Lote-lote (Lote)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Wenda m'manja manja (Go in the hands)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
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