Liggey
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Kellegeti
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129069 , vital:36214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-05
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129069 , vital:36214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-05
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Bellengteng
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129060 , vital:36212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-04
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129060 , vital:36212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-04
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Kpihi-Gou
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Nadu
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129088 , vital:36216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-06
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129088 , vital:36216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-06
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Allal
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129123 , vital:36220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-08
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129123 , vital:36220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-08
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Niwe
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129051 , vital:36210 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-03
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129051 , vital:36210 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-03
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Jainaro
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129042 , vital:36209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-02
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129042 , vital:36209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-02
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
A remote interactive music keyboard tuition system
- Authors: Newton, Mark Brian
- Date: 2005
- Subjects: Computer-assisted instruction , Keyboard instrument music -- Instruction and study , Music -- Computer assisted instruction , Music in education
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4603 , http://hdl.handle.net/10962/d1004860 , Computer-assisted instruction , Keyboard instrument music -- Instruction and study , Music -- Computer assisted instruction , Music in education
- Description: A networked multimedia system to assist teaching music keyboard skills to a class is described. Teaching practical music lessons requires a large amount of interaction between the teacher and student and is thus teacher intensive. Although there is a range of computer software available for learning how to play the keyboard, these programs cannot replace the guidance of a music teacher. The possibility of combining the music applications with video conferencing technology for use in a keyboard class is discussed. An ideal system is described that incorporates the benefits of video conferencing and music applications for use in a classroom. A design of the ideal system is described and implemented. Certain design and implementation decisions are explained and the performance of the implementation examined. The system would enable a music teacher to effectively teach a music class keyboard skills.
- Full Text:
- Date Issued: 2005
- Authors: Newton, Mark Brian
- Date: 2005
- Subjects: Computer-assisted instruction , Keyboard instrument music -- Instruction and study , Music -- Computer assisted instruction , Music in education
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4603 , http://hdl.handle.net/10962/d1004860 , Computer-assisted instruction , Keyboard instrument music -- Instruction and study , Music -- Computer assisted instruction , Music in education
- Description: A networked multimedia system to assist teaching music keyboard skills to a class is described. Teaching practical music lessons requires a large amount of interaction between the teacher and student and is thus teacher intensive. Although there is a range of computer software available for learning how to play the keyboard, these programs cannot replace the guidance of a music teacher. The possibility of combining the music applications with video conferencing technology for use in a keyboard class is discussed. An ideal system is described that incorporates the benefits of video conferencing and music applications for use in a classroom. A design of the ideal system is described and implemented. Certain design and implementation decisions are explained and the performance of the implementation examined. The system would enable a music teacher to effectively teach a music class keyboard skills.
- Full Text:
- Date Issued: 2005
Nani Bwabongo
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Cyrille Baudoin Koudh (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Cyrille Baudoin Koudh (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130792 , vital:36479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-02
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Cyrille Baudoin Koudh (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130792 , vital:36479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-02
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Dikalo
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Priscilia Ngando (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130836 , vital:36486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-03
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130836 , vital:36486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-03
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
The development of biological tools to aid in the genetic investigation of the black (Diceros bicornis) and white (Ceratotherium simum) rhinoceros mitochondrial genomes
- Authors: Parsons, Michelle
- Date: 2015
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/56059 , vital:26769
- Description: The black (Diceros bicornis) and white (Ceratotherium simum) rhinoceros are found in South Africa. A decline in the populations of these species has resulted due to human activities such as habitat fragmentation and poaching. This has contributed to the loss of genetic diversity amongst the black and white rhinoceros. Conservation and anti-poaching efforts are needed to help maintain genetic diversity. These efforts could be improved through the development of non-invasive techniques to examine DNA from threatened animals. The aim of this research was to develop a molecular technique which would allow for the identification of the black and white rhinoceros and to develop a molecular technique which would allow for intraspecies genetic variation to be examined. DNA extractions were performed on matched faecal and tissue samples that were collected from two regions in South Africa. Polymerase chain reaction (PCR) primer sets were designed to investigate several regions of the rhinoceros mitochondrial genome. PCR optimisation was completed for the target regions. Sequencing was conducted on all final PCR products. The cytochrome c oxidase subunit 1 (COIi) gene allowed for the rhinoceros family to be identified. This region was digested with the HindIII restriction enzyme, which allowed for the specific identification of either the black or white rhinoceros. A subsequent region of the cytochrome c oxidase subunit 1 (COIii) as well as the D-loop, hypervariable regions (HV1 and HV2), cytochrome b (cytb) and 16s rRNA regions were investigated. These regions displayed potential for establishing geographic origin for black rhinoceros samples, whereas the D-loop and HV2 show potential for the white rhinoceros. The white rhinoceros displayed sequence variation in the HV2 and cytb region, while variation was observed in the COIi and HV1 for the black rhinoceros. All investigated target regions allowed for the rhinoceros family to be identified. The COI (COIi and COIii), HV2 and cytb regions allowed for the subspecies of rhinoceros to be identified, however the D-loop was not able to identify the white rhinoceros species. The 16s rRNA and HV1 regions allowed for the correct subspecies of rhinoceros to be identified, however as the primers were only compatible for the black rhinoceros therefore a subsequent investigation is required for the white rhinoceros. The establishment of this novel PCR based technique to identify white and black rhinoceros will allow for efficient species identification in wildlife forensic cases. A biological method was established to study intraspecies variation for the white and black rhinoceros; however the investigated target regions did not yield sufficient genetic variation. The core techniques developed in this study will be valuable for future studies that wish to investigate genetic variation in mammal species.
- Full Text:
- Date Issued: 2015
- Authors: Parsons, Michelle
- Date: 2015
- Language: English
- Type: text , Thesis , Masters , MSc
- Identifier: http://hdl.handle.net/10962/56059 , vital:26769
- Description: The black (Diceros bicornis) and white (Ceratotherium simum) rhinoceros are found in South Africa. A decline in the populations of these species has resulted due to human activities such as habitat fragmentation and poaching. This has contributed to the loss of genetic diversity amongst the black and white rhinoceros. Conservation and anti-poaching efforts are needed to help maintain genetic diversity. These efforts could be improved through the development of non-invasive techniques to examine DNA from threatened animals. The aim of this research was to develop a molecular technique which would allow for the identification of the black and white rhinoceros and to develop a molecular technique which would allow for intraspecies genetic variation to be examined. DNA extractions were performed on matched faecal and tissue samples that were collected from two regions in South Africa. Polymerase chain reaction (PCR) primer sets were designed to investigate several regions of the rhinoceros mitochondrial genome. PCR optimisation was completed for the target regions. Sequencing was conducted on all final PCR products. The cytochrome c oxidase subunit 1 (COIi) gene allowed for the rhinoceros family to be identified. This region was digested with the HindIII restriction enzyme, which allowed for the specific identification of either the black or white rhinoceros. A subsequent region of the cytochrome c oxidase subunit 1 (COIii) as well as the D-loop, hypervariable regions (HV1 and HV2), cytochrome b (cytb) and 16s rRNA regions were investigated. These regions displayed potential for establishing geographic origin for black rhinoceros samples, whereas the D-loop and HV2 show potential for the white rhinoceros. The white rhinoceros displayed sequence variation in the HV2 and cytb region, while variation was observed in the COIi and HV1 for the black rhinoceros. All investigated target regions allowed for the rhinoceros family to be identified. The COI (COIi and COIii), HV2 and cytb regions allowed for the subspecies of rhinoceros to be identified, however the D-loop was not able to identify the white rhinoceros species. The 16s rRNA and HV1 regions allowed for the correct subspecies of rhinoceros to be identified, however as the primers were only compatible for the black rhinoceros therefore a subsequent investigation is required for the white rhinoceros. The establishment of this novel PCR based technique to identify white and black rhinoceros will allow for efficient species identification in wildlife forensic cases. A biological method was established to study intraspecies variation for the white and black rhinoceros; however the investigated target regions did not yield sufficient genetic variation. The core techniques developed in this study will be valuable for future studies that wish to investigate genetic variation in mammal species.
- Full Text:
- Date Issued: 2015
Gis Na Xalebi
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Elle est occupee (remix maquis)
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129305 , vital:36259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-07
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129305 , vital:36259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-07
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Fude kusiwono
- Tonga Men and Women, Composer not specified, Tracey, Hugh
- Authors: Tonga Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949-06-14
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Guiguni, Inhambane Province f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202435 , vital:46520 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-030 , Research no. CX5
- Description: Indigenous folk song for the makarita dance, with voices, two drums, two rattles, struck percussion and background cries, accompanied by a whistle and eight singing horns.
- Full Text: false
- Date Issued: 1949-06-14
- Authors: Tonga Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949-06-14
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Guiguni, Inhambane Province f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202435 , vital:46520 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-030 , Research no. CX5
- Description: Indigenous folk song for the makarita dance, with voices, two drums, two rattles, struck percussion and background cries, accompanied by a whistle and eight singing horns.
- Full Text: false
- Date Issued: 1949-06-14
Composition Portfolio
- Authors: Hanmer, Paul Dylan
- Date: 2022-10-14
- Subjects: Composition (Music) , String quartets Scores , Symphonies Scores , Music South Africa
- Language: English
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/327283 , vital:61100 , DOI 10.21504/10962/327283
- Description: Extract from Introduction: “In the cover bands I worked with, I used to do what all my colleagues in these bands were doing to learn and remember repertoire; transcribe “by ear” and then rehearse with the whole band. Later, when I joined “909” [a cover band named after the “909” model of drum-box developed and built by the Japanese company, Roland] I learned to extend that skill by notating my transcriptions and then playing from these self-made keyboard parts. All the instrumentalists in that band likewise played from their own notated transcriptions and, from that time onward it became rarer for me to do any kind of performance work without a set of self-made parts to read from or refer to. I had thus reverted to performing from musical notation. Even later, when I became involved almost exclusively in improvisational music performance, I never quite abandoned the notion of having notated keyboard or piano parts to hand, as a reference or guide. Since about 1990, I have led a life that has increasingly left pop music behind and instead embraced working with improvising musicians; those who wish to explore South African folk idioms in their compositional and performance output, as well as others who have a deep love of jazz music. At the same time, I have re-entered the realm of classical music and music-making; often through writing arrangements of my own music, which would incorporate classically trained players, as well as in response to commissions to compose [for particular musicians or groups of musicians] fully notated pieces of music – such as the works in this PhD portfolio. Yet, there are many circumstantial factors that feed into my composing, and exert an influence on my creativity. A major step in this particular direction came during 2002 when composer, Michael Blake, asked me to contribute to The Bow Project. This commission brought me into close contact with the [then intact and very active] Sontonga Quartet. Several further requests for, and commissions of, new works followed on from there. Two such works constitute the major portion of the portfolio to which these reflexive commentaries refer.” , Thesis (PhD) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-10-14
- Authors: Hanmer, Paul Dylan
- Date: 2022-10-14
- Subjects: Composition (Music) , String quartets Scores , Symphonies Scores , Music South Africa
- Language: English
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/327283 , vital:61100 , DOI 10.21504/10962/327283
- Description: Extract from Introduction: “In the cover bands I worked with, I used to do what all my colleagues in these bands were doing to learn and remember repertoire; transcribe “by ear” and then rehearse with the whole band. Later, when I joined “909” [a cover band named after the “909” model of drum-box developed and built by the Japanese company, Roland] I learned to extend that skill by notating my transcriptions and then playing from these self-made keyboard parts. All the instrumentalists in that band likewise played from their own notated transcriptions and, from that time onward it became rarer for me to do any kind of performance work without a set of self-made parts to read from or refer to. I had thus reverted to performing from musical notation. Even later, when I became involved almost exclusively in improvisational music performance, I never quite abandoned the notion of having notated keyboard or piano parts to hand, as a reference or guide. Since about 1990, I have led a life that has increasingly left pop music behind and instead embraced working with improvising musicians; those who wish to explore South African folk idioms in their compositional and performance output, as well as others who have a deep love of jazz music. At the same time, I have re-entered the realm of classical music and music-making; often through writing arrangements of my own music, which would incorporate classically trained players, as well as in response to commissions to compose [for particular musicians or groups of musicians] fully notated pieces of music – such as the works in this PhD portfolio. Yet, there are many circumstantial factors that feed into my composing, and exert an influence on my creativity. A major step in this particular direction came during 2002 when composer, Michael Blake, asked me to contribute to The Bow Project. This commission brought me into close contact with the [then intact and very active] Sontonga Quartet. Several further requests for, and commissions of, new works followed on from there. Two such works constitute the major portion of the portfolio to which these reflexive commentaries refer.” , Thesis (PhD) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-10-14
Title not specified
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1988
- Subjects: Band music , Instrumental music , Percussion music , Sub-Saharan African music , Africa Unknown Unknown f
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/93297 , vital:30865 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC024-02
- Description: Instrumental band music accompanied by drums, percussion and bass.
- Full Text: false
- Date Issued: 1988
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1988
- Subjects: Band music , Instrumental music , Percussion music , Sub-Saharan African music , Africa Unknown Unknown f
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/93297 , vital:30865 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC024-02
- Description: Instrumental band music accompanied by drums, percussion and bass.
- Full Text: false
- Date Issued: 1988
A Mbo Da Mondjo
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Moussa Haissam,Penda Dalle (composers), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Moussa Haissam,Penda Dalle (composers) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130882 , vital:36494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-08
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Moussa Haissam,Penda Dalle (composers) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130882 , vital:36494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-08
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Divine
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Priscilia Ngando (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130891 , vital:36495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-09
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130891 , vital:36495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-09
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Je Chante
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Priscilia Ngando (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130896 , vital:36496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-10
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130896 , vital:36496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-10
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000