"Symbiosis or death" an ecocritical examination of Douglas Livingstone's poetry
- Authors: Stevens, Mariss Patricia
- Date: 2005
- Subjects: Livingstone, Douglas Criticism and interpretation Poets, South African -- 20th century -- Criticism and interpretation Ecology in literature Ecocriticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2211 , http://hdl.handle.net/10962/d1002254
- Description: As the quotation in the title of this thesis indicates, Douglas Livingstone states that unless humankind can learn to live in mutuality with the rest of the natural world, the human race faces extinction. Using the relatively new critical approach of ecological literary criticism (ecocriticism) this thesis explores Livingstone's preoccupation with "symbiosis or death" and shows that the predominant theme in his ecologically-orientated poetry is one of ecological despair. Countering this is a tentative thread of hope. Possible resolution lies in the human capacity to attain compassion and wisdom through the judicious use of science, creativity, the power of art and the power of love. Livingstone's ecological preoccupation is thus informed by the universal themes which have pervaded literature since its recorded beginnings. The first chapter examines the concepts of ecology and literary ecocriticism, followed by a chapter on the life and work of Douglas Livingstone, and a review of the critical response to the five collections of poetry which predate A Littoral Zone, his final work. The remaining four chapters offer an analysis of his ecologically-orientated poetry, with the majority of the space given to an examination of A Littoral Zone. The following ecological themes are used in the analysis of the poems: evolutionary theory, humankind's relationship to nature, ecological equilibrium, and ecological destruction. The latter two themes are shown to represent Livingstone's view of the ideal and the real, or the opposites of hope and despair. The analysis interweaves an argument with the existing critical response to this collection. This thesis demonstrates that Livingstone's crucial message – the need for humankind to attain ecological sensibility or “the knowledge of right living” (Ellen Swallow) and so obviate its certain extinction – has largely been ignored in previous critical works.
- Full Text:
- Date Issued: 2005
- Authors: Stevens, Mariss Patricia
- Date: 2005
- Subjects: Livingstone, Douglas Criticism and interpretation Poets, South African -- 20th century -- Criticism and interpretation Ecology in literature Ecocriticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2211 , http://hdl.handle.net/10962/d1002254
- Description: As the quotation in the title of this thesis indicates, Douglas Livingstone states that unless humankind can learn to live in mutuality with the rest of the natural world, the human race faces extinction. Using the relatively new critical approach of ecological literary criticism (ecocriticism) this thesis explores Livingstone's preoccupation with "symbiosis or death" and shows that the predominant theme in his ecologically-orientated poetry is one of ecological despair. Countering this is a tentative thread of hope. Possible resolution lies in the human capacity to attain compassion and wisdom through the judicious use of science, creativity, the power of art and the power of love. Livingstone's ecological preoccupation is thus informed by the universal themes which have pervaded literature since its recorded beginnings. The first chapter examines the concepts of ecology and literary ecocriticism, followed by a chapter on the life and work of Douglas Livingstone, and a review of the critical response to the five collections of poetry which predate A Littoral Zone, his final work. The remaining four chapters offer an analysis of his ecologically-orientated poetry, with the majority of the space given to an examination of A Littoral Zone. The following ecological themes are used in the analysis of the poems: evolutionary theory, humankind's relationship to nature, ecological equilibrium, and ecological destruction. The latter two themes are shown to represent Livingstone's view of the ideal and the real, or the opposites of hope and despair. The analysis interweaves an argument with the existing critical response to this collection. This thesis demonstrates that Livingstone's crucial message – the need for humankind to attain ecological sensibility or “the knowledge of right living” (Ellen Swallow) and so obviate its certain extinction – has largely been ignored in previous critical works.
- Full Text:
- Date Issued: 2005
Animal suffering in factory farming and the best way to prevent it
- Authors: Watkins, Gareth
- Date: 2005
- Subjects: Vegetarianism -- Moral and ethical aspects Food animals -- Moral and ethical aspects Animal rights Animal welfare Animal welfare -- Moral and ethical aspects Vegetarianism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2728 , http://hdl.handle.net/10962/d1003736
- Description: This thesis moves beyond the traditional approaches of how we ought to treat animals, and instead concentrates on the best strategy for preventing animal suffering in the farming industry. Chapter 1 considers the question of how we can know that animals feel pain, and concludes not only that it is rational to believe that they can, but also that this is a significant fact. Chapter 2 then analyses one possible strategy for helping to prevent animal suffering, namely demi-vegetarianism. For a number of reasons, however, this strategy is found to be flawed, therefore Chapter 3 analyses a second possible strategy, namely vegetarianism, and concludes that this is, in fact, the best strategy for helping to prevent animal suffering in the farming industry.
- Full Text:
- Date Issued: 2005
- Authors: Watkins, Gareth
- Date: 2005
- Subjects: Vegetarianism -- Moral and ethical aspects Food animals -- Moral and ethical aspects Animal rights Animal welfare Animal welfare -- Moral and ethical aspects Vegetarianism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2728 , http://hdl.handle.net/10962/d1003736
- Description: This thesis moves beyond the traditional approaches of how we ought to treat animals, and instead concentrates on the best strategy for preventing animal suffering in the farming industry. Chapter 1 considers the question of how we can know that animals feel pain, and concludes not only that it is rational to believe that they can, but also that this is a significant fact. Chapter 2 then analyses one possible strategy for helping to prevent animal suffering, namely demi-vegetarianism. For a number of reasons, however, this strategy is found to be flawed, therefore Chapter 3 analyses a second possible strategy, namely vegetarianism, and concludes that this is, in fact, the best strategy for helping to prevent animal suffering in the farming industry.
- Full Text:
- Date Issued: 2005
Incorporating indigenous management in rock art sites in KwaZulu-Natal
- Authors: Ndlovu, Ndukuyakhe
- Date: 2005
- Subjects: Rock paintings -- Drakenberg Mountains , Cave paintings -- Drakensberg Mountains , San (African people) -- Art , Art, Prehistoric -- Drakensberg Mountains , Art, Prehistoric -- South Africa , Heritage tourism -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2089 , http://hdl.handle.net/10962/d1002652 , Rock paintings -- Drakenberg Mountains , Cave paintings -- Drakensberg Mountains , San (African people) -- Art , Art, Prehistoric -- Drakensberg Mountains , Art, Prehistoric -- South Africa , Heritage tourism -- South Africa
- Description: The majestic mountains of the uKhahlamba Drakensberg, formed many millennia ago were home to the Bushmen[footnote 1] or San people. They lived at these mountains for thousands of years before they were colonised by the Bantu speakers and the Europeans. Academic writings for many years have perpetuated the thinking that Bushman people were largely extinct. The dominance of this view in the academic writings was encouraged by historical evidence that Europeans and Bantu speakers hunted and killed Bushmen over the last several centuries. Researchers argue that the extermination of the Bushmen was because they were less human in the eyes of the foreigners, due to cattle raiding. There is still some element of this thinking amongst today’s academics, although research in the last decade is questioning this thinking. The question of whether descendants do exist is relevant to issues of rights of access to ancestral sacred sites, in particular rock art sites. At present, access to rock art sites is granted on qualification as an authentic fee-paying tourist (or affordability) rather than on group rights to a cultural heritage resource (cultural rights). Based on this, I argue that access to rock art sites is based on qualification rather than by right. This is largely driven by an approach that emphasises the physical conservation and financial sustainability of a site, rather than its spiritual maintenance. It has become clear that the interests in rock art by tourists and Bushman descendants are distinct from each other. Tourists have an aesthetic significance for rock art while Bushmen descendants have a spiritual significance for the paintings. Beyond any doubt, the physically based and financially driven approach has brought new challenges to today’s Bushmen descendants, whom in reaffirming their identities now have a new challenge to overcome. Not only are the rock art sites physically threatened but also they have lost much of their spiritual powers. Their fate lies in the hands of heritage officers who must determine access rights to the painted shelters. Both the National Heritage Resources Act and the KwaZulu-Natal Heritage Act acknowledge living heritage. However, the existence of this heritage is judged against the physical approach to rock art management. If the practises of descendants are perceived to be a threat to the rock art, they will not be approved. The case of the Duma is a classic example. Prior to the ritual ceremony at Game Pass Shelter, Kamberg, they were informed of the minimum standards for opening a rock art site to public and rules of how people should behave while visiting painted shelters. While it was evident that there are problems with the two approaches, the spiritual and physical approach, discussed in the thesis, it is important that solutions are identified. I do not believe that one approach on its own will be good enough, for reasons discussed in the thesis. Instead, the two approaches should be implemented together to compliment each other by identifying common grounds. I provide strategies as to how I believe that such a common ground can be reached. In addition, I provide my own analytical thinking as to how these strategies can be achieved. There is no general consensus over which term is appropriate. Both terms are considered by some academics to be derogatory or pejorative (Chennels 2003). San means vagabond and was given to the Bushmen by Khoi-Khoi people, because they considered themselves of a better social class, as they had domesticated animals and were more sedentary than Bushmen. However, according to WIMSA (Thoma 2003) the word San is derived from the Hai||om language meaning “people who gather”. It is normally written Saan but it has been accepted to write San. In 1993 the San requested to be called San when referred to as an entire group. If one refers to individual people/groups they like to be called by their language and cultural name i.e. Khwe, !Kung, !Xun, Ju|’hoansi, ‡Khomani, N|u, |’Auni, Hai||om, etc In this thesis, Bushmen is a preferred term, because it is a better-known term among the people who are central to this study. It is used without any insulting connotations attached to the term.
- Full Text:
- Date Issued: 2005
- Authors: Ndlovu, Ndukuyakhe
- Date: 2005
- Subjects: Rock paintings -- Drakenberg Mountains , Cave paintings -- Drakensberg Mountains , San (African people) -- Art , Art, Prehistoric -- Drakensberg Mountains , Art, Prehistoric -- South Africa , Heritage tourism -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2089 , http://hdl.handle.net/10962/d1002652 , Rock paintings -- Drakenberg Mountains , Cave paintings -- Drakensberg Mountains , San (African people) -- Art , Art, Prehistoric -- Drakensberg Mountains , Art, Prehistoric -- South Africa , Heritage tourism -- South Africa
- Description: The majestic mountains of the uKhahlamba Drakensberg, formed many millennia ago were home to the Bushmen[footnote 1] or San people. They lived at these mountains for thousands of years before they were colonised by the Bantu speakers and the Europeans. Academic writings for many years have perpetuated the thinking that Bushman people were largely extinct. The dominance of this view in the academic writings was encouraged by historical evidence that Europeans and Bantu speakers hunted and killed Bushmen over the last several centuries. Researchers argue that the extermination of the Bushmen was because they were less human in the eyes of the foreigners, due to cattle raiding. There is still some element of this thinking amongst today’s academics, although research in the last decade is questioning this thinking. The question of whether descendants do exist is relevant to issues of rights of access to ancestral sacred sites, in particular rock art sites. At present, access to rock art sites is granted on qualification as an authentic fee-paying tourist (or affordability) rather than on group rights to a cultural heritage resource (cultural rights). Based on this, I argue that access to rock art sites is based on qualification rather than by right. This is largely driven by an approach that emphasises the physical conservation and financial sustainability of a site, rather than its spiritual maintenance. It has become clear that the interests in rock art by tourists and Bushman descendants are distinct from each other. Tourists have an aesthetic significance for rock art while Bushmen descendants have a spiritual significance for the paintings. Beyond any doubt, the physically based and financially driven approach has brought new challenges to today’s Bushmen descendants, whom in reaffirming their identities now have a new challenge to overcome. Not only are the rock art sites physically threatened but also they have lost much of their spiritual powers. Their fate lies in the hands of heritage officers who must determine access rights to the painted shelters. Both the National Heritage Resources Act and the KwaZulu-Natal Heritage Act acknowledge living heritage. However, the existence of this heritage is judged against the physical approach to rock art management. If the practises of descendants are perceived to be a threat to the rock art, they will not be approved. The case of the Duma is a classic example. Prior to the ritual ceremony at Game Pass Shelter, Kamberg, they were informed of the minimum standards for opening a rock art site to public and rules of how people should behave while visiting painted shelters. While it was evident that there are problems with the two approaches, the spiritual and physical approach, discussed in the thesis, it is important that solutions are identified. I do not believe that one approach on its own will be good enough, for reasons discussed in the thesis. Instead, the two approaches should be implemented together to compliment each other by identifying common grounds. I provide strategies as to how I believe that such a common ground can be reached. In addition, I provide my own analytical thinking as to how these strategies can be achieved. There is no general consensus over which term is appropriate. Both terms are considered by some academics to be derogatory or pejorative (Chennels 2003). San means vagabond and was given to the Bushmen by Khoi-Khoi people, because they considered themselves of a better social class, as they had domesticated animals and were more sedentary than Bushmen. However, according to WIMSA (Thoma 2003) the word San is derived from the Hai||om language meaning “people who gather”. It is normally written Saan but it has been accepted to write San. In 1993 the San requested to be called San when referred to as an entire group. If one refers to individual people/groups they like to be called by their language and cultural name i.e. Khwe, !Kung, !Xun, Ju|’hoansi, ‡Khomani, N|u, |’Auni, Hai||om, etc In this thesis, Bushmen is a preferred term, because it is a better-known term among the people who are central to this study. It is used without any insulting connotations attached to the term.
- Full Text:
- Date Issued: 2005
Soul tattoos : an exploration of the therapeutic self - the indelible and the disposable
- Authors: Naidoo, Leanne
- Date: 2005
- Subjects: Tattooing -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9842 , http://hdl.handle.net/10948/373 , Tattooing -- Therapeutic use
- Description: From a social constructionist perspective, the self of the therapist is the only tool that she takes into therapy with her. The study of the therapeutic self therefore becomes important as this impacts on the quality of therapy received by the client. This treatise explores the development of the researcher’s therapeutic self through the storying of significant learning experiences in the course of her training in counselling psychology. An analysis of the narrative reveals the substance of some of the soul tattoos that make up her therapeutic self. The study was undertaken from an action research approach, thus emphasising the investigation of the therapeutic self in the field and feeding this information back into the practice of counselling psychology in the course of the research project. The themes extracted in the analysis reveal the process of action learning and what constituted significant learning experiences for the researcher. The researcher found that certain conditions were required for the formation of soul tattoos and that merely obtaining a masters degree in counselling psychology was not sufficient preparation for the practice of counselling psychology.
- Full Text:
- Date Issued: 2005
- Authors: Naidoo, Leanne
- Date: 2005
- Subjects: Tattooing -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9842 , http://hdl.handle.net/10948/373 , Tattooing -- Therapeutic use
- Description: From a social constructionist perspective, the self of the therapist is the only tool that she takes into therapy with her. The study of the therapeutic self therefore becomes important as this impacts on the quality of therapy received by the client. This treatise explores the development of the researcher’s therapeutic self through the storying of significant learning experiences in the course of her training in counselling psychology. An analysis of the narrative reveals the substance of some of the soul tattoos that make up her therapeutic self. The study was undertaken from an action research approach, thus emphasising the investigation of the therapeutic self in the field and feeding this information back into the practice of counselling psychology in the course of the research project. The themes extracted in the analysis reveal the process of action learning and what constituted significant learning experiences for the researcher. The researcher found that certain conditions were required for the formation of soul tattoos and that merely obtaining a masters degree in counselling psychology was not sufficient preparation for the practice of counselling psychology.
- Full Text:
- Date Issued: 2005
Talk radio and public debate : a case study of three Ugandan radio stations
- Authors: Ogoso, Erich Opolot
- Date: 2005
- Subjects: Radio stations -- Uganda , Radio broadcasting -- Social aspects -- Uganda , Radio broadcasting -- Political aspects -- Uganda , Radio talk shows -- Uganda , Interviewing on radio -- Uganda
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3514 , http://hdl.handle.net/10962/d1007723 , Radio stations -- Uganda , Radio broadcasting -- Social aspects -- Uganda , Radio broadcasting -- Political aspects -- Uganda , Radio talk shows -- Uganda , Interviewing on radio -- Uganda
- Description: This study is a comparative examination of approaches to talk radio as a genre on three Ugandan radio stations. The aim is to draw conclusions, from observations made about these stations, about the potential of talk radio to encourage public debate around social issues and improve democratic participation despite pertinent challenges in Uganda. The study first outlines a theoretical framework, which is informed by Habermas's theory of the media as a 'public sphere'. This framework is applied to an exploration of traditions of talk radio that have emerged globally in order to assess the potential of these traditions to play a role in contributing to the establishment of such a 'public sphere'. The study then goes on to discuss the historical development of radio in Uganda and the establishment of the current broadcast landscape. The focus is on the way in which this history has been defined by a struggle around public expression, in which government has repeatedly sought ways to control media as a vehicle for public expression. It is proposed that Ugandan talk radio has the potential to play an important role in ensuring broad participation in public expression. It is against this background that the study then describes and analyses the development of the talk genre at three Ugandan radio stations (each one an example of, respectively, a commercial, community and public service station). It is explained that staff on all three stations emphasise the importance of talk radio in encouraging participation, by their audiences, in the public debate of social and political issues. It is argued that, because of limitations that exist within these stations, none of the talk show teams fully realize the potential of the genre for participation in such debate. The picture that emerges is one of unequal access, with those sections of radio audiences in positions of privilege being further empowered, while those on the margins remain excluded from public discussion. The study finally recommends ways to improve public participation on Ugandan talk radio, noting the need to review government support, the problems of organizational culture within the stations, the need for more guidelines on practical arrangements around talk show production and the question of contradictions that exist at policy level.
- Full Text:
- Date Issued: 2005
- Authors: Ogoso, Erich Opolot
- Date: 2005
- Subjects: Radio stations -- Uganda , Radio broadcasting -- Social aspects -- Uganda , Radio broadcasting -- Political aspects -- Uganda , Radio talk shows -- Uganda , Interviewing on radio -- Uganda
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3514 , http://hdl.handle.net/10962/d1007723 , Radio stations -- Uganda , Radio broadcasting -- Social aspects -- Uganda , Radio broadcasting -- Political aspects -- Uganda , Radio talk shows -- Uganda , Interviewing on radio -- Uganda
- Description: This study is a comparative examination of approaches to talk radio as a genre on three Ugandan radio stations. The aim is to draw conclusions, from observations made about these stations, about the potential of talk radio to encourage public debate around social issues and improve democratic participation despite pertinent challenges in Uganda. The study first outlines a theoretical framework, which is informed by Habermas's theory of the media as a 'public sphere'. This framework is applied to an exploration of traditions of talk radio that have emerged globally in order to assess the potential of these traditions to play a role in contributing to the establishment of such a 'public sphere'. The study then goes on to discuss the historical development of radio in Uganda and the establishment of the current broadcast landscape. The focus is on the way in which this history has been defined by a struggle around public expression, in which government has repeatedly sought ways to control media as a vehicle for public expression. It is proposed that Ugandan talk radio has the potential to play an important role in ensuring broad participation in public expression. It is against this background that the study then describes and analyses the development of the talk genre at three Ugandan radio stations (each one an example of, respectively, a commercial, community and public service station). It is explained that staff on all three stations emphasise the importance of talk radio in encouraging participation, by their audiences, in the public debate of social and political issues. It is argued that, because of limitations that exist within these stations, none of the talk show teams fully realize the potential of the genre for participation in such debate. The picture that emerges is one of unequal access, with those sections of radio audiences in positions of privilege being further empowered, while those on the margins remain excluded from public discussion. The study finally recommends ways to improve public participation on Ugandan talk radio, noting the need to review government support, the problems of organizational culture within the stations, the need for more guidelines on practical arrangements around talk show production and the question of contradictions that exist at policy level.
- Full Text:
- Date Issued: 2005
The historiographical development of the concept "mfecane" and the writing of early Southern African history, from the 1820s to 1920s
- Authors: Richner, Jürg Emile
- Date: 2005
- Subjects: South Africa -- History , South Africa -- Historiography , Bantu-speaking peoples -- Migrations , Africa, Southern -- History -- Mfecane period, 1816-ca. 1840
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2554 , http://hdl.handle.net/10962/d1002406 , South Africa -- History , South Africa -- Historiography , Bantu-speaking peoples -- Migrations , Africa, Southern -- History -- Mfecane period, 1816-ca. 1840
- Description: The mfecane was for most of the twentieth century regarded as a historical certainty for the South African public and the Apartheid government, as well as for historians here and world-wide. The mfecane had achieved the permanence of a paradigm and a dominant discourse, as it was accepted equally by settler, liberal, Afrikaner, Africanist and Neo-Marxist historians. This certainty was shaken when Cobbing’s mfecane critique appeared in 1988, with which I concur. This study examines how mfecane history was written from the first published articles in mid-1823 until Walker coined the concept mfecane in 1928. This thesis undertakes a journey through a host of published works, books, pamphlets and articles in journals, magazines and newspapers, from which a number of conclusions emerge. The mfecane narrative was developed over a period of a hundred years in the English language by almost exclusively white, English-speaking male amateur historians and ethnographers. Their occupations, age, ideology and level of education differed markedly, but they shared one European ideological value, the discourse of the European “Image of Africa”, which regarded Africans as the negative Other of their own positively perceived society. This was a culturallyshared view of Africans, which formed the baggage in the mind of all writers examined, and accounts for the mfecane narrative’s negative attitude towards Africans. Furthermore, mfecane history was influenced by racism and the use of literary devices such as the gothic novel and the romance. Authors writing in the 1823 to 1846 period on events which had taken place in the “blank space” beyond the Cape Colony, which most of them had never visited, laid the basis for the mfecane narrative. It constituted a set of geographical or ethnically focused, separate accounts. These separate accounts focused on the themes of Shaka’s creation of the Zulu state, including his expulsion of several chiefdoms; his depopulation of Natal and the flight of the Fingo to the Transkei; the path of destruction of the Hlubi and Ngwane during their flight from Natal via the greater Caledon Valley area to the Transkei; the incorporation of the Kololo and other Sotho chiefdoms into the Mantatees - due to pressure from the invaders from Natal - who subsequently laid waste the Free State and Transvaal as far as Dithakong, where they were defeated; the further depopulation of the Transvaal by the Ndebele during their escape from Shaka; the flight of Moshoeshoe and his people to Thaba Bosiu where he built up the Sotho state, with Moshoeshoe being the only positive figure in this history. This multi-narrative was thereafter repeated without any critical thought by all authors examined until in 1885 Theal created a Zulu-centric, geographically integrated mfecane narrative whereby he integrated the previously separate accounts into one coherent whole - a whole which was so much more than the sum of its parts, but so far without a defining name. That was provided by Walker in 1928 when he coined the Xhosa neologism, mfecane. The Theal, Cory and Walker racist mfecane was thus bequeathed as the mfecane to the rest of the twentieth century.
- Full Text:
- Date Issued: 2005
- Authors: Richner, Jürg Emile
- Date: 2005
- Subjects: South Africa -- History , South Africa -- Historiography , Bantu-speaking peoples -- Migrations , Africa, Southern -- History -- Mfecane period, 1816-ca. 1840
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2554 , http://hdl.handle.net/10962/d1002406 , South Africa -- History , South Africa -- Historiography , Bantu-speaking peoples -- Migrations , Africa, Southern -- History -- Mfecane period, 1816-ca. 1840
- Description: The mfecane was for most of the twentieth century regarded as a historical certainty for the South African public and the Apartheid government, as well as for historians here and world-wide. The mfecane had achieved the permanence of a paradigm and a dominant discourse, as it was accepted equally by settler, liberal, Afrikaner, Africanist and Neo-Marxist historians. This certainty was shaken when Cobbing’s mfecane critique appeared in 1988, with which I concur. This study examines how mfecane history was written from the first published articles in mid-1823 until Walker coined the concept mfecane in 1928. This thesis undertakes a journey through a host of published works, books, pamphlets and articles in journals, magazines and newspapers, from which a number of conclusions emerge. The mfecane narrative was developed over a period of a hundred years in the English language by almost exclusively white, English-speaking male amateur historians and ethnographers. Their occupations, age, ideology and level of education differed markedly, but they shared one European ideological value, the discourse of the European “Image of Africa”, which regarded Africans as the negative Other of their own positively perceived society. This was a culturallyshared view of Africans, which formed the baggage in the mind of all writers examined, and accounts for the mfecane narrative’s negative attitude towards Africans. Furthermore, mfecane history was influenced by racism and the use of literary devices such as the gothic novel and the romance. Authors writing in the 1823 to 1846 period on events which had taken place in the “blank space” beyond the Cape Colony, which most of them had never visited, laid the basis for the mfecane narrative. It constituted a set of geographical or ethnically focused, separate accounts. These separate accounts focused on the themes of Shaka’s creation of the Zulu state, including his expulsion of several chiefdoms; his depopulation of Natal and the flight of the Fingo to the Transkei; the path of destruction of the Hlubi and Ngwane during their flight from Natal via the greater Caledon Valley area to the Transkei; the incorporation of the Kololo and other Sotho chiefdoms into the Mantatees - due to pressure from the invaders from Natal - who subsequently laid waste the Free State and Transvaal as far as Dithakong, where they were defeated; the further depopulation of the Transvaal by the Ndebele during their escape from Shaka; the flight of Moshoeshoe and his people to Thaba Bosiu where he built up the Sotho state, with Moshoeshoe being the only positive figure in this history. This multi-narrative was thereafter repeated without any critical thought by all authors examined until in 1885 Theal created a Zulu-centric, geographically integrated mfecane narrative whereby he integrated the previously separate accounts into one coherent whole - a whole which was so much more than the sum of its parts, but so far without a defining name. That was provided by Walker in 1928 when he coined the Xhosa neologism, mfecane. The Theal, Cory and Walker racist mfecane was thus bequeathed as the mfecane to the rest of the twentieth century.
- Full Text:
- Date Issued: 2005
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