Wali Diawara
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127349 , vital:36003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-04
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127349 , vital:36003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-04
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
Diomantaire Balla-Kissidougou
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127331 , vital:36001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-02
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127331 , vital:36001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-02
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Banakoro Oumar Kouyate
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127386 , vital:36008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-08
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127386 , vital:36008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-08
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
BEN and CO
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127381 , vital:36007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-07
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127381 , vital:36007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-07
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Wali nyuman don
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127391 , vital:36009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-09
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127391 , vital:36009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-09
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Tieou magni
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127357 , vital:36004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-05
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127357 , vital:36004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-05
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
El hadji Diakali Toure
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127340 , vital:36002
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127340 , vital:36002
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
Anka niogon deme
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Harouna Samake ((N'goni), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Amadou Taore dit Adez (flute), Awa Diabate, Sanata Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Harouna Samake ((N'goni) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Amadou Taore dit Adez (flute) , Awa Diabate, Sanata Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassalou f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127322 , vital:36000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-01
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Harouna Samake ((N'goni) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Amadou Taore dit Adez (flute) , Awa Diabate, Sanata Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassalou f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127322 , vital:36000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-01
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Dabiya-Baba Sissoko
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127367 , vital:36005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-06
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127367 , vital:36005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-06
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Anka Niogon Deme
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Amadou Taore dit Adez (flute), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Amadou Taore dit Adez (flute) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127412 , vital:36010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-10
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Amadou Taore dit Adez (flute) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127412 , vital:36010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-10
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Gnouman Ke La
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label, Samassa Records
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130033 , vital:36366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-05
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130033 , vital:36366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-05
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Blon
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label, Samassa Records
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130038 , vital:36367 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-06
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130038 , vital:36367 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-06
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Baman
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129995 , vital:36354 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-01
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129995 , vital:36354 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-01
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Ne Ma Nin Me
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label, Samassa Records
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130004 , vital:36355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-02
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130004 , vital:36355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-02
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Diaby
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label, Samassa Records
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130009 , vital:36356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-03
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130009 , vital:36356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-03
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Tie Na ka Baramousso
- Sali Sidibe (composition, lyrics, lead vocal), Boubacar Kane (djembe), Aminata Diabate, Fatim Sissoko (backing vocals), Rakesh Toure (keyboards), Mamadou Coulibaly (N'Bolon), Harouna Samake (N'goni), Zoumana Tereka (Violin), Samba Dioakite (Balafon), Sterns Africa label, Samassa Records
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130024 , vital:36365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-04
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
- Authors: Sali Sidibe (composition, lyrics, lead vocal) , Boubacar Kane (djembe) , Aminata Diabate, Fatim Sissoko (backing vocals) , Rakesh Toure (keyboards) , Mamadou Coulibaly (N'Bolon) , Harouna Samake (N'goni) , Zoumana Tereka (Violin) , Samba Dioakite (Balafon) , Sterns Africa label , Samassa Records
- Date: 1993
- Subjects: Popular music--Africa, West , Popular music--Mali--1991-2000 , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130024 , vital:36365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC36-04
- Description: Malian neo-traditional vocals set to a unique blend of didai, sigui and sogonikun dance rhythms
- Full Text: false
- Date Issued: 1993
Terminaliamide, a new ceramide and other phytoconstituents from the roots of Terminalia mantaly H. Perrier and their biological activities
- Mbosso, Emmanuel, Siwe-Noundou, Xavier, Fannang, Simon, Song, Achille M, Assob, Jules C N, Hoppe, Heinrich, Krause, Rui W M
- Authors: Mbosso, Emmanuel , Siwe-Noundou, Xavier , Fannang, Simon , Song, Achille M , Assob, Jules C N , Hoppe, Heinrich , Krause, Rui W M
- Date: 2021
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/191779 , vital:45163 , xlink:href="https://doi.org/10.1080/14786419.2019.1647425"
- Description: Terminaliamide (1), a new ceramide was isolated from the roots of Terminalia mantaly H. Perrier (Combretaceae) along with 4 known compounds (2–5). The structures of the compounds were elucidated using 1D and 2D NMR spectroscopy analysis and mass spectrometry. Compound 1 exhibited moderated antibacterial activity towards Staphylococcus aureus with MIC value of 62.5 μg/mL. The crude MeOH extract (TMr) highly reduced Plasmodium falciparum growth with an IC50 value of 10.11 μg/mL, while hexane fraction (F1) highly reduced Trypanosoma brucei brucei growth with an IC50 value of 5.60 µg/mL. All tested samples presented little or no in vitro cytotoxicity on HeLa cell line. The present work confirms that T. mantaly is medicinally important and may be used effectively as an antimicrobial, an antiplasmodial and an antitrypanosomial with promising therapeutic index.
- Full Text:
- Date Issued: 2021
- Authors: Mbosso, Emmanuel , Siwe-Noundou, Xavier , Fannang, Simon , Song, Achille M , Assob, Jules C N , Hoppe, Heinrich , Krause, Rui W M
- Date: 2021
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/191779 , vital:45163 , xlink:href="https://doi.org/10.1080/14786419.2019.1647425"
- Description: Terminaliamide (1), a new ceramide was isolated from the roots of Terminalia mantaly H. Perrier (Combretaceae) along with 4 known compounds (2–5). The structures of the compounds were elucidated using 1D and 2D NMR spectroscopy analysis and mass spectrometry. Compound 1 exhibited moderated antibacterial activity towards Staphylococcus aureus with MIC value of 62.5 μg/mL. The crude MeOH extract (TMr) highly reduced Plasmodium falciparum growth with an IC50 value of 10.11 μg/mL, while hexane fraction (F1) highly reduced Trypanosoma brucei brucei growth with an IC50 value of 5.60 µg/mL. All tested samples presented little or no in vitro cytotoxicity on HeLa cell line. The present work confirms that T. mantaly is medicinally important and may be used effectively as an antimicrobial, an antiplasmodial and an antitrypanosomial with promising therapeutic index.
- Full Text:
- Date Issued: 2021
Terminaliamide, a new ceramide and other phytoconstituents from the roots of Terminalia mantaly H. Perrier and their biological activities
- Mbosso Teinkela, Jean E, Siwe-Noundou, Xavier, Fannang, Simone, Song, Achille M, Nguedia Assob, Jules C, Hoppe, Heinrich C, Krause, Rui W M
- Authors: Mbosso Teinkela, Jean E , Siwe-Noundou, Xavier , Fannang, Simone , Song, Achille M , Nguedia Assob, Jules C , Hoppe, Heinrich C , Krause, Rui W M
- Date: 2021
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/194095 , vital:45422 , xlink:href="https://doi.org/10.1080/14786419.2019.1647425"
- Description: Terminaliamide (1), a new ceramide was isolated from the roots of Terminalia mantaly H. Perrier (Combretaceae) along with 4 known compounds (2–5). The structures of the compounds were elucidated using 1D and 2D NMR spectroscopy analysis and mass spectrometry. Compound 1 exhibited moderated antibacterial activity towards Staphylococcus aureus with MIC value of 62.5 μg/mL. The crude MeOH extract (TMr) highly reduced Plasmodium falciparum growth with an IC50 value of 10.11 μg/mL, while hexane fraction (F1) highly reduced Trypanosoma brucei brucei growth with an IC50 value of 5.60 µg/mL. All tested samples presented little or no in vitro cytotoxicity on HeLa cell line. The present work confirms that T. mantaly is medicinally important and may be used effectively as an antimicrobial, an antiplasmodial and an antitrypanosomial with promising therapeutic index.
- Full Text:
- Date Issued: 2021
- Authors: Mbosso Teinkela, Jean E , Siwe-Noundou, Xavier , Fannang, Simone , Song, Achille M , Nguedia Assob, Jules C , Hoppe, Heinrich C , Krause, Rui W M
- Date: 2021
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/194095 , vital:45422 , xlink:href="https://doi.org/10.1080/14786419.2019.1647425"
- Description: Terminaliamide (1), a new ceramide was isolated from the roots of Terminalia mantaly H. Perrier (Combretaceae) along with 4 known compounds (2–5). The structures of the compounds were elucidated using 1D and 2D NMR spectroscopy analysis and mass spectrometry. Compound 1 exhibited moderated antibacterial activity towards Staphylococcus aureus with MIC value of 62.5 μg/mL. The crude MeOH extract (TMr) highly reduced Plasmodium falciparum growth with an IC50 value of 10.11 μg/mL, while hexane fraction (F1) highly reduced Trypanosoma brucei brucei growth with an IC50 value of 5.60 µg/mL. All tested samples presented little or no in vitro cytotoxicity on HeLa cell line. The present work confirms that T. mantaly is medicinally important and may be used effectively as an antimicrobial, an antiplasmodial and an antitrypanosomial with promising therapeutic index.
- Full Text:
- Date Issued: 2021
Nadu
- Medje Men (Performer), Composer unknown
- Authors: Medje Men (Performer) , Composer unknown
- Subjects: Folk dance song , Drums , Nabita , Nedundu , Nekbokbo , Emandru , Nengbongbo , Rattles , Nezeza , Hand bell , Marriage dance song , Medje , Paulis , Northern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15411 , MOA29-15 , http://hdl.handle.net/10962/d1017717 , MOA29
- Description: Marriage dance song accompanied by 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Medje Men (Performer) , Composer unknown
- Subjects: Folk dance song , Drums , Nabita , Nedundu , Nekbokbo , Emandru , Nengbongbo , Rattles , Nezeza , Hand bell , Marriage dance song , Medje , Paulis , Northern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15411 , MOA29-15 , http://hdl.handle.net/10962/d1017717 , MOA29
- Description: Marriage dance song accompanied by 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
The impact of financial inclusion on poverty: a case of selected SADC countries.
- Authors: Ndlovu, Nkazimulo Glitter
- Date: 2021-09
- Subjects: Financial services industry , Poverty--Africa , Poverty
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/21311 , vital:48393
- Description: Financial inclusion is widely regarded as another conduit through which poverty can be alleviated. However, both theoretical and empirical literature does not reach consensus on the effect of financial inclusion on poverty. Against this background, the study empirically examines the effect of financial inclusion on poverty in selected Southern African Development Community (SADC) countries, which include (Botswana, Malawi, Mauritius, Namibia, South Africa, Tanzania, and Zambia). The author employs the Generalized Method of Moments (GMM) technique for the period 1980 to 2019. Based on the Financial Intermediation Theory and the Social Justice Theory: Tunnel effect, 5 different models were estimated. Variables used to capture the different dimensions of financial inclusion include ATMs per 1000km and Bank Accounts per 1000 adults as well as Bank’s private Credit to GDP and Commercial Bank branches per 1000 adults’. The control variables used in the study are; GDP per Capita, Government Consumption, Inflation and Education. Empirical results revealed that financial inclusion reduces the level of poverty in the selected SADC states. The results also revealed that GDP per capita and government spending have a negative effect on poverty in the region. An interesting finding, even though not the major focus of the study was the effect of education. The results revealed that lower levels of education may exacerbate the level of poverty in the region. At the same time, tertiary education was found to have a negative and significant effect on poverty. The empirical results imply that policy makers should center their focus on reforms that will ensure that more people are financially included in the region. Also policies promoting high growth levels and acquisition of higher levels of education should be pursued. , Thesis (MCom) (Economics) -- University of Fort Hare, 2021
- Full Text:
- Date Issued: 2021-09
- Authors: Ndlovu, Nkazimulo Glitter
- Date: 2021-09
- Subjects: Financial services industry , Poverty--Africa , Poverty
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/21311 , vital:48393
- Description: Financial inclusion is widely regarded as another conduit through which poverty can be alleviated. However, both theoretical and empirical literature does not reach consensus on the effect of financial inclusion on poverty. Against this background, the study empirically examines the effect of financial inclusion on poverty in selected Southern African Development Community (SADC) countries, which include (Botswana, Malawi, Mauritius, Namibia, South Africa, Tanzania, and Zambia). The author employs the Generalized Method of Moments (GMM) technique for the period 1980 to 2019. Based on the Financial Intermediation Theory and the Social Justice Theory: Tunnel effect, 5 different models were estimated. Variables used to capture the different dimensions of financial inclusion include ATMs per 1000km and Bank Accounts per 1000 adults as well as Bank’s private Credit to GDP and Commercial Bank branches per 1000 adults’. The control variables used in the study are; GDP per Capita, Government Consumption, Inflation and Education. Empirical results revealed that financial inclusion reduces the level of poverty in the selected SADC states. The results also revealed that GDP per capita and government spending have a negative effect on poverty in the region. An interesting finding, even though not the major focus of the study was the effect of education. The results revealed that lower levels of education may exacerbate the level of poverty in the region. At the same time, tertiary education was found to have a negative and significant effect on poverty. The empirical results imply that policy makers should center their focus on reforms that will ensure that more people are financially included in the region. Also policies promoting high growth levels and acquisition of higher levels of education should be pursued. , Thesis (MCom) (Economics) -- University of Fort Hare, 2021
- Full Text:
- Date Issued: 2021-09