Wayo Waye
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130328 , vital:36405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-03
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130328 , vital:36405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-03
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Ndawrabine
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130306 , vital:36402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-01
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130306 , vital:36402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-01
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Yaye Sokhna
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130353 , vital:36408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-06
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130353 , vital:36408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-06
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Soul
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130319 , vital:36404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-02
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130319 , vital:36404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-02
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Jeanne D'Arc
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130339 , vital:36406 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-04
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130339 , vital:36406 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-04
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Dioko
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130348 , vital:36407 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-05
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130348 , vital:36407 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-05
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Abdoul Aziz
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130060 , vital:36371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-02
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130060 , vital:36371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-02
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Waxonalako
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130069 , vital:36372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-03
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130069 , vital:36372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-03
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Sunu Rew
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130051 , vital:36370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-01
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130051 , vital:36370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-01
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Africa
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130074 , vital:36373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-04
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130074 , vital:36373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-04
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Saly
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130087 , vital:36374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-05
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130087 , vital:36374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-05
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Adama Diop
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130106 , vital:36376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-07
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130106 , vital:36376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-07
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Ndiguel
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130111 , vital:36377 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-08
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130111 , vital:36377 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-08
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Laissez-nous Parler
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130100 , vital:36375 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-06
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130100 , vital:36375 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-06
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
BaNakatekwe
- Kasumali, Stephen Tsotsi, Tracey, Hugh
- Authors: Kasumali, Stephen Tsotsi , Tracey, Hugh
- Date: 1957-07-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/241839 , vital:50974 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT499-L120 , Research no. L2V12
- Description: Topical song accompanied by guitar, clapping, bottles and vocals, about a prostitute not being interested in children but rather money.
- Full Text: false
- Date Issued: 1957-07-16
- Authors: Kasumali, Stephen Tsotsi , Tracey, Hugh
- Date: 1957-07-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/241839 , vital:50974 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT499-L120 , Research no. L2V12
- Description: Topical song accompanied by guitar, clapping, bottles and vocals, about a prostitute not being interested in children but rather money.
- Full Text: false
- Date Issued: 1957-07-16
Binary and ternary pyrotechnic systems containing manganese, molybdenum, barium peroxide and strontium peroxide
- Authors: Drennan, Robin Lennox
- Date: 1991
- Subjects: Thermochemistry -- Research Thermal analysis -- Research Chemistry, Analytic -- Research Manganese Molybdenum
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:4411 , http://hdl.handle.net/10962/d1006765
- Description: Barium peroxide was selected as oxidant in a fundamental physico-chemical study of binary pyrotechnic systems on account of its apparently simple decomposition stoichiometry. With this selection, the choice of fuel was governed by the requirements of a self-sustaining reaction at combustion temperatures below the melting point of the platinum/rhodium thermocouples (∼1760°C) used for recording temperature-time profiles during burning, and at burning rates not exceeding the response of the sensors used to monitor combustion. Both manganese and molybdenum metal powders satisfied the above requirements. Strontium peroxide was also available as an oxidant and so the combustion of binary metal/oxidant systems using both fuels and both BaO₂ and SrO₂ oxidants was investigated. The Mn/BaO₂, MoBaO₂ and Mn/SrO₂ systems burnt over a wide range of compositions, but the range of ignitable compositions for the Mo/SrO₂ system was very limited. The linear burning rates, for all these systems, ranged from 2 to 12 mm s⁻¹ and burning rates were increased by the use of smaller particle-sizes of fuel and greater loading pressures. Inert additives generally decreased the burning rate. Temperature-time profiles were recorded for all the compositions which sustained combustion. Kinetic parameters were estimated from the shapes of these profiles using procedures developed by Hill et al and Boddington and Laye. Activation energies derived from the profiles were low (3 to 40 kJ mol⁻¹) and support suggestions that reactions at high temperatures are controlled by diffusion processes. Thermal analysis was used to identify the processes occurring in the four systems. The main exothermic events were observed to correspond approximately with the onset of oxidant decomposition. A pre-ignition reaction was tentatively identified in the Mn/BaO₂ system. Oxidation of the metal fuels was generally incomplete, probably because of the formation of protective layers of product. Activation energies, derived from thermal analysis results, were in the range of from 70 to 720 kJ mol⁻¹. Ternary systems containing either mixed fuels or mixed oxidants were also examined. No interactions hetween the fuels or between the oxidants were observed. Other techniques used included bomb calorimetry, measurement of thermal conductivity, X-ray powder diffraction, infrared spectroscopy and scanning electron microscopy.
- Full Text:
- Date Issued: 1991
- Authors: Drennan, Robin Lennox
- Date: 1991
- Subjects: Thermochemistry -- Research Thermal analysis -- Research Chemistry, Analytic -- Research Manganese Molybdenum
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:4411 , http://hdl.handle.net/10962/d1006765
- Description: Barium peroxide was selected as oxidant in a fundamental physico-chemical study of binary pyrotechnic systems on account of its apparently simple decomposition stoichiometry. With this selection, the choice of fuel was governed by the requirements of a self-sustaining reaction at combustion temperatures below the melting point of the platinum/rhodium thermocouples (∼1760°C) used for recording temperature-time profiles during burning, and at burning rates not exceeding the response of the sensors used to monitor combustion. Both manganese and molybdenum metal powders satisfied the above requirements. Strontium peroxide was also available as an oxidant and so the combustion of binary metal/oxidant systems using both fuels and both BaO₂ and SrO₂ oxidants was investigated. The Mn/BaO₂, MoBaO₂ and Mn/SrO₂ systems burnt over a wide range of compositions, but the range of ignitable compositions for the Mo/SrO₂ system was very limited. The linear burning rates, for all these systems, ranged from 2 to 12 mm s⁻¹ and burning rates were increased by the use of smaller particle-sizes of fuel and greater loading pressures. Inert additives generally decreased the burning rate. Temperature-time profiles were recorded for all the compositions which sustained combustion. Kinetic parameters were estimated from the shapes of these profiles using procedures developed by Hill et al and Boddington and Laye. Activation energies derived from the profiles were low (3 to 40 kJ mol⁻¹) and support suggestions that reactions at high temperatures are controlled by diffusion processes. Thermal analysis was used to identify the processes occurring in the four systems. The main exothermic events were observed to correspond approximately with the onset of oxidant decomposition. A pre-ignition reaction was tentatively identified in the Mn/BaO₂ system. Oxidation of the metal fuels was generally incomplete, probably because of the formation of protective layers of product. Activation energies, derived from thermal analysis results, were in the range of from 70 to 720 kJ mol⁻¹. Ternary systems containing either mixed fuels or mixed oxidants were also examined. No interactions hetween the fuels or between the oxidants were observed. Other techniques used included bomb calorimetry, measurement of thermal conductivity, X-ray powder diffraction, infrared spectroscopy and scanning electron microscopy.
- Full Text:
- Date Issued: 1991
Structures and thermal behaviour of some monooxalato and dioxalato metal complexes
- Authors: Bacsa, John
- Date: 1996
- Subjects: Oxalates -- Research , Crystallography -- Research , Chemistry, Inorganic -- Research
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4351 , http://hdl.handle.net/10962/d1005016 , Oxalates -- Research , Crystallography -- Research , Chemistry, Inorganic -- Research
- Description: The crystal structure of Ba [Cu(C₂0₄)₂(H₂O)].5H₂O has been determined using single crystal X-ray diffractometry. It crystallises in the triclinic system, space group Pī , with a = 6.539(2) Å, b = 9.211(3) Å, c = 10.928(3) Å, a = 85.42(3)°, β = 79.22(3)° , γ = 80.30(3)°, V = 636.08(8)ų and Z = 2. The structure consists of [Cu(C₂0₄)₂(H₂O)]²⁻ ions weakly bridged by barium ions and water molecules. The copper(II) ions are in a tetragonally elongated square-pyramidal environment with some trigonal distortion. The two oxalate groups occupy the equatorial positions and a water molecule occupies the axial position. The barium ion is surrounded by nine oxygens: five oxygens from water molecules and four oxygens from oxalate groups. The thermal behaviour of Ba [Cu(C₂0₄)₂(H₂O)].5H₂0 in N₂ has been examined using thermogravimetry (TG) and differential scanning calorimetry (DSC). The dehydration starts at relatively low temperatures (~80°C), but continues until the onset of the decomposition (~280°C). The decomposition takes place in two major stages. The mass of the intermediate after the first stage corresponded to the formation of barium oxalate and copper metal and, after the second stage, to the formation of barium carbonate and copper metal. The enthalpy for the dehydration was found to be 311 ±30 kJ mol⁻¹. The overall enthalpy change for the decomposition of Ba[Cu(C₂0₄)₂]in N₂ was estimated from the combined area of the peaks of the DSC curve as -347 kJ mol⁻¹. The kinetics of the thermal dehydration and decomposition were studied using isothermal TG. The dehydration was strongly deceleratory and the α-time curves could be described by the three-dimensional diffusion (D3) model. The values of the activation energy and the pre-exponential factor for the dehydration were 125 ±4 kJ mol⁻¹ and (1.38 ±0.08)x10¹⁵ min⁻¹, respectively. The decomposition was complex, consisting of at least two concurrent processes. The decomposition was analysed in terms of two overlapping deceleratory processes. One process was fast and could be described by the contracting-geometry model with n = 5. The other process was slow and could also be described by the contracting-geometry model , but with n = 2. The values of Eₐ and A were 206 ±23 kJ mol⁻¹ and (2.2 ±O.5)xl0¹⁹min⁻¹, respectively, for the fast process, and 259 ±37 kJ mol⁻¹ and (6.3 ±1.8)x10²³min⁻¹, respectively, for the slow process.The crystal structure of zinc oxalate dihydrate ([Zn(C₂0₄)(H₂O)₂]n) has also been determined by X-ray diffraction methods. It crystallises in the monoclinic system, space group C2/c with a = 11.786(2) Å, b = 5.397(1)Å, c = 9.712(1) Å, B = 126.19(5)°, V = 498.58(8)ų, Z = 4 and R = 0.037 for 435 absorption-corrected independent reflections and 50 parameters. The asymmetric unit consists of half the monomeric unit [Zn(C₂0₄)(H₂O)₂). The structure consists of infinite, linear chains of zinc ions bridged by oxalate groups. The geometry of the coordination polyhedron surrounding the zinc ion is octahedral, with the oxalate oxygens occupying the equatorial positions and water molecules occupying the axial positions.
- Full Text:
- Date Issued: 1996
- Authors: Bacsa, John
- Date: 1996
- Subjects: Oxalates -- Research , Crystallography -- Research , Chemistry, Inorganic -- Research
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4351 , http://hdl.handle.net/10962/d1005016 , Oxalates -- Research , Crystallography -- Research , Chemistry, Inorganic -- Research
- Description: The crystal structure of Ba [Cu(C₂0₄)₂(H₂O)].5H₂O has been determined using single crystal X-ray diffractometry. It crystallises in the triclinic system, space group Pī , with a = 6.539(2) Å, b = 9.211(3) Å, c = 10.928(3) Å, a = 85.42(3)°, β = 79.22(3)° , γ = 80.30(3)°, V = 636.08(8)ų and Z = 2. The structure consists of [Cu(C₂0₄)₂(H₂O)]²⁻ ions weakly bridged by barium ions and water molecules. The copper(II) ions are in a tetragonally elongated square-pyramidal environment with some trigonal distortion. The two oxalate groups occupy the equatorial positions and a water molecule occupies the axial position. The barium ion is surrounded by nine oxygens: five oxygens from water molecules and four oxygens from oxalate groups. The thermal behaviour of Ba [Cu(C₂0₄)₂(H₂O)].5H₂0 in N₂ has been examined using thermogravimetry (TG) and differential scanning calorimetry (DSC). The dehydration starts at relatively low temperatures (~80°C), but continues until the onset of the decomposition (~280°C). The decomposition takes place in two major stages. The mass of the intermediate after the first stage corresponded to the formation of barium oxalate and copper metal and, after the second stage, to the formation of barium carbonate and copper metal. The enthalpy for the dehydration was found to be 311 ±30 kJ mol⁻¹. The overall enthalpy change for the decomposition of Ba[Cu(C₂0₄)₂]in N₂ was estimated from the combined area of the peaks of the DSC curve as -347 kJ mol⁻¹. The kinetics of the thermal dehydration and decomposition were studied using isothermal TG. The dehydration was strongly deceleratory and the α-time curves could be described by the three-dimensional diffusion (D3) model. The values of the activation energy and the pre-exponential factor for the dehydration were 125 ±4 kJ mol⁻¹ and (1.38 ±0.08)x10¹⁵ min⁻¹, respectively. The decomposition was complex, consisting of at least two concurrent processes. The decomposition was analysed in terms of two overlapping deceleratory processes. One process was fast and could be described by the contracting-geometry model with n = 5. The other process was slow and could also be described by the contracting-geometry model , but with n = 2. The values of Eₐ and A were 206 ±23 kJ mol⁻¹ and (2.2 ±O.5)xl0¹⁹min⁻¹, respectively, for the fast process, and 259 ±37 kJ mol⁻¹ and (6.3 ±1.8)x10²³min⁻¹, respectively, for the slow process.The crystal structure of zinc oxalate dihydrate ([Zn(C₂0₄)(H₂O)₂]n) has also been determined by X-ray diffraction methods. It crystallises in the monoclinic system, space group C2/c with a = 11.786(2) Å, b = 5.397(1)Å, c = 9.712(1) Å, B = 126.19(5)°, V = 498.58(8)ų, Z = 4 and R = 0.037 for 435 absorption-corrected independent reflections and 50 parameters. The asymmetric unit consists of half the monomeric unit [Zn(C₂0₄)(H₂O)₂). The structure consists of infinite, linear chains of zinc ions bridged by oxalate groups. The geometry of the coordination polyhedron surrounding the zinc ion is octahedral, with the oxalate oxygens occupying the equatorial positions and water molecules occupying the axial positions.
- Full Text:
- Date Issued: 1996
Rainfall variability in Southern Africa, its influences on streamflow variations and its relationships with climatic variations
- Authors: Valimba, Patrick
- Date: 2005
- Subjects: Rain and rainfall -- Africa, Southern Climatic changes -- Africa, Southern Streamflow -- Africa, Southern
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:6030 , http://hdl.handle.net/10962/d1006159
- Description: Hydrological variability involving rainfall and streamflows in southern Africa have been often studied separately or have used cumulative rainfall and streamflow indices. The main objective of this study was to investigate spatio-temporal variations of rainfall, their influences on streamflows and their relationships with climatic variations with emphasis on indices that characterise the hydrological extremes, floods and droughts. It was found that 60-70% of the time when it rains, daily rainfalls are below their long-term averages and daily amounts below 10 mm are the most frequent in southern Africa. Spatially, climatologies of rainfall sub-divided the southern African subcontinent into the dry western/southwestern part and the “humid” eastern and northern part. The daily amounts below 20 mm contribute significantly to annual rainfall amounts in the dry part while all types of daily rainfall exceeding 1 mm have comparable contributions in the humid part. The climatologies indicated the highest likelihood of experiencing intense daily events during the core of the wet seasons with the highest frequencies in central Mozambique and the southern highlands of Tanzania. Interannual variations of rainfall indicated that significant changes had occurred between the late-1940s and early-1980s, particularly in the 1970s. The changes in rainfall were more evident in the number of daily rainfall events than in rainfall amounts, led generally to increasing early summer and decreased late summer rainfall. It was also found that intra-seasonal dry day sequences were an important parameter in the definition of a rainy season’s onset and end in southern Africa apart from rainfall amounts. Interannual variations of the rainy season characteristics (onset, end, duration) followed the variations of rainfall amounts and number of events. The duration of the rainy season was affected by the onset (Tanzania), onset or end (tropical southern Africa - southwestern highlands of Tanzania, Zambia, northern Zimbabwe and central Mozambique) and end (the remaing part of southern Africa). Flow duration curves (FDCs) identified three types of rivers (ephemeral, seasonal and perennial) in southern Africa with ephemeral rivers found mainly in the dry western part of the region. Seasonal streamflow patterns followed those of rainfall while interannual streamflow variations indicated significant changes of mean flows with little evidences of high and low flow regime changes except in Namibia and some parts of northern Zimbabwe. It was, however, not possible to provide strong links between the identified changes in streamflows and those in rainfall. Regarding the influences of climate variability on hydrological variability in southern Africa, rainfall variations in southern Africa were found to be influenced strongly by ENSO and SST in the tropical Indian ocean and moderately by SST in the south Madagascar basin. The influence of ENSO was consistent for all types of daily rainfall and peaks for the light and moderate (< 20 mm) events in the southern part and for the intense events in the northern part. SST in the tropical Indian ocean influence the light and moderate events while SST close to the region influence the heavy events. However, the relationships experienced significant changes in the mid-1950s and in the 1970s. The former changes led to improved associations while the latter deteriorated or reversed the relationships. The influences of climatic variables on streamflows and rainy season characteristics were inferred from the rainfall-streamflow and rainfall-climatic variables relationships.
- Full Text:
- Date Issued: 2005
- Authors: Valimba, Patrick
- Date: 2005
- Subjects: Rain and rainfall -- Africa, Southern Climatic changes -- Africa, Southern Streamflow -- Africa, Southern
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:6030 , http://hdl.handle.net/10962/d1006159
- Description: Hydrological variability involving rainfall and streamflows in southern Africa have been often studied separately or have used cumulative rainfall and streamflow indices. The main objective of this study was to investigate spatio-temporal variations of rainfall, their influences on streamflows and their relationships with climatic variations with emphasis on indices that characterise the hydrological extremes, floods and droughts. It was found that 60-70% of the time when it rains, daily rainfalls are below their long-term averages and daily amounts below 10 mm are the most frequent in southern Africa. Spatially, climatologies of rainfall sub-divided the southern African subcontinent into the dry western/southwestern part and the “humid” eastern and northern part. The daily amounts below 20 mm contribute significantly to annual rainfall amounts in the dry part while all types of daily rainfall exceeding 1 mm have comparable contributions in the humid part. The climatologies indicated the highest likelihood of experiencing intense daily events during the core of the wet seasons with the highest frequencies in central Mozambique and the southern highlands of Tanzania. Interannual variations of rainfall indicated that significant changes had occurred between the late-1940s and early-1980s, particularly in the 1970s. The changes in rainfall were more evident in the number of daily rainfall events than in rainfall amounts, led generally to increasing early summer and decreased late summer rainfall. It was also found that intra-seasonal dry day sequences were an important parameter in the definition of a rainy season’s onset and end in southern Africa apart from rainfall amounts. Interannual variations of the rainy season characteristics (onset, end, duration) followed the variations of rainfall amounts and number of events. The duration of the rainy season was affected by the onset (Tanzania), onset or end (tropical southern Africa - southwestern highlands of Tanzania, Zambia, northern Zimbabwe and central Mozambique) and end (the remaing part of southern Africa). Flow duration curves (FDCs) identified three types of rivers (ephemeral, seasonal and perennial) in southern Africa with ephemeral rivers found mainly in the dry western part of the region. Seasonal streamflow patterns followed those of rainfall while interannual streamflow variations indicated significant changes of mean flows with little evidences of high and low flow regime changes except in Namibia and some parts of northern Zimbabwe. It was, however, not possible to provide strong links between the identified changes in streamflows and those in rainfall. Regarding the influences of climate variability on hydrological variability in southern Africa, rainfall variations in southern Africa were found to be influenced strongly by ENSO and SST in the tropical Indian ocean and moderately by SST in the south Madagascar basin. The influence of ENSO was consistent for all types of daily rainfall and peaks for the light and moderate (< 20 mm) events in the southern part and for the intense events in the northern part. SST in the tropical Indian ocean influence the light and moderate events while SST close to the region influence the heavy events. However, the relationships experienced significant changes in the mid-1950s and in the 1970s. The former changes led to improved associations while the latter deteriorated or reversed the relationships. The influences of climatic variables on streamflows and rainy season characteristics were inferred from the rainfall-streamflow and rainfall-climatic variables relationships.
- Full Text:
- Date Issued: 2005
Effects of an eight-week stepladder exercise protocol on lower limb muscular strength of apparently healthy young adults
- Olagbegi, Oladapo M, Adegoke, Babatunde O, Christie, Candice J, Bolarinde, Olufemi S, Jegede, Joseph A
- Authors: Olagbegi, Oladapo M , Adegoke, Babatunde O , Christie, Candice J , Bolarinde, Olufemi S , Jegede, Joseph A
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59974 , vital:27716 , doi: 10.1515/humo-2017-0026
- Description: Purpose. backward descent of stairs is associated with improved muscle strength and reduced joint stress, but the effect of backward ascent of stairs on lower limb muscle strength has not been reported. This study compared the effects of forward and backward stair climbing on lower limb muscle strength in apparently healthy young adults. Methods. The total of 31 young volunteers were allocated to either forward or backward stair climbing group (n = 16 and 15, respectively). Dynamic quadriceps and hamstring muscle strength was assessed in addition to thigh girth at baseline and at weeks 4 and 8 with the use of the repetitive maximum method and tape measure, respectively. Results. Between baseline and week 8, muscular strength in both groups (quadriceps: 14.4 ± 3.6 to 16.4 ± 3.4 kg; 14.0 ± 2.9 to 15.3 ± 2.7 kg; hamstring: 12.2 ± 3.2 to 13.4 ± 3.2; 11.7 ± 2.5 to 12.9 ± 2.7 kg) increased significantly (p<0.05) while the increase in thigh girth was not significant (p>0.05). The groups were comparable in all three measures post intervention. Conclusions. Forward and backward stair climbing protocols are effective for improving the dynamic strength of the hamstring and quadriceps muscles of apparently healthy young adults. Thus, either protocol could be used for the improvement of lower limbs dynamic muscle strength.
- Full Text:
- Date Issued: 2017
- Authors: Olagbegi, Oladapo M , Adegoke, Babatunde O , Christie, Candice J , Bolarinde, Olufemi S , Jegede, Joseph A
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59974 , vital:27716 , doi: 10.1515/humo-2017-0026
- Description: Purpose. backward descent of stairs is associated with improved muscle strength and reduced joint stress, but the effect of backward ascent of stairs on lower limb muscle strength has not been reported. This study compared the effects of forward and backward stair climbing on lower limb muscle strength in apparently healthy young adults. Methods. The total of 31 young volunteers were allocated to either forward or backward stair climbing group (n = 16 and 15, respectively). Dynamic quadriceps and hamstring muscle strength was assessed in addition to thigh girth at baseline and at weeks 4 and 8 with the use of the repetitive maximum method and tape measure, respectively. Results. Between baseline and week 8, muscular strength in both groups (quadriceps: 14.4 ± 3.6 to 16.4 ± 3.4 kg; 14.0 ± 2.9 to 15.3 ± 2.7 kg; hamstring: 12.2 ± 3.2 to 13.4 ± 3.2; 11.7 ± 2.5 to 12.9 ± 2.7 kg) increased significantly (p<0.05) while the increase in thigh girth was not significant (p>0.05). The groups were comparable in all three measures post intervention. Conclusions. Forward and backward stair climbing protocols are effective for improving the dynamic strength of the hamstring and quadriceps muscles of apparently healthy young adults. Thus, either protocol could be used for the improvement of lower limbs dynamic muscle strength.
- Full Text:
- Date Issued: 2017
L’etude comparative des elements merveilleux dans trois epopees africaines: Soundjata ou I’epopee mandingue, Emperor Shaka The Great: a Zulu Epic et Nsongo’a Lianja: I’epopee nationale des Nkundo
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017