Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223285 , vital:48970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 03
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223285 , vital:48970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 03
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:48968 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 02
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:48968 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 02
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223270 , vital:48967 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 01
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1954-07-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Ekuphakameni f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223270 , vital:48967 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT331-GB1 , Research no. 01
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1954-07-22
Msitso wo Khata. 1st Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msumeto and Tokozelo. 9th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Teni Gaichwome, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Chibudu. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mwemiso. 5th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo wombidi. 2nd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Solomon Semendi, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso Kugwitisa. 11th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Hanyane Waini, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mchuio. 6th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mabandla. 10th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Mcheni Bobo, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo woraru. 3rd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Hugh Tracey's favourite recordings and others made for his memorial service
- Karanga men, Tracey, Andrew T N
- Authors: Karanga men , Tracey, Andrew T N
- Date: 1977
- Subjects: Memorial service , Chipendani , Folk music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/122422 , vital:35276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC142a-06
- Description: One of Hugh Tracey's 1930 tape recording of traditional song in Karanga from Zimbabwe accompanied by the Chipendani mouth bow
- Full Text: false
- Date Issued: 1977
- Authors: Karanga men , Tracey, Andrew T N
- Date: 1977
- Subjects: Memorial service , Chipendani , Folk music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/122422 , vital:35276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC142a-06
- Description: One of Hugh Tracey's 1930 tape recording of traditional song in Karanga from Zimbabwe accompanied by the Chipendani mouth bow
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Andrew Tracey and and group of Shona men, Tracey, Andrew T N
- Authors: Andrew Tracey and and group of Shona men , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Chipendani , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113122 , vital:33710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-07
- Description: Playing Hugh Tracey's 1930 recording of traditional Karanga song accompanied by the Chipendani mouth bow selected in view of his memory
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey and and group of Shona men , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Chipendani , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113122 , vital:33710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-07
- Description: Playing Hugh Tracey's 1930 recording of traditional Karanga song accompanied by the Chipendani mouth bow selected in view of his memory
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service 2
- Gambo Khumalo (Speaker), Andrew Tracey (Transalator and Speaker), Paul Tracey and Andrew Tracey (Performer), Henry Howell (Speaker), Phyllida Wentzel (Speaker), Irene Frongs (Speaker), Jill Hyacinth (Speaker), Tracey, Andrew T N
- Authors: Gambo Khumalo (Speaker) , Andrew Tracey (Transalator and Speaker) , Paul Tracey and Andrew Tracey (Performer) , Henry Howell (Speaker) , Phyllida Wentzel (Speaker) , Irene Frongs (Speaker) , Jill Hyacinth (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112199 , vital:33558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127b-01
- Description: Gambo Khumalo paying tribute to Hugh Tracey on behalf of workers, stating their good working relationship with their master as they called Hugh Tracey and also mentioning Hugh Tracey's close relationship with Tshabalala and Daniel Mabuto who travelled with him all over Africa , Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977 , Mention of Paul Tracey and Andrew Tracey having inherited their father's musical gift, launched Wait a Minim and Paul performed a song which Hugh Tracey loved best from Wait a Minim entitled "my love is like a red rose" by Robert Burns accompanied by a flute , Tribute about Hugh Tracey's well beloved books namely 'Gitangali' and 'Faith of an Artist' which were inseparable from Hugh, mention of Hugh Tracey's other closer friend namely Babu Chipika from Rhodesia who was his constant companinion in Rhodesian bush, Hugh Tracey's devotion to Babu Chipika that Hugh actually painted Babu Chipika's portrait in pastels while playing the Chipendani bow and reading of verse authored by Tagore which depicted Hugh Tracey's friendship with Babu Chipika , Playing of Kalimba by Andrew Tracey of his father's favourite tune, litte bar which never failed to amaze people , A Reading of Hugh Tracey's Christmas Card printed for him two months ago and the read verse was an extract from the book 'Faith of an artist' , Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis , Mention by Jill Hyacinth the survived wife that Hugh Tracey's ashes shall be scattered in the valley surroundings or in the garden and this followed by reading an extract which confirms how Hugh Tracey loved the valley
- Full Text: false
- Date Issued: 1977
- Authors: Gambo Khumalo (Speaker) , Andrew Tracey (Transalator and Speaker) , Paul Tracey and Andrew Tracey (Performer) , Henry Howell (Speaker) , Phyllida Wentzel (Speaker) , Irene Frongs (Speaker) , Jill Hyacinth (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112199 , vital:33558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127b-01
- Description: Gambo Khumalo paying tribute to Hugh Tracey on behalf of workers, stating their good working relationship with their master as they called Hugh Tracey and also mentioning Hugh Tracey's close relationship with Tshabalala and Daniel Mabuto who travelled with him all over Africa , Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977 , Mention of Paul Tracey and Andrew Tracey having inherited their father's musical gift, launched Wait a Minim and Paul performed a song which Hugh Tracey loved best from Wait a Minim entitled "my love is like a red rose" by Robert Burns accompanied by a flute , Tribute about Hugh Tracey's well beloved books namely 'Gitangali' and 'Faith of an Artist' which were inseparable from Hugh, mention of Hugh Tracey's other closer friend namely Babu Chipika from Rhodesia who was his constant companinion in Rhodesian bush, Hugh Tracey's devotion to Babu Chipika that Hugh actually painted Babu Chipika's portrait in pastels while playing the Chipendani bow and reading of verse authored by Tagore which depicted Hugh Tracey's friendship with Babu Chipika , Playing of Kalimba by Andrew Tracey of his father's favourite tune, litte bar which never failed to amaze people , A Reading of Hugh Tracey's Christmas Card printed for him two months ago and the read verse was an extract from the book 'Faith of an artist' , Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis , Mention by Jill Hyacinth the survived wife that Hugh Tracey's ashes shall be scattered in the valley surroundings or in the garden and this followed by reading an extract which confirms how Hugh Tracey loved the valley
- Full Text: false
- Date Issued: 1977
Yowulamba
- Matseno, Sauti, Tracey, Hugh
- Authors: Matseno, Sauti , Tracey, Hugh
- Date: 1951-06-04
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Roodepoort f-sa
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223234 , vital:48962 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT330-G2 , Research no. G1A7
- Description: A humourous song accompanied by chipendani mouth blow and rattle.
- Full Text: false
- Date Issued: 1951-06-04
- Authors: Matseno, Sauti , Tracey, Hugh
- Date: 1951-06-04
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Roodepoort f-sa
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223234 , vital:48962 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT330-G2 , Research no. G1A7
- Description: A humourous song accompanied by chipendani mouth blow and rattle.
- Full Text: false
- Date Issued: 1951-06-04
Wemiso
- Ngodo of Regulo Canda, Performer not specified, Chipendani, Nguyuza, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Performer not specified , Chipendani, Nguyuza , Tracey, Hugh
- Date: 1955
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/354128 , vital:64328 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4270-3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1955
- Authors: Ngodo of Regulo Canda , Performer not specified , Chipendani, Nguyuza , Tracey, Hugh
- Date: 1955
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/354128 , vital:64328 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4270-3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1955
Maria wa Ntumbi
- Matseno, Sauti, Tracey, Hugh
- Authors: Matseno, Sauti , Tracey, Hugh
- Date: 1951-06-06
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Roodepoort f-sa
- Language: Tswa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223248 , vital:48965 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT330-G2 , Research no. G1A8
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1951-06-06
- Authors: Matseno, Sauti , Tracey, Hugh
- Date: 1951-06-06
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Roodepoort f-sa
- Language: Tswa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223248 , vital:48965 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT330-G2 , Research no. G1A8
- Description: A self delectative song accopmanied by the chipendani bow, rattle and whistling.
- Full Text: false
- Date Issued: 1951-06-06
Jerusarima
- Wambai, Composer not specified, Tracey, Hugh
- Authors: Wambai , Composer not specified , Tracey, Hugh
- Date: 1958-05-09
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chibi f-rh
- Language: Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/251047 , vital:52084 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT579-M51 , Research no. M3A6a
- Description: Self delectative song accompanied by chipendani bow.
- Full Text: false
- Date Issued: 1958-05-09
- Authors: Wambai , Composer not specified , Tracey, Hugh
- Date: 1958-05-09
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chibi f-rh
- Language: Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/251047 , vital:52084 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT579-M51 , Research no. M3A6a
- Description: Self delectative song accompanied by chipendani bow.
- Full Text: false
- Date Issued: 1958-05-09