art therapy.Answers were sought to the questions of how claywork, as a form of art therapy, may facilitate the integration of the self and contribute to the development of a healing dialogue with feared and hated aspects of self. Grounded in Jungian theory, integration of the self was conceptualised as a movement towards “differentiating wholeness”. The study took the form of a phenomenological-hermeneutic case study. One participant’s experience of making and discussing a clay sculpture in a therapeutic setting according to Edwards’ method, was analysed thematically. It was concluded that the potential of claywork in therapy to facilitate the integration of the self is related to three aspects. Firstly, claywork in therapy may promote a concrete personification of feared and hated aspects of self, which may enable the maker to view these aspects from a distance, and learn to understand them in a new way. Secondly, claywork in therapy may facilitate the safe ‘unearthing’ of repressed feelings as well as hidden aspects of the personality. Thirdly, claywork’s potential to mediate symbolic functioning was shown to be an important aspect of the integration process. These findings confirmed and extended existing theory regarding the usefulness of claywork in psychotherapy with adult survivors of childhood trauma. Brief recommendations for future research were provided.
- Full Text:
- Date Issued: 2005
The use of the female voice in three novels by J.M. Coetzee
- Authors: Graham, Lucy Valerie
- Date: 1997
- Subjects: Coetzee, J. M., 1940- -- Criticism and interpretation , Coetzee, J. M., 1940- Foe , Coetzee, J. M., 1940- In the heart of the country , Coetzee, J. M., 1940- Age Of Iron , Women in literature , Voice in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2224 , http://hdl.handle.net/10962/d1002267 , Coetzee, J. M., 1940- -- Criticism and interpretation , Coetzee, J. M., 1940- Foe , Coetzee, J. M., 1940- In the heart of the country , Coetzee, J. M., 1940- Age Of Iron , Women in literature , Voice in literature
- Description: This study investigates J.M. Coetzee's use of the female voice in In the Heart of the Country, Foe and Age of Iron, and is based on the premise that Coetzee's position as a male author using a female voice is important for readings of these novels. Although the implications of Coetzee's strategy are examined against the theoretical background of feminist or gender-related discourses, this study does not attempt to claim Coetzee for feminism, nor to prove him a misogynist. Instead, it focuses on the specific positional and narrative possibilities afforded by Coetzee's use of a female voice. Chapter One comments on the fact that Coetzee's strategy of "textual cross-dressing" has not been given much critical attention in the past, observing that research on South African literature has largely been limited to studies of racial and colonial problematics. This introductory chapter mentions that the different female narrators in Coetzee's novels articulate aspects of a discourse in crisis, resulting in profound ambivalence in their representation. Chapter Two observes that the female voices in Coetzee's novels invoke the textual illusion of a speaking/writing female body, and explains that this is useful in expressing aspects of what Coetzee refers to as the suffering body. Although Coetzee appropriates a female narrative position and employs certain subversive textual elements associated with "the feminine", attempts made by certain critics to label Coetzee's writing as ecriture feminine are rejected as highly problematic. Instead, the study contends that the femaleness of the narrators relative to "masculine" discursive power enables Coetzee to perform a critique of power "from a position of weakness". Furthermore, the presence of certain "feminine" elements within these narrators suggests Coetzee's affiliation with characteristics derided within phallocratic discourses, and becomes a strategic means of fictive self-positioning, of figuring his own position as a dissident. Chapter Three is a study of In the Heart of the Country, and proposes that Magda is represented as a typical nineteenth century hysteric. Her hystericized narrative is linked to certain avant-garde narratives, such as the nouveau roman and "New Wave" cinematography, both cited by Coetzee as influences on the novel. Furthermore, the novel provides insight into the ambiguous role of the hysteric and dramatises the position of the dissident: on a discursive level Magda's narrative is subversive, and yet in terms of social "reality" her revolt is ineffectual. Chapter Four addresses the issue of author-ity in Foe, and draws on Coetzee's affiliation with Susan Barton, the struggling authoress, whose narrative reveals the levels of power and authority operating within, novelistic discourse when she asks "Who ,is speaking me?". The study observes that Foe also performs a critique of the power-seeking project of liberal feminism, as the novel sets Susan's quest for authorship against the background of a more radical "otherness", that of Friday. Chapter Five asserts that Age of Iron exploits the ethical possibilities of a maternal discourse. Tracing parallels between images of motherhood in psychoanalytic feminism and in Age of Iron, this chapter argues that Kristeva's theory of abjection is relevant for a reading of Elizabeth Curren's position as a mother who has cancer. The childbirth metaphor as it appears in Age- of Iron becomes an alternative and profoundly ethical way of figuring the process of novel writing.
- Full Text:
- Date Issued: 1997
- Authors: Graham, Lucy Valerie
- Date: 1997
- Subjects: Coetzee, J. M., 1940- -- Criticism and interpretation , Coetzee, J. M., 1940- Foe , Coetzee, J. M., 1940- In the heart of the country , Coetzee, J. M., 1940- Age Of Iron , Women in literature , Voice in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2224 , http://hdl.handle.net/10962/d1002267 , Coetzee, J. M., 1940- -- Criticism and interpretation , Coetzee, J. M., 1940- Foe , Coetzee, J. M., 1940- In the heart of the country , Coetzee, J. M., 1940- Age Of Iron , Women in literature , Voice in literature
- Description: This study investigates J.M. Coetzee's use of the female voice in In the Heart of the Country, Foe and Age of Iron, and is based on the premise that Coetzee's position as a male author using a female voice is important for readings of these novels. Although the implications of Coetzee's strategy are examined against the theoretical background of feminist or gender-related discourses, this study does not attempt to claim Coetzee for feminism, nor to prove him a misogynist. Instead, it focuses on the specific positional and narrative possibilities afforded by Coetzee's use of a female voice. Chapter One comments on the fact that Coetzee's strategy of "textual cross-dressing" has not been given much critical attention in the past, observing that research on South African literature has largely been limited to studies of racial and colonial problematics. This introductory chapter mentions that the different female narrators in Coetzee's novels articulate aspects of a discourse in crisis, resulting in profound ambivalence in their representation. Chapter Two observes that the female voices in Coetzee's novels invoke the textual illusion of a speaking/writing female body, and explains that this is useful in expressing aspects of what Coetzee refers to as the suffering body. Although Coetzee appropriates a female narrative position and employs certain subversive textual elements associated with "the feminine", attempts made by certain critics to label Coetzee's writing as ecriture feminine are rejected as highly problematic. Instead, the study contends that the femaleness of the narrators relative to "masculine" discursive power enables Coetzee to perform a critique of power "from a position of weakness". Furthermore, the presence of certain "feminine" elements within these narrators suggests Coetzee's affiliation with characteristics derided within phallocratic discourses, and becomes a strategic means of fictive self-positioning, of figuring his own position as a dissident. Chapter Three is a study of In the Heart of the Country, and proposes that Magda is represented as a typical nineteenth century hysteric. Her hystericized narrative is linked to certain avant-garde narratives, such as the nouveau roman and "New Wave" cinematography, both cited by Coetzee as influences on the novel. Furthermore, the novel provides insight into the ambiguous role of the hysteric and dramatises the position of the dissident: on a discursive level Magda's narrative is subversive, and yet in terms of social "reality" her revolt is ineffectual. Chapter Four addresses the issue of author-ity in Foe, and draws on Coetzee's affiliation with Susan Barton, the struggling authoress, whose narrative reveals the levels of power and authority operating within, novelistic discourse when she asks "Who ,is speaking me?". The study observes that Foe also performs a critique of the power-seeking project of liberal feminism, as the novel sets Susan's quest for authorship against the background of a more radical "otherness", that of Friday. Chapter Five asserts that Age of Iron exploits the ethical possibilities of a maternal discourse. Tracing parallels between images of motherhood in psychoanalytic feminism and in Age of Iron, this chapter argues that Kristeva's theory of abjection is relevant for a reading of Elizabeth Curren's position as a mother who has cancer. The childbirth metaphor as it appears in Age- of Iron becomes an alternative and profoundly ethical way of figuring the process of novel writing.
- Full Text:
- Date Issued: 1997
Group photograph believed to be of the bride, Julia Marguerite Maria? van der Riet and groom, Commander C Woolley, their family and guests, including a number of Royal Naval officers
- Date: 1872
- Subjects: Woolley, Charles Edward Allen (1863-1940) , Van der Riet, Julia Marian Marguerite
- Type: Image
- Identifier: http://hdl.handle.net/10962/20333 , vital:22850 , PIC/M 26 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1872
- Date: 1872
- Subjects: Woolley, Charles Edward Allen (1863-1940) , Van der Riet, Julia Marian Marguerite
- Type: Image
- Identifier: http://hdl.handle.net/10962/20333 , vital:22850 , PIC/M 26 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1872
The effect of novel thiazole-derived small molecules on the neuronal differentiation of human neuroblastoma SH-SY5Y cells
- Authors: Joos-Vandewalle, Julia
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/64507 , vital:28554
- Description: Expected release date-April 2020
- Full Text:
- Date Issued: 2016
- Authors: Joos-Vandewalle, Julia
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/64507 , vital:28554
- Description: Expected release date-April 2020
- Full Text:
- Date Issued: 2016
Archontic Aporias: the mediums of memory
- Authors: Arbuckle, Julia Ruth
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408727 , vital:70520
- Description: Contextualising my research within the Eastern Cape as a descendant of 1820 settlers, I question the modalities of historical recollection by introducing memory as a viable mode of archival production alongside that of the archive. Through interrogating Eastern Cape archival institutes and employing an autoethnographic approach to my familial archives, I show that archival curation affects the gaps, schisms, and interpretations of archives as much as the ‘unreliability’ of memory. I rely on definitions from Jacques Derrida and literature from Achille Mbembe and Verne Harris, as well as reflexive methodologies, to engage the ways of remembering the past and methods of storytelling. With this undertaking, I expose the aporias within archival processes. This written component is part of broader research that encompasses theoretical study and a practice-based Fine Arts research project culminating in an exhibition that shares themes of memory, archive, trauma, and curatorial and personal heritage management. This research engages in case studies of artworks by Angela Deane and Maureen de Jager to contextualise and position the creative process. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 2023
- Full Text:
- Date Issued: 2023-03-30
- Authors: Arbuckle, Julia Ruth
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408727 , vital:70520
- Description: Contextualising my research within the Eastern Cape as a descendant of 1820 settlers, I question the modalities of historical recollection by introducing memory as a viable mode of archival production alongside that of the archive. Through interrogating Eastern Cape archival institutes and employing an autoethnographic approach to my familial archives, I show that archival curation affects the gaps, schisms, and interpretations of archives as much as the ‘unreliability’ of memory. I rely on definitions from Jacques Derrida and literature from Achille Mbembe and Verne Harris, as well as reflexive methodologies, to engage the ways of remembering the past and methods of storytelling. With this undertaking, I expose the aporias within archival processes. This written component is part of broader research that encompasses theoretical study and a practice-based Fine Arts research project culminating in an exhibition that shares themes of memory, archive, trauma, and curatorial and personal heritage management. This research engages in case studies of artworks by Angela Deane and Maureen de Jager to contextualise and position the creative process. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 2023
- Full Text:
- Date Issued: 2023-03-30
Ageing, wellbeing and development: Brazil and South Africa
- Barrientos, Amando, Moller, Valerie, Saboia, Joao, Lloyd-Sherlock, Peter, Mase, Julia
- Authors: Barrientos, Amando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2018
- Language: English
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/61690 , vital:28049 , https://books.google.co.za/books?id=0tFMDwAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
- Full Text: false
- Date Issued: 2018
- Authors: Barrientos, Amando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2018
- Language: English
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/61690 , vital:28049 , https://books.google.co.za/books?id=0tFMDwAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
- Full Text: false
- Date Issued: 2018
Rhodes University Graduation Ceremony 1982
- Authors: Rhodes University
- Date: 1982
- Language: English
- Type: text
- Identifier: vital:8117 , http://hdl.handle.net/10962/d1004575
- Description: Rhodes University Graduation Ceremonies on Friday, 16 April 1982 at 8 p.m. [and] on Saturday, 17 April 1982 at 10 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1982
- Authors: Rhodes University
- Date: 1982
- Language: English
- Type: text
- Identifier: vital:8117 , http://hdl.handle.net/10962/d1004575
- Description: Rhodes University Graduation Ceremonies on Friday, 16 April 1982 at 8 p.m. [and] on Saturday, 17 April 1982 at 10 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1982
Rhodes University Graduation Ceremony 1990
- Authors: Rhodes University
- Date: 1990
- Language: English
- Type: text
- Identifier: vital:8124 , http://hdl.handle.net/10962/d1005707
- Description: Rhodes University Graduation Ceremonies on Friday, 6 April 1990 at 8 p.m. [and] on Saturday, 7 April 1990 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 12 May 1990 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1990
- Authors: Rhodes University
- Date: 1990
- Language: English
- Type: text
- Identifier: vital:8124 , http://hdl.handle.net/10962/d1005707
- Description: Rhodes University Graduation Ceremonies on Friday, 6 April 1990 at 8 p.m. [and] on Saturday, 7 April 1990 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 12 May 1990 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1990
Julia
- Bhya and his modernaires of Port Elizabeth, composer not specified, Tracey, Hugh
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
Rhodes University Graduation Ceremony 2008
- Authors: Rhodes University
- Date: 2008
- Language: English
- Type: text
- Identifier: vital:8139 , http://hdl.handle.net/10962/d1007251
- Description: Rhodes University Graduation Ceremony [at the] 1820 Settlers National Monument Thursday, 27 March at 18:00 [and] Friday, 28 March at 10:30; 14:30 & 18:00 [and] Saturday, 29 March at 10:30
- Full Text:
- Date Issued: 2008
- Authors: Rhodes University
- Date: 2008
- Language: English
- Type: text
- Identifier: vital:8139 , http://hdl.handle.net/10962/d1007251
- Description: Rhodes University Graduation Ceremony [at the] 1820 Settlers National Monument Thursday, 27 March at 18:00 [and] Friday, 28 March at 10:30; 14:30 & 18:00 [and] Saturday, 29 March at 10:30
- Full Text:
- Date Issued: 2008
The biological control of aquatic weeds in South Africa: current status and future challenges
- Hill, Martin P, Coetzee, Julie A
- Authors: Hill, Martin P , Coetzee, Julie A
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59909 , vital:27706 , https://doi.org/10.4102/abc.v47i2.2152
- Description: Aquatic ecosystems in South Africa have been prone to invasion by introduced macrophytes since the late 1800s, when water hyacinth, Eichhornia crassipes (Mart.) Solms-Laub. (Pontederiaceae), was first recorded as naturalised in KwaZulu-Natal (Cilliers 1991). Several other species of freshwater aquatic plants, all notorious weeds in other parts of the world, have also become invasive in many of the rivers, man-made impoundments, lakes and wetlands of South Africa (Hill 2003). These are Pistia stratiotes L. (Araceae) (water lettuce); Salvinia molesta D.S. Mitch. (Salviniaceae) (salvinia); Myriophyllum aquaticum (Vell. Conc.) Verd. (parrot's feather); and Azolla filiculoides Lam. (Azollaceae) (red water fern) (Hill 2003), which along with water hyacinth comprise the 'Big Bad Five' (Henderson & Cilliers 2002). Recently, new invasive aquatic plant species have been recorded which are still at their early stages of invasion, including the submerged species, Egeria densa Planch. (Hydrocharitaceae) (Brazilian water weed) and Hydrilla verticillata (L.f.) Royle (Hydrocharitaceae); the emergent species, Sagittaria platyphylla (Engelm.) J.G.Sm. and S. latifolia Willd. (Alismataceae); Lythrum salicaria L. (Lythraceae) (purple loosestrife), Nasturtium officinale W.T. Aiton. (Brassicaceae) (watercress); Iris pseudacorus L. (Iridaceae) (yellow flag); and Hydrocleys nymphoides (Humb. & Bonpl. ex Willd.) Buchenau (Alismataceae) (water poppy); and the new floating weeds, Salvinia minima Baker (Salviniaceae) and Azolla cristata Kaulf. (Azollaceae) (Mexican azolla); and the rooted floating Nymphaea mexicana Zucc. (Nymphaeceae) (Mexican water lily) (Coetzee et al. 2011a; Coetzee, Bownes & Martin 2011b). The mode of introduction of these species is mainly through the horticultural and aquarium trade (Martin & Coetzee 2011), and two issues contribute to the invasiveness of these macrophytes following establishment: the lack of co-evolved natural enemies in their adventive range (McFadyen 1998); and disturbance, the presence of nitrate- and phosphate-enriched waters, associated with urban, agricultural and industrial pollution that promotes plant growth (Coetzee & Hill 2012).
- Full Text:
- Date Issued: 2017
- Authors: Hill, Martin P , Coetzee, Julie A
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59909 , vital:27706 , https://doi.org/10.4102/abc.v47i2.2152
- Description: Aquatic ecosystems in South Africa have been prone to invasion by introduced macrophytes since the late 1800s, when water hyacinth, Eichhornia crassipes (Mart.) Solms-Laub. (Pontederiaceae), was first recorded as naturalised in KwaZulu-Natal (Cilliers 1991). Several other species of freshwater aquatic plants, all notorious weeds in other parts of the world, have also become invasive in many of the rivers, man-made impoundments, lakes and wetlands of South Africa (Hill 2003). These are Pistia stratiotes L. (Araceae) (water lettuce); Salvinia molesta D.S. Mitch. (Salviniaceae) (salvinia); Myriophyllum aquaticum (Vell. Conc.) Verd. (parrot's feather); and Azolla filiculoides Lam. (Azollaceae) (red water fern) (Hill 2003), which along with water hyacinth comprise the 'Big Bad Five' (Henderson & Cilliers 2002). Recently, new invasive aquatic plant species have been recorded which are still at their early stages of invasion, including the submerged species, Egeria densa Planch. (Hydrocharitaceae) (Brazilian water weed) and Hydrilla verticillata (L.f.) Royle (Hydrocharitaceae); the emergent species, Sagittaria platyphylla (Engelm.) J.G.Sm. and S. latifolia Willd. (Alismataceae); Lythrum salicaria L. (Lythraceae) (purple loosestrife), Nasturtium officinale W.T. Aiton. (Brassicaceae) (watercress); Iris pseudacorus L. (Iridaceae) (yellow flag); and Hydrocleys nymphoides (Humb. & Bonpl. ex Willd.) Buchenau (Alismataceae) (water poppy); and the new floating weeds, Salvinia minima Baker (Salviniaceae) and Azolla cristata Kaulf. (Azollaceae) (Mexican azolla); and the rooted floating Nymphaea mexicana Zucc. (Nymphaeceae) (Mexican water lily) (Coetzee et al. 2011a; Coetzee, Bownes & Martin 2011b). The mode of introduction of these species is mainly through the horticultural and aquarium trade (Martin & Coetzee 2011), and two issues contribute to the invasiveness of these macrophytes following establishment: the lack of co-evolved natural enemies in their adventive range (McFadyen 1998); and disturbance, the presence of nitrate- and phosphate-enriched waters, associated with urban, agricultural and industrial pollution that promotes plant growth (Coetzee & Hill 2012).
- Full Text:
- Date Issued: 2017
Rhodes University Graduation Ceremony 2006
- Authors: Rhodes University
- Date: 2006
- Language: English
- Type: text
- Identifier: vital:8141 , http://hdl.handle.net/10962/d1007254
- Description: Rhodes University Graduation Ceremonies [at] 1820 Settlers National Monument Thursday, 6 April 2006 at 18.00 [and] Friday, 7 April 2006 at 10:30; 14:30 & 18:00 [and] Saturday, 8 April 2006 at 10:30 , Inauguration Ceremony [of] Dr Saleem Badat [as] Principal and Vice-Chancellor [at the] 1820 Settlers National Monument [on] Wednesday, 27 September 2006 at 18:15.
- Full Text:
- Date Issued: 2006
- Authors: Rhodes University
- Date: 2006
- Language: English
- Type: text
- Identifier: vital:8141 , http://hdl.handle.net/10962/d1007254
- Description: Rhodes University Graduation Ceremonies [at] 1820 Settlers National Monument Thursday, 6 April 2006 at 18.00 [and] Friday, 7 April 2006 at 10:30; 14:30 & 18:00 [and] Saturday, 8 April 2006 at 10:30 , Inauguration Ceremony [of] Dr Saleem Badat [as] Principal and Vice-Chancellor [at the] 1820 Settlers National Monument [on] Wednesday, 27 September 2006 at 18:15.
- Full Text:
- Date Issued: 2006
Understanding spatial variation in the drivers of nature-based tourism and their influence on the sustainability of private land conservation
- Baum, Julia, Cumming, Graeme S, de Vos, Alta
- Authors: Baum, Julia , Cumming, Graeme S , de Vos, Alta
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/416481 , vital:71352 , xlink:href="https://doi.org/10.1016/j.ecolecon.2017.05.005"
- Description: Protected areas connect socio-economic and ecological systems through their provision of ecosystem goods and services. Analysis of ecosystem services allows the expression of ecological benefits in economic terms. However, cultural services, such as recreation opportunities, have proved difficult to quantify. An important challenge for the analysis of cultural services is to understand the geography of service provision in relation to both human and ecological system elements. We used data on visitation rates and measures of context, content, connectivity, and location for 64 private land conservation areas (PLCAs) to better understand geographic influences on cultural service provision. Visitation to PLCAs was influenced by a combination of ecological and socio-economic drivers. Variance partitioning analysis showed that ecology explained the largest proportion of overall variation in visitation rates (26%), followed by location (22%). In tests using generalized linear mixed models, individual factors that significantly explained visitation rates included the number of mammal species, the number of Big 5-species (ecological variables), the number of facilities provided (infrastructure) and average accommodation charges (affordability). Our analysis has important implications for the economic sustainability of PLCAs and more generally for understanding the relevance of spatial variation for analyses of cultural services.
- Full Text:
- Date Issued: 2017
- Authors: Baum, Julia , Cumming, Graeme S , de Vos, Alta
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/416481 , vital:71352 , xlink:href="https://doi.org/10.1016/j.ecolecon.2017.05.005"
- Description: Protected areas connect socio-economic and ecological systems through their provision of ecosystem goods and services. Analysis of ecosystem services allows the expression of ecological benefits in economic terms. However, cultural services, such as recreation opportunities, have proved difficult to quantify. An important challenge for the analysis of cultural services is to understand the geography of service provision in relation to both human and ecological system elements. We used data on visitation rates and measures of context, content, connectivity, and location for 64 private land conservation areas (PLCAs) to better understand geographic influences on cultural service provision. Visitation to PLCAs was influenced by a combination of ecological and socio-economic drivers. Variance partitioning analysis showed that ecology explained the largest proportion of overall variation in visitation rates (26%), followed by location (22%). In tests using generalized linear mixed models, individual factors that significantly explained visitation rates included the number of mammal species, the number of Big 5-species (ecological variables), the number of facilities provided (infrastructure) and average accommodation charges (affordability). Our analysis has important implications for the economic sustainability of PLCAs and more generally for understanding the relevance of spatial variation for analyses of cultural services.
- Full Text:
- Date Issued: 2017
Rhodes University Graduation Ceremony 2007
- Authors: Rhodes University
- Date: 2007
- Language: English
- Type: text
- Identifier: vital:8140 , http://hdl.handle.net/10962/d1007252
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 12 April 2007 at 18:00 [and] Friday, 13 April 2007 at 10:30; 14:30 & 18:00 [and] Saturday, 14 April 2007 at 10:30
- Full Text:
- Date Issued: 2007
- Authors: Rhodes University
- Date: 2007
- Language: English
- Type: text
- Identifier: vital:8140 , http://hdl.handle.net/10962/d1007252
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 12 April 2007 at 18:00 [and] Friday, 13 April 2007 at 10:30; 14:30 & 18:00 [and] Saturday, 14 April 2007 at 10:30
- Full Text:
- Date Issued: 2007
Shakespeare's early comedies: studies in The comedy of errors, The taming of the shrew and The two gentlemen of Verona
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
- Full Text:
- Date Issued: 1970
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
- Full Text:
- Date Issued: 1970
Anti-fetishism: parodying the depiction of the female body as fetish
- Authors: Pirie, René Alexis
- Date: 2017
- Subjects: Body image -- Social aspects Fashion -- Social aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/20377 , vital:29272
- Description: sexual objectification of women is widespread in contemporary lifestyle and fashion magazines. Models used for advertising purposes often set a standard of beauty and youth that is unrealistic and limiting. This standard has damaging effects on women’s sense of self and their societal behaviour. Such images not only sexualise as well as fetishise women’s bodies, but also encourage self-surveillance. This research study examines Cindy Sherman, Sarah Lucas, Louise Bourgeois and Ángela Burón’s artistic responses to fetishized images of women, in order to assess what artistic strategies could be used to oppose such images in magazine advertisements. It aims to identify what anti-fetishism involves in theory and practice and to use this information to formulate an anti-fetish strategy which informs a series of anti-fetish artworks. The purpose of this series of works is to oppose the fetishization of women, particularly in magazine advertisements of high-end consumer products. The study contributes to the discourse of anti-fetishism and addresses a knowledge gap since research on anti-fetishism has much room for development. It is a Qualitative research study which adhered to a Practice-based research method. The key findings of this study are that anti-fetishism and female fetishism are approaches that differ from one another yet also overlap. Furthermore, Anti-fetishism involves the use of parodic mockery, while female fetishism is concerned mostly with undecidability as a strategy. From the examination of the artists, the anti-fetishistic strategy of parody, largely influenced the practical component of this research study. Parody offers a clear opposition to the still widespread fetishization of women in magazines both in South Africa and other Westernized countries across the world.
- Full Text:
- Date Issued: 2017
- Authors: Pirie, René Alexis
- Date: 2017
- Subjects: Body image -- Social aspects Fashion -- Social aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/20377 , vital:29272
- Description: sexual objectification of women is widespread in contemporary lifestyle and fashion magazines. Models used for advertising purposes often set a standard of beauty and youth that is unrealistic and limiting. This standard has damaging effects on women’s sense of self and their societal behaviour. Such images not only sexualise as well as fetishise women’s bodies, but also encourage self-surveillance. This research study examines Cindy Sherman, Sarah Lucas, Louise Bourgeois and Ángela Burón’s artistic responses to fetishized images of women, in order to assess what artistic strategies could be used to oppose such images in magazine advertisements. It aims to identify what anti-fetishism involves in theory and practice and to use this information to formulate an anti-fetish strategy which informs a series of anti-fetish artworks. The purpose of this series of works is to oppose the fetishization of women, particularly in magazine advertisements of high-end consumer products. The study contributes to the discourse of anti-fetishism and addresses a knowledge gap since research on anti-fetishism has much room for development. It is a Qualitative research study which adhered to a Practice-based research method. The key findings of this study are that anti-fetishism and female fetishism are approaches that differ from one another yet also overlap. Furthermore, Anti-fetishism involves the use of parodic mockery, while female fetishism is concerned mostly with undecidability as a strategy. From the examination of the artists, the anti-fetishistic strategy of parody, largely influenced the practical component of this research study. Parody offers a clear opposition to the still widespread fetishization of women in magazines both in South Africa and other Westernized countries across the world.
- Full Text:
- Date Issued: 2017
Rhodes University Graduation Ceremony 2005
- Authors: Rhodes University
- Date: 2005
- Language: English
- Type: text
- Identifier: vital:8142 , http://hdl.handle.net/10962/d1007257
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 31 March 2005 at 18.00 [and] Friday, 1 April 2005 at 10:30; 14:30 & 18:00 [and] Saturday, 2 April 2005 at 10:30 , RU East London Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 4 May 2005 at 18:00
- Full Text:
- Date Issued: 2005
- Authors: Rhodes University
- Date: 2005
- Language: English
- Type: text
- Identifier: vital:8142 , http://hdl.handle.net/10962/d1007257
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 31 March 2005 at 18.00 [and] Friday, 1 April 2005 at 10:30; 14:30 & 18:00 [and] Saturday, 2 April 2005 at 10:30 , RU East London Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 4 May 2005 at 18:00
- Full Text:
- Date Issued: 2005
Rhodes University Graduation Ceremony 2002
- Authors: Rhodes University
- Date: 2002
- Language: English
- Type: text
- Identifier: vital:8145 , http://hdl.handle.net/10962/d1007267
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Friday, 5 April 2002 at 10:30; 14:30 & 18:00 [and] Saturday, 6 April 2002 at 10:30 , Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 10 May 2002 at 18:00
- Full Text:
- Date Issued: 2002
- Authors: Rhodes University
- Date: 2002
- Language: English
- Type: text
- Identifier: vital:8145 , http://hdl.handle.net/10962/d1007267
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Friday, 5 April 2002 at 10:30; 14:30 & 18:00 [and] Saturday, 6 April 2002 at 10:30 , Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 10 May 2002 at 18:00
- Full Text:
- Date Issued: 2002
Rhodes University Graduation Ceremony 1981
- Authors: Rhodes University
- Date: 1981
- Language: English
- Type: text
- Identifier: vital:8118 , http://hdl.handle.net/10962/d1004897
- Description: Rhodes University Graduation Ceremony on Friday, 10 April 1981 at 8 p.m. [and] on Saturday, 11 April 1981 at 10 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1981
- Authors: Rhodes University
- Date: 1981
- Language: English
- Type: text
- Identifier: vital:8118 , http://hdl.handle.net/10962/d1004897
- Description: Rhodes University Graduation Ceremony on Friday, 10 April 1981 at 8 p.m. [and] on Saturday, 11 April 1981 at 10 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1981
Rhodes University Graduation Ceremony 2017
- Authors: Rhodes University
- Date: 2017
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/58067 , vital:27061
- Description: 2017 Graduation Ceremony, Umsitho Wothweso-Zidanga, Gradeplegtigheid [at] 1820 Settlers National Monument, Thursday, 20 April until Saturday, 22 April 2017.
- Full Text:
- Date Issued: 2017
- Authors: Rhodes University
- Date: 2017
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/58067 , vital:27061
- Description: 2017 Graduation Ceremony, Umsitho Wothweso-Zidanga, Gradeplegtigheid [at] 1820 Settlers National Monument, Thursday, 20 April until Saturday, 22 April 2017.
- Full Text:
- Date Issued: 2017