"Muscled Presence": Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake"
- Authors: Everitt, Mariss , Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:2262 , http://hdl.handle.net/10962/d1004642
- Description: Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake" is an artwork which addresses precisely these questions, seeking a manner of portraying the snake which is neither grossly appropriative nor wholly detached, neither ethically empty nor preachy. In its multi-angled structure, Livingstone attempts aesthetically "to establish and embellish ... a contact zone with the nonhuman animals who share our world with us, but accepting also that there exist considerable venues on either side of this contact zone that are, on the one hand, only human, and on the other hand, only nonhuman". Even in his more formally scientific work, Livingstone argues for the inevitability of such limits to knowledge, and for the value of the imagination in addressing them.
- Full Text:
- Date Issued: 2007
- Authors: Everitt, Mariss , Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:2262 , http://hdl.handle.net/10962/d1004642
- Description: Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake" is an artwork which addresses precisely these questions, seeking a manner of portraying the snake which is neither grossly appropriative nor wholly detached, neither ethically empty nor preachy. In its multi-angled structure, Livingstone attempts aesthetically "to establish and embellish ... a contact zone with the nonhuman animals who share our world with us, but accepting also that there exist considerable venues on either side of this contact zone that are, on the one hand, only human, and on the other hand, only nonhuman". Even in his more formally scientific work, Livingstone argues for the inevitability of such limits to knowledge, and for the value of the imagination in addressing them.
- Full Text:
- Date Issued: 2007
Bush School After Dark
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460397 , vital:75936 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460397 , vital:75936 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Celebration
- Authors: Wylie, Dan
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460412 , vital:75937 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_464
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1988
- Authors: Wylie, Dan
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460412 , vital:75937 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_464
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1988
Chest x-ray
- Authors: Wylie, Dan
- Date: 1997
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/464720 , vital:76539 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_512
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1997
- Authors: Wylie, Dan
- Date: 1997
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/464720 , vital:76539 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_512
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1997
Colonials
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460428 , vital:75938 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460428 , vital:75938 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Elephants, compassion, and the largesse of literature
- Authors: Wylie, Dan
- Date: 2011
- Language: English
- Type: Text
- Identifier: vital:582 , http://hdl.handle.net/10962/d1018924
- Description: [From the text] Why is it that we do not raise a monument, a mausoleum, nor even a humble gravestone, to mark the death of every elephant? We habitually, even compulsively, do this for other humans, occasionally for treasured pets. Yet we do not do it for the most charismatic, gigantic, culturally resonant land animal we will ever encounter. Why not? Some possible answers. One: too much work. Another: we regard other animals as less conscious than ourselves; we are the only creatures who deserve to have our deaths so commemorated. A third: wild animals are part of wild ecosystems; it is ‘natural’ for them to die and to be reabsorbed namelessly back into those ecosystems. We humans, on the other hand, consider ourselves somehow separate from those ecosystems: we shield ourselves from ‘Nature’ with bricks and literatures while we live, with marble and epitaphs after we die.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Language: English
- Type: Text
- Identifier: vital:582 , http://hdl.handle.net/10962/d1018924
- Description: [From the text] Why is it that we do not raise a monument, a mausoleum, nor even a humble gravestone, to mark the death of every elephant? We habitually, even compulsively, do this for other humans, occasionally for treasured pets. Yet we do not do it for the most charismatic, gigantic, culturally resonant land animal we will ever encounter. Why not? Some possible answers. One: too much work. Another: we regard other animals as less conscious than ourselves; we are the only creatures who deserve to have our deaths so commemorated. A third: wild animals are part of wild ecosystems; it is ‘natural’ for them to die and to be reabsorbed namelessly back into those ecosystems. We humans, on the other hand, consider ourselves somehow separate from those ecosystems: we shield ourselves from ‘Nature’ with bricks and literatures while we live, with marble and epitaphs after we die.
- Full Text:
- Date Issued: 2011
Expanded Metal
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/464731 , vital:76540 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/464731 , vital:76540 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
Feral whispering, community and the reach of the literary
- Authors: Wylie, Dan
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458091 , vital:75715 , https://hdl.handle.net/10520/EJC171542
- Description: Google "elephant + basenji" and you will observe a remarkable event. Every so often, on the edge of Cecil Kop Game Reserve, bordering my home town of Mutare, Zimbabwe, one of the reserve's two elephants approaches the fence of a private house. On the house side is a Basenji dog. The two animals get as close to one another as the electrified fence permits. They seem to take a great interest in each other. Neither the other elephant, nor the household's other dog, participate in the exchange; this is a communing between two unique individuals. Sometimes, the elephant lies down, and she and the dog continue staring at each other. Just what is passing between them is impossible to say, but something is going on. Curiosity at least, and a measure of trust. Albeit tentative, a new, wholly unpredictable social aggregation has come into being, neither quite wild nor tamed: feral.
- Full Text:
- Date Issued: 2014
- Authors: Wylie, Dan
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458091 , vital:75715 , https://hdl.handle.net/10520/EJC171542
- Description: Google "elephant + basenji" and you will observe a remarkable event. Every so often, on the edge of Cecil Kop Game Reserve, bordering my home town of Mutare, Zimbabwe, one of the reserve's two elephants approaches the fence of a private house. On the house side is a Basenji dog. The two animals get as close to one another as the electrified fence permits. They seem to take a great interest in each other. Neither the other elephant, nor the household's other dog, participate in the exchange; this is a communing between two unique individuals. Sometimes, the elephant lies down, and she and the dog continue staring at each other. Just what is passing between them is impossible to say, but something is going on. Curiosity at least, and a measure of trust. Albeit tentative, a new, wholly unpredictable social aggregation has come into being, neither quite wild nor tamed: feral.
- Full Text:
- Date Issued: 2014
Fires: Christmas Day 2008
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468696 , vital:77116 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468696 , vital:77116 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
Haka (Pangolin)
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:75939 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:75939 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Homes
- Authors: Wylie, Dan
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460462 , vital:75940 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_464
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1988
- Authors: Wylie, Dan
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460462 , vital:75940 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_464
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1988
Hornbill As Poet
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460475 , vital:75941 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Wylie, Dan
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460475 , vital:75941 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Learning Zulu: a secret history of language in South Africa
- Authors: Wylie, Dan
- Date: 2017
- Language: English
- Type: book review , text
- Identifier: http://hdl.handle.net/10962/61255 , vital:27997 , https://www.ajol.info/index.php/tvl/article/view/160848
- Description: Taking a leaf from the book under review, I’ll start by injecting an autobiographical element. Much of what Sanders examines here echoes my own experience, after Zimbabwe’s independence, of heading to a remote mission school to teach for two years. Part of my purpose was to learn better Shona, the majority language from which I had been systematically discouraged by my colonial education. It was, in a way, a gesture of reparation, or addressing a nagging “white guilt”, or at least of assuaging a sense of fruitless loss and exclusion. I was nowhere near as successful in attaining fluency as Sanders seems have been in learning Zulu; and now that I live in the Eastern Cape, my efforts to learn Xhosa have been similarly patchy and faltering. One thing is evident throughout Sanders’s dense discussions: long-term, assiduous application and pe¬riods of total immersion are vital—and as he points out, few whites in South Africa have carved out the time and energy to do so, while willy-nilly expecting the black majority to learn their language. (An endnote does aver that, according to census figures, a surprising 16,000-plus whites, and a similar number of Indians, in KwaZulu-Natal, list Zulu as their first language.)
- Full Text:
- Date Issued: 2017
- Authors: Wylie, Dan
- Date: 2017
- Language: English
- Type: book review , text
- Identifier: http://hdl.handle.net/10962/61255 , vital:27997 , https://www.ajol.info/index.php/tvl/article/view/160848
- Description: Taking a leaf from the book under review, I’ll start by injecting an autobiographical element. Much of what Sanders examines here echoes my own experience, after Zimbabwe’s independence, of heading to a remote mission school to teach for two years. Part of my purpose was to learn better Shona, the majority language from which I had been systematically discouraged by my colonial education. It was, in a way, a gesture of reparation, or addressing a nagging “white guilt”, or at least of assuaging a sense of fruitless loss and exclusion. I was nowhere near as successful in attaining fluency as Sanders seems have been in learning Zulu; and now that I live in the Eastern Cape, my efforts to learn Xhosa have been similarly patchy and faltering. One thing is evident throughout Sanders’s dense discussions: long-term, assiduous application and pe¬riods of total immersion are vital—and as he points out, few whites in South Africa have carved out the time and energy to do so, while willy-nilly expecting the black majority to learn their language. (An endnote does aver that, according to census figures, a surprising 16,000-plus whites, and a similar number of Indians, in KwaZulu-Natal, list Zulu as their first language.)
- Full Text:
- Date Issued: 2017
Louise Bethlehem. Skin Tight Apartheid Literary Culture and its Aftermath: Review
- Authors: Wylie, Dan
- Date: 2009
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458132 , vital:75718 , https://tinyurl.com/226m5t3e
- Description: Louise Bethlehem, South African-born but now tenured at the Hebrew University in Jerusalem, has to be one of the sharpest intelligences working in Southern African literary studies today. This slender book is characteristically scintillating, dense with metatextual theory, and shot through with anger. It is a text upon metatexts: a series of coruscating snapshots of four or so key moments of literary critical discourse that emerged from the South African 'lit-crit' establishment during the apartheid years, and one following it (the TRC). It pretends neither to be a survey of the discipline, nor--somewhat disdainfully--to be supported by an empirical layering of evidence. Rather, it explores how the discursive structures and rhetoric of chosen literary critical texts have failed to enact the liberation to which they lay claim.
- Full Text:
- Date Issued: 2009
- Authors: Wylie, Dan
- Date: 2009
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458132 , vital:75718 , https://tinyurl.com/226m5t3e
- Description: Louise Bethlehem, South African-born but now tenured at the Hebrew University in Jerusalem, has to be one of the sharpest intelligences working in Southern African literary studies today. This slender book is characteristically scintillating, dense with metatextual theory, and shot through with anger. It is a text upon metatexts: a series of coruscating snapshots of four or so key moments of literary critical discourse that emerged from the South African 'lit-crit' establishment during the apartheid years, and one following it (the TRC). It pretends neither to be a survey of the discipline, nor--somewhat disdainfully--to be supported by an empirical layering of evidence. Rather, it explores how the discursive structures and rhetoric of chosen literary critical texts have failed to enact the liberation to which they lay claim.
- Full Text:
- Date Issued: 2009
Metastasis
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468707 , vital:77117 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468707 , vital:77117 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
Mongrel: essays, William Dicey
- Authors: Wylie, Dan
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142748 , vital:38113 , https://www.ajol.info/index.php/tvl/article/view/143393
- Description: If I had the liberty to run an introductory course on South African history, I might well start with William Dicey’s Borderline (2004). Borderline recounts Dicey and some friends’ canoe trip down the Orange River, from Orania to the sea. It’s by turns lyrical and funny, and rich with historical perspectives stimulated by people and places Dicey encounters en route.
- Full Text:
- Date Issued: 2016
- Authors: Wylie, Dan
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142748 , vital:38113 , https://www.ajol.info/index.php/tvl/article/view/143393
- Description: If I had the liberty to run an introductory course on South African history, I might well start with William Dicey’s Borderline (2004). Borderline recounts Dicey and some friends’ canoe trip down the Orange River, from Orania to the sea. It’s by turns lyrical and funny, and rich with historical perspectives stimulated by people and places Dicey encounters en route.
- Full Text:
- Date Issued: 2016
Mountainous freedom: the awkward romance of two Capetonian poets
- Authors: Wylie, Dan
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458105 , vital:75716 , https://hdl.handle.net/10520/EJC156475
- Description: This was by way of commenting on Butler's view of Sydney Clouts's poetry. Clouts, considered by some the finest South African poet of his generation, had received a posthumous shredding in Watson's earlier essay, "Sydney Clouts and the Limits of Romanticism" (1986). Those limits were reached, in Watson's view, partly in Romanticism's "negation of modernity," and partly in failing to gain traction in the late-colonial dislocations of apartheid South Africa. Interestingly, Clouts had also contemplated the settler-inherited dilemmas of language and belonging via the thoughts of another South American poet, Jorge Luis Borges.
- Full Text:
- Date Issued: 2014
- Authors: Wylie, Dan
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458105 , vital:75716 , https://hdl.handle.net/10520/EJC156475
- Description: This was by way of commenting on Butler's view of Sydney Clouts's poetry. Clouts, considered by some the finest South African poet of his generation, had received a posthumous shredding in Watson's earlier essay, "Sydney Clouts and the Limits of Romanticism" (1986). Those limits were reached, in Watson's view, partly in Romanticism's "negation of modernity," and partly in failing to gain traction in the late-colonial dislocations of apartheid South Africa. Interestingly, Clouts had also contemplated the settler-inherited dilemmas of language and belonging via the thoughts of another South American poet, Jorge Luis Borges.
- Full Text:
- Date Issued: 2014
Narrating Whales in Southern Africa
- Authors: Wylie, Dan
- Date: 2019
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458117 , vital:75717 , https://hdl.handle.net/10520/EJC-173420664c
- Description: Though the whaling stations on the South African coast are now closed, whaling in the southern oceans, both ‘illegal’ and ‘scientific’, continues to be a matter of controversy. Exploitation clashes in complex ways with whale-watching as a touristic activity, now a major drawcard to South Africa’s coastline. It appears no thorough survey of the history and sociology of whaling has yet been written, nor of the progression of those emotional investments in the presence of whales that drive animal rights programmes and tourism alike. Such literature on whales as exists in southern Africa throws interesting sidelights on this presence. This article explores the issues through such literary works as Douglas Livingstone’s poetry and the fictions of Laurens Van Der Post, Zakes Mda, Lyall Watson and Mia Couto.
- Full Text:
- Date Issued: 2019
- Authors: Wylie, Dan
- Date: 2019
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/458117 , vital:75717 , https://hdl.handle.net/10520/EJC-173420664c
- Description: Though the whaling stations on the South African coast are now closed, whaling in the southern oceans, both ‘illegal’ and ‘scientific’, continues to be a matter of controversy. Exploitation clashes in complex ways with whale-watching as a touristic activity, now a major drawcard to South Africa’s coastline. It appears no thorough survey of the history and sociology of whaling has yet been written, nor of the progression of those emotional investments in the presence of whales that drive animal rights programmes and tourism alike. Such literature on whales as exists in southern Africa throws interesting sidelights on this presence. This article explores the issues through such literary works as Douglas Livingstone’s poetry and the fictions of Laurens Van Der Post, Zakes Mda, Lyall Watson and Mia Couto.
- Full Text:
- Date Issued: 2019
Not translators, but poets
- Authors: Press, Karen , Wylie, Dan
- Date: 2005
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468719 , vital:77118 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47771
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2005
- Authors: Press, Karen , Wylie, Dan
- Date: 2005
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468719 , vital:77118 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47771
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2005
On His Blindness
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468730 , vital:77119 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/468730 , vital:77119 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC125847
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2011