Umdudo (Name)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150940 , vital:39019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-02
- Description: This song was sung on a bright sunny afternoon by 20 Gcaleka women all dressed in their ochre coloured blankets or shawls, sitting on the ground near the cattle kraal. The great open downs of the Transkei rolling away on every side to the mountains in the West and blue Indian ocean to the east. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150940 , vital:39019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-02
- Description: This song was sung on a bright sunny afternoon by 20 Gcaleka women all dressed in their ochre coloured blankets or shawls, sitting on the ground near the cattle kraal. The great open downs of the Transkei rolling away on every side to the mountains in the West and blue Indian ocean to the east. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
Mdlankomo (Name)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150921 , vital:39017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-01
- Description: This particular group was very simple. The reaction to hearing the loudspeaker was immediately to join in, and it appeared to take them some little time to realize that they were in fact hearing themselves, and not just listening to some other Gcaleka singing. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150921 , vital:39017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-01
- Description: This particular group was very simple. The reaction to hearing the loudspeaker was immediately to join in, and it appeared to take them some little time to realize that they were in fact hearing themselves, and not just listening to some other Gcaleka singing. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
Amaseyibokwe athengwa ngemali eninzi (For a certain type of socks you pay dearly)
- Gcaleka boys and girls, Hugh Tracey
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151135 , vital:39033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-07
- Description: The harmonica or mouth organ is a cheap and useful instrument to the Gcaleka who manage to produce a number of very simple repetitive tunes for accompanying their dances by this means. Mtstosho dance song, with harmonica.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151135 , vital:39033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-07
- Description: The harmonica or mouth organ is a cheap and useful instrument to the Gcaleka who manage to produce a number of very simple repetitive tunes for accompanying their dances by this means. Mtstosho dance song, with harmonica.
- Full Text: false
- Date Issued: 1957
Tsholoza
- Group of Xhosa/Gcaleka women, Hugh Tracey
- Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136151 , vital:37343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-11
- Description: This song is sung, they said, by the women for the boys to dance at night. Women's dance for clapping at night iside the hut, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136151 , vital:37343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-11
- Description: This song is sung, they said, by the women for the boys to dance at night. Women's dance for clapping at night iside the hut, with clapping.
- Full Text: false
- Date Issued: 1957
Bayeza kusasa (They are coming tomorrow)
- Group of Xhosa women, Hugh Tracey
- Authors: Group of Xhosa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136122 , vital:37340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-08
- Description: Thsi was sung by a group of about 50 Gcaleka women all dressed in their traditional costumes with shawls and skirts made of "Kaffir sheeting" coloured with yellow or russet red ochre. Divination song with clapping,
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136122 , vital:37340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-08
- Description: Thsi was sung by a group of about 50 Gcaleka women all dressed in their traditional costumes with shawls and skirts made of "Kaffir sheeting" coloured with yellow or russet red ochre. Divination song with clapping,
- Full Text: false
- Date Issued: 1957
Lalange ngudokwa (The diviners' children sleep on a goat's skin)
- Group of Xhosa women, Hugh Tracey
- Authors: Group of Xhosa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136127 , vital:37341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-09
- Description: This was sung by a group of about 50 Gcaleka women all dressed in their traditional costumes with shawls and skirts made of "Kaffir sheeting" coloured with yellow or russet red ochre. Divination song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136127 , vital:37341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-09
- Description: This was sung by a group of about 50 Gcaleka women all dressed in their traditional costumes with shawls and skirts made of "Kaffir sheeting" coloured with yellow or russet red ochre. Divination song with clapping.
- Full Text: false
- Date Issued: 1957
Ndibolekeni ibayi ndembathe madoda (Please, lend me a blanket to cover myself)
- Gcaleka women and girls, Hugh Tracey
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
The war of Ngcayecibi, 1877-8
- Authors: Spicer, Michael Wolseley
- Date: 1978
- Subjects: Sarhili -- Xhosa paramount chief -- ca.1814-1892 , Frontier War, 1877-1879
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2559 , http://hdl.handle.net/10962/d1002412 , Sarhili -- Xhosa paramount chief -- ca.1814-1892 , Frontier War, 1877-1879
- Description: This work makes no pretence at being a comprehensive account of the War of Ngcayecibi and its context in Cape and Imperial History. It omits all but passing reference to Imperial Policy, Frere's Federation plans, the Constitutional Crisis and the dismissal of the Molteno Ministry, all of which have been more than adequately covered elsewhere. Rather it concentrates on a study of the war in terms of black/white relations. The responses of the blacks to white pressures on their land and traditional society are examined, particularly those of Sarhili and the Gcaleka, for Sarhili, the gentlemanly but tragic Paramount Chief of the Xhosa, is the central figure in the canvas of black Ciskeian and Transkeian leaders of the time, and the War of Ngcayecibi is very much a Xhosa war. I have tried to avoid a conventional account of the military operations of the war, sketching only the broad outlines of military operations and concentrating on the strategies adopted by black and white forces, and the reasons for which various black chiefdoms or segments thereof participated in the war. Orthography. The matter of orthography is a tricky one, for Xhosa orthography has been recently overhauled and is not yet finalised. I have attempted with the aid of Mr Sidney Zotwana of the Institute of Social and Economic Research at Rhodes University to adopt the most acceptable forms of Xhosa names. I have dropped the use of all prefixes since I felt their use would have been pedantic in what, after a11, is an English language thesis and since there is no chance of confusion between historical figures like Gcaleka and the amaGcaleka people. Sources. The documents printed in Cape an~ Imperial Blue-Books, especially the Cape Blue-Books, on Native Affairs for the years 1874-1884, and the correspondence in the Native Affairs Archive in the Government Archives in Cape Town, proved to be the most valuable official and semi-official sources. The Merriman and Molteno Papers in the South African Library in Cape Town were the most useful private papers consulted, though odd items in the Cory Library, Rhodes University, Grahamstown, proved of use. The rash of memoirs published after the war were, with exceptions, singularly unilluminating. Most prominent amongst the exceptions was West W. Fynn: The'77 War ••• (East London, 1911), an account of the war written by the Clerk of the Resident to Sarhili. Although Fynn has a grudge against treatment he received from the Colonial Government at the time, and is not above dramatising his role, he was in an unparalle11ed position to observe the events leading up to the war and records much valuable information. The voluminous notebooks in Cory Library of the late Dr A.W. Burton, an amateur Border historian who had researched the war, were interesting but difficult to use because of an almost total lack of footnoting or reference to sources. J.R. Soga's two works, The South Eastern Bantu (Johannesburg, 1930) and The Ama-Xosa: Life and Customs (Lovedale, 1931) are well known and proved useful but, as will be seen, have to be treated with care. Of more modern works, J. Peires: "A History of the Xhosa c.1700-1835" if (unp. M.A. thesis, Rhodes University, 1976) proved invaluable as a background to Xhosa society and earlier Xhosa history. The works of Christopher Saunders, who has written much on topics related to the war, were indispensable. C.J. Schoeman: "Die Negende Grensbotsing" (unp. M.A. thesis, University of Port Elizabeth, 1976), the one general study of the war thus far written, covers military operations at great length and is a work very much in the mould of traditional Afrikaner Frontier Historiography.
- Full Text:
- Date Issued: 1978
- Authors: Spicer, Michael Wolseley
- Date: 1978
- Subjects: Sarhili -- Xhosa paramount chief -- ca.1814-1892 , Frontier War, 1877-1879
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2559 , http://hdl.handle.net/10962/d1002412 , Sarhili -- Xhosa paramount chief -- ca.1814-1892 , Frontier War, 1877-1879
- Description: This work makes no pretence at being a comprehensive account of the War of Ngcayecibi and its context in Cape and Imperial History. It omits all but passing reference to Imperial Policy, Frere's Federation plans, the Constitutional Crisis and the dismissal of the Molteno Ministry, all of which have been more than adequately covered elsewhere. Rather it concentrates on a study of the war in terms of black/white relations. The responses of the blacks to white pressures on their land and traditional society are examined, particularly those of Sarhili and the Gcaleka, for Sarhili, the gentlemanly but tragic Paramount Chief of the Xhosa, is the central figure in the canvas of black Ciskeian and Transkeian leaders of the time, and the War of Ngcayecibi is very much a Xhosa war. I have tried to avoid a conventional account of the military operations of the war, sketching only the broad outlines of military operations and concentrating on the strategies adopted by black and white forces, and the reasons for which various black chiefdoms or segments thereof participated in the war. Orthography. The matter of orthography is a tricky one, for Xhosa orthography has been recently overhauled and is not yet finalised. I have attempted with the aid of Mr Sidney Zotwana of the Institute of Social and Economic Research at Rhodes University to adopt the most acceptable forms of Xhosa names. I have dropped the use of all prefixes since I felt their use would have been pedantic in what, after a11, is an English language thesis and since there is no chance of confusion between historical figures like Gcaleka and the amaGcaleka people. Sources. The documents printed in Cape an~ Imperial Blue-Books, especially the Cape Blue-Books, on Native Affairs for the years 1874-1884, and the correspondence in the Native Affairs Archive in the Government Archives in Cape Town, proved to be the most valuable official and semi-official sources. The Merriman and Molteno Papers in the South African Library in Cape Town were the most useful private papers consulted, though odd items in the Cory Library, Rhodes University, Grahamstown, proved of use. The rash of memoirs published after the war were, with exceptions, singularly unilluminating. Most prominent amongst the exceptions was West W. Fynn: The'77 War ••• (East London, 1911), an account of the war written by the Clerk of the Resident to Sarhili. Although Fynn has a grudge against treatment he received from the Colonial Government at the time, and is not above dramatising his role, he was in an unparalle11ed position to observe the events leading up to the war and records much valuable information. The voluminous notebooks in Cory Library of the late Dr A.W. Burton, an amateur Border historian who had researched the war, were interesting but difficult to use because of an almost total lack of footnoting or reference to sources. J.R. Soga's two works, The South Eastern Bantu (Johannesburg, 1930) and The Ama-Xosa: Life and Customs (Lovedale, 1931) are well known and proved useful but, as will be seen, have to be treated with care. Of more modern works, J. Peires: "A History of the Xhosa c.1700-1835" if (unp. M.A. thesis, Rhodes University, 1976) proved invaluable as a background to Xhosa society and earlier Xhosa history. The works of Christopher Saunders, who has written much on topics related to the war, were indispensable. C.J. Schoeman: "Die Negende Grensbotsing" (unp. M.A. thesis, University of Port Elizabeth, 1976), the one general study of the war thus far written, covers military operations at great length and is a work very much in the mould of traditional Afrikaner Frontier Historiography.
- Full Text:
- Date Issued: 1978
Abafazi pandle (Women should go outside the hut)
- Group of Gcaleka men and women, Hugh Tracey
- Authors: Group of Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150955 , vital:39021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-04
- Description: Drinking parties in this region are usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150955 , vital:39021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-04
- Description: Drinking parties in this region are usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
Mtshawzo (To dance)
- Group of Xhosa/Gcaleka women, Hugh Tracey
- Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136142 , vital:37342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-10
- Description: The women of the Xhosa have special dances of their own, rather static, as might be expected of a people who live in a climate which can be very cold and wet, where most dancing must be done inside the huts to avoid the constant winds from the sea which drive over the downs. (Women dance for dancing at night inside the hut, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136142 , vital:37342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-10
- Description: The women of the Xhosa have special dances of their own, rather static, as might be expected of a people who live in a climate which can be very cold and wet, where most dancing must be done inside the huts to avoid the constant winds from the sea which drive over the downs. (Women dance for dancing at night inside the hut, with clapping.
- Full Text: false
- Date Issued: 1957
Nyakumtyela egageni (You will eat it out of doors)
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151278 , vital:39047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151278 , vital:39047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
Nombindlela (A roadmaker)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151246 , vital:39043 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-12
- Description: The "raodmaker" refers to a man labouring on the local roads. During this song the 16 months old child on the back of one of the singers was clapping its small hands in time to the rhythms of the song which shows how soon small Africans begin to pick up their African music. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151246 , vital:39043 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-12
- Description: The "raodmaker" refers to a man labouring on the local roads. During this song the 16 months old child on the back of one of the singers was clapping its small hands in time to the rhythms of the song which shows how soon small Africans begin to pick up their African music. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
Bam! Mfana kabanina undenzenzima (Bam! Whose son has made me pregnant)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151237 , vital:39042 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-11
- Description: This song, sung without a trace of shyness, rather indicated a social state of affairs which was an accepted fact. It was not possible to obtain the true history behind the words and quite likely they contain an allusion of some local romance rather than to a local tragedy. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151237 , vital:39042 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-11
- Description: This song, sung without a trace of shyness, rather indicated a social state of affairs which was an accepted fact. It was not possible to obtain the true history behind the words and quite likely they contain an allusion of some local romance rather than to a local tragedy. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
Nyakumtyela egageni (You will eat it out of doors)
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151273 , vital:39046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151273 , vital:39046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
Bathi abafana ndisandindazana ((Young men call me a beauty)
- Gcaleka women and girls, Hugh Tracey
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150965 , vital:39023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-06
- Description: The whole crowd of about 60 women and girls swayed from foot to foot as they sang with great enthusiasm.It is clearly a well known and much loved tune in this region. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150965 , vital:39023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-06
- Description: The whole crowd of about 60 women and girls swayed from foot to foot as they sang with great enthusiasm.It is clearly a well known and much loved tune in this region. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
Ye magwaza (To stab)
- Old Gcaleka men and women, Hugh Tracey
- Authors: Old Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150950 , vital:39020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-03
- Description: This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani. Circumcision song for Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Old Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150950 , vital:39020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-03
- Description: This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani. Circumcision song for Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
The Sound of Africa: Divining songs of the Xhosa
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Divining song , Spiritual song , Xhosa women , Xhosa Mpondo men , Traditional music , Kalana , Clapping , Singing , Chief Sigcau, Botha , The Great Place , Mpondo people , Yombela , Psychiatrist , Herbalist , Healers , Diviner song , Mamilambo , Water sprite , Transkei , Blue water lilly , Poetic charm , Sanusi , Isangoma , Witch , Psychic , African diviner , Spirit mediums , Willovale District , Magical beliefs , Nontshinga , Dark cloth , Siyavuma , Amakwenkwe , Icamagu livumile , Gcaleka , Lusikisiki , Grahamstown , Ochre , Beads , Qaukeni Great Place , Bayeza kusasa , Goat skin , Impromptu sketch , King Williams Town , Sanusi Annual Convention , Drum , Diviner's dress , Neophytes , Mthatha , Nonyanya , Recording , Playback
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15117 , http://hdl.handle.net/10962/d1011627 , Reel numbers: BC082, BC083, BC084
- Description: 3rd programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Divining song , Spiritual song , Xhosa women , Xhosa Mpondo men , Traditional music , Kalana , Clapping , Singing , Chief Sigcau, Botha , The Great Place , Mpondo people , Yombela , Psychiatrist , Herbalist , Healers , Diviner song , Mamilambo , Water sprite , Transkei , Blue water lilly , Poetic charm , Sanusi , Isangoma , Witch , Psychic , African diviner , Spirit mediums , Willovale District , Magical beliefs , Nontshinga , Dark cloth , Siyavuma , Amakwenkwe , Icamagu livumile , Gcaleka , Lusikisiki , Grahamstown , Ochre , Beads , Qaukeni Great Place , Bayeza kusasa , Goat skin , Impromptu sketch , King Williams Town , Sanusi Annual Convention , Drum , Diviner's dress , Neophytes , Mthatha , Nonyanya , Recording , Playback
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15117 , http://hdl.handle.net/10962/d1011627 , Reel numbers: BC082, BC083, BC084
- Description: 3rd programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Authority, avoidances and marriage: an analysis of the position of Gcaleka women in Qwaninga, Willowvale District, Transkei
- Authors: Liebenberg, Alida
- Date: 1994
- Subjects: Marriage customs and rites -- South Africa -- Transkei , Xhosa (African people) -- Social life and customs , Women -- Developing countries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2100 , http://hdl.handle.net/10962/d1002663 , Marriage customs and rites -- South Africa -- Transkei , Xhosa (African people) -- Social life and customs , Women -- Developing countries
- Description: Authority as it operates in the daily lives of married women in Gcaleka society is reinforced and maintained by a body of avoidances which women need to observe during their married lives. Avoidances constitute part of the control system in the society whereby wives are being 'kept in their place'. Avoidances do not only restrict her, but also safeguard her position and her interests. Lines of authority emerge through the process of interaction; the structure reveals itself as avoidances are acted out in time and space. This study was conducted in Qwaninga, an administrative area in the coastal area of the Willowvale district, Transkei. The research started out as a study of ritual impurity and the status of women in a traditional, 'red' Gcaleka society. It soon became clear that pollution practices and beliefs associated with women form part of a greater body of avoidances which women need to observe during their married lives. Avoidances entail economic, dietary, sexual, linguistic and spatial prohibitions; as well as restrictions concerning what a woman is supposed to wear, and her withdrawal from social life. These restrictions are enforced through certain ritual and other sanctions. Three forms of avoidances are identified in this study, and are discussed and analysed. Avoidances are found in the everyday male/female division in society; in the ways through which the wife shows respect towards her husband and her in-laws (especially her husband's ancestors); and in the reproductive situations a woman finds herself in from time to time. In many anthropological studies in the past women have often been hidden in the background. This study is an attempt to give women the prominence they should be given, to show that nonwestern women are not as subordinated as people in Western society like to assume. In Gcaleka society the authority structure affecting the position of women is not only based on a distinction being made between males and females. It will be shown that a finer authority structure operates in this society whereby gender as well as age and kinship distinctions are being made. These distinctions constitute a system of classification which is safeguarded and protected by the avoidances and other restrictions imposed on women.
- Full Text:
- Date Issued: 1994
- Authors: Liebenberg, Alida
- Date: 1994
- Subjects: Marriage customs and rites -- South Africa -- Transkei , Xhosa (African people) -- Social life and customs , Women -- Developing countries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2100 , http://hdl.handle.net/10962/d1002663 , Marriage customs and rites -- South Africa -- Transkei , Xhosa (African people) -- Social life and customs , Women -- Developing countries
- Description: Authority as it operates in the daily lives of married women in Gcaleka society is reinforced and maintained by a body of avoidances which women need to observe during their married lives. Avoidances constitute part of the control system in the society whereby wives are being 'kept in their place'. Avoidances do not only restrict her, but also safeguard her position and her interests. Lines of authority emerge through the process of interaction; the structure reveals itself as avoidances are acted out in time and space. This study was conducted in Qwaninga, an administrative area in the coastal area of the Willowvale district, Transkei. The research started out as a study of ritual impurity and the status of women in a traditional, 'red' Gcaleka society. It soon became clear that pollution practices and beliefs associated with women form part of a greater body of avoidances which women need to observe during their married lives. Avoidances entail economic, dietary, sexual, linguistic and spatial prohibitions; as well as restrictions concerning what a woman is supposed to wear, and her withdrawal from social life. These restrictions are enforced through certain ritual and other sanctions. Three forms of avoidances are identified in this study, and are discussed and analysed. Avoidances are found in the everyday male/female division in society; in the ways through which the wife shows respect towards her husband and her in-laws (especially her husband's ancestors); and in the reproductive situations a woman finds herself in from time to time. In many anthropological studies in the past women have often been hidden in the background. This study is an attempt to give women the prominence they should be given, to show that nonwestern women are not as subordinated as people in Western society like to assume. In Gcaleka society the authority structure affecting the position of women is not only based on a distinction being made between males and females. It will be shown that a finer authority structure operates in this society whereby gender as well as age and kinship distinctions are being made. These distinctions constitute a system of classification which is safeguarded and protected by the avoidances and other restrictions imposed on women.
- Full Text:
- Date Issued: 1994
Ngamibonge Amakentani (Please praise the Kentani people)
- Thombi Fegetwai and Gcaleka boys and girls, Hugh Tracey
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
Beasts to beer pots - migrant labour and ritual change in Willowvale district, Transkei
- Authors: McAllister, Patrick A
- Date: 1985
- Language: English
- Type: Article
- Identifier: vital:6112 , http://hdl.handle.net/10962/d1003832
- Description: [From the introduction]: Why do some rituals disappear while others continue to be performed? Why do some persist in a relatively unaltered state while others are radically modified? In an article published in 1978 Monica Wilson drew attention to the scarcity of information on this subject, and proceeded to consider possible reasons for the 'resilience' of certain rituals, such as those accompanying initiation and death, and the 'obliteration' of others, such as those concerning the birth of twins. My concern in this paper is with the persistence and radical modification of a Gcaleka ritual called umhlinzeko or umsindleko, performed in celebration of the return of a migrant worker to his rural home. The earlier form of the ritual (umhlinzeko) is described and this is followed by an outline of the present-day form (umsindleko). The bulk of the paper is taken up with an attempt to explain why the one form gave way to another. In this respect the analysis concentrates on the relationship between the two forms and their socio-economic contexts, and tries to relate the changes in the form and meaning of the ritual to the changing economic and political circumstances affecting the Gcaleka and other Xhosa-speakers.
- Full Text:
- Date Issued: 1985
- Authors: McAllister, Patrick A
- Date: 1985
- Language: English
- Type: Article
- Identifier: vital:6112 , http://hdl.handle.net/10962/d1003832
- Description: [From the introduction]: Why do some rituals disappear while others continue to be performed? Why do some persist in a relatively unaltered state while others are radically modified? In an article published in 1978 Monica Wilson drew attention to the scarcity of information on this subject, and proceeded to consider possible reasons for the 'resilience' of certain rituals, such as those accompanying initiation and death, and the 'obliteration' of others, such as those concerning the birth of twins. My concern in this paper is with the persistence and radical modification of a Gcaleka ritual called umhlinzeko or umsindleko, performed in celebration of the return of a migrant worker to his rural home. The earlier form of the ritual (umhlinzeko) is described and this is followed by an outline of the present-day form (umsindleko). The bulk of the paper is taken up with an attempt to explain why the one form gave way to another. In this respect the analysis concentrates on the relationship between the two forms and their socio-economic contexts, and tries to relate the changes in the form and meaning of the ritual to the changing economic and political circumstances affecting the Gcaleka and other Xhosa-speakers.
- Full Text:
- Date Issued: 1985