The potential of claywork to facilitate the integration of the self in psychotherapy with an adult survivor of childhood trauma: a Jungian perspective
- Authors: Smuts, Tanja
- Date: 2005
- Subjects: Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3062 , http://hdl.handle.net/10962/d1002571 , Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Description: The aim of this thesis was to explore the experience of “self” within the clinical context of adult survivors of childhood trauma. Childhood trauma in this study referred to a range of childhood experiences of emotional and physical assault, including encounters with various kinds of abuse and neglect. The focus was on the experience of a sense of disintegration and dislocation, associated to aspects of self being in conflict. This was explored from theoretical perspectives of Jungian analytic psychology, as well as art therapy.Answers were sought to the questions of how claywork, as a form of art therapy, may facilitate the integration of the self and contribute to the development of a healing dialogue with feared and hated aspects of self. Grounded in Jungian theory, integration of the self was conceptualised as a movement towards “differentiating wholeness”. The study took the form of a phenomenological-hermeneutic case study. One participant’s experience of making and discussing a clay sculpture in a therapeutic setting according to Edwards’ method, was analysed thematically. It was concluded that the potential of claywork in therapy to facilitate the integration of the self is related to three aspects. Firstly, claywork in therapy may promote a concrete personification of feared and hated aspects of self, which may enable the maker to view these aspects from a distance, and learn to understand them in a new way. Secondly, claywork in therapy may facilitate the safe ‘unearthing’ of repressed feelings as well as hidden aspects of the personality. Thirdly, claywork’s potential to mediate symbolic functioning was shown to be an important aspect of the integration process. These findings confirmed and extended existing theory regarding the usefulness of claywork in psychotherapy with adult survivors of childhood trauma. Brief recommendations for future research were provided.
- Full Text:
- Date Issued: 2005
- Authors: Smuts, Tanja
- Date: 2005
- Subjects: Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3062 , http://hdl.handle.net/10962/d1002571 , Jung, C G (Carl Gustav), 1875-1961 , Art therapy , Psychotherapy , Child psychotherapy , Adult child abuse victims -- Rehabilitation , Self , Modeling -- Therapeutic use
- Description: The aim of this thesis was to explore the experience of “self” within the clinical context of adult survivors of childhood trauma. Childhood trauma in this study referred to a range of childhood experiences of emotional and physical assault, including encounters with various kinds of abuse and neglect. The focus was on the experience of a sense of disintegration and dislocation, associated to aspects of self being in conflict. This was explored from theoretical perspectives of Jungian analytic psychology, as well as art therapy.Answers were sought to the questions of how claywork, as a form of art therapy, may facilitate the integration of the self and contribute to the development of a healing dialogue with feared and hated aspects of self. Grounded in Jungian theory, integration of the self was conceptualised as a movement towards “differentiating wholeness”. The study took the form of a phenomenological-hermeneutic case study. One participant’s experience of making and discussing a clay sculpture in a therapeutic setting according to Edwards’ method, was analysed thematically. It was concluded that the potential of claywork in therapy to facilitate the integration of the self is related to three aspects. Firstly, claywork in therapy may promote a concrete personification of feared and hated aspects of self, which may enable the maker to view these aspects from a distance, and learn to understand them in a new way. Secondly, claywork in therapy may facilitate the safe ‘unearthing’ of repressed feelings as well as hidden aspects of the personality. Thirdly, claywork’s potential to mediate symbolic functioning was shown to be an important aspect of the integration process. These findings confirmed and extended existing theory regarding the usefulness of claywork in psychotherapy with adult survivors of childhood trauma. Brief recommendations for future research were provided.
- Full Text:
- Date Issued: 2005
Archontic Aporias: the mediums of memory
- Authors: Arbuckle, Julia Ruth
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408727 , vital:70520
- Description: Contextualising my research within the Eastern Cape as a descendant of 1820 settlers, I question the modalities of historical recollection by introducing memory as a viable mode of archival production alongside that of the archive. Through interrogating Eastern Cape archival institutes and employing an autoethnographic approach to my familial archives, I show that archival curation affects the gaps, schisms, and interpretations of archives as much as the ‘unreliability’ of memory. I rely on definitions from Jacques Derrida and literature from Achille Mbembe and Verne Harris, as well as reflexive methodologies, to engage the ways of remembering the past and methods of storytelling. With this undertaking, I expose the aporias within archival processes. This written component is part of broader research that encompasses theoretical study and a practice-based Fine Arts research project culminating in an exhibition that shares themes of memory, archive, trauma, and curatorial and personal heritage management. This research engages in case studies of artworks by Angela Deane and Maureen de Jager to contextualise and position the creative process. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 2023
- Full Text:
- Date Issued: 2023-03-30
- Authors: Arbuckle, Julia Ruth
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408727 , vital:70520
- Description: Contextualising my research within the Eastern Cape as a descendant of 1820 settlers, I question the modalities of historical recollection by introducing memory as a viable mode of archival production alongside that of the archive. Through interrogating Eastern Cape archival institutes and employing an autoethnographic approach to my familial archives, I show that archival curation affects the gaps, schisms, and interpretations of archives as much as the ‘unreliability’ of memory. I rely on definitions from Jacques Derrida and literature from Achille Mbembe and Verne Harris, as well as reflexive methodologies, to engage the ways of remembering the past and methods of storytelling. With this undertaking, I expose the aporias within archival processes. This written component is part of broader research that encompasses theoretical study and a practice-based Fine Arts research project culminating in an exhibition that shares themes of memory, archive, trauma, and curatorial and personal heritage management. This research engages in case studies of artworks by Angela Deane and Maureen de Jager to contextualise and position the creative process. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 2023
- Full Text:
- Date Issued: 2023-03-30
Group photograph believed to be of the bride, Julia Marguerite Maria? van der Riet and groom, Commander C Woolley, their family and guests, including a number of Royal Naval officers
- Date: 1872
- Subjects: Woolley, Charles Edward Allen (1863-1940) , Van der Riet, Julia Marian Marguerite
- Type: Image
- Identifier: http://hdl.handle.net/10962/20333 , vital:22850 , PIC/M 26 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1872
- Date: 1872
- Subjects: Woolley, Charles Edward Allen (1863-1940) , Van der Riet, Julia Marian Marguerite
- Type: Image
- Identifier: http://hdl.handle.net/10962/20333 , vital:22850 , PIC/M 26 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1872
The effect of novel thiazole-derived small molecules on the neuronal differentiation of human neuroblastoma SH-SY5Y cells
- Authors: Joos-Vandewalle, Julia
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/64507 , vital:28554
- Description: Expected release date-April 2020
- Full Text:
- Date Issued: 2016
- Authors: Joos-Vandewalle, Julia
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/64507 , vital:28554
- Description: Expected release date-April 2020
- Full Text:
- Date Issued: 2016
Rhodes University Graduation Ceremony 1990
- Authors: Rhodes University
- Date: 1990
- Language: English
- Type: text
- Identifier: vital:8124 , http://hdl.handle.net/10962/d1005707
- Description: Rhodes University Graduation Ceremonies on Friday, 6 April 1990 at 8 p.m. [and] on Saturday, 7 April 1990 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 12 May 1990 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1990
- Authors: Rhodes University
- Date: 1990
- Language: English
- Type: text
- Identifier: vital:8124 , http://hdl.handle.net/10962/d1005707
- Description: Rhodes University Graduation Ceremonies on Friday, 6 April 1990 at 8 p.m. [and] on Saturday, 7 April 1990 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 12 May 1990 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1990
Anti-fetishism: parodying the depiction of the female body as fetish
- Authors: Pirie, René Alexis
- Date: 2017
- Subjects: Body image -- Social aspects Fashion -- Social aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/20377 , vital:29272
- Description: sexual objectification of women is widespread in contemporary lifestyle and fashion magazines. Models used for advertising purposes often set a standard of beauty and youth that is unrealistic and limiting. This standard has damaging effects on women’s sense of self and their societal behaviour. Such images not only sexualise as well as fetishise women’s bodies, but also encourage self-surveillance. This research study examines Cindy Sherman, Sarah Lucas, Louise Bourgeois and Ángela Burón’s artistic responses to fetishized images of women, in order to assess what artistic strategies could be used to oppose such images in magazine advertisements. It aims to identify what anti-fetishism involves in theory and practice and to use this information to formulate an anti-fetish strategy which informs a series of anti-fetish artworks. The purpose of this series of works is to oppose the fetishization of women, particularly in magazine advertisements of high-end consumer products. The study contributes to the discourse of anti-fetishism and addresses a knowledge gap since research on anti-fetishism has much room for development. It is a Qualitative research study which adhered to a Practice-based research method. The key findings of this study are that anti-fetishism and female fetishism are approaches that differ from one another yet also overlap. Furthermore, Anti-fetishism involves the use of parodic mockery, while female fetishism is concerned mostly with undecidability as a strategy. From the examination of the artists, the anti-fetishistic strategy of parody, largely influenced the practical component of this research study. Parody offers a clear opposition to the still widespread fetishization of women in magazines both in South Africa and other Westernized countries across the world.
- Full Text:
- Date Issued: 2017
- Authors: Pirie, René Alexis
- Date: 2017
- Subjects: Body image -- Social aspects Fashion -- Social aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/20377 , vital:29272
- Description: sexual objectification of women is widespread in contemporary lifestyle and fashion magazines. Models used for advertising purposes often set a standard of beauty and youth that is unrealistic and limiting. This standard has damaging effects on women’s sense of self and their societal behaviour. Such images not only sexualise as well as fetishise women’s bodies, but also encourage self-surveillance. This research study examines Cindy Sherman, Sarah Lucas, Louise Bourgeois and Ángela Burón’s artistic responses to fetishized images of women, in order to assess what artistic strategies could be used to oppose such images in magazine advertisements. It aims to identify what anti-fetishism involves in theory and practice and to use this information to formulate an anti-fetish strategy which informs a series of anti-fetish artworks. The purpose of this series of works is to oppose the fetishization of women, particularly in magazine advertisements of high-end consumer products. The study contributes to the discourse of anti-fetishism and addresses a knowledge gap since research on anti-fetishism has much room for development. It is a Qualitative research study which adhered to a Practice-based research method. The key findings of this study are that anti-fetishism and female fetishism are approaches that differ from one another yet also overlap. Furthermore, Anti-fetishism involves the use of parodic mockery, while female fetishism is concerned mostly with undecidability as a strategy. From the examination of the artists, the anti-fetishistic strategy of parody, largely influenced the practical component of this research study. Parody offers a clear opposition to the still widespread fetishization of women in magazines both in South Africa and other Westernized countries across the world.
- Full Text:
- Date Issued: 2017
Ageing, wellbeing and development: Brazil and South Africa
- Barrientos, Amando, Moller, Valerie, Saboia, Joao, Lloyd-Sherlock, Peter, Mase, Julia
- Authors: Barrientos, Amando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2018
- Language: English
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/61690 , vital:28049 , https://books.google.co.za/books?id=0tFMDwAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
- Full Text: false
- Date Issued: 2018
- Authors: Barrientos, Amando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2018
- Language: English
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/61690 , vital:28049 , https://books.google.co.za/books?id=0tFMDwAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
- Full Text: false
- Date Issued: 2018
Julia
- Bhya and his modernaires of Port Elizabeth, composer not specified, Tracey, Hugh
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
Shakespeare's early comedies: studies in The comedy of errors, The taming of the shrew and The two gentlemen of Verona
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
- Full Text:
- Date Issued: 1970
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
- Full Text:
- Date Issued: 1970
Understanding spatial variation in the drivers of nature-based tourism and their influence on the sustainability of private land conservation
- Baum, Julia, Cumming, Graeme S, de Vos, Alta
- Authors: Baum, Julia , Cumming, Graeme S , de Vos, Alta
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/416481 , vital:71352 , xlink:href="https://doi.org/10.1016/j.ecolecon.2017.05.005"
- Description: Protected areas connect socio-economic and ecological systems through their provision of ecosystem goods and services. Analysis of ecosystem services allows the expression of ecological benefits in economic terms. However, cultural services, such as recreation opportunities, have proved difficult to quantify. An important challenge for the analysis of cultural services is to understand the geography of service provision in relation to both human and ecological system elements. We used data on visitation rates and measures of context, content, connectivity, and location for 64 private land conservation areas (PLCAs) to better understand geographic influences on cultural service provision. Visitation to PLCAs was influenced by a combination of ecological and socio-economic drivers. Variance partitioning analysis showed that ecology explained the largest proportion of overall variation in visitation rates (26%), followed by location (22%). In tests using generalized linear mixed models, individual factors that significantly explained visitation rates included the number of mammal species, the number of Big 5-species (ecological variables), the number of facilities provided (infrastructure) and average accommodation charges (affordability). Our analysis has important implications for the economic sustainability of PLCAs and more generally for understanding the relevance of spatial variation for analyses of cultural services.
- Full Text:
- Date Issued: 2017
- Authors: Baum, Julia , Cumming, Graeme S , de Vos, Alta
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/416481 , vital:71352 , xlink:href="https://doi.org/10.1016/j.ecolecon.2017.05.005"
- Description: Protected areas connect socio-economic and ecological systems through their provision of ecosystem goods and services. Analysis of ecosystem services allows the expression of ecological benefits in economic terms. However, cultural services, such as recreation opportunities, have proved difficult to quantify. An important challenge for the analysis of cultural services is to understand the geography of service provision in relation to both human and ecological system elements. We used data on visitation rates and measures of context, content, connectivity, and location for 64 private land conservation areas (PLCAs) to better understand geographic influences on cultural service provision. Visitation to PLCAs was influenced by a combination of ecological and socio-economic drivers. Variance partitioning analysis showed that ecology explained the largest proportion of overall variation in visitation rates (26%), followed by location (22%). In tests using generalized linear mixed models, individual factors that significantly explained visitation rates included the number of mammal species, the number of Big 5-species (ecological variables), the number of facilities provided (infrastructure) and average accommodation charges (affordability). Our analysis has important implications for the economic sustainability of PLCAs and more generally for understanding the relevance of spatial variation for analyses of cultural services.
- Full Text:
- Date Issued: 2017
Between blue and light
- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
- Full Text:
- Date Issued: 2018
- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
- Full Text:
- Date Issued: 2018
Rhodes University Graduation Ceremony 2006
- Authors: Rhodes University
- Date: 2006
- Language: English
- Type: text
- Identifier: vital:8141 , http://hdl.handle.net/10962/d1007254
- Description: Rhodes University Graduation Ceremonies [at] 1820 Settlers National Monument Thursday, 6 April 2006 at 18.00 [and] Friday, 7 April 2006 at 10:30; 14:30 & 18:00 [and] Saturday, 8 April 2006 at 10:30 , Inauguration Ceremony [of] Dr Saleem Badat [as] Principal and Vice-Chancellor [at the] 1820 Settlers National Monument [on] Wednesday, 27 September 2006 at 18:15.
- Full Text:
- Date Issued: 2006
- Authors: Rhodes University
- Date: 2006
- Language: English
- Type: text
- Identifier: vital:8141 , http://hdl.handle.net/10962/d1007254
- Description: Rhodes University Graduation Ceremonies [at] 1820 Settlers National Monument Thursday, 6 April 2006 at 18.00 [and] Friday, 7 April 2006 at 10:30; 14:30 & 18:00 [and] Saturday, 8 April 2006 at 10:30 , Inauguration Ceremony [of] Dr Saleem Badat [as] Principal and Vice-Chancellor [at the] 1820 Settlers National Monument [on] Wednesday, 27 September 2006 at 18:15.
- Full Text:
- Date Issued: 2006
Eva's men : gender and power in the establishment of the Cape of Good Hope, 1652–74
- Authors: Wells, Julia C
- Date: 1998
- Language: English
- Type: Article
- Identifier: vital:6148 , http://hdl.handle.net/10962/d1006811 , http://dx.doi.org/10.1017/S0021853798007300
- Description: This article offers a fresh interpretation of the life of Krotoa/Eva, the famous Khoena interpreter of Jan Van Riebeeck, whose gender gave her a unique position in relation to both Dutch and Khoena society. It appears that her own people sent her to work for the Dutch as a young girl, both to serve as a token of goodwill, to gain prestige as the protegee of the household of a powerful leader and to become familiar with Dutch ways. The Dutch received her comfortably as a servant, child minder and companion for Van Riebeeck's young nieces. When Eva learned Dutch expertly, she quickly became their most trusted interpreter. The evidence also hints at an especially close and sensitive, possibly sexual, relationship between her and Van Riebeeck. When military conflicts left Eva identified as a Dutch collaborator, she contacted her sister's husband, chief Oedasoa. Her direct mediation enabled the Dutch to open up a profitable new trading enterprise with Oedasoa, who in turn used Eva as his personal agent within the Dutch community. Her unique position attracted the attention of a bright young employee of the Company, Pieter Van Meerhoff, who became her lover soon after his arrival at the Cape in 1659. Pieter became actively involved in northern expeditions of exploration and prided himself on his sensitivity and capacity to get on well with various Khoena chiefs. Eva continued as an interpreter, intermediary with Oedasoa and the couple had two children together. Eva and Pieter married only after Van Riebeeck left the Cape. Their decision to conform to the norms of Dutch society disappointed Oedasoa who had offered them enough livestock to establish an independent lifestyle but brought both much higher levels of respect from the Dutch, including significant promotions for Pieter. When Pieter was killed in 1666, heading up a trading mission to Mauritius, Eva's life sharply deteriorated. She died in 1674, accused of having become a drunken pest and prostitute. Eva's story exemplifies how an African woman in an early colonial encounter could manipulate a variety of gender roles. Seen as a safe intermediary by both Africans and Europeans, she built herself a unique career and formed a durable liaison with a spirited young man. However, as the nature of contact between the races deteriorated, her role as intermediary diminished in importance. Ultimately, without Pieter, she could not sustain her pivotal place in Dutch society, dying a miserable death. Her life reflects the rapidly changing nature of early colonial contacts.
- Full Text:
- Date Issued: 1998
- Authors: Wells, Julia C
- Date: 1998
- Language: English
- Type: Article
- Identifier: vital:6148 , http://hdl.handle.net/10962/d1006811 , http://dx.doi.org/10.1017/S0021853798007300
- Description: This article offers a fresh interpretation of the life of Krotoa/Eva, the famous Khoena interpreter of Jan Van Riebeeck, whose gender gave her a unique position in relation to both Dutch and Khoena society. It appears that her own people sent her to work for the Dutch as a young girl, both to serve as a token of goodwill, to gain prestige as the protegee of the household of a powerful leader and to become familiar with Dutch ways. The Dutch received her comfortably as a servant, child minder and companion for Van Riebeeck's young nieces. When Eva learned Dutch expertly, she quickly became their most trusted interpreter. The evidence also hints at an especially close and sensitive, possibly sexual, relationship between her and Van Riebeeck. When military conflicts left Eva identified as a Dutch collaborator, she contacted her sister's husband, chief Oedasoa. Her direct mediation enabled the Dutch to open up a profitable new trading enterprise with Oedasoa, who in turn used Eva as his personal agent within the Dutch community. Her unique position attracted the attention of a bright young employee of the Company, Pieter Van Meerhoff, who became her lover soon after his arrival at the Cape in 1659. Pieter became actively involved in northern expeditions of exploration and prided himself on his sensitivity and capacity to get on well with various Khoena chiefs. Eva continued as an interpreter, intermediary with Oedasoa and the couple had two children together. Eva and Pieter married only after Van Riebeeck left the Cape. Their decision to conform to the norms of Dutch society disappointed Oedasoa who had offered them enough livestock to establish an independent lifestyle but brought both much higher levels of respect from the Dutch, including significant promotions for Pieter. When Pieter was killed in 1666, heading up a trading mission to Mauritius, Eva's life sharply deteriorated. She died in 1674, accused of having become a drunken pest and prostitute. Eva's story exemplifies how an African woman in an early colonial encounter could manipulate a variety of gender roles. Seen as a safe intermediary by both Africans and Europeans, she built herself a unique career and formed a durable liaison with a spirited young man. However, as the nature of contact between the races deteriorated, her role as intermediary diminished in importance. Ultimately, without Pieter, she could not sustain her pivotal place in Dutch society, dying a miserable death. Her life reflects the rapidly changing nature of early colonial contacts.
- Full Text:
- Date Issued: 1998
Rhodes University Graduation Ceremony 2005
- Authors: Rhodes University
- Date: 2005
- Language: English
- Type: text
- Identifier: vital:8142 , http://hdl.handle.net/10962/d1007257
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 31 March 2005 at 18.00 [and] Friday, 1 April 2005 at 10:30; 14:30 & 18:00 [and] Saturday, 2 April 2005 at 10:30 , RU East London Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 4 May 2005 at 18:00
- Full Text:
- Date Issued: 2005
- Authors: Rhodes University
- Date: 2005
- Language: English
- Type: text
- Identifier: vital:8142 , http://hdl.handle.net/10962/d1007257
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 31 March 2005 at 18.00 [and] Friday, 1 April 2005 at 10:30; 14:30 & 18:00 [and] Saturday, 2 April 2005 at 10:30 , RU East London Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 4 May 2005 at 18:00
- Full Text:
- Date Issued: 2005
Rhodes University Graduation Ceremony 2007
- Authors: Rhodes University
- Date: 2007
- Language: English
- Type: text
- Identifier: vital:8140 , http://hdl.handle.net/10962/d1007252
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 12 April 2007 at 18:00 [and] Friday, 13 April 2007 at 10:30; 14:30 & 18:00 [and] Saturday, 14 April 2007 at 10:30
- Full Text:
- Date Issued: 2007
- Authors: Rhodes University
- Date: 2007
- Language: English
- Type: text
- Identifier: vital:8140 , http://hdl.handle.net/10962/d1007252
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Thursday, 12 April 2007 at 18:00 [and] Friday, 13 April 2007 at 10:30; 14:30 & 18:00 [and] Saturday, 14 April 2007 at 10:30
- Full Text:
- Date Issued: 2007
A psychobiographical study of John Winston Lennon
- Authors: Kitching, Philip Herman
- Date: 2012
- Subjects: Lennon, John, 1940-1980 , Psychology -- Biographical methods , Musicians
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9915 , http://hdl.handle.net/10948/d1010847 , Lennon, John, 1940-1980 , Psychology -- Biographical methods , Musicians
- Description: Psychobiography can be viewed as the re-writing of an individual’s life story previously undetected. In general it consists of a combination of two central elements: biography and psychological theory that aim to explain the particular individual’s psychological development. This particular study serves to explore the extraordinary life of renowned singer, songwriter, artist and activist, John Winston Lennon (1940-1980). The basis for this investigation will take the form of notable biographical accounts of the subject’s life, together with Austrian psychiatrist Alfred Adler’s (1938) theory of Individual Psychology, which recognizes the importance of human society for the development of individual character and the orientation of every single action and emotion in the life of a human being. Adler’s theory further explores that the main motives of human thought and behaviour are an individual’s striving for superiority and power, partly in compensation for his feeling of inferiority. The psychobiographical data collection and analysis for this research thesis will be guided by Yin’s (1994) theory of ‘analytic generalisation’, which uses a theoretical framework in selecting relevant data which develops a matrix as a descriptive framework for organizing and integrating that data, and Alexander’s (1988) analytical model which focuses on lifting out themes through principal identifiers of salience was used and applied. John Winston Lennon expressed his personal experiences and ideals through his songs and became the spokesman for his generation on modern day issues such as feminism and world peace. It is however, unfortunate that Lennon throughout his life remained a boy who felt rejected and unloved by his parents and strove to be superior in all aspects of his rich life in an attempt to acquire the love and acceptance that was not bestowed on him as a child.
- Full Text:
- Date Issued: 2012
- Authors: Kitching, Philip Herman
- Date: 2012
- Subjects: Lennon, John, 1940-1980 , Psychology -- Biographical methods , Musicians
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9915 , http://hdl.handle.net/10948/d1010847 , Lennon, John, 1940-1980 , Psychology -- Biographical methods , Musicians
- Description: Psychobiography can be viewed as the re-writing of an individual’s life story previously undetected. In general it consists of a combination of two central elements: biography and psychological theory that aim to explain the particular individual’s psychological development. This particular study serves to explore the extraordinary life of renowned singer, songwriter, artist and activist, John Winston Lennon (1940-1980). The basis for this investigation will take the form of notable biographical accounts of the subject’s life, together with Austrian psychiatrist Alfred Adler’s (1938) theory of Individual Psychology, which recognizes the importance of human society for the development of individual character and the orientation of every single action and emotion in the life of a human being. Adler’s theory further explores that the main motives of human thought and behaviour are an individual’s striving for superiority and power, partly in compensation for his feeling of inferiority. The psychobiographical data collection and analysis for this research thesis will be guided by Yin’s (1994) theory of ‘analytic generalisation’, which uses a theoretical framework in selecting relevant data which develops a matrix as a descriptive framework for organizing and integrating that data, and Alexander’s (1988) analytical model which focuses on lifting out themes through principal identifiers of salience was used and applied. John Winston Lennon expressed his personal experiences and ideals through his songs and became the spokesman for his generation on modern day issues such as feminism and world peace. It is however, unfortunate that Lennon throughout his life remained a boy who felt rejected and unloved by his parents and strove to be superior in all aspects of his rich life in an attempt to acquire the love and acceptance that was not bestowed on him as a child.
- Full Text:
- Date Issued: 2012
Rhodes University Graduation Ceremony 2008
- Authors: Rhodes University
- Date: 2008
- Language: English
- Type: text
- Identifier: vital:8139 , http://hdl.handle.net/10962/d1007251
- Description: Rhodes University Graduation Ceremony [at the] 1820 Settlers National Monument Thursday, 27 March at 18:00 [and] Friday, 28 March at 10:30; 14:30 & 18:00 [and] Saturday, 29 March at 10:30
- Full Text:
- Date Issued: 2008
- Authors: Rhodes University
- Date: 2008
- Language: English
- Type: text
- Identifier: vital:8139 , http://hdl.handle.net/10962/d1007251
- Description: Rhodes University Graduation Ceremony [at the] 1820 Settlers National Monument Thursday, 27 March at 18:00 [and] Friday, 28 March at 10:30; 14:30 & 18:00 [and] Saturday, 29 March at 10:30
- Full Text:
- Date Issued: 2008
Angela Mary Henderson: her majority
- Authors: Henderson, Derek Scott
- Date: 1984
- Language: English
- Type: Text
- Identifier: vital:7477 , http://hdl.handle.net/10962/d1018354
- Full Text:
- Date Issued: 1984
- Authors: Henderson, Derek Scott
- Date: 1984
- Language: English
- Type: Text
- Identifier: vital:7477 , http://hdl.handle.net/10962/d1018354
- Full Text:
- Date Issued: 1984
Rhodes University 2018 Graduation Ceremony: 1820 Settlers' National Monument, Saturday, 7 April at 09:30
- Authors: Rhodes University
- Date: 2018
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/64624 , vital:28566 , https://www.youtube.com/watch?v=I1inTS4jwWE , https://www.youtube.com/watch?v=mPiJiLEQhsE , https://www.youtube.com/watch?v=6kiZBy3D9SM , https://www.youtube.com/watch?v=oVj1DRaA4uw , https://www.youtube.com/watch?v=uvvRxNwFo-o
- Description: Rhodes University 2018 Graduation Programme, 7 April at 09:30: Bachelor’s: Diploma in Fine Art, Bachelor of Arts, Bachelor of Fine Art. Honours: Bachelor of Social Science Honours. Master’s: Master of Fine Art, Master of Social Science. Doctorate: PhD in Humanities.
- Full Text:
- Date Issued: 2018
- Authors: Rhodes University
- Date: 2018
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/64624 , vital:28566 , https://www.youtube.com/watch?v=I1inTS4jwWE , https://www.youtube.com/watch?v=mPiJiLEQhsE , https://www.youtube.com/watch?v=6kiZBy3D9SM , https://www.youtube.com/watch?v=oVj1DRaA4uw , https://www.youtube.com/watch?v=uvvRxNwFo-o
- Description: Rhodes University 2018 Graduation Programme, 7 April at 09:30: Bachelor’s: Diploma in Fine Art, Bachelor of Arts, Bachelor of Fine Art. Honours: Bachelor of Social Science Honours. Master’s: Master of Fine Art, Master of Social Science. Doctorate: PhD in Humanities.
- Full Text:
- Date Issued: 2018
Rhodes University Graduation Ceremony 1989
- Authors: Rhodes University
- Date: 1989
- Language: English
- Type: text
- Identifier: vital:8123 , http://hdl.handle.net/10962/d1005706
- Description: Rhodes University Graduation Ceremonies on Friday, 7 April 1989 at 8 p.m. [and] on Saturday, 8 April 1989 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 13 May 1989 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1989
- Authors: Rhodes University
- Date: 1989
- Language: English
- Type: text
- Identifier: vital:8123 , http://hdl.handle.net/10962/d1005706
- Description: Rhodes University Graduation Ceremonies on Friday, 7 April 1989 at 8 p.m. [and] on Saturday, 8 April 1989 at 10 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday; 13 May 1989 at 11.30 a.m. in the Guild Theatre.
- Full Text:
- Date Issued: 1989