Hugh Tracey memorial service 2
- Gambo Khumalo (Speaker), Andrew Tracey (Transalator and Speaker), Paul Tracey and Andrew Tracey (Performer), Henry Howell (Speaker), Phyllida Wentzel (Speaker), Irene Frongs (Speaker), Jill Hyacinth (Speaker), Tracey, Andrew T N
- Authors: Gambo Khumalo (Speaker) , Andrew Tracey (Transalator and Speaker) , Paul Tracey and Andrew Tracey (Performer) , Henry Howell (Speaker) , Phyllida Wentzel (Speaker) , Irene Frongs (Speaker) , Jill Hyacinth (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112199 , vital:33558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127b-01
- Description: Gambo Khumalo paying tribute to Hugh Tracey on behalf of workers, stating their good working relationship with their master as they called Hugh Tracey and also mentioning Hugh Tracey's close relationship with Tshabalala and Daniel Mabuto who travelled with him all over Africa , Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977 , Mention of Paul Tracey and Andrew Tracey having inherited their father's musical gift, launched Wait a Minim and Paul performed a song which Hugh Tracey loved best from Wait a Minim entitled "my love is like a red rose" by Robert Burns accompanied by a flute , Tribute about Hugh Tracey's well beloved books namely 'Gitangali' and 'Faith of an Artist' which were inseparable from Hugh, mention of Hugh Tracey's other closer friend namely Babu Chipika from Rhodesia who was his constant companinion in Rhodesian bush, Hugh Tracey's devotion to Babu Chipika that Hugh actually painted Babu Chipika's portrait in pastels while playing the Chipendani bow and reading of verse authored by Tagore which depicted Hugh Tracey's friendship with Babu Chipika , Playing of Kalimba by Andrew Tracey of his father's favourite tune, litte bar which never failed to amaze people , A Reading of Hugh Tracey's Christmas Card printed for him two months ago and the read verse was an extract from the book 'Faith of an artist' , Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis , Mention by Jill Hyacinth the survived wife that Hugh Tracey's ashes shall be scattered in the valley surroundings or in the garden and this followed by reading an extract which confirms how Hugh Tracey loved the valley
- Full Text: false
- Date Issued: 1977
- Authors: Gambo Khumalo (Speaker) , Andrew Tracey (Transalator and Speaker) , Paul Tracey and Andrew Tracey (Performer) , Henry Howell (Speaker) , Phyllida Wentzel (Speaker) , Irene Frongs (Speaker) , Jill Hyacinth (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112199 , vital:33558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127b-01
- Description: Gambo Khumalo paying tribute to Hugh Tracey on behalf of workers, stating their good working relationship with their master as they called Hugh Tracey and also mentioning Hugh Tracey's close relationship with Tshabalala and Daniel Mabuto who travelled with him all over Africa , Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977 , Mention of Paul Tracey and Andrew Tracey having inherited their father's musical gift, launched Wait a Minim and Paul performed a song which Hugh Tracey loved best from Wait a Minim entitled "my love is like a red rose" by Robert Burns accompanied by a flute , Tribute about Hugh Tracey's well beloved books namely 'Gitangali' and 'Faith of an Artist' which were inseparable from Hugh, mention of Hugh Tracey's other closer friend namely Babu Chipika from Rhodesia who was his constant companinion in Rhodesian bush, Hugh Tracey's devotion to Babu Chipika that Hugh actually painted Babu Chipika's portrait in pastels while playing the Chipendani bow and reading of verse authored by Tagore which depicted Hugh Tracey's friendship with Babu Chipika , Playing of Kalimba by Andrew Tracey of his father's favourite tune, litte bar which never failed to amaze people , A Reading of Hugh Tracey's Christmas Card printed for him two months ago and the read verse was an extract from the book 'Faith of an artist' , Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis , Mention by Jill Hyacinth the survived wife that Hugh Tracey's ashes shall be scattered in the valley surroundings or in the garden and this followed by reading an extract which confirms how Hugh Tracey loved the valley
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Paul Tracey and Andrew Tracey (Performer), Johann Sebastian Bach, Tracey, Andrew T N
- Authors: Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113452 , vital:33779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-08
- Description: Paul Tracey explaining Hugh Tracey's favourite tune when playing Kalimba which was a little piece of bar that never failed to amaze people and this was followed by Paul and Andrew playing two Kalimbas together of the same tune
- Full Text: false
- Date Issued: 1977
- Authors: Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113452 , vital:33779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-08
- Description: Paul Tracey explaining Hugh Tracey's favourite tune when playing Kalimba which was a little piece of bar that never failed to amaze people and this was followed by Paul and Andrew playing two Kalimbas together of the same tune
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Paul Tracey and Andrew Tracey (Performer), Johann Sebastian Bach, Tracey, Andrew T N
- Authors: Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113457 , vital:33778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-08
- Description: Paul Tracey explaining Hugh Tracey's favourite tune when playing Kalimba which was a little piece of bar that never failed to amaze people and this was followed by Paul and Andrew playing two Kalimbas together of the same tune
- Full Text: false
- Date Issued: 1977
- Authors: Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113457 , vital:33778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-08
- Description: Paul Tracey explaining Hugh Tracey's favourite tune when playing Kalimba which was a little piece of bar that never failed to amaze people and this was followed by Paul and Andrew playing two Kalimbas together of the same tune
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Andrew Tracey, Pedro Espi and and group of Karanga men (Performer), Tracey, Andrew T N
- Authors: Andrew Tracey, Pedro Espi and and group of Karanga men (Performer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112950 , vital:33680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-01
- Description: Memorial song with Karimba accompaniment in tribute for Hugh Tracey
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey, Pedro Espi and and group of Karanga men (Performer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112950 , vital:33680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-01
- Description: Memorial song with Karimba accompaniment in tribute for Hugh Tracey
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Radio program of words and music (Calendar: presentor), Kathleen David (Producer and Compiler), Paul Tracey and Andrew Tracey (Performer), Johann Sebastian Bach (Composer), Tracey, Andrew T N
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach (Composer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113227 , vital:33732 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131a-07
- Description: Paul explaining Hugh Tracey's favourite tune which was a 'Jesus Joy' by Bach that never failed to amaze people and this followed by Paul and Andrew playing two Kalimbas together of the stated tune
- Full Text: false
- Date Issued: 1977
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach (Composer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113227 , vital:33732 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131a-07
- Description: Paul explaining Hugh Tracey's favourite tune which was a 'Jesus Joy' by Bach that never failed to amaze people and this followed by Paul and Andrew playing two Kalimbas together of the stated tune
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Andrew Tracey (Speaker), Tracey, Andrew T N
- Authors: Andrew Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112616 , vital:33626 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-05
- Description: Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112616 , vital:33626 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-05
- Description: Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Andrew Tracey (Speaker), Tracey, Andrew T N
- Authors: Andrew Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113389 , vital:33766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-05
- Description: Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113389 , vital:33766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-05
- Description: Andrew Tracey the son reiterating his father's and family close relationship with Daniel Mabuto and Tshabalala and made a significant note to the Tshabalala family and those gathered for memorial service that Tshabalala died exactly a year ago on 23 October 1976 before his father Hugh Tracey who passed away 22 October 1977
- Full Text: false
- Date Issued: 1977
Understanding form and technique : Andrew Tracey's contribution to knowledge of lamellophone (mbira) music of Southern Africa
- Authors: Gumboreshumba, Laina
- Date: 2009
- Subjects: Tracey, Andrew T N Ethnomusicology -- Africa Mbira Mbira music
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2638 , http://hdl.handle.net/10962/d1002303
- Description: This thesis interrogates Andrew Tracey’s career as an ethnomusicologist and the significance of his research and publications on lamellophone (mbira) music of the Shona/Sena in Zimbabwe and Mozambique to subsequent scholarship of lamellophones throughout southern Africa. Through a survey of authors who have cited Tracey’s publications, this study assess how his use of the pulse notation transcription method and his theory of form and harmonic structure in mbira music, which he terms ‘the system of the mbira’ (A. Tracey, 1989) have influenced and contributed to the work of ethnomusicologists, musicologists and composers. Further this research evaluates the impact on subsequent publications by other scholars of Tracey's technical analysis of mbira music. Organizing and indexing Andrew Tracey's field collection in the ILAM archive gave direct knowledge of the scope of his work. The thesis consists of six chapters. The first chapter contains a general introduction to the thesis and outlines the goals of the research. Chapter Two presents a biographical sketch of Andrew Tracey. A general introduction to the lamellophone (mbira) family of musical instruments in Zimbabwe and elsewhere in Africa is presented in Chapter Three, which also addresses the social function of lamellophone music. Chapter Four gives a summary of Andrew Tracey’s research on the Shona mbira (his publications, recordings, films etc), and it analyzes his theory - “The system of the mbira” - in which he defines the form and structure of mbira music. Chapter Five examines the impact of Andrew Tracey’s research and publications on mbira music to subsequent scholarship and makes an analysis and evaluation of the significance of his contribution to the body of knowledge of the instrument and its music. In addition I relate my personal experiences with mbira music as a Shona person and mbira player and give my opinions on Tracey’s and subsequent scholars’ theories on mbira music. Chapter Six concludes with a summary of outcomes of this research. Basing on the analyses of presented data, it is deduced that, despite a few shortcomings, Andrew Tracey’s research on mbira music is crucial for it laid the groundwork for subsequent mbira scholarship.
- Full Text:
- Date Issued: 2009
- Authors: Gumboreshumba, Laina
- Date: 2009
- Subjects: Tracey, Andrew T N Ethnomusicology -- Africa Mbira Mbira music
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2638 , http://hdl.handle.net/10962/d1002303
- Description: This thesis interrogates Andrew Tracey’s career as an ethnomusicologist and the significance of his research and publications on lamellophone (mbira) music of the Shona/Sena in Zimbabwe and Mozambique to subsequent scholarship of lamellophones throughout southern Africa. Through a survey of authors who have cited Tracey’s publications, this study assess how his use of the pulse notation transcription method and his theory of form and harmonic structure in mbira music, which he terms ‘the system of the mbira’ (A. Tracey, 1989) have influenced and contributed to the work of ethnomusicologists, musicologists and composers. Further this research evaluates the impact on subsequent publications by other scholars of Tracey's technical analysis of mbira music. Organizing and indexing Andrew Tracey's field collection in the ILAM archive gave direct knowledge of the scope of his work. The thesis consists of six chapters. The first chapter contains a general introduction to the thesis and outlines the goals of the research. Chapter Two presents a biographical sketch of Andrew Tracey. A general introduction to the lamellophone (mbira) family of musical instruments in Zimbabwe and elsewhere in Africa is presented in Chapter Three, which also addresses the social function of lamellophone music. Chapter Four gives a summary of Andrew Tracey’s research on the Shona mbira (his publications, recordings, films etc), and it analyzes his theory - “The system of the mbira” - in which he defines the form and structure of mbira music. Chapter Five examines the impact of Andrew Tracey’s research and publications on mbira music to subsequent scholarship and makes an analysis and evaluation of the significance of his contribution to the body of knowledge of the instrument and its music. In addition I relate my personal experiences with mbira music as a Shona person and mbira player and give my opinions on Tracey’s and subsequent scholars’ theories on mbira music. Chapter Six concludes with a summary of outcomes of this research. Basing on the analyses of presented data, it is deduced that, despite a few shortcomings, Andrew Tracey’s research on mbira music is crucial for it laid the groundwork for subsequent mbira scholarship.
- Full Text:
- Date Issued: 2009
Hugh Tracey memorial service 1
- Stanley Grassow (1st speaker), Dennis Etheredge (2nd speaker), Dr Philip Tobias (3rd Speaker), Tracey, Andrew T N
- Authors: Stanley Grassow (1st speaker) , Dennis Etheredge (2nd speaker) , Dr Philip Tobias (3rd Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112171 , vital:33555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127a-01
- Description: Stanley Grassow talking about Hugh Tracey's background of his cresendo music followed by prayer , Dennis Etheredge giving a brief background on Hugh Tracey autobiography which he had read entitled "A river left for me" and also how ILAM came into being in 1953 , Philip Tobias speaking of his first encounter with Hugh Tracey's; Hugh Tracey's contribution on his works of anthropology; his pioneer study of African music termed as ethnomusicology; summary of Hugh Tracey as black man with a white face whose writings were excellent, great communicator and that Hugh Tracey saw music of Africa as the voice of the soul of Africa
- Full Text: false
- Date Issued: 1977
- Authors: Stanley Grassow (1st speaker) , Dennis Etheredge (2nd speaker) , Dr Philip Tobias (3rd Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112171 , vital:33555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC127a-01
- Description: Stanley Grassow talking about Hugh Tracey's background of his cresendo music followed by prayer , Dennis Etheredge giving a brief background on Hugh Tracey autobiography which he had read entitled "A river left for me" and also how ILAM came into being in 1953 , Philip Tobias speaking of his first encounter with Hugh Tracey's; Hugh Tracey's contribution on his works of anthropology; his pioneer study of African music termed as ethnomusicology; summary of Hugh Tracey as black man with a white face whose writings were excellent, great communicator and that Hugh Tracey saw music of Africa as the voice of the soul of Africa
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Instrumental music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112814 , vital:33660 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-11
- Description: Flute tune in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Instrumental music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112814 , vital:33660 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-11
- Description: Flute tune in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Memorial music , Flute , Instrumental music , Nande (Congolese (Democratic Republic) and Ugandan people) , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113005 , vital:33686 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-04
- Description: Flute tune in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Memorial music , Flute , Instrumental music , Nande (Congolese (Democratic Republic) and Ugandan people) , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113005 , vital:33686 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC130b-04
- Description: Flute tune in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service 4
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112508 , vital:33602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC128b-04
- Description: $aPlaying a recorded flute tune from the Democratic Republic of the Congo in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112508 , vital:33602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC128b-04
- Description: $aPlaying a recorded flute tune from the Democratic Republic of the Congo in memory of Hugh Tracey
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Radio program of words and music (Calendar: presentor), Kathleen David (Producer and Compiler), Irene Frongs (Speaker and Performer), Tracey, Andrew T N
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Irene Frongs (Speaker and Performer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Lullabies, Greek , Guitar , Speech , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113217 , vital:33731 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131a-06
- Description: Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis
- Full Text: false
- Date Issued: 1977
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Irene Frongs (Speaker and Performer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Lullabies, Greek , Guitar , Speech , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113217 , vital:33731 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131a-06
- Description: Irene Frongs former Greek student friend singing an ancient lullaby with guitar accompaniment in tribute to Hugh Tracey of work almost forgotten in Greece, this emanating from Hugh Tracey who encouraged her to do the Greek background and its heritage for her thesis
- Full Text: false
- Date Issued: 1977
Brown skin girl
- Andrew Tracey, Paul Tracey, Composer not specified, Tracey, Hugh
- Authors: Andrew Tracey , Paul Tracey , Composer not specified , Tracey, Hugh
- Date: 1947
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Jamaica city not specified f-jm
- Language: english
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/349339 , vital:63748 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4067-A5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1947
- Authors: Andrew Tracey , Paul Tracey , Composer not specified , Tracey, Hugh
- Date: 1947
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Jamaica city not specified f-jm
- Language: english
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/349339 , vital:63748 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4067-A5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1947
Hugh Tracey memorial service
- Johannesburg Festival Harmonic Orchestral Band, William Walton (Conductor), Tracey, Andrew T N
- Authors: Johannesburg Festival Harmonic Orchestral Band , William Walton (Conductor) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Harmonic Orchestra , Classical music , Sub-Saharan African music , Africa South Africa Johannesburg f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112775 , vital:33656 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-07
- Description: This was a brief broadcast of Hugh Tracey's death and his background, followed by one of his favourite orchestral tune played in his memory
- Full Text: false
- Date Issued: 1977
- Authors: Johannesburg Festival Harmonic Orchestral Band , William Walton (Conductor) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Harmonic Orchestra , Classical music , Sub-Saharan African music , Africa South Africa Johannesburg f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112775 , vital:33656 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-07
- Description: This was a brief broadcast of Hugh Tracey's death and his background, followed by one of his favourite orchestral tune played in his memory
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Andrew Tracey and Paul Tracey, Tracey, Andrew T N
- Authors: Andrew Tracey and Paul Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112643 , vital:33631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-08
- Description: Playing of Kalimba by Andrew Tracey of his father's favourite tune, 'Jesu Joy' by Bach which never failed to amaze people
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey and Paul Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112643 , vital:33631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-08
- Description: Playing of Kalimba by Andrew Tracey of his father's favourite tune, 'Jesu Joy' by Bach which never failed to amaze people
- Full Text: false
- Date Issued: 1977
A critical analysis of Professor Andrew Tracey’s contribution to African music pedagogy and the field of applied ethnomusicology
- Authors: Moyo, Vuyelwa O'Lacy
- Date: 2022-10-14
- Subjects: Tracey, Andrew T N , Ethnomusicology , Music Instruction and study Africa , Mbira Zimbabwe
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/406829 , vital:70311
- Description: The research presented in this thesis is based on my interest and experience in forms of African music, ethnomusicology, and studying mbira with Professor Emeritus Andrew Tracey. When I arrived in South Africa in 2019 to join Rhodes University’s Applied Ethnomusicology programme, I chose to study the mbira with Tracey as the idea of learning more about Zimbabwe through music was important to the formation of my identity. Through the lens of embodied learning and a practice-based approach in this research, I evaluate how Tracey’s numerous contributions to African music pedagogy have improved prospects for African music scholars and students in terms of contributing to the goals of applied ethnomusicology. The primary purpose of this thesis is to respond to the absence of serious scrutiny of existing pedagogical approaches to African music at universities across South Africa. The contribution this research makes will be valuable to African music programmes across the continent as well as to practitioners of African traditional instruments, such as the marimba, mbira, timbila xylophones, nyanga pan pipes, and valimba xylophones. The thesis comprises five chapters. The first presents an introduction to the research, and its goals, procedures and approaches, along with an outline of the subsequent chapters. Tracey’s biography is covered in the second chapter. A consideration of the state of African music teaching in other African countries such as Ghana, Kenya, and Zimbabwe; the history of African music; and the state of African music pedagogy in tertiary institutions in South Africa constitutes the third chapter. Chapter 4 comprises an analysis of Tracey’s articles and data gathered from interviews, as well as my personal reflections as Tracey’s student. The final chapter presents a summary of the preceding chapters, the study’s findings, and suggestions for further research. A multidisciplinary approach was used for this thesis. The results finds that Tracey’s articles had six common themes which he wrote about and are a contribution to African music pedagogy. These themes are the history of instruments, the structure of the instrument, the learning/playing technique, structure of the instrument, transcription and dance steps. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-10-14
- Authors: Moyo, Vuyelwa O'Lacy
- Date: 2022-10-14
- Subjects: Tracey, Andrew T N , Ethnomusicology , Music Instruction and study Africa , Mbira Zimbabwe
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/406829 , vital:70311
- Description: The research presented in this thesis is based on my interest and experience in forms of African music, ethnomusicology, and studying mbira with Professor Emeritus Andrew Tracey. When I arrived in South Africa in 2019 to join Rhodes University’s Applied Ethnomusicology programme, I chose to study the mbira with Tracey as the idea of learning more about Zimbabwe through music was important to the formation of my identity. Through the lens of embodied learning and a practice-based approach in this research, I evaluate how Tracey’s numerous contributions to African music pedagogy have improved prospects for African music scholars and students in terms of contributing to the goals of applied ethnomusicology. The primary purpose of this thesis is to respond to the absence of serious scrutiny of existing pedagogical approaches to African music at universities across South Africa. The contribution this research makes will be valuable to African music programmes across the continent as well as to practitioners of African traditional instruments, such as the marimba, mbira, timbila xylophones, nyanga pan pipes, and valimba xylophones. The thesis comprises five chapters. The first presents an introduction to the research, and its goals, procedures and approaches, along with an outline of the subsequent chapters. Tracey’s biography is covered in the second chapter. A consideration of the state of African music teaching in other African countries such as Ghana, Kenya, and Zimbabwe; the history of African music; and the state of African music pedagogy in tertiary institutions in South Africa constitutes the third chapter. Chapter 4 comprises an analysis of Tracey’s articles and data gathered from interviews, as well as my personal reflections as Tracey’s student. The final chapter presents a summary of the preceding chapters, the study’s findings, and suggestions for further research. A multidisciplinary approach was used for this thesis. The results finds that Tracey’s articles had six common themes which he wrote about and are a contribution to African music pedagogy. These themes are the history of instruments, the structure of the instrument, the learning/playing technique, structure of the instrument, transcription and dance steps. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-10-14
Hugh Tracey memorial service 3
- Paul Tracey and Andrew Tracey, Tracey, Andrew T N
- Authors: Paul Tracey and Andrew Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Cello , Instrumental music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112270 , vital:33564 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC128a-01
- Description: Memorial tune with cello accompaniment, followed by a passage reading by Paul Tracey from 1 Corinthians 13, this was supposed to have been read by Hugh Tracey six months ago for his friend who has passed away
- Full Text: false
- Date Issued: 1977
- Authors: Paul Tracey and Andrew Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Autobiography , Cello , Instrumental music , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112270 , vital:33564 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC128a-01
- Description: Memorial tune with cello accompaniment, followed by a passage reading by Paul Tracey from 1 Corinthians 13, this was supposed to have been read by Hugh Tracey six months ago for his friend who has passed away
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Paul Tracey (Speaker), Tracey, Andrew T N
- Authors: Paul Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113398 , vital:33767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-06
- Description: Paul Tracey mentioning their launch together with Andrew Tracey of Wait a Minim and Hugh Tracey being supporter of it and this followed by Paul performing one of the songs which Hugh liked best from Wait a Minim called 'My love is like a red rose' accompanied by a flute
- Full Text: false
- Date Issued: 1977
- Authors: Paul Tracey (Speaker) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Flute , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113398 , vital:33767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-06
- Description: Paul Tracey mentioning their launch together with Andrew Tracey of Wait a Minim and Hugh Tracey being supporter of it and this followed by Paul performing one of the songs which Hugh liked best from Wait a Minim called 'My love is like a red rose' accompanied by a flute
- Full Text: false
- Date Issued: 1977
Hugh Tracey memorial service
- Paul Tracey, Tracey, Andrew T N
- Authors: Paul Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112625 , vital:33628 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-06
- Description: Paul Tracey mentioning their launch together with Andrew Tracey of Wait a Minim and Hugh Tracey being supporter of it and this followed by Paul performing one of the songs which Hugh liked best from Wait a Minim called 'My love is like a red rose' accompanied by a flute
- Full Text: false
- Date Issued: 1977
- Authors: Paul Tracey , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112625 , vital:33628 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-06
- Description: Paul Tracey mentioning their launch together with Andrew Tracey of Wait a Minim and Hugh Tracey being supporter of it and this followed by Paul performing one of the songs which Hugh liked best from Wait a Minim called 'My love is like a red rose' accompanied by a flute
- Full Text: false
- Date Issued: 1977