Nabakansike mu musebo
- Small girls, Mwansa, Lili, Tracey, Hugh
- Authors: Small girls , Mwansa, Lili , Tracey, Hugh
- Date: 1949-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205052 , vital:46852 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT051-C52 , Research no. C3J5
- Description: A school song sung by girls.
- Full Text: false
- Date Issued: 1949-07-22
- Authors: Small girls , Mwansa, Lili , Tracey, Hugh
- Date: 1949-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205052 , vital:46852 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT051-C52 , Research no. C3J5
- Description: A school song sung by girls.
- Full Text: false
- Date Issued: 1949-07-22
Chila nabanku ngotasha aciwama
- Small girls, Mwansa, Lili, Tracey, Hugh
- Authors: Small girls , Mwansa, Lili , Tracey, Hugh
- Date: 1949-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205038 , vital:46850 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT051-C52 , Research no. C3J4
- Description: A school song sung by girls.
- Full Text: false
- Date Issued: 1949-07-22
- Authors: Small girls , Mwansa, Lili , Tracey, Hugh
- Date: 1949-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kwawambua f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/205038 , vital:46850 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT051-C52 , Research no. C3J4
- Description: A school song sung by girls.
- Full Text: false
- Date Issued: 1949-07-22
Investigating the relationship between Heat Shock Proteins and HIV Transactivator of Transcription
- Authors: Flax, Lili Marie
- Date: 2020
- Subjects: Uncatalogued
- Language: English
- Type: thesis , text , Masters , MSc
- Identifier: http://hdl.handle.net/10962/163307 , vital:41027
- Description: Thesis (MSc)--Rhodes University, Faculty of Science, Biochemistry and Microbiology, 2020.
- Full Text:
- Date Issued: 2020
- Authors: Flax, Lili Marie
- Date: 2020
- Subjects: Uncatalogued
- Language: English
- Type: thesis , text , Masters , MSc
- Identifier: http://hdl.handle.net/10962/163307 , vital:41027
- Description: Thesis (MSc)--Rhodes University, Faculty of Science, Biochemistry and Microbiology, 2020.
- Full Text:
- Date Issued: 2020
Makobele
- Lili and Nebaliya and Yogo women, Hugh Tracey
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166584 , vital:41382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-05
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. "The fruit of the Makobele." Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166584 , vital:41382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-05
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. "The fruit of the Makobele." Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
Akpadi Kaolisi
- Lili and Nebaliya and Yogo women, Hugh Tracey
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166570 , vital:41380 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-03
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166570 , vital:41380 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-03
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
Tutulenge
- Lili and Nebaliya and Yogo women, Hugh Tracey
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166575 , vital:41381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-04
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. "I take a walk." Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Lili and Nebaliya and Yogo women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166575 , vital:41381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-04
- Description: Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These Sudanic girls have the typical slanting eyes and long upper eyelids associated with Mangbetu group, but more commonly seen in China rather than Africa. "I take a walk." Party song with basket rattles.
- Full Text: false
- Date Issued: 1952
Lili pamaciko lile-pyola
- Lumbwe, Bwalya, Composer not specified, Tracey, Hugh
- Authors: Lumbwe, Bwalya , Composer not specified , Tracey, Hugh
- Date: 1949-08-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/209117 , vital:47344 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT085-C101 , Research no. C4Q4
- Description: Not specified.
- Full Text: false
- Date Issued: 1949-08-24
- Authors: Lumbwe, Bwalya , Composer not specified , Tracey, Hugh
- Date: 1949-08-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/209117 , vital:47344 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT085-C101 , Research no. C4Q4
- Description: Not specified.
- Full Text: false
- Date Issued: 1949-08-24
Chila nabanku ngotasha aciwama
- Luunda girls, performer not specified, Lili Mwansa, Tracey, Hugh
- Authors: Luunda girls , performer not specified , Lili Mwansa , Tracey, Hugh
- Date: 1948
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Luunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/373928 , vital:66736 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0448-C3J4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1948
- Authors: Luunda girls , performer not specified , Lili Mwansa , Tracey, Hugh
- Date: 1948
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Luunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/373928 , vital:66736 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0448-C3J4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1948
Lili pamaciko lile-pyola
- Bemba boys at the Jeanes School, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Bemba boys at the Jeanes School , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379289 , vital:67320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0535-C4Q4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Bemba boys at the Jeanes School , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379289 , vital:67320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0535-C4Q4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Nabakansike mu musebo
- Luunda girls, Performer not specified, Lili Mwansa, Tracey, Hugh
- Authors: Luunda girls , Performer not specified , Lili Mwansa , Tracey, Hugh
- Date: 1948
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/373787 , vital:66724 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0447-C3J5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1948
- Authors: Luunda girls , Performer not specified , Lili Mwansa , Tracey, Hugh
- Date: 1948
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/373787 , vital:66724 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0447-C3J5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1948
"The struggle of memory against forgetting" contemporary fictions and rewriting of histories
- Authors: Patchay, Sheenadevi
- Date: 2008
- Subjects: Morrison, Toni. Beloved Dangarembga, Tsitsi. Nevous conditions Høeg, Peter, 1957- Frøken Smillas fornemmelse for sne Nahai, Gina Barkhordar. Moonlight on the avenue of faith Roy, Arundhati. God of small things Fiction -- History and criticism History in literature Contemporary, The, in literature Postcolonialism in literature Psychic trauma in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2210 , http://hdl.handle.net/10962/d1002253
- Description: This thesis argues that a prominent concern among contemporary writers of fiction is the recuperation of lost or occluded histories. Increasingly, contemporary writers, especially postcolonial writers, are using the medium of fiction to explore those areas of political and cultural history that have been written over or unwritten by the dominant narrative of “official” History. The act of excavating these past histories is simultaneously both traumatic and liberating – which is not to suggest that liberation itself is without pain and trauma. The retelling of traumatic pasts can lead, as is portrayed in The God of Small Things (1997), to further trauma and pain. Postcolonial writers (and much of the world today can be construed as postcolonial in one way or another) are seeking to bring to the fore stories of the past which break down the rigid binaries upon which colonialism built its various empires, literal and ideological. Such writing has in a sense been enabled by the collapse, in postcolonial and postmodernist discourse, of the Grand Narrative of History, and its fragmentation into a plurality of competing discourses and histories. The associated collapse of the boundary between history and fiction is recognized in the useful generic marker “historiographic metafiction,” coined by Linda Hutcheon. The texts examined in this study are all variants of this emerging contemporary genre. What they also have in common is a concern with the consequences of exile or diaspora. This study thus explores some of the representations of how the exilic experience impinges on the development of identity in the postcolonial world. The identities of “displaced” people must undergo constant change in order to adjust to the new spaces into which they move, both literal and metaphorical, and yet critical to this adjustment is the cultural continuity provided by psychologically satisfying stories about the past. The study shows that what the chosen texts share at bottom is their mutual need to retell the lost pasts of their characters, the trauma that such retelling evokes and the new histories to which they give birth. These texts generate new histories which subvert, enrich, and pre-empt formal closure for the narratives of history which determine the identities of nations.
- Full Text:
- Date Issued: 2008
- Authors: Patchay, Sheenadevi
- Date: 2008
- Subjects: Morrison, Toni. Beloved Dangarembga, Tsitsi. Nevous conditions Høeg, Peter, 1957- Frøken Smillas fornemmelse for sne Nahai, Gina Barkhordar. Moonlight on the avenue of faith Roy, Arundhati. God of small things Fiction -- History and criticism History in literature Contemporary, The, in literature Postcolonialism in literature Psychic trauma in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2210 , http://hdl.handle.net/10962/d1002253
- Description: This thesis argues that a prominent concern among contemporary writers of fiction is the recuperation of lost or occluded histories. Increasingly, contemporary writers, especially postcolonial writers, are using the medium of fiction to explore those areas of political and cultural history that have been written over or unwritten by the dominant narrative of “official” History. The act of excavating these past histories is simultaneously both traumatic and liberating – which is not to suggest that liberation itself is without pain and trauma. The retelling of traumatic pasts can lead, as is portrayed in The God of Small Things (1997), to further trauma and pain. Postcolonial writers (and much of the world today can be construed as postcolonial in one way or another) are seeking to bring to the fore stories of the past which break down the rigid binaries upon which colonialism built its various empires, literal and ideological. Such writing has in a sense been enabled by the collapse, in postcolonial and postmodernist discourse, of the Grand Narrative of History, and its fragmentation into a plurality of competing discourses and histories. The associated collapse of the boundary between history and fiction is recognized in the useful generic marker “historiographic metafiction,” coined by Linda Hutcheon. The texts examined in this study are all variants of this emerging contemporary genre. What they also have in common is a concern with the consequences of exile or diaspora. This study thus explores some of the representations of how the exilic experience impinges on the development of identity in the postcolonial world. The identities of “displaced” people must undergo constant change in order to adjust to the new spaces into which they move, both literal and metaphorical, and yet critical to this adjustment is the cultural continuity provided by psychologically satisfying stories about the past. The study shows that what the chosen texts share at bottom is their mutual need to retell the lost pasts of their characters, the trauma that such retelling evokes and the new histories to which they give birth. These texts generate new histories which subvert, enrich, and pre-empt formal closure for the narratives of history which determine the identities of nations.
- Full Text:
- Date Issued: 2008
Makobebe
- Lili, Nebaliya, Yogo women, Composer not specified, Tracey, Hugh
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220482 , vital:48637 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10c
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220482 , vital:48637 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10c
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
Lili Mala Silelo
- The eight hot sparks, not specified, composer not specified, Tracey, Hugh
- Authors: The eight hot sparks , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa country not specified city not specified f-
- Language: Serolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242448 , vital:51042 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3100 , 1243
- Description: Unaccompanied topical song sung by men and women
- Full Text: false
- Date Issued: 0000-00-00
- Authors: The eight hot sparks , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa country not specified city not specified f-
- Language: Serolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242448 , vital:51042 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3100 , 1243
- Description: Unaccompanied topical song sung by men and women
- Full Text: false
- Date Issued: 0000-00-00
Tutulenge
- Lili, Nebaliya, Yogo women, Composer not specified, Tracey, Hugh
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220469 , vital:48636 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10b
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220469 , vital:48636 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10b
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
Chawaiye-chawaiye (Married-married)
- Three elderly women, Hugh Tracey
- Authors: Three elderly women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155584 , vital:39896 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-10
- Description: A man sings happily that the libolo of cattle is now in his hands, the bride price paid over to him for his daughter Lili by his new son-in-law. "My cattle, I am now lucky, I have now got the cattle with their heads facing towards my place. Oyayo !" Wedding song.
- Full Text: false
- Date Issued: 1958
- Authors: Three elderly women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155584 , vital:39896 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-10
- Description: A man sings happily that the libolo of cattle is now in his hands, the bride price paid over to him for his daughter Lili by his new son-in-law. "My cattle, I am now lucky, I have now got the cattle with their heads facing towards my place. Oyayo !" Wedding song.
- Full Text: false
- Date Issued: 1958
Akpadi Kaolisi
- Lili, Nebaliya, Yogo women, Composer not specified, Tracey, Hugh
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220464 , vital:48635 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10a
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
- Authors: Lili , Nebaliya , Yogo women , Composer not specified , Tracey, Hugh
- Date: 1952-08-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo Mabozo f-cg
- Language: Mayogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/220464 , vital:48635 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT317-F98 , Research no. F4H10a
- Description: Indigenous folk song for young girls' parties, with singing accompanied by kekese (basket rattles).
- Full Text: false
- Date Issued: 1952-08-05
Press cutting: Nobody should miss 'King Kong'
- Inskip, Donald, Cape Times, S.A. Press Cutting Agency
- Authors: Inskip, Donald , Cape Times , S.A. Press Cutting Agency
- Date: 1959-04-23
- Subjects: King Kong (Musical) -- History and critisism , Jazz -- South Africa , Musicals -- South Africa -- History and critisism , Music -- South Africa , Matshikiza, Todd, 1921-1968 -- King Kong
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/44574 , vital:25421 , MS 20 066 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text:
- Date Issued: 1959-04-23
- Authors: Inskip, Donald , Cape Times , S.A. Press Cutting Agency
- Date: 1959-04-23
- Subjects: King Kong (Musical) -- History and critisism , Jazz -- South Africa , Musicals -- South Africa -- History and critisism , Music -- South Africa , Matshikiza, Todd, 1921-1968 -- King Kong
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/44574 , vital:25421 , MS 20 066 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text:
- Date Issued: 1959-04-23
Le theme de l'absence dans le theatre d'Arthur Adamov
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
- Full Text:
- Date Issued: 1978
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
- Full Text:
- Date Issued: 1978
Uphicotho-nzulu ngokusetyenziswa kolwimi ngababhali bezini ezahlukeneyo kwiincwadi zesixhosa ezikhethiweyo
- Authors: Fali, Nompumelelo Winnifred
- Date: 2018
- Subjects: Xhosa language -- Usage , Gender identity in literature Xhosa literature -- Research
- Language: Isixhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/29871 , vital:30787
- Description: Uphando luza kugxininisa kwindlela yokusetyenziswa kolwimi ngababhali bezini ezahlukeneyo. Ulwazi olukhoyo kolu phando lujolise ekuphandeni, uphicotho–nzulu kuphononongwa iincwadi zesiXhosa ezikhethiweyo. Phambi kokuba kujongwe okuqulathiweyo ngababhali bezini kufuneka kujongwe kuqwalaselwe indlela ababhali abasebenzisa ngayo ulwimi. Kuza kujongwa nendlela ababazoba ngayo abalinganiswa kuncwadi ingakumbi ababhali abangamadoda, kuba kubalulekile kujongwe indlela abazotywa ngayo kwakunye nolwimi ukuze kube lula ukuqonda indlela olwakhiwe ngayo uphando. Ngokutsho kukaStralton, (1990:98) abalinganiswa basetyhini bakhiwa ngeendlela ezininzi maxa wambi babizwa ngendlela apho eneengcinga ezineentetho ezisoloko zisetyenziswa ezingalunganga, kwanokungalingani kwezini kuba yingxaki esoloko ikho amaxesha amaninzi. Uqhubeka athi abalinganiswa basetyhini bazotywe njengoomama ababopheleleke emakhaya, kodwa benoxanduva lokujonga amakhaya, abantwana, abayeni kwanabantu bomzi. Indawo yabasetyhini ibonwa njengeyokuba isekhitshini apho soloko besebenza khona. Uphinda oleke ngelithi ababhali abangamadoda batyibela abalinganiswa basetyhini njengabantu abangathembekanga ekwenzeni okulungileyo kwanokutyhefa okanye ukungcolisa uluntu entlalweni. ULeslie (1987:05) ucacisa banzi ngabantu basetyhini athi bangabalinganiswa abazotywa kubhalo-ncwadi njengabantu abamele “oomama abaswiti” abavuma yonke into engavumelekanga okanye engathandekiyo kwaye ngabantu abazinikelayo bancame ubom babo. Esi siqu sika“mama” uLeslie (1987:15) uthetha ngaso ehlanganisa “umama waseAfrika” onobuhle ngaphakathi nangaphandle ukwakhiwa kwakunye nokuhlaziyeka kwakhe. Isiqu esihle, uyaphinda-phinda ukuthi, abasetyhini banomonde kwakunye nothando olunovakalelo, indlela ebonakalisa ubunjani babo. Abalinganiswa abaninzi basetyhini bamiswa ziingcinga neentetho ezisoloko zisetyenziswa zezini ukwenzela imigudu nemizamo yabo yokwenyuka itsalelwe ezantsi kubekho imibuzo engenampendulo.
- Full Text:
- Date Issued: 2018
- Authors: Fali, Nompumelelo Winnifred
- Date: 2018
- Subjects: Xhosa language -- Usage , Gender identity in literature Xhosa literature -- Research
- Language: Isixhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/29871 , vital:30787
- Description: Uphando luza kugxininisa kwindlela yokusetyenziswa kolwimi ngababhali bezini ezahlukeneyo. Ulwazi olukhoyo kolu phando lujolise ekuphandeni, uphicotho–nzulu kuphononongwa iincwadi zesiXhosa ezikhethiweyo. Phambi kokuba kujongwe okuqulathiweyo ngababhali bezini kufuneka kujongwe kuqwalaselwe indlela ababhali abasebenzisa ngayo ulwimi. Kuza kujongwa nendlela ababazoba ngayo abalinganiswa kuncwadi ingakumbi ababhali abangamadoda, kuba kubalulekile kujongwe indlela abazotywa ngayo kwakunye nolwimi ukuze kube lula ukuqonda indlela olwakhiwe ngayo uphando. Ngokutsho kukaStralton, (1990:98) abalinganiswa basetyhini bakhiwa ngeendlela ezininzi maxa wambi babizwa ngendlela apho eneengcinga ezineentetho ezisoloko zisetyenziswa ezingalunganga, kwanokungalingani kwezini kuba yingxaki esoloko ikho amaxesha amaninzi. Uqhubeka athi abalinganiswa basetyhini bazotywe njengoomama ababopheleleke emakhaya, kodwa benoxanduva lokujonga amakhaya, abantwana, abayeni kwanabantu bomzi. Indawo yabasetyhini ibonwa njengeyokuba isekhitshini apho soloko besebenza khona. Uphinda oleke ngelithi ababhali abangamadoda batyibela abalinganiswa basetyhini njengabantu abangathembekanga ekwenzeni okulungileyo kwanokutyhefa okanye ukungcolisa uluntu entlalweni. ULeslie (1987:05) ucacisa banzi ngabantu basetyhini athi bangabalinganiswa abazotywa kubhalo-ncwadi njengabantu abamele “oomama abaswiti” abavuma yonke into engavumelekanga okanye engathandekiyo kwaye ngabantu abazinikelayo bancame ubom babo. Esi siqu sika“mama” uLeslie (1987:15) uthetha ngaso ehlanganisa “umama waseAfrika” onobuhle ngaphakathi nangaphandle ukwakhiwa kwakunye nokuhlaziyeka kwakhe. Isiqu esihle, uyaphinda-phinda ukuthi, abasetyhini banomonde kwakunye nothando olunovakalelo, indlela ebonakalisa ubunjani babo. Abalinganiswa abaninzi basetyhini bamiswa ziingcinga neentetho ezisoloko zisetyenziswa zezini ukwenzela imigudu nemizamo yabo yokwenyuka itsalelwe ezantsi kubekho imibuzo engenampendulo.
- Full Text:
- Date Issued: 2018
The effectiveness and impacts of subsidies to film industries
- Collins, Alan, Snowball, Jeanette D
- Authors: Collins, Alan , Snowball, Jeanette D
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68511 , vital:29273 , https://www.southafricanculturalobservatory.org.za/
- Description: Publisher version , Conference paper presented at the South African Cultural Observatory, First National Conference: Counting Culture, The Cultural and Creative Industries in National and International Context, 16-17 May 2016, The Boardwalk International Convention Centre, Nelson Mandela Bay.
- Full Text:
- Date Issued: 2016
- Authors: Collins, Alan , Snowball, Jeanette D
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68511 , vital:29273 , https://www.southafricanculturalobservatory.org.za/
- Description: Publisher version , Conference paper presented at the South African Cultural Observatory, First National Conference: Counting Culture, The Cultural and Creative Industries in National and International Context, 16-17 May 2016, The Boardwalk International Convention Centre, Nelson Mandela Bay.
- Full Text:
- Date Issued: 2016