Rungano gweshiri yebani nawasikana
- Authors: Dawuramanzi , Tracey, Hugh
- Date: 1930-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/207988 , vital:47219 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0857 , Research no.WEA1910
- Description: Folk story song about a wild bird which went out to look for girls
- Full Text: false
- Date Issued: 1930-00-00
- Authors: Dawuramanzi , Tracey, Hugh
- Date: 1930-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/207988 , vital:47219 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0857 , Research no.WEA1910
- Description: Folk story song about a wild bird which went out to look for girls
- Full Text: false
- Date Issued: 1930-00-00
Kalefwaya kanjilikishe akatyetye
- Bemba boys, Composer not specified, Tracey, Hugh
- Authors: Bemba boys , Composer not specified , Tracey, Hugh
- Date: 1949-07-28
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205896 , vital:46960 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT056-C57 , Research no. C3P14
- Description: A hunting song sung after hunting.
- Full Text: false
- Date Issued: 1949-07-28
- Authors: Bemba boys , Composer not specified , Tracey, Hugh
- Date: 1949-07-28
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205896 , vital:46960 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT056-C57 , Research no. C3P14
- Description: A hunting song sung after hunting.
- Full Text: false
- Date Issued: 1949-07-28
Ikulangamilaga kwilunde
- Mikengemalo Chaba with Sukuma men, Hugh Tracey
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173331 , vital:42357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173331 , vital:42357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Ikulangamilaga kwilunde
- Mikengemalo Chaba with Sukuma men, Hugh Tracey
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173318 , vital:42359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173318 , vital:42359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Kalilole
- Linilesi Sadiki with Yao girls, Hugh Tracey
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154793 , vital:39776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-14
- Description: One day little boys went into the forest to play. There they found a big bird which asked them to sing a song the bird wanted to hear, so they went back to the village and consulted their parents about this. After hearing the song from the parents the little boys went back to the forest and sang the song which satisfied the big bird Kalilole. Story song.
- Full Text: false
- Date Issued: 1950
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154793 , vital:39776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-14
- Description: One day little boys went into the forest to play. There they found a big bird which asked them to sing a song the bird wanted to hear, so they went back to the village and consulted their parents about this. After hearing the song from the parents the little boys went back to the forest and sang the song which satisfied the big bird Kalilole. Story song.
- Full Text: false
- Date Issued: 1950
Mutitira (Happiness)
- S. Ruhume, Akiki with Toro men, Hugh Tracey
- Authors: S. Ruhume, Akiki with Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170373 , vital:41914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-01
- Description: "The bird has seen its friend, that is why it is happy." This means that the host at the party is happy with his friends. The Mateguru dance is frequently performed at drinking parties. The song makes a very jolly round. Mateguru dance song for men and women with Emugudu cylindrical drum, footed, pegged, one conical drum laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
- Authors: S. Ruhume, Akiki with Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170373 , vital:41914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-01
- Description: "The bird has seen its friend, that is why it is happy." This means that the host at the party is happy with his friends. The Mateguru dance is frequently performed at drinking parties. The song makes a very jolly round. Mateguru dance song for men and women with Emugudu cylindrical drum, footed, pegged, one conical drum laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Ndipeko kayuni karimbula
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185326 , vital:44365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-09
- Description: The singer remarks upon the cleverness of the whitemen in fighting with planes and guns. "Zekaria my friend, they even fly by night." At the end of the song he calls out "I have played very well! It is finished." Humorous aong with Bango board zither
- Full Text: false
- Date Issued: 1950
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185326 , vital:44365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-09
- Description: The singer remarks upon the cleverness of the whitemen in fighting with planes and guns. "Zekaria my friend, they even fly by night." At the end of the song he calls out "I have played very well! It is finished." Humorous aong with Bango board zither
- Full Text: false
- Date Issued: 1950
Nthambi wa Mutwana
- Muili wa Kwinga with Kamba women, Hugh Tracey
- Authors: Muili wa Kwinga with Kamba women , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176187 , vital:42669 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR161-02
- Description: One old woman called out during the dance. "I am as happy as a bird on a head of corn.". In common with many other African dances the basic music is simple and repetitive. Kilumi dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Muili wa Kwinga with Kamba women , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176187 , vital:42669 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR161-02
- Description: One old woman called out during the dance. "I am as happy as a bird on a head of corn.". In common with many other African dances the basic music is simple and repetitive. Kilumi dance song for men and women.
- Full Text: false
- Date Issued: 1950
Ongulhe madongo
- Choto Nyasis and Luo men, Hugh Tracey
- Authors: Choto Nyasis and Luo men , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178093 , vital:42907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-08
- Description: "Those who refuse to wear beads in their ears like all good Luo become short tempered with their wives. They are like rivers which come down in flood." The sound of a bird can be heard at the begining of this song and between verses. There was a brief pause in the song half way through (at Im. 32s). Wend Tigo topical song.
- Full Text: false
- Date Issued: 1950
- Authors: Choto Nyasis and Luo men , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178093 , vital:42907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-08
- Description: "Those who refuse to wear beads in their ears like all good Luo become short tempered with their wives. They are like rivers which come down in flood." The sound of a bird can be heard at the begining of this song and between verses. There was a brief pause in the song half way through (at Im. 32s). Wend Tigo topical song.
- Full Text: false
- Date Issued: 1950
Uhimila isekanakali nasukumbe (Uhilila was our best dancer)
- Juma Bin Nyela with Sukuma men, Hugh Tracey
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Waikova
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
Wasepuka na mbuzi
- Wareni Mkwandawiri, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey
- Authors: Wareni Mkwandawiri , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185804 , vital:44432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-02
- Description: There was once a pair of twin boys who were herding their goats. They decided to try to find out which was the fatter abd so they cut each other's stomach open to find out. The second twin died from the woound. A bird saw all this and went to tell their parents. When questioned the other twin lied saying that the second twin had been gored by a goat. Thereupon the people took the twin and killed him too for killing his twin brother. (The story was not fully finished on the record). Story with song
- Full Text: false
- Date Issued: 1950
- Authors: Wareni Mkwandawiri , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185804 , vital:44432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-02
- Description: There was once a pair of twin boys who were herding their goats. They decided to try to find out which was the fatter abd so they cut each other's stomach open to find out. The second twin died from the woound. A bird saw all this and went to tell their parents. When questioned the other twin lied saying that the second twin had been gored by a goat. Thereupon the people took the twin and killed him too for killing his twin brother. (The story was not fully finished on the record). Story with song
- Full Text: false
- Date Issued: 1950
Gbalabalatauw iye hihe – Work song
- Authors: Mbuti men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168295 , vital:41561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-17
- Description: This song is performed early in the morning, following the day when the Pygmies have moved their camp and havr just completed the making of another. The 'huts' are very primitive shelters made of twigs and leaves and are soon abandoned as the game moves away to other parts of the forest. A small forest bird can be heard at the end of this song. Curative song.
- Full Text: false
- Date Issued: 1952
- Authors: Mbuti men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168295 , vital:41561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-17
- Description: This song is performed early in the morning, following the day when the Pygmies have moved their camp and havr just completed the making of another. The 'huts' are very primitive shelters made of twigs and leaves and are soon abandoned as the game moves away to other parts of the forest. A small forest bird can be heard at the end of this song. Curative song.
- Full Text: false
- Date Issued: 1952
Teya-teya
- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey
- Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183695 , vital:44051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-05
- Description: This is the song taken from the story about a father who went out hunting, could find no buck and killed his child instead in the forest. But a bird that had seen what he did, sang that it was going to tell the people. So he killed the bird too, but hardly had he gone a few steps when there it was again. Again he killed it and again there it was, and so in the end the bird told the people. It is the parable of a guilty conscience. The reason why he killed his child, they said, was because he had gone out hunting and was unsuccessful and was so ashamed that he killed his child in the place of a buck. A very gruesome story! Story song
- Full Text: false
- Date Issued: 1952
- Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183695 , vital:44051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-05
- Description: This is the song taken from the story about a father who went out hunting, could find no buck and killed his child instead in the forest. But a bird that had seen what he did, sang that it was going to tell the people. So he killed the bird too, but hardly had he gone a few steps when there it was again. Again he killed it and again there it was, and so in the end the bird told the people. It is the parable of a guilty conscience. The reason why he killed his child, they said, was because he had gone out hunting and was unsuccessful and was so ashamed that he killed his child in the place of a buck. A very gruesome story! Story song
- Full Text: false
- Date Issued: 1952
Inyoni emaqanda
- Buthelezi, Ngugu, Composer unknown, Tracey, Hugh
- Authors: Buthelezi, Ngugu , Composer unknown , Tracey, Hugh
- Date: 1955-01-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Buthelezi f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/224370 , vital:49097 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT343-H9 , Research no. H1D16B
- Description: Self delectative song with udloko one stringed fiddle flute and pipe accompaniment.
- Full Text: false
- Date Issued: 1955-01-27
- Authors: Buthelezi, Ngugu , Composer unknown , Tracey, Hugh
- Date: 1955-01-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Buthelezi f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/224370 , vital:49097 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT343-H9 , Research no. H1D16B
- Description: Self delectative song with udloko one stringed fiddle flute and pipe accompaniment.
- Full Text: false
- Date Issued: 1955-01-27
Inyoni emaqanda
- Buthelezi, Ngugu, Composer unknown, Tracey, Hugh
- Authors: Buthelezi, Ngugu , Composer unknown , Tracey, Hugh
- Date: 1955-01-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Buthelezi f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/224360 , vital:49096 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT343-H9 , Research no. H1D16
- Description: Self delectative song with udloko one stringed fiddle flute and pipe accompaniment.
- Full Text: false
- Date Issued: 1955-01-27
- Authors: Buthelezi, Ngugu , Composer unknown , Tracey, Hugh
- Date: 1955-01-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Buthelezi f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/224360 , vital:49096 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT343-H9 , Research no. H1D16
- Description: Self delectative song with udloko one stringed fiddle flute and pipe accompaniment.
- Full Text: false
- Date Issued: 1955-01-27
Bantamba fituka (The magician)
- Adamsoni Kabamba, Hugh Tracey
- Authors: Adamsoni Kabamba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134666 , vital:37188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-05
- Description: A certain wizard, so the story goes, once caught a secretary bird and brought it into his house alive in order to use it for magical purposes and for killing other people. Now, this man soon died and left this secretary birf behind. So he sings this song to mock who use magic because they will surely die, just the same. :There are foolish men who leave their families unprovided for while they go off with prostitutes." "There is sadness which envelopes a child when its parents die, and a sadness also which envelopes a parent when its child dies." Self-delectative song with Kankowele fan-shaped mbira, mbira with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Adamsoni Kabamba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134666 , vital:37188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-05
- Description: A certain wizard, so the story goes, once caught a secretary bird and brought it into his house alive in order to use it for magical purposes and for killing other people. Now, this man soon died and left this secretary birf behind. So he sings this song to mock who use magic because they will surely die, just the same. :There are foolish men who leave their families unprovided for while they go off with prostitutes." "There is sadness which envelopes a child when its parents die, and a sadness also which envelopes a parent when its child dies." Self-delectative song with Kankowele fan-shaped mbira, mbira with external resonator.
- Full Text: false
- Date Issued: 1957
Imfakadolo (Little bird)
- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135772 , vital:37297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-04
- Description: "Little bird what have you got in your beak?" "Food for my little ones.-" "Young men get your gun and shoot the bird." Dubula, dubula, means shoot, shoot. Wedding song.
- Full Text: false
- Date Issued: 1957
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135772 , vital:37297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-04
- Description: "Little bird what have you got in your beak?" "Food for my little ones.-" "Young men get your gun and shoot the bird." Dubula, dubula, means shoot, shoot. Wedding song.
- Full Text: false
- Date Issued: 1957