Kya
- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130616 , vital:36447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-02
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130616 , vital:36447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-02
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Siraba
- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130688 , vital:36468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-08
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130688 , vital:36468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-08
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Bebe
- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130656 , vital:36464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-04
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130656 , vital:36464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-04
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Kalo 9
- Amy Koita (lead vocal, author, composer, arranger), Allhassane Soumano (author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130665 , vital:36465 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-05
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130665 , vital:36465 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-05
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Kady
- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130670 , vital:36466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-06
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130670 , vital:36466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-06
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Sarama
- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130647 , vital:36463 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-03
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130647 , vital:36463 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-03
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Yeko
- Amy Koita (lead vocal, author, composer, arranger), Allhassane Soumano (author, composer, arranger), Pamphile de Souza (programming), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Makan Tounkara (n'goni), Maimouna Barry, Olisa (chorus), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Pamphile de Souza (programming) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Makan Tounkara (n'goni) , Maimouna Barry, Olisa (chorus) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130605 , vital:36444 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-01
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Pamphile de Souza (programming) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Makan Tounkara (n'goni) , Maimouna Barry, Olisa (chorus) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130605 , vital:36444 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-01
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Fali
- Amy Koita (lead vocal, author, composer, arranger), Allhassane Soumano (author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130683 , vital:36467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-07
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
- Authors: Amy Koita (lead vocal, author, composer, arranger) , Allhassane Soumano (author, composer, arranger) , Moussa, Sidi Mady Gilbert (bass guitar) , Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar) , Sekouba, Aboubacar (percussion) , Balake Cissoko (kora) , Maimouna Barry, Olisa (chorus) , Thomas, Didier Deuirus, Manou Yodan (brass) , Makan Tounkara (n'goni) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130683 , vital:36467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC45-07
- Description: Popular Malian Mandinga music accompanied by Mandinga percussion, kora, and n'goni traditional instruments fused with Western brass, keyboard and guitar
- Full Text: false
- Date Issued: 1999
Oui ou non
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128663 , vital:36136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-08
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128663 , vital:36136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-08
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Fidi
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Drame (guitar solo), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128632 , vital:36132 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-05
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128632 , vital:36132 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-05
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Toma Sero
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Drame (guitar solo), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128627 , vital:36131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-04
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128627 , vital:36131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-04
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Sodia
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128604 , vital:36127 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-01
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128604 , vital:36127 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-01
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Matayi
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128690 , vital:36139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-11
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128690 , vital:36139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-11
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Tibilila
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Tamayi
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128649 , vital:36134 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-06
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128649 , vital:36134 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-06
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Afo Pardon
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128622 , vital:36130 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-03
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128622 , vital:36130 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-03
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Gnewagne
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128658 , vital:36135 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-07
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128658 , vital:36135 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-07
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Ousmane
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128685 , vital:36138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-10
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128685 , vital:36138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-10
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Amoussoussa
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128613 , vital:36129 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-02
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adame Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128613 , vital:36129 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-02
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Music in Grahamstown, 1880-1900
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978