A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders
- Authors: Bower, Rudi
- Date: 2008
- Subjects: Guitar -- Construction , Guitar -- History
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:8512 , http://hdl.handle.net/10948/779 , Guitar -- Construction , Guitar -- History
- Description: This study uses a general historical overview of luthiery that provides the reader with a basic understanding of construction techniques and terminology as a point of departure. From the outset the lack of consensus over an ideal or desired construction technique is highlighted. However, Torres is credited with the establishing of a perceived Spanish tradition of guitar construction and acknowledged as the “father” of the modern guitar. This will serve as a basic framework in which a discussion of six prominent past and present international luthiers can occur. These luthiers, namely Antonio de Torres, Hermann Hauser, Robert Bouchet, Daniel Friederich, Jose Romanillos and Greg Smallman are included in this study by virtue of their influence on the South African luthiers that are featured here. It is noted that these six luthiers, with the exception of Greg Smallman, all adhere to the “Spanish tradition” of guitar construction. Smallman can be considered a foremost proponent of a more recent “modern” school of guitar construction characterized by various innovative construction techniques. These are a result of new demands placed on the guitar as performance instrument because of larger concert venues and more collaboration with different instruments, resulting in a need for a stronger tone and more projection and penetration in sound. These two “poles” of luthiery are then manifested in the discussion on the seven featured South African luthiers. Alistair Thompson, Colin Cleveland, Mervyn Davis, Garth Pickard, Marc Maingard, Rodney Stedall and Hans van den Berg are discussed with special mention made of the features of their instruments, woods used and thoughts on luthiery, against the backdrop of their biographies. The four South African luthiers who build within the “Spanish tradition” (Pickard, Maingard, Stedall and Van den Berg) are distinguished from the three who build outside this so-called tradition (Thompson, Cleveland, Davis). South African luthiery is therefore shown to be an accurate microcosm of luthiery in global terms with styles of construction ranging from very “traditional” to very “modern”. The critical reflection on the information contained in this study appears in the form of a hermeneutic critique on luthiery that occurs within the parameters of the thought of two prominent hermeneutic thinkers, Martin Heidegger and his student, Hans-Georg Gadamer. It is shown that the collaboration that often occurs between guitar makers and performers can be related back to Gadamer and his analysis of Heidegger’s notion of the the hermeneutic circle. It is also argued that luthiery as practiced by the international and South African luthiers featured in this study can be seen both as art and technology in ancient Greek terms in that they are both a mode of revealing. Finally, it is shown how luthiery in its entirety can be viewed as a tradition and that different luthiers respond and add to this tradition in various ways.
- Full Text:
- Date Issued: 2008
- Authors: Bower, Rudi
- Date: 2008
- Subjects: Guitar -- Construction , Guitar -- History
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:8512 , http://hdl.handle.net/10948/779 , Guitar -- Construction , Guitar -- History
- Description: This study uses a general historical overview of luthiery that provides the reader with a basic understanding of construction techniques and terminology as a point of departure. From the outset the lack of consensus over an ideal or desired construction technique is highlighted. However, Torres is credited with the establishing of a perceived Spanish tradition of guitar construction and acknowledged as the “father” of the modern guitar. This will serve as a basic framework in which a discussion of six prominent past and present international luthiers can occur. These luthiers, namely Antonio de Torres, Hermann Hauser, Robert Bouchet, Daniel Friederich, Jose Romanillos and Greg Smallman are included in this study by virtue of their influence on the South African luthiers that are featured here. It is noted that these six luthiers, with the exception of Greg Smallman, all adhere to the “Spanish tradition” of guitar construction. Smallman can be considered a foremost proponent of a more recent “modern” school of guitar construction characterized by various innovative construction techniques. These are a result of new demands placed on the guitar as performance instrument because of larger concert venues and more collaboration with different instruments, resulting in a need for a stronger tone and more projection and penetration in sound. These two “poles” of luthiery are then manifested in the discussion on the seven featured South African luthiers. Alistair Thompson, Colin Cleveland, Mervyn Davis, Garth Pickard, Marc Maingard, Rodney Stedall and Hans van den Berg are discussed with special mention made of the features of their instruments, woods used and thoughts on luthiery, against the backdrop of their biographies. The four South African luthiers who build within the “Spanish tradition” (Pickard, Maingard, Stedall and Van den Berg) are distinguished from the three who build outside this so-called tradition (Thompson, Cleveland, Davis). South African luthiery is therefore shown to be an accurate microcosm of luthiery in global terms with styles of construction ranging from very “traditional” to very “modern”. The critical reflection on the information contained in this study appears in the form of a hermeneutic critique on luthiery that occurs within the parameters of the thought of two prominent hermeneutic thinkers, Martin Heidegger and his student, Hans-Georg Gadamer. It is shown that the collaboration that often occurs between guitar makers and performers can be related back to Gadamer and his analysis of Heidegger’s notion of the the hermeneutic circle. It is also argued that luthiery as practiced by the international and South African luthiers featured in this study can be seen both as art and technology in ancient Greek terms in that they are both a mode of revealing. Finally, it is shown how luthiery in its entirety can be viewed as a tradition and that different luthiers respond and add to this tradition in various ways.
- Full Text:
- Date Issued: 2008
Title not specified
- Kruger, Jaco (Recorded by), Performer not specified, Composer not specified
- Authors: Kruger, Jaco (Recorded by) , Performer not specified , Composer not specified
- Subjects: Guitar , Jazz , Bass , Instrumental
- Type: Music , Sound
- Identifier: vital:15854 , JKC16b-17 , http://hdl.handle.net/10962/d1009043 , Tape number: JKC16 , Original tape number: 16 , Track number: 17
- Description: Jazz guitar
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Performer not specified , Composer not specified
- Subjects: Guitar , Jazz , Bass , Instrumental
- Type: Music , Sound
- Identifier: vital:15854 , JKC16b-17 , http://hdl.handle.net/10962/d1009043 , Tape number: JKC16 , Original tape number: 16 , Track number: 17
- Description: Jazz guitar
- Full Text: false
Wali Diawara
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127349 , vital:36003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-04
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127349 , vital:36003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-04
- Description: Singing accompanied by guitar and N'goni, electric piano
- Full Text: false
- Date Issued: 2000
Diomantaire Balla-Kissidougou
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batass (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127331 , vital:36001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-02
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batass (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127331 , vital:36001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-02
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
Gender, rock and the electrical guitar : A post -structural reading
- Fourie, Jeandre, Potgieter, Zelda
- Authors: Fourie, Jeandre , Potgieter, Zelda
- Date: 2020
- Subjects: Rock Music -- History -- Criticism , Gender identity in Music
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/46880 , vital:39721
- Description: Rock ‘n’ roll and, by extension, the electric guitar, is widely considered as a “gendered field of practice” (Leonard 2015: 184), governed by the hyper-masculine ideal (Hartman and Schmid 2014: 60). Both function as extensions of masculinity, representing an ideological binary of male superiority and female inferiority. This manifests concretely in the perceived disparity regarding gender representation amongst rock musicians, particularly guitarists, and often leads to somewhat one-dimensional views about the misogyny associated with the genre (Gracyk 2001: 182-183). However, by applying a post-structural reading and deconstructing the binary according to a theoretical framework inspired by the works of Julia Kristeva -- presented in a Hegelian dialectical model, with additional insight drawn from the works of Jacques Lacan and Sigmund Freud- it becomes apparent that the male claim to, and overrepresentation within,the genre is a multifaceted issue, born of a combination of natural and social constructionist factors.
- Full Text:
- Date Issued: 2020
- Authors: Fourie, Jeandre , Potgieter, Zelda
- Date: 2020
- Subjects: Rock Music -- History -- Criticism , Gender identity in Music
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/46880 , vital:39721
- Description: Rock ‘n’ roll and, by extension, the electric guitar, is widely considered as a “gendered field of practice” (Leonard 2015: 184), governed by the hyper-masculine ideal (Hartman and Schmid 2014: 60). Both function as extensions of masculinity, representing an ideological binary of male superiority and female inferiority. This manifests concretely in the perceived disparity regarding gender representation amongst rock musicians, particularly guitarists, and often leads to somewhat one-dimensional views about the misogyny associated with the genre (Gracyk 2001: 182-183). However, by applying a post-structural reading and deconstructing the binary according to a theoretical framework inspired by the works of Julia Kristeva -- presented in a Hegelian dialectical model, with additional insight drawn from the works of Jacques Lacan and Sigmund Freud- it becomes apparent that the male claim to, and overrepresentation within,the genre is a multifaceted issue, born of a combination of natural and social constructionist factors.
- Full Text:
- Date Issued: 2020
Camden Jazz week
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Ibrahim, Abdullah , Moholo, Louis T.--1940-
- Language: English
- Type: Article
- Identifier: vital:13762 , http://hdl.handle.net/10962/d1012778
- Description: Original program for the "Camden Jazz week" festival in London, England.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Ibrahim, Abdullah , Moholo, Louis T.--1940-
- Language: English
- Type: Article
- Identifier: vital:13762 , http://hdl.handle.net/10962/d1012778
- Description: Original program for the "Camden Jazz week" festival in London, England.
- Full Text:
Around the world
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100099 , vital:31788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC080b-22
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100099 , vital:31788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC080b-22
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
The classical guitar : a study in structural, technical and musical evolution
- Authors: Nock, Howard James
- Date: 1974
- Subjects: Guitar , Guitar -- Construction
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2687 , http://hdl.handle.net/10962/d1012966
- Description: Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been made to incorporate in one work an account in which structure, playing technique and musical style are correlated. Therefore the aim of this work has been to provide a compendium on these three main aspects of the historical development of the guitar ... The object of Part I is to try and establish the mainstream of the development of the guitar from the earliest beginnings of string instruments to the present day. Since little information and evidence of early instruments (i.e. before 1500 A.D.) is available, it has been necessary to formulate theories on how these developments may have taken place. Intro., p. 1.
- Full Text:
- Date Issued: 1974
- Authors: Nock, Howard James
- Date: 1974
- Subjects: Guitar , Guitar -- Construction
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2687 , http://hdl.handle.net/10962/d1012966
- Description: Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been made to incorporate in one work an account in which structure, playing technique and musical style are correlated. Therefore the aim of this work has been to provide a compendium on these three main aspects of the historical development of the guitar ... The object of Part I is to try and establish the mainstream of the development of the guitar from the earliest beginnings of string instruments to the present day. Since little information and evidence of early instruments (i.e. before 1500 A.D.) is available, it has been necessary to formulate theories on how these developments may have taken place. Intro., p. 1.
- Full Text:
- Date Issued: 1974
Qaphelani umculo
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Blacks -- Music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/98962 , vital:31649 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC078a-03
- Description: Topical Xhosa urban song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Blacks -- Music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/98962 , vital:31649 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC078a-03
- Description: Topical Xhosa urban song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Way back in the 60s
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Love song , Bass guitar , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107425 , vital:32826 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-08
- Description: Nostalgic song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Love song , Bass guitar , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107425 , vital:32826 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-08
- Description: Nostalgic song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
Katazile
- Nkandhla Guitar Players, composer not specified, Tracey, Hugh
- Authors: Nkandhla Guitar Players , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa country not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248280 , vital:51669 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3401 , ABC3041
- Description: Zulu topical dance song accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Nkandhla Guitar Players , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa country not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248280 , vital:51669 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3401 , ABC3041
- Description: Zulu topical dance song accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
I don't want to go to the disco tonight
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Organ music , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/106645 , vital:32702 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC100a-04
- Description: Topical song with bass guitar, organ and steel pan drum accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Organ music , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/106645 , vital:32702 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC100a-04
- Description: Topical song with bass guitar, organ and steel pan drum accompaniment
- Full Text: false
- Date Issued: 1987
Going your way
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Organ music , Synthesizer (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102629 , vital:32156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC089a-06
- Description: Topical song with guitar and organ accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Organ music , Synthesizer (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102629 , vital:32156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC089a-06
- Description: Topical song with guitar and organ accompaniment
- Full Text: false
- Date Issued: 1987
Everytime I see your face
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/106978 , vital:32746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-01
- Description: Love song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/106978 , vital:32746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-01
- Description: Love song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Darling I love you, darling I need you
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107005 , vital:32749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-04
- Description: Love song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107005 , vital:32749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-04
- Description: Love song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
Ntsizwa
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104348 , vital:32369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC093b-11
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104348 , vital:32369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC093b-11
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Darling I want you
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Drum , Organ music , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105009 , vital:32455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-04
- Description: Love song with bass guitar, organ and drum accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Drum , Organ music , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105009 , vital:32455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-04
- Description: Love song with bass guitar, organ and drum accompaniment
- Full Text: false
- Date Issued: 1987
Have you ever seen African children
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101537 , vital:31996 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085a-18
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101537 , vital:31996 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085a-18
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Neo African and Afro American music examples for lecture
- Andrew Tracey (Compiler), Tracey, Andrew T N
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: African Americans--Music , Guitar music (Blues) , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/114301 , vital:33968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC138a-17
- Description: Blues guitarist from United States of America
- Full Text: false
- Date Issued: 1981
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: African Americans--Music , Guitar music (Blues) , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/114301 , vital:33968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC138a-17
- Description: Blues guitarist from United States of America
- Full Text: false
- Date Issued: 1981
Dance papa dance
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101573 , vital:32002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-04
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101573 , vital:32002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-04
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987