Epp Doole
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Kaounding Cissokho (kora), Barou Sall (Khalam), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129386 , vital:36272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-06
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129386 , vital:36272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-06
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Sutura
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129350 , vital:36264 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-02
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129350 , vital:36264 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-02
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Lu Ko Jar
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Kaounding Cissokho (kora), Barou Sall (Khalam), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Jeex Na
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129377 , vital:36269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-05
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129377 , vital:36269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-05
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Musik
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (bass), Lamine Faye (guitar), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Bakane Seck (percussion), Kaounding Cissokho (kora), Massala man (Khalam), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (bass) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Bakane Seck (percussion) , Kaounding Cissokho (kora) , Massala man (Khalam) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129414 , vital:36276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-09
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (bass) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Bakane Seck (percussion) , Kaounding Cissokho (kora) , Massala man (Khalam) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129414 , vital:36276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-09
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
L'Afrique d'avant
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Ousmane Wade (arrangement), Lamine Faye (guitar), Samba Laobe Ndiaye (bass), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129359 , vital:36266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-03
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129359 , vital:36266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-03
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Sargal
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Aly Hachem (arrangement), Lamine Faye (guitar), Jean Pierre Gomes (bass), Moussa Traore (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , Jean Pierre Gomes (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129341 , vital:36263 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-01
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , Jean Pierre Gomes (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129341 , vital:36263 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-01
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
No more lament
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Aly Hachem (arrangement), Lamine Faye (guitar), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Moussa Traore (percussion), Jean Pierre Gomes (bass), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Tette
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Ousmane Wade (arrangement), Lamine Faye (guitar), Samba Laobe Ndiaye (bass), Moussa Traore (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129395 , vital:36273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-07
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129395 , vital:36273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-07
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films
- Authors: O'Reilly, Kevin Joseph
- Date: 2008
- Subjects: Motion pictures -- Africa , Women in motion pictures
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8404 , http://hdl.handle.net/10948/789 , Motion pictures -- Africa , Women in motion pictures
- Description: The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first glance traditional societies can be seen as oppressive because of the presence of certain cultural practices. Alternatively modern urban settings appear to offer women authority and empowerment through employment. However, with a closer examination one sees that the situation is not so simplistic. Such is the case when certain traditional practices that are deemed oppressive through a Western perspective, are still found in urban societies. Films on the subject of African women have to be cautious not place their characters in stereotypical roles. Therefore, it is not enough to merely portray African women as ‘oppressed’. African films that engage in a feminist critique need to present ‘realistic’ portrayals of African women. Such characters are layered and complex. The film Faat Kine (2000) depicts such a character in the authoritative protagonist Kine. The film La Vie est Belle (1987) examines the issue of polygamous marriages and patriarchy from the point of view of two African women living in France. Touki Bouki (1973) examines two young characters living in Senegal and questions the possibility of escape from ones circumstances. Traditional practices such as polygamous marriages are explored in Xala (1975), and Finzan (1989) explores cultural practices such as forced marriages and female circumcision. This treatise will consider women and work in both traditional society and urban settings. African feminism will also be investigated for the purpose of exploring common social perceptions of women in Africa.
- Full Text:
- Date Issued: 2008
- Authors: O'Reilly, Kevin Joseph
- Date: 2008
- Subjects: Motion pictures -- Africa , Women in motion pictures
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8404 , http://hdl.handle.net/10948/789 , Motion pictures -- Africa , Women in motion pictures
- Description: The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first glance traditional societies can be seen as oppressive because of the presence of certain cultural practices. Alternatively modern urban settings appear to offer women authority and empowerment through employment. However, with a closer examination one sees that the situation is not so simplistic. Such is the case when certain traditional practices that are deemed oppressive through a Western perspective, are still found in urban societies. Films on the subject of African women have to be cautious not place their characters in stereotypical roles. Therefore, it is not enough to merely portray African women as ‘oppressed’. African films that engage in a feminist critique need to present ‘realistic’ portrayals of African women. Such characters are layered and complex. The film Faat Kine (2000) depicts such a character in the authoritative protagonist Kine. The film La Vie est Belle (1987) examines the issue of polygamous marriages and patriarchy from the point of view of two African women living in France. Touki Bouki (1973) examines two young characters living in Senegal and questions the possibility of escape from ones circumstances. Traditional practices such as polygamous marriages are explored in Xala (1975), and Finzan (1989) explores cultural practices such as forced marriages and female circumcision. This treatise will consider women and work in both traditional society and urban settings. African feminism will also be investigated for the purpose of exploring common social perceptions of women in Africa.
- Full Text:
- Date Issued: 2008
Diggale
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Thione Ballago Seck (performer), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diour Sanni
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Sega
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), Veux Mac Faye (solo guitar), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Pepe Dieng Diengos (drums), Marie Cabou (chorus), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Gor Sayina
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Ousemane Hamadi (performer), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Ousemane Hamadi (performer) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130155 , vital:36381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-04
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Ousemane Hamadi (performer) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130155 , vital:36381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-04
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Jiguen
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130128 , vital:36378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-01
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130128 , vital:36378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-01
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diongama
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Wayo Waye
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130328 , vital:36405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-03
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130328 , vital:36405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-03
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Ndawrabine
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130306 , vital:36402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-01
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130306 , vital:36402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-01
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Yaye Sokhna
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130353 , vital:36408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-06
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130353 , vital:36408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-06
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Soul
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130319 , vital:36404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-02
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130319 , vital:36404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-02
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999