Bamba
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129206 , vital:36246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-03
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129206 , vital:36246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-03
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Bippe
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129233 , vital:36249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-06
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129233 , vital:36249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-06
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
La bal
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Debbo
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129211 , vital:36247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-04
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129211 , vital:36247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-04
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Futa
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129224 , vital:36248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-05
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129224 , vital:36248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-05
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Gaynako
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129136 , vital:36221 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-01
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129136 , vital:36221 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-01
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Yama Daboon Ci Yoon
- Badou Boy and Pape Armand (composers), Badou Boy (lead vocal, accoustic guitar, harmonica, Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Music in Grahamstown, 1880-1900
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978
Ndioukeul
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128076 , vital:36073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-04
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128076 , vital:36073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-04
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Anta Lo
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128071 , vital:36072 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-03
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128071 , vital:36072 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-03
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Aduna
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128062 , vital:36071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-02
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128062 , vital:36071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-02
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Ma Cherie
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128099 , vital:36075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-06
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128099 , vital:36075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-06
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Neko Sac
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128053 , vital:36070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-01
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128053 , vital:36070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-01
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Seey
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128089 , vital:36074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-05
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128089 , vital:36074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-05
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Nani Bwabongo
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Cyrille Baudoin Koudh (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Cyrille Baudoin Koudh (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130792 , vital:36479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-02
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Cyrille Baudoin Koudh (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130792 , vital:36479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-02
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Dikalo
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Priscilia Ngando (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130836 , vital:36486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-03
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130836 , vital:36486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-03
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Aspects of musical education in Grahamstown, 1832-1950
- Authors: Sparrow, Marion Janet
- Date: 1986
- Subjects: School music -- South Africa -- Grahamstown School music -- Instruction and study -- South Africa -- Grahamstown Music -- South Africa -- Grahamstown -- History
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2664 , http://hdl.handle.net/10962/d1004616
- Description: From Introduction: An investigation into aspects of musical education in Grahamstown cannot be isolated from the prevailing economic and social influences and must be seen within that setting. By the 1830's Grahamstown had developed from the frontier military post of 1812, to a settlement with an increasing population, aware of the importance of general education in raising standards and whose attention was concentrated in commerce, allied with agriculture, being a wool centre and a halting-place for traders conveying merchandise northwards, by ox-wagon and later also the chief centre of the ostrich industry. This development had gone on despite a succession of Frontier Wars, the last in 1878. A military presence was felt throughout the years of the nineteenth century and into the early years of the next, although from the late 1850's the chief military posts were in King William's Town and not in Grahamstown. The 1860's witnessed the important discovery of diamonds in South Africa, the first of which was identified by the famous Grahamstonian, Dr William G. Atherstone. This discovery, together with the discovery of gold to the north in the 1880's and the new railway line in that direction side-tracking Grahamstown, plus a slump in the ostrich industry, resulted in the economic decline of the town, but it then directed its energy and enterprise in another direction, education. The many small schools, which had sprung up during earlier decades, were superseded by newly established larger ones, initially for boys, but the 1870's in South Africa saw a revolution in the education of girls (similar to that of the 1850's in England), an occurrence which had an important bearing upon the founding of high schools for girls and Grahamstown was no exception in this respect. In South Africa, tertiary education for women was introduced soon after 1900 (as had occurred in England in the 1870's) and Grahamstown again kept apace. The years of the twentieth century brought about numerous advances in communication (motor cars, roads, aeroplanes, the radio and telephone), the invention of the gramophone, the appearance of "talkies" to replace silent films, the development of electricity as a source of power, great changes from peace to war, worldwide and financial stringency. In addition droughts plagued the farming community. All these influenced life in Grahamstown and education in general. The age of many scholastic institutions in Grahamstown became such, that they were receiving the sons and daughters and also grandsons and granddaughters of former pupils. This continuity played an important part in establishing traditions. Aspects of musical education during more than a century will be examined, firstly, in connection with each individual school and tertiary institution and secondly, by means of a survey. The newspapers, "Graham's Town Journal" and "Grocott's Penny Mail" - later "Grocott's Daily Mail", will be referred to as "IJournal" and "Grocott's", respectively.
- Full Text:
- Date Issued: 1986
- Authors: Sparrow, Marion Janet
- Date: 1986
- Subjects: School music -- South Africa -- Grahamstown School music -- Instruction and study -- South Africa -- Grahamstown Music -- South Africa -- Grahamstown -- History
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2664 , http://hdl.handle.net/10962/d1004616
- Description: From Introduction: An investigation into aspects of musical education in Grahamstown cannot be isolated from the prevailing economic and social influences and must be seen within that setting. By the 1830's Grahamstown had developed from the frontier military post of 1812, to a settlement with an increasing population, aware of the importance of general education in raising standards and whose attention was concentrated in commerce, allied with agriculture, being a wool centre and a halting-place for traders conveying merchandise northwards, by ox-wagon and later also the chief centre of the ostrich industry. This development had gone on despite a succession of Frontier Wars, the last in 1878. A military presence was felt throughout the years of the nineteenth century and into the early years of the next, although from the late 1850's the chief military posts were in King William's Town and not in Grahamstown. The 1860's witnessed the important discovery of diamonds in South Africa, the first of which was identified by the famous Grahamstonian, Dr William G. Atherstone. This discovery, together with the discovery of gold to the north in the 1880's and the new railway line in that direction side-tracking Grahamstown, plus a slump in the ostrich industry, resulted in the economic decline of the town, but it then directed its energy and enterprise in another direction, education. The many small schools, which had sprung up during earlier decades, were superseded by newly established larger ones, initially for boys, but the 1870's in South Africa saw a revolution in the education of girls (similar to that of the 1850's in England), an occurrence which had an important bearing upon the founding of high schools for girls and Grahamstown was no exception in this respect. In South Africa, tertiary education for women was introduced soon after 1900 (as had occurred in England in the 1870's) and Grahamstown again kept apace. The years of the twentieth century brought about numerous advances in communication (motor cars, roads, aeroplanes, the radio and telephone), the invention of the gramophone, the appearance of "talkies" to replace silent films, the development of electricity as a source of power, great changes from peace to war, worldwide and financial stringency. In addition droughts plagued the farming community. All these influenced life in Grahamstown and education in general. The age of many scholastic institutions in Grahamstown became such, that they were receiving the sons and daughters and also grandsons and granddaughters of former pupils. This continuity played an important part in establishing traditions. Aspects of musical education during more than a century will be examined, firstly, in connection with each individual school and tertiary institution and secondly, by means of a survey. The newspapers, "Graham's Town Journal" and "Grocott's Penny Mail" - later "Grocott's Daily Mail", will be referred to as "IJournal" and "Grocott's", respectively.
- Full Text:
- Date Issued: 1986
Diggale
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Thione Ballago Seck (performer), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diour Sanni
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Sega
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), Veux Mac Faye (solo guitar), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Pepe Dieng Diengos (drums), Marie Cabou (chorus), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , Veux Mac Faye (solo guitar) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Pepe Dieng Diengos (drums) , Marie Cabou (chorus) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130173 , vital:36383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-06
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999