Mansane Cisse
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131315 , vital:36558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-03
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131315 , vital:36558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-03
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Marie Sala
- Badou Boy (lead vocal, accoustic guitar, harmonica), Assane Thiam (Tama talking drum), Tapha Faye (piano), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Fallilou Niang (drums), Ibou Cisse (piano), Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
Kolondji
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Wassy ye
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131324 , vital:36559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-04
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131324 , vital:36559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-04
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Tolon
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Ma Ya
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131297 , vital:36556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-01
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131297 , vital:36556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-01
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Tama
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kounkan
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kome ne
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131302 , vital:36557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-02
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131302 , vital:36557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-02
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Bakouende
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kumbin
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131341 , vital:36561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-06
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131341 , vital:36561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-06
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Dramedjeli
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Foro bana
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131333 , vital:36560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-05
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131333 , vital:36560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-05
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Fespaco
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128707 , vital:36143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-01
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128707 , vital:36143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-01
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Fourou
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128771 , vital:36151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-08
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128771 , vital:36151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-08
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Mulling over Art with Andrew Mulenga: Artnet “Intelligence Report” magnifies African Art Market
- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146826 , vital:38561 , https://www.themastonline.com/2019/09/24/mulling-over-art-artnet-intelligence-report-magnifies-african-art-market/
- Description: In its latest “Intelligence Report” released on 10th September titled Welcome to the Age of the Art Industry (The Art World Is Over) which coincides with its 30th anniversary, artnet News advances a thesis: that over the past 30 years, the art world has evolved into an art industry.
- Full Text:
- Date Issued: 2019
- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146826 , vital:38561 , https://www.themastonline.com/2019/09/24/mulling-over-art-artnet-intelligence-report-magnifies-african-art-market/
- Description: In its latest “Intelligence Report” released on 10th September titled Welcome to the Age of the Art Industry (The Art World Is Over) which coincides with its 30th anniversary, artnet News advances a thesis: that over the past 30 years, the art world has evolved into an art industry.
- Full Text:
- Date Issued: 2019
A critical study in the management of the female adolescent voice
- Authors: Goosen, Gysbert Jacobus
- Date: 2014
- Subjects: Voice, Change of , Women singers
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/3438 , vital:20430
- Description: This treatise is a qualitative study that critically explores a current body of knowledge significant to the development of the female adolescent voice. The female adolescent voice is a field that is relatively under-researched in comparison to the male adolescent voice, although research in this regard has shown an increase in interest in the last two decades (Gackle 2011: 11). However, information related to the male adolescent voice still far outweighs the female adolescent voice. This study, through the use of six secondary objectives, identifies and highlights areas of the female adolescent voice development, where much of the current research lacks depth and insight. It therefore analyses and compares applicable literature in an attempt principally to contribute to a more structured and academic approach in this field. Insight into the auditory effects that occur during physiological mutation is further supported by investigating the functioning of the female voice registers and the respective influences of these on the different phases of vocal development of the female adolescent. The assistance and expertise of the conductor in this process, as well as in common areas such as voice classification, auditioning, voice placement, and repertoire selection are investigated to further consolidate and compare possible interventions for problems pertaining specifically to the female adolescent voice. The study concludes with a summary of the treatise and proposes suggestions for further study in this field.
- Full Text:
- Date Issued: 2014
- Authors: Goosen, Gysbert Jacobus
- Date: 2014
- Subjects: Voice, Change of , Women singers
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/3438 , vital:20430
- Description: This treatise is a qualitative study that critically explores a current body of knowledge significant to the development of the female adolescent voice. The female adolescent voice is a field that is relatively under-researched in comparison to the male adolescent voice, although research in this regard has shown an increase in interest in the last two decades (Gackle 2011: 11). However, information related to the male adolescent voice still far outweighs the female adolescent voice. This study, through the use of six secondary objectives, identifies and highlights areas of the female adolescent voice development, where much of the current research lacks depth and insight. It therefore analyses and compares applicable literature in an attempt principally to contribute to a more structured and academic approach in this field. Insight into the auditory effects that occur during physiological mutation is further supported by investigating the functioning of the female voice registers and the respective influences of these on the different phases of vocal development of the female adolescent. The assistance and expertise of the conductor in this process, as well as in common areas such as voice classification, auditioning, voice placement, and repertoire selection are investigated to further consolidate and compare possible interventions for problems pertaining specifically to the female adolescent voice. The study concludes with a summary of the treatise and proposes suggestions for further study in this field.
- Full Text:
- Date Issued: 2014
From physics to music: an analysis of the role of overtones in the improvement of choral tone
- Authors: Starker, Leonard Bonn
- Date: 2011
- Subjects: Choral singing , Choral singing -- Intonation , Choral singing -- Instruction and study , Voice culture
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8518 , http://hdl.handle.net/10948/d1012937
- Description: Numerous studies exist examining the link in solo singers between timbre and overtone spectra. The purpose of this study is to examine if similar results can be obtained by applying the same techniques to choral singing. The study is aimed at non-scientific readers and therefore introduces the subject with background to the relevant physics. In this study a number of recorded samples of choirs were taken from www.youtube.com and analyzed. The analysis included computation of long-term average spectra (LTAS) and singing power ratio‟s (SPR), which provided an indication of the relative energy in the higher overtone region of every choir. This was compared to a binary value judgment of the choirs. The results indicate that the SPR as applied to soloists cannot be directly applied to choirs. A link between SPR and a perceived “good” choral tone could exist but would have to be interpreted differently than in the case of soloists. It was also found that a possible link could exist between frequency peaks in LTAS and a choir‟s intonation.
- Full Text:
- Date Issued: 2011
- Authors: Starker, Leonard Bonn
- Date: 2011
- Subjects: Choral singing , Choral singing -- Intonation , Choral singing -- Instruction and study , Voice culture
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8518 , http://hdl.handle.net/10948/d1012937
- Description: Numerous studies exist examining the link in solo singers between timbre and overtone spectra. The purpose of this study is to examine if similar results can be obtained by applying the same techniques to choral singing. The study is aimed at non-scientific readers and therefore introduces the subject with background to the relevant physics. In this study a number of recorded samples of choirs were taken from www.youtube.com and analyzed. The analysis included computation of long-term average spectra (LTAS) and singing power ratio‟s (SPR), which provided an indication of the relative energy in the higher overtone region of every choir. This was compared to a binary value judgment of the choirs. The results indicate that the SPR as applied to soloists cannot be directly applied to choirs. A link between SPR and a perceived “good” choral tone could exist but would have to be interpreted differently than in the case of soloists. It was also found that a possible link could exist between frequency peaks in LTAS and a choir‟s intonation.
- Full Text:
- Date Issued: 2011
From physics to music: an analysis of the role of overtones in the improvement of choral tone
- Authors: Starker, Leonard Bonn
- Date: 2011
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8502 , http://hdl.handle.net/10948/1650
- Description: Numerous studies exist examining the link in solo singers between timbre and overtone spectra. The purpose of this study is to examine if similar results can be obtained by applying the same techniques to choral singing. The study is aimed at non-scientific readers and therefore introduces the subject with background to the relevant physics. In this study a number of recorded samples of choirs were taken from www.youtube.com and analyzed. The analysis included computation of long-term average spectra (LTAS) and singing power ratio‟s (SPR), which provided an indication of the relative energy in the higher overtone region of every choir. This was compared to a binary value judgment of the choirs. The results indicate that the SPR as applied to soloists cannot be directly applied to choirs. A link between SPR and a perceived “good” choral tone could exist but would have to be interpreted differently than in the case of soloists. It was also found that a possible link could exist between frequency peaks in LTAS and a choir's intonation.
- Full Text:
- Date Issued: 2011
- Authors: Starker, Leonard Bonn
- Date: 2011
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8502 , http://hdl.handle.net/10948/1650
- Description: Numerous studies exist examining the link in solo singers between timbre and overtone spectra. The purpose of this study is to examine if similar results can be obtained by applying the same techniques to choral singing. The study is aimed at non-scientific readers and therefore introduces the subject with background to the relevant physics. In this study a number of recorded samples of choirs were taken from www.youtube.com and analyzed. The analysis included computation of long-term average spectra (LTAS) and singing power ratio‟s (SPR), which provided an indication of the relative energy in the higher overtone region of every choir. This was compared to a binary value judgment of the choirs. The results indicate that the SPR as applied to soloists cannot be directly applied to choirs. A link between SPR and a perceived “good” choral tone could exist but would have to be interpreted differently than in the case of soloists. It was also found that a possible link could exist between frequency peaks in LTAS and a choir's intonation.
- Full Text:
- Date Issued: 2011
A critical study of voice teaching method, with specific reference to solo singing, choral singing and vocal health for the teenage singer
- Authors: Olivier, Madelie Charlotte
- Date: 2012
- Subjects: Singing -- Instruction and study , Voice culture -- Exercises , Singing -- Methods
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8523 , http://hdl.handle.net/10948/d1019926
- Description: This dissertation presents a critical study of voice teaching method as this pertains to the high school learner studying voice within the South African educational environment, with learning outcomes determined for subject music within the GET (General Education and Training) and FET (Further Education and Training) bands of the Department of Basic Education at each school grade level, as well as by external examining bodies such as Unisa (University of South Africa), Trinity Guildhall and ABRSM (Amalgamated Board of the Royal Schools of Music). Emphasis is placed on the methodological principles applicable in the case of the Western classical music solo vocal repertoire, but reference is also made to the applicability of this method in other vocal genres and, in particular, in the case of choral music participation. Special attention is given to the subject of the vocal health of the developing teenage voice, which includes an overview of vocal disorders and suggestions for rehabilitation and remedial programmes where necessary. Triangulation of research results is achieved in this study through inclusion of: - A thorough survey of selected pertinent bibliographic sources - Description of and engagement with the researcher’s own numerous phenomenological encounters in this field - Interviews conducted in Port Elizabeth with Jill Nock, voice teacher, on the subject of voice teaching method, and with John Black, Ear, Nose and Throat Specialist, on the subject of vocal health. The researcher concludes that there is a need for continued education and training of music educators in the South African high school environment, many of whom are not trained voice specialists, in order to cater for the growing number of high school music learners who choose to specialise in voice. Although educator networking can go a long way towards creating an informal support system to address this need, it is ultimately the responsibility of the Department of Basic Education to address this in a formal and all-encompassing fashion.
- Full Text:
- Date Issued: 2012
- Authors: Olivier, Madelie Charlotte
- Date: 2012
- Subjects: Singing -- Instruction and study , Voice culture -- Exercises , Singing -- Methods
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8523 , http://hdl.handle.net/10948/d1019926
- Description: This dissertation presents a critical study of voice teaching method as this pertains to the high school learner studying voice within the South African educational environment, with learning outcomes determined for subject music within the GET (General Education and Training) and FET (Further Education and Training) bands of the Department of Basic Education at each school grade level, as well as by external examining bodies such as Unisa (University of South Africa), Trinity Guildhall and ABRSM (Amalgamated Board of the Royal Schools of Music). Emphasis is placed on the methodological principles applicable in the case of the Western classical music solo vocal repertoire, but reference is also made to the applicability of this method in other vocal genres and, in particular, in the case of choral music participation. Special attention is given to the subject of the vocal health of the developing teenage voice, which includes an overview of vocal disorders and suggestions for rehabilitation and remedial programmes where necessary. Triangulation of research results is achieved in this study through inclusion of: - A thorough survey of selected pertinent bibliographic sources - Description of and engagement with the researcher’s own numerous phenomenological encounters in this field - Interviews conducted in Port Elizabeth with Jill Nock, voice teacher, on the subject of voice teaching method, and with John Black, Ear, Nose and Throat Specialist, on the subject of vocal health. The researcher concludes that there is a need for continued education and training of music educators in the South African high school environment, many of whom are not trained voice specialists, in order to cater for the growing number of high school music learners who choose to specialise in voice. Although educator networking can go a long way towards creating an informal support system to address this need, it is ultimately the responsibility of the Department of Basic Education to address this in a formal and all-encompassing fashion.
- Full Text:
- Date Issued: 2012