Waba waplumu (They have stolen the cassava)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156234 , vital:39965 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-04
- Description: This is a story about some young lads who were sleeping in an open place down by the lake. The people of the village were complaining that these boys were stealing their goods at night, their soaked cassava, their firewood and ground nuts, in fact everything was blamed upon them. They tried to explain it away, not in a manner altogether satisfactory to the villagers. Story song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156234 , vital:39965 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-04
- Description: This is a story about some young lads who were sleeping in an open place down by the lake. The people of the village were complaining that these boys were stealing their goods at night, their soaked cassava, their firewood and ground nuts, in fact everything was blamed upon them. They tried to explain it away, not in a manner altogether satisfactory to the villagers. Story song with clapping.
- Full Text: false
- Date Issued: 1958
A Mdoka (Mdoka and the bee sting)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156225 , vital:39964 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-03
- Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156225 , vital:39964 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-03
- Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
- Full Text: false
- Date Issued: 1958
Mwamuwona kambelembele (Have you seen that cunning fellow?)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156216 , vital:39963 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-02
- Description: A cheerful song sung at parties. The subject matter is very slight but makes a good foundation for a simple melody and equally simple humour. "Have you seen that cunning fellow son of Darash? Peering iut and ducking back again?" Party song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156216 , vital:39963 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-02
- Description: A cheerful song sung at parties. The subject matter is very slight but makes a good foundation for a simple melody and equally simple humour. "Have you seen that cunning fellow son of Darash? Peering iut and ducking back again?" Party song with clapping.
- Full Text: false
- Date Issued: 1958
Koepe kumowa uwepe (Cassava, sweet cassava)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156207 , vital:39961 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-01
- Description: The song reflects a party of boys who are camping out beside the lake, sleeping out in the open air. They sing about their cassava which they are cooking and the lake fish which they have caught and prepared and handing it around, in fact a typical boy's party. Phuinu-uwepe is cassava which has been soaked in water for a long time. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156207 , vital:39961 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-01
- Description: The song reflects a party of boys who are camping out beside the lake, sleeping out in the open air. They sing about their cassava which they are cooking and the lake fish which they have caught and prepared and handing it around, in fact a typical boy's party. Phuinu-uwepe is cassava which has been soaked in water for a long time. Topical song.
- Full Text: false
- Date Issued: 1958
Koepe kumowa uwepe
- Katenga-Kaunda, R. W., Three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenga-Kaunda, R. W. , Three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kota Kota f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/251991 , vital:52188 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT590-M62 , Research no. M3G4
- Description: A topical song reflecting a party of boys who are camping next to a lake.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenga-Kaunda, R. W. , Three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kota Kota f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/251991 , vital:52188 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT590-M62 , Research no. M3G4
- Description: A topical song reflecting a party of boys who are camping next to a lake.
- Full Text: false
- Date Issued: 1958-05-27
Nguruwe (The pig)
- Group of Tonga men, Hugh Tracey
- Authors: Group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138433 , vital:37636 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-08
- Description: Throughout Africa drinking songs are often the most gay and light-heated of all local songs and this is no exception. Mayanza drinking song with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138433 , vital:37636 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-08
- Description: Throughout Africa drinking songs are often the most gay and light-heated of all local songs and this is no exception. Mayanza drinking song with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum.
- Full Text: false
- Date Issued: 1957
Ma chiwerewere (Pulling)
- Group of Tonga men and women, Hugh Tracey
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138590 , vital:37653 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-10
- Description: The words of the title refer to the pulling in of the dancers, or pulling each other into the ring as they dance inside the circle of singers. Mankuntu dance song for young folk with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138590 , vital:37653 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-10
- Description: The words of the title refer to the pulling in of the dancers, or pulling each other into the ring as they dance inside the circle of singers. Mankuntu dance song for young folk with clapping.
- Full Text: false
- Date Issued: 1957
Mwawuwona kambelembele
- Katenge-Kaunda and three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252025 , vital:52192 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT591-M63 , Research no. M3G6
- Description: A cheerful topical song sung at parties with simple humour accompanied with clapping.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252025 , vital:52192 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT591-M63 , Research no. M3G6
- Description: A cheerful topical song sung at parties with simple humour accompanied with clapping.
- Full Text: false
- Date Issued: 1958-05-27
Waba waplumu
- Katenge-Kaunda and three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252072 , vital:52197 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G13
- Description: A story song about the village people blaming the boys sleeping down at the lake for stealing.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252072 , vital:52197 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G13
- Description: A story song about the village people blaming the boys sleeping down at the lake for stealing.
- Full Text: false
- Date Issued: 1958-05-27
A Mdoka
- Katenge-Kaunda and three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252063 , vital:52196 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G12
- Description: A story song about a mans misfortune being stung by a bee on his lip.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252063 , vital:52196 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G12
- Description: A story song about a mans misfortune being stung by a bee on his lip.
- Full Text: false
- Date Issued: 1958-05-27
Zulu lads on their way to a dance or wedding, March 19 1934
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32423 , vital:24042 , PIC/A 4337 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32423 , vital:24042 , PIC/A 4337 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
Kuma (Beat)
- Group of Tonga men, Hugh Tracey
- Authors: Group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138411 , vital:37634 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-06
- Description: The drum was bent over towards the drummer and played with hands only. While three men with short pieces of stick tapped out rhythms on the body of the drum, each simple stick rhythm fitting into the next to build up a complex syncopation. Mayanze drinking songs with a Gayanda drum, hand beaten, the Gayanda being conical, single, open, pegged with 3 sticks tapped on the side of the drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138411 , vital:37634 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-06
- Description: The drum was bent over towards the drummer and played with hands only. While three men with short pieces of stick tapped out rhythms on the body of the drum, each simple stick rhythm fitting into the next to build up a complex syncopation. Mayanze drinking songs with a Gayanda drum, hand beaten, the Gayanda being conical, single, open, pegged with 3 sticks tapped on the side of the drum.
- Full Text: false
- Date Issued: 1957
Colonial displacements and African coping strategies: The experience of BaTonga of Binga, Zimbabwe, 1956-2008
- Authors: Dhodho, Codelia Govha
- Date: 2022-10-14
- Subjects: Tonga (Zambezi people) Refugees , Subsistence farming Zambezi River Valley , Hunger Zambezi River Valley , Food security Zambezi River Valley , Adaptability (Psychology) , Food relief Zambezi River Valley , Non-governmental organizations , Kariba Dam (Zambia and Zimbabwe)
- Language: English
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/327642 , vital:61139 , DOI 10.21504/10962/327642
- Description: This study examines the challenges faced by BaTonga in livelihood reconstruction after involuntary displacement and resettlement from the Zambezi valley to pave way for the Kariba dam reservoir. It shows how they were forcibly evicted without compensation because of the racist policies of Southern Rhodesia. Their resettlement into an arid region infested with marauding elephants, malaria and tsetse fly undermined their complex livelihoods and eroded their self-sufficiency, but the study argues that they were active and resilient agents who adopted complex coping strategies. It shows how they had to adapt to dry-land farming and counter the effects of wildlife which plundered their crops and managed to secure the harvest in the drought-prone region. The study shows that although they adopted precarious livelihoods, they managed to survive under extreme circumstances for decades without any external assistance until the coming of NGOs who began to distribute free food from 1982. It argues that prolonged distribution of emergence food aid may not have been necessary, but its coming for almost three decades largely served political interests of both the NGOs and their governments. This perpetuated poverty as BaTonga also manipulated its distribution as a coping strategy against fragile livelihoods. This caused dependency which further plunged them into chronic food insecurity because they abandoned their traditional coping strategies. The study argues that both the colonial and postcolonial government as well as NGOs failed to address the root causes of livelihood insecurity in Binga for the five decades under study. It is therefore the contention of this study that the problem of food insecurity in Binga was not only an issue of recurring drought but was deeply rooted and pervasive due to multiple complex factors which made it difficult for the people to establish sustainable food production after displacement. , Thesis (PhD) -- Faculty of Humanities, History, 2022
- Full Text:
- Date Issued: 2022-10-14
- Authors: Dhodho, Codelia Govha
- Date: 2022-10-14
- Subjects: Tonga (Zambezi people) Refugees , Subsistence farming Zambezi River Valley , Hunger Zambezi River Valley , Food security Zambezi River Valley , Adaptability (Psychology) , Food relief Zambezi River Valley , Non-governmental organizations , Kariba Dam (Zambia and Zimbabwe)
- Language: English
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/327642 , vital:61139 , DOI 10.21504/10962/327642
- Description: This study examines the challenges faced by BaTonga in livelihood reconstruction after involuntary displacement and resettlement from the Zambezi valley to pave way for the Kariba dam reservoir. It shows how they were forcibly evicted without compensation because of the racist policies of Southern Rhodesia. Their resettlement into an arid region infested with marauding elephants, malaria and tsetse fly undermined their complex livelihoods and eroded their self-sufficiency, but the study argues that they were active and resilient agents who adopted complex coping strategies. It shows how they had to adapt to dry-land farming and counter the effects of wildlife which plundered their crops and managed to secure the harvest in the drought-prone region. The study shows that although they adopted precarious livelihoods, they managed to survive under extreme circumstances for decades without any external assistance until the coming of NGOs who began to distribute free food from 1982. It argues that prolonged distribution of emergence food aid may not have been necessary, but its coming for almost three decades largely served political interests of both the NGOs and their governments. This perpetuated poverty as BaTonga also manipulated its distribution as a coping strategy against fragile livelihoods. This caused dependency which further plunged them into chronic food insecurity because they abandoned their traditional coping strategies. The study argues that both the colonial and postcolonial government as well as NGOs failed to address the root causes of livelihood insecurity in Binga for the five decades under study. It is therefore the contention of this study that the problem of food insecurity in Binga was not only an issue of recurring drought but was deeply rooted and pervasive due to multiple complex factors which made it difficult for the people to establish sustainable food production after displacement. , Thesis (PhD) -- Faculty of Humanities, History, 2022
- Full Text:
- Date Issued: 2022-10-14
Changes and continuities over time in the cultural significance of the Nyaminyami water spirit among the BaTonga people of northwestern Zimbabwe
- Authors: Matanzima, Joshua
- Date: 2019
- Subjects: Water spirits -- Zimbabwe , Tsonga (African people) -- Zimbabwe , Tsonga (African people) -- Zimbabwe -- Religion , Tsonga (African people) -- Zimbabwe -- Rites and ceremonies , Tsonga (African people) -- Zimbabwe -- Social life and customs , Mythology, Tsonga , Mythology, Zimbabwean , Nyaminyami (Spirit)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/94189 , vital:31015
- Description: Research attests that beliefs in water spirits are an integral part of cultures of many indigenous communities across the globe. These water spirits play significant political, religious and socio-economic roles for the people concerned. However, the functions of water spirits are not constant, but change over time, especially when the people believing in water spirits undergo drastic socio- economic processes of change. It is in this context that this thesis traces the cultural significance over time, of the Nyaminyami water spirit, among some BaTonga people, living in the immediate vicinity of the Kariba gorge area, in north-western Zimbabwe. While previous studies document the existence of beliefs in Nyaminyami, none of these has systematically traced the historical significance of Nyaminyami, in terms of changes and continuities over time. Thus, this thesis makes a valuable contribution to knowledge with regards to the history and religion of the BaTonga people. The thesis argues that Nyaminyami‘s cultural significance or functions evolved over time, due to numerous socio- economic and political processes of change. The major changes that significantly influenced the practices relating to Nyaminyami include colonialism, Kariba dam construction and resettlement, the migration after resettlement in the 1960s and 1970s, the independence of Zimbabwe, and the alienation of the Kariba waterscape from the BaTonga. To be able to arrive at specific findings and conclusions, the thesis is underpinned by theories about resettlement, approaches to water divinities, and theories of religion and social change. The thesis has five ethnographic chapters that focus on specific time periods, illustrating the major socio- economic changes of each epoch, and showing how these changes impacted upon practices and beliefs relating to Nyaminyami. The thesis also documents how Nyaminyami beliefs are variedly distributed along different social variables that include gender, age, income and geographical location. In order to achieve the findings presented, the thesis utilized ethnographic evidence obtained from semi- structured interviews, participant observation, anthropology of extraordinary experience, document review and archival research.
- Full Text:
- Date Issued: 2019
- Authors: Matanzima, Joshua
- Date: 2019
- Subjects: Water spirits -- Zimbabwe , Tsonga (African people) -- Zimbabwe , Tsonga (African people) -- Zimbabwe -- Religion , Tsonga (African people) -- Zimbabwe -- Rites and ceremonies , Tsonga (African people) -- Zimbabwe -- Social life and customs , Mythology, Tsonga , Mythology, Zimbabwean , Nyaminyami (Spirit)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/94189 , vital:31015
- Description: Research attests that beliefs in water spirits are an integral part of cultures of many indigenous communities across the globe. These water spirits play significant political, religious and socio-economic roles for the people concerned. However, the functions of water spirits are not constant, but change over time, especially when the people believing in water spirits undergo drastic socio- economic processes of change. It is in this context that this thesis traces the cultural significance over time, of the Nyaminyami water spirit, among some BaTonga people, living in the immediate vicinity of the Kariba gorge area, in north-western Zimbabwe. While previous studies document the existence of beliefs in Nyaminyami, none of these has systematically traced the historical significance of Nyaminyami, in terms of changes and continuities over time. Thus, this thesis makes a valuable contribution to knowledge with regards to the history and religion of the BaTonga people. The thesis argues that Nyaminyami‘s cultural significance or functions evolved over time, due to numerous socio- economic and political processes of change. The major changes that significantly influenced the practices relating to Nyaminyami include colonialism, Kariba dam construction and resettlement, the migration after resettlement in the 1960s and 1970s, the independence of Zimbabwe, and the alienation of the Kariba waterscape from the BaTonga. To be able to arrive at specific findings and conclusions, the thesis is underpinned by theories about resettlement, approaches to water divinities, and theories of religion and social change. The thesis has five ethnographic chapters that focus on specific time periods, illustrating the major socio- economic changes of each epoch, and showing how these changes impacted upon practices and beliefs relating to Nyaminyami. The thesis also documents how Nyaminyami beliefs are variedly distributed along different social variables that include gender, age, income and geographical location. In order to achieve the findings presented, the thesis utilized ethnographic evidence obtained from semi- structured interviews, participant observation, anthropology of extraordinary experience, document review and archival research.
- Full Text:
- Date Issued: 2019
Anatami
- Group of Tonga men and women led by Siamungomo, Composer not specified, Tracey, Hugh
- Authors: Group of Tonga men and women led by Siamungomo , Composer not specified , Tracey, Hugh
- Date: 1957-06-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Chipepo f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231857 , vital:49934 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT450-L71 , Research no. L2D1
- Description: Indigenous folk drinking song with singing and clapping.
- Full Text: false
- Date Issued: 1957-06-22
- Authors: Group of Tonga men and women led by Siamungomo , Composer not specified , Tracey, Hugh
- Date: 1957-06-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Chipepo f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231857 , vital:49934 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT450-L71 , Research no. L2D1
- Description: Indigenous folk drinking song with singing and clapping.
- Full Text: false
- Date Issued: 1957-06-22
Masesa I
- Tonga/ Hlanguni (Performers), F. Mabosso (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132676 , vital:36868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-04
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132676 , vital:36868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-04
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
Mazilayane
- Sara Inemja Nyakhoma, Tonga women, composer not specified, Tracey, Hugh
- Authors: Sara Inemja Nyakhoma , Tonga women , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/363444 , vital:65430 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0098-CW4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Sara Inemja Nyakhoma , Tonga women , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/363444 , vital:65430 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0098-CW4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Gumina
- Tonga woman, Composer not specified, Tracey, Hugh
- Authors: Tonga woman , Composer not specified , Tracey, Hugh
- Date: 1957-06-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Zambezi Valley f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/233585 , vital:50106 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT454-L75 , Research no. L2E4
- Description: A song counting jungles.
- Full Text: false
- Date Issued: 1957-06-22
- Authors: Tonga woman , Composer not specified , Tracey, Hugh
- Date: 1957-06-22
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Zambezi Valley f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/233585 , vital:50106 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT454-L75 , Research no. L2E4
- Description: A song counting jungles.
- Full Text: false
- Date Issued: 1957-06-22
An exploration of the causes of social unrest in Omay communal lands of Nyami Nyami district in Zimbabwe: a human needs perspective
- Authors: Musona, Mambo
- Date: 2011
- Subjects: Human rights -- Zimbabwe -- Omay Communial Lands , Zimbabwe -- Politics and government
- Language: English
- Type: Thesis , Masters , MPhil
- Identifier: vital:8192 , http://hdl.handle.net/10948/1372 , Human rights -- Zimbabwe -- Omay Communial Lands , Zimbabwe -- Politics and government
- Description: One of the responsibilities of every government is to make provisions of basic needs for its citizens. The situation in Omay resembles people living during the dark ages when there was no constitutional government. The government should in accordance with the priorities of its people be seen to be improving the lives of its citizens by providing health, education, roads, communication facilities, and participation in decision making especially on issues that have a bearing on their lives. The human needs theory postulates that one of the most ideal ways of resolving protracted conflicts is by helping people meet their needs. Human needs are not for trading according to conflict scholar John Burton, implying that if one does not meet his or her needs he/she might do anything to strive to meet them. The people of Omay have been deprived of their needs in all facets; first the previous government relocated them to create Lake Kariba for the hydroelectric plant. They were not compensated. They were dumped on very arid, tsetse fly infested mountainous areas adjacent to game reserves and national parks where they have to make do with wildlife; some that destroy their few crops (elephants) and others that kill them or their animals (lions). As a minority group they have been engaged in social unrest and small skirmishes with government and other, bigger ethnic groups as a form of resistance. A deliberate affirmative action to channel funds towards raising their living standards and develop their area so that they meet their needs could be the panacea to the social unrest.
- Full Text:
- Date Issued: 2011
- Authors: Musona, Mambo
- Date: 2011
- Subjects: Human rights -- Zimbabwe -- Omay Communial Lands , Zimbabwe -- Politics and government
- Language: English
- Type: Thesis , Masters , MPhil
- Identifier: vital:8192 , http://hdl.handle.net/10948/1372 , Human rights -- Zimbabwe -- Omay Communial Lands , Zimbabwe -- Politics and government
- Description: One of the responsibilities of every government is to make provisions of basic needs for its citizens. The situation in Omay resembles people living during the dark ages when there was no constitutional government. The government should in accordance with the priorities of its people be seen to be improving the lives of its citizens by providing health, education, roads, communication facilities, and participation in decision making especially on issues that have a bearing on their lives. The human needs theory postulates that one of the most ideal ways of resolving protracted conflicts is by helping people meet their needs. Human needs are not for trading according to conflict scholar John Burton, implying that if one does not meet his or her needs he/she might do anything to strive to meet them. The people of Omay have been deprived of their needs in all facets; first the previous government relocated them to create Lake Kariba for the hydroelectric plant. They were not compensated. They were dumped on very arid, tsetse fly infested mountainous areas adjacent to game reserves and national parks where they have to make do with wildlife; some that destroy their few crops (elephants) and others that kill them or their animals (lions). As a minority group they have been engaged in social unrest and small skirmishes with government and other, bigger ethnic groups as a form of resistance. A deliberate affirmative action to channel funds towards raising their living standards and develop their area so that they meet their needs could be the panacea to the social unrest.
- Full Text:
- Date Issued: 2011
Kugiga
- Samsoni Mwetwe and group of Tonga men, Hugh Tracey
- Authors: Samsoni Mwetwe and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138441 , vital:37637 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-09
- Description: The patter of the dancer's feet on the dusty ground can be heard clearly in this recording.Mayanza drinking son with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum. with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Samsoni Mwetwe and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138441 , vital:37637 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-09
- Description: The patter of the dancer's feet on the dusty ground can be heard clearly in this recording.Mayanza drinking son with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum. with clapping.
- Full Text: false
- Date Issued: 1957