Sargal
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Aly Hachem (arrangement), Lamine Faye (guitar), Jean Pierre Gomes (bass), Moussa Traore (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , Jean Pierre Gomes (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129341 , vital:36263 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-01
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , Jean Pierre Gomes (bass) , Moussa Traore (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129341 , vital:36263 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-01
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
No more lament
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Aly Hachem (arrangement), Lamine Faye (guitar), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Moussa Traore (percussion), Jean Pierre Gomes (bass), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Derde Internationaal Avant Garde Jazz Festival
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Feza, Mongezi , Jazz
- Language: Dutch
- Type: Text
- Identifier: vital:13769 , http://hdl.handle.net/10962/d1012786
- Description: Original program for "Derde Internationaal Avant Garde Jazz Festival".
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Feza, Mongezi , Jazz
- Language: Dutch
- Type: Text
- Identifier: vital:13769 , http://hdl.handle.net/10962/d1012786
- Description: Original program for "Derde Internationaal Avant Garde Jazz Festival".
- Full Text:
Diggale
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Thione Ballago Seck (performer), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diour Sanni
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Sega
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), Veux Mac Faye (solo guitar), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Pepe Dieng Diengos (drums), Marie Cabou (chorus), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Gor Sayina
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Ousemane Hamadi (performer), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Ousemane Hamadi (performer) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130155 , vital:36381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-04
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Ousemane Hamadi (performer) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130155 , vital:36381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-04
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Retour a la Terre
- N'Gbocho Anoma Jacques (vocals), Kokora Bongoua (written, composed, arranged by), Robert (alto saxophone), Oumar Maxim, Narcisse (bass guitar), Yapo Jimmy, Kilola De Bela Bela (chorus), Tia Pierre (Congas Toumba), Aye Hilarion (guitar), Bongoua Joachim (solo guitar, leader), Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals), Osei Kwame (organ, synthesizer), Mario Zani (tenor saxophone), Georges, Isaac, Akissi Leion (trumbet), Showbiz
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Red Clay
- Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by), Youssou N'Dour (vocal), Habib Faye (bass), Manu Katche (drums), Jimi Mbaye, Pape Oumar Ngom (guitar), Babacar Faye (Senegalese percussion), Jerome Lemmier (keyboards, arranger, programmer), Assane Thiam (sabar talking drum), Pierre Bianchi
- Authors: Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by) , Youssou N'Dour (vocal) , Habib Faye (bass) , Manu Katche (drums) , Jimi Mbaye, Pape Oumar Ngom (guitar) , Babacar Faye (Senegalese percussion) , Jerome Lemmier (keyboards, arranger, programmer) , Assane Thiam (sabar talking drum) , Pierre Bianchi
- Date: 2000
- Subjects: Rhythm and blues music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130534 , vital:36434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-04
- Description: Fusion of Senegalese desert music and Western rhythm and blues
- Full Text: false
- Date Issued: 2000
- Authors: Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by) , Youssou N'Dour (vocal) , Habib Faye (bass) , Manu Katche (drums) , Jimi Mbaye, Pape Oumar Ngom (guitar) , Babacar Faye (Senegalese percussion) , Jerome Lemmier (keyboards, arranger, programmer) , Assane Thiam (sabar talking drum) , Pierre Bianchi
- Date: 2000
- Subjects: Rhythm and blues music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130534 , vital:36434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-04
- Description: Fusion of Senegalese desert music and Western rhythm and blues
- Full Text: false
- Date Issued: 2000
She doesn't need to fall
- Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by), Youssou N'Dour (vocal), Habib Faye (bass), Manu Katche (drums), Jimi Mbaye, Pape Oumar Ngom (guitar), Babacar Faye (Senegalese percussion), Jerome Lemmier (keyboards, arranger, programmer), Assane Thiam (sabar talking drum), Pierre Bianchi
- Authors: Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by) , Youssou N'Dour (vocal) , Habib Faye (bass) , Manu Katche (drums) , Jimi Mbaye, Pape Oumar Ngom (guitar) , Babacar Faye (Senegalese percussion) , Jerome Lemmier (keyboards, arranger, programmer) , Assane Thiam (sabar talking drum) , Pierre Bianchi
- Date: 2000
- Subjects: Rhythm and blues music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130519 , vital:36433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-03
- Description: Fusion of Senegalese desert music and Western rhythm and blues
- Full Text: false
- Date Issued: 2000
- Authors: Boubacar N'Dour, Prince Charles Alexander, Youssou N'Dour (written by) , Youssou N'Dour (vocal) , Habib Faye (bass) , Manu Katche (drums) , Jimi Mbaye, Pape Oumar Ngom (guitar) , Babacar Faye (Senegalese percussion) , Jerome Lemmier (keyboards, arranger, programmer) , Assane Thiam (sabar talking drum) , Pierre Bianchi
- Date: 2000
- Subjects: Rhythm and blues music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130519 , vital:36433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-03
- Description: Fusion of Senegalese desert music and Western rhythm and blues
- Full Text: false
- Date Issued: 2000
Jiguen
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130128 , vital:36378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-01
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130128 , vital:36378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-01
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diongama
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Chris McGregor, Johnny Clegg and Pierre-André Albertini
- Authors: Loll, Jacques
- Subjects: McGregor, Chris -- 1936-1990 , Clegg, Johnny, 1953- , Albertini, Pierre-André , Musicians , Jazz
- Type: Image
- Identifier: vital:13812 , http://hdl.handle.net/10962/d1001491 , McGregor, Chris -- 1936-1990 , Clegg, Johnny, 1953- , Albertini, Pierre-André , Musicians , Jazz
- Description: Photocopied picture of (from left to right) Chris McGregor, Johnny Clegg and Pierre-André Albertini.
- Full Text: false
- Authors: Loll, Jacques
- Subjects: McGregor, Chris -- 1936-1990 , Clegg, Johnny, 1953- , Albertini, Pierre-André , Musicians , Jazz
- Type: Image
- Identifier: vital:13812 , http://hdl.handle.net/10962/d1001491 , McGregor, Chris -- 1936-1990 , Clegg, Johnny, 1953- , Albertini, Pierre-André , Musicians , Jazz
- Description: Photocopied picture of (from left to right) Chris McGregor, Johnny Clegg and Pierre-André Albertini.
- Full Text: false
Letter from Jack Lang to Chris McGregor's family
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
The Sound of Africa: Northern Congo
- Authors: Tracey, Hugh
- Subjects: Jimbo ya Telofoma , Ituri , Pygmies , Congo River , Hot climate , Ngala , Simone , La Societe Harmonie , Clarinets , Guitar , Bottle , Friction stick , Amina-e , Call and response , Story telling , Tales , Jean Pierre , Moral story , Safari ya Basaka , Message drums , Lokele , Drum Signals , Elephants , Zande , Cornacks , La la la Lise , Xylophones , Dancing , Kponiylo , Lute , Two stringed fiddle , Medje , Nenjenje , Love song , Likembe , Malimba , Hand piano , Dzoli , Bembele Henri de Bon Coeur , Histoire , Onole , Slit drums , Talking drum , W H Ford
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15066 , http://hdl.handle.net/10962/d1008494 , Reel numbers: BC037, BC038, BC039, BC040
- Description: 11th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Jimbo ya Telofoma , Ituri , Pygmies , Congo River , Hot climate , Ngala , Simone , La Societe Harmonie , Clarinets , Guitar , Bottle , Friction stick , Amina-e , Call and response , Story telling , Tales , Jean Pierre , Moral story , Safari ya Basaka , Message drums , Lokele , Drum Signals , Elephants , Zande , Cornacks , La la la Lise , Xylophones , Dancing , Kponiylo , Lute , Two stringed fiddle , Medje , Nenjenje , Love song , Likembe , Malimba , Hand piano , Dzoli , Bembele Henri de Bon Coeur , Histoire , Onole , Slit drums , Talking drum , W H Ford
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15066 , http://hdl.handle.net/10962/d1008494 , Reel numbers: BC037, BC038, BC039, BC040
- Description: 11th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Jean Pierre
- Mingana Paul and soilders of the Force Publique, Hugh Tracey
- Authors: Mingana Paul and soilders of the Force Publique , Hugh Tracey
- Date: 1952
- Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mbangala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169186 , vital:41693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-13
- Description: Stories of this kind are a peculiar invention of the Congo askaris, who have a large variety of them. This one is about a soilder who had three sons who refused to go to school and set out to educate themselves. One went to Leopoldville, one to Elizabethville and the third to Brussels. The last one, Jean Pierre, the youngest son, became a professional theif. He stole a fine car and drove it all the way up through Africa and on to Brussels in Beligium. There, he presented himself at the Palace. The Queen Astrid received him very graciously and asked him he wanted Jean Pierre was so overcome and taken aback at her kind request that he could think of nothing to say except "Some water please." Presently the King came in, having been on a long journey and when he saw Jean Pierre he ordered up the askari and had him flung into gaol, after which his friends would have nothing to do with him. The moral od the story, they said, is that one should not steal, and if the soilders steal, they say, their wives have them flung into gaol. These Congo soilders appear to have invented a wonderful way of ensuring the attention of the audience throughout their stories, at unexpected intervals, the story teller shouts out "Histoire" to which everyone must immediately respond "Onolo!" No one could explain to us the origin of the response and whether the word was of French or African origin, 'en or' or 'onolo'. (Copied from disc). Story
- Full Text: false
- Date Issued: 1952
- Authors: Mingana Paul and soilders of the Force Publique , Hugh Tracey
- Date: 1952
- Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mbangala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169186 , vital:41693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-13
- Description: Stories of this kind are a peculiar invention of the Congo askaris, who have a large variety of them. This one is about a soilder who had three sons who refused to go to school and set out to educate themselves. One went to Leopoldville, one to Elizabethville and the third to Brussels. The last one, Jean Pierre, the youngest son, became a professional theif. He stole a fine car and drove it all the way up through Africa and on to Brussels in Beligium. There, he presented himself at the Palace. The Queen Astrid received him very graciously and asked him he wanted Jean Pierre was so overcome and taken aback at her kind request that he could think of nothing to say except "Some water please." Presently the King came in, having been on a long journey and when he saw Jean Pierre he ordered up the askari and had him flung into gaol, after which his friends would have nothing to do with him. The moral od the story, they said, is that one should not steal, and if the soilders steal, they say, their wives have them flung into gaol. These Congo soilders appear to have invented a wonderful way of ensuring the attention of the audience throughout their stories, at unexpected intervals, the story teller shouts out "Histoire" to which everyone must immediately respond "Onolo!" No one could explain to us the origin of the response and whether the word was of French or African origin, 'en or' or 'onolo'. (Copied from disc). Story
- Full Text: false
- Date Issued: 1952
A Summer 1988
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Text
- Identifier: vital:13790 , http://hdl.handle.net/10962/d1012823
- Description: Original program for the music festival Chateau d'O "Un été 88" in Bédarieux, France, organised by Radio France.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Text
- Identifier: vital:13790 , http://hdl.handle.net/10962/d1012823
- Description: Original program for the music festival Chateau d'O "Un été 88" in Bédarieux, France, organised by Radio France.
- Full Text:
The photobleaching of the free and encapsulated metallic phthalocyanine and its effect on the photooxidation of simple molecules
- Fanchiotti, Brenda Gomes, Machado, Marcella Piffer Zamprogno, de Paula, Letícia Camilato, Durmuş, Mahmut, Nyokong, Tebello, da Silva, Gonçalves, da Silva, André Romero
- Authors: Fanchiotti, Brenda Gomes , Machado, Marcella Piffer Zamprogno , de Paula, Letícia Camilato , Durmuş, Mahmut , Nyokong, Tebello , da Silva, Gonçalves , da Silva, André Romero
- Date: 2016
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/239687 , vital:50755 , xlink:href="https://doi.org/10.1016/j.jphotobiol.2016.10.007"
- Description: The photobleaching of an unsubstituted phthalocyanine (gallium(III) phthalocyanine chloride (GaPc)) and a substituted phthalocyanine (1,4-(tetrakis[4-(benzyloxy)phenoxy]phthalocyaninato) indium(III) chloride (InTBPPc)) was monitored for the free photosensitizers and for the phthalocyanines encapsulated into nanoparticles of PEGylated poly(D,L-lactide-co-glycolide) (PLGA-PEG). Phosphate-buffered solutions (PBS) and organic solutions of the free GaPc or the free InTBPPc, and suspensions of each encapsulated photosensitizer (2–15 μmol/L) were irradiated using a laser diode of 665 nm with a power of 1–104 mW and a light dose of 7.5 J/cm2. The relative absorbance (RA) of the free GaPc dissolved in 1-methyl-2-pyrrolidone (MP) decreased 8.4 times when the laser power increased from 1 mW to 104 mW. However, the free or encapsulated GaPc did not suffer the photobleaching in PBS solution. The RA values decreased 2.4 times and 22.2 times for the free InTBPPc dissolved in PBS solution and in dimethylformamide (DMF), respectively, but the encapsulated InTBPPc was only photobleached when the laser power was 104 mW at 8 μmol/L. The increase of the free GaPc concentration favored the photobleaching in MP until 8 μmol/L while the increase from 2 μmol/L to 5 μmol/L reduced the photodegradation in PBS solution. However, the photobleaching of the free InTBPPc in DMF or in PBS solution, and of each encapsulated photosensitizer was not influenced by increasing the concentration. The influence of the photobleaching on the capability of the free and encapsulated GaPc and InTBPPc to photooxidate the simple molecules was investigated monitoring the fluorescence of dimethylanthracene (DMA) and the tryptophan (Trp). Free InTBPPc was 2.0 and 1.8 times faster to photooxidate the DMA and Trp than it was the free GaPc, but the encapsulated GaPc was 3.4 times more efficient to photooxidize the Trp than it was the encapsulated InTBPPc due to the photodegradation suffered by the encapsulated InTBPPc. The participation of the singlet oxygen was confirmed with the sodium azide in the photobleaching of all free and encapsulated photosensitizer, and in the photooxidation of the DMA and Trp. The asymmetry of InTBPPc increased the solubility of the free compound, decreasing the aggregation state of the photosensitizer and favoring the photobleaching process. The encapsulation shows capability in decreasing the photobleaching of both photosensitizers but the confocal micrographs showed that the increase of the solubility favored the InTBPPc photobleaching during the acquisition of optical cross section. A novel low-symmetry A3B-type phthalocyanine annelated with a pyrazino[2,3-f]phenanthroline ring system and substituted with six solubilizing diisopropylphenoxy-groups (1) was synthesized by metalfree DBU-promoted cross-condensation of diiminoisoindolines derived from 4,5- bis(diisopropylphenoxy)phthalonitrile and pyrazino[2,3-f][1,10]phenanthroline-2,3-dicarbonitrile. The use of these particular precursors affords A3B phthalocyanine in 15% yield, while cross-condensation of the corresponding dinitriles yields only trace amounts of the target compound. Comparative studies of the A3B-type phthalocyanine and its symmetrical octa(diisopropylphenoxy)-substituted counterpart 2 reveal striking differences in the Q band regions of their UVevisible absorption (UVeVis) spectra, which could be readily rationalized through a comparison with calculated TD-DFT spectra. Since 1 can have two NH-tautomers with equivalent and non-equivalent NH-groups, and DFT calculations predict that the former tautomer is only 2.3 kcal/mol more stable than the latter one, a comprehensive analysis of 13C NMR spectra was carried out through the application of 1 He13C HMBC and HSQC techniques. It demonstrated that only the tautomer with equivalent NH-groups is present in solution.
- Full Text:
- Date Issued: 2016
- Authors: Fanchiotti, Brenda Gomes , Machado, Marcella Piffer Zamprogno , de Paula, Letícia Camilato , Durmuş, Mahmut , Nyokong, Tebello , da Silva, Gonçalves , da Silva, André Romero
- Date: 2016
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/239687 , vital:50755 , xlink:href="https://doi.org/10.1016/j.jphotobiol.2016.10.007"
- Description: The photobleaching of an unsubstituted phthalocyanine (gallium(III) phthalocyanine chloride (GaPc)) and a substituted phthalocyanine (1,4-(tetrakis[4-(benzyloxy)phenoxy]phthalocyaninato) indium(III) chloride (InTBPPc)) was monitored for the free photosensitizers and for the phthalocyanines encapsulated into nanoparticles of PEGylated poly(D,L-lactide-co-glycolide) (PLGA-PEG). Phosphate-buffered solutions (PBS) and organic solutions of the free GaPc or the free InTBPPc, and suspensions of each encapsulated photosensitizer (2–15 μmol/L) were irradiated using a laser diode of 665 nm with a power of 1–104 mW and a light dose of 7.5 J/cm2. The relative absorbance (RA) of the free GaPc dissolved in 1-methyl-2-pyrrolidone (MP) decreased 8.4 times when the laser power increased from 1 mW to 104 mW. However, the free or encapsulated GaPc did not suffer the photobleaching in PBS solution. The RA values decreased 2.4 times and 22.2 times for the free InTBPPc dissolved in PBS solution and in dimethylformamide (DMF), respectively, but the encapsulated InTBPPc was only photobleached when the laser power was 104 mW at 8 μmol/L. The increase of the free GaPc concentration favored the photobleaching in MP until 8 μmol/L while the increase from 2 μmol/L to 5 μmol/L reduced the photodegradation in PBS solution. However, the photobleaching of the free InTBPPc in DMF or in PBS solution, and of each encapsulated photosensitizer was not influenced by increasing the concentration. The influence of the photobleaching on the capability of the free and encapsulated GaPc and InTBPPc to photooxidate the simple molecules was investigated monitoring the fluorescence of dimethylanthracene (DMA) and the tryptophan (Trp). Free InTBPPc was 2.0 and 1.8 times faster to photooxidate the DMA and Trp than it was the free GaPc, but the encapsulated GaPc was 3.4 times more efficient to photooxidize the Trp than it was the encapsulated InTBPPc due to the photodegradation suffered by the encapsulated InTBPPc. The participation of the singlet oxygen was confirmed with the sodium azide in the photobleaching of all free and encapsulated photosensitizer, and in the photooxidation of the DMA and Trp. The asymmetry of InTBPPc increased the solubility of the free compound, decreasing the aggregation state of the photosensitizer and favoring the photobleaching process. The encapsulation shows capability in decreasing the photobleaching of both photosensitizers but the confocal micrographs showed that the increase of the solubility favored the InTBPPc photobleaching during the acquisition of optical cross section. A novel low-symmetry A3B-type phthalocyanine annelated with a pyrazino[2,3-f]phenanthroline ring system and substituted with six solubilizing diisopropylphenoxy-groups (1) was synthesized by metalfree DBU-promoted cross-condensation of diiminoisoindolines derived from 4,5- bis(diisopropylphenoxy)phthalonitrile and pyrazino[2,3-f][1,10]phenanthroline-2,3-dicarbonitrile. The use of these particular precursors affords A3B phthalocyanine in 15% yield, while cross-condensation of the corresponding dinitriles yields only trace amounts of the target compound. Comparative studies of the A3B-type phthalocyanine and its symmetrical octa(diisopropylphenoxy)-substituted counterpart 2 reveal striking differences in the Q band regions of their UVevisible absorption (UVeVis) spectra, which could be readily rationalized through a comparison with calculated TD-DFT spectra. Since 1 can have two NH-tautomers with equivalent and non-equivalent NH-groups, and DFT calculations predict that the former tautomer is only 2.3 kcal/mol more stable than the latter one, a comprehensive analysis of 13C NMR spectra was carried out through the application of 1 He13C HMBC and HSQC techniques. It demonstrated that only the tautomer with equivalent NH-groups is present in solution.
- Full Text:
- Date Issued: 2016
Isokinetic force profile of the cervical spine in a healthy adult urban South African population
- Authors: Olivier, Pierre Emile
- Date: 2008
- Subjects: Cervical vertebrae , Neck -- Muscles , Muscle strength -- Testing
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:10102 , http://hdl.handle.net/10948/982 , Cervical vertebrae , Neck -- Muscles , Muscle strength -- Testing
- Description: The aim of this study was to establish reference data for the cervical spine’s dynamic force characteristics in a healthy adult urban South African population aged 19 to 69 years. The reference data was classified according to gender discriminate age categories. In total ten gender discriminate age categories, five male and five female, were created; 19 to 29, 30 to 39, 40 to 49, 50 to 59 and 60 to 69-year-olds. The force characteristics measured, analysed and used to generate reference data in stanine format were: absolute peak torque (P-), relative peak torque (P-/BW), peak power (Pow-), relative peak power (Pow-/BW), peak work (W-), relative peak work (W-/BW), torque acceleration energy (TAE-), maximal voluntary cervical muscle contraction range of motion (MVCR-), controlled full range of joint motion (CFR-), joint angle at peak torque (Jang@P-) and peak torque ratios for cervical flexion (-F), extension (-E), lateral flexion to the dominant (-LD) and non-dominant (-LN) sides. In addition biographic and anthropometric data was also collected. Data, grouped in the ten gender discriminate age categories were compared and statistically and practically significant differences were highlighted between the gender discriminate age categories. Inferential statistics used included ANOVA and Cohen’s d. A significance level of α = .05 was used in all inferential statistical analyses. Correlations between various anthropometric and isokinetic strength variables were also explored.
- Full Text:
- Date Issued: 2008
- Authors: Olivier, Pierre Emile
- Date: 2008
- Subjects: Cervical vertebrae , Neck -- Muscles , Muscle strength -- Testing
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:10102 , http://hdl.handle.net/10948/982 , Cervical vertebrae , Neck -- Muscles , Muscle strength -- Testing
- Description: The aim of this study was to establish reference data for the cervical spine’s dynamic force characteristics in a healthy adult urban South African population aged 19 to 69 years. The reference data was classified according to gender discriminate age categories. In total ten gender discriminate age categories, five male and five female, were created; 19 to 29, 30 to 39, 40 to 49, 50 to 59 and 60 to 69-year-olds. The force characteristics measured, analysed and used to generate reference data in stanine format were: absolute peak torque (P-), relative peak torque (P-/BW), peak power (Pow-), relative peak power (Pow-/BW), peak work (W-), relative peak work (W-/BW), torque acceleration energy (TAE-), maximal voluntary cervical muscle contraction range of motion (MVCR-), controlled full range of joint motion (CFR-), joint angle at peak torque (Jang@P-) and peak torque ratios for cervical flexion (-F), extension (-E), lateral flexion to the dominant (-LD) and non-dominant (-LN) sides. In addition biographic and anthropometric data was also collected. Data, grouped in the ten gender discriminate age categories were compared and statistically and practically significant differences were highlighted between the gender discriminate age categories. Inferential statistics used included ANOVA and Cohen’s d. A significance level of α = .05 was used in all inferential statistical analyses. Correlations between various anthropometric and isokinetic strength variables were also explored.
- Full Text:
- Date Issued: 2008
Rhodes University Graduation Ceremony 2002
- Authors: Rhodes University
- Date: 2002
- Language: English
- Type: text
- Identifier: vital:8145 , http://hdl.handle.net/10962/d1007267
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Friday, 5 April 2002 at 10:30; 14:30 & 18:00 [and] Saturday, 6 April 2002 at 10:30 , Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 10 May 2002 at 18:00
- Full Text:
- Date Issued: 2002
- Authors: Rhodes University
- Date: 2002
- Language: English
- Type: text
- Identifier: vital:8145 , http://hdl.handle.net/10962/d1007267
- Description: Rhodes University Graduation Ceremonies 1820 Settlers National Monument Friday, 5 April 2002 at 10:30; 14:30 & 18:00 [and] Saturday, 6 April 2002 at 10:30 , Graduation Ceremony Christian Centre, Wyse Street, East London Friday, 10 May 2002 at 18:00
- Full Text:
- Date Issued: 2002