Nyandalalani (The disobedient girl)
- Authors: Edess Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159694 , vital:40327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-15
- Description: The explanation provided was as follows;- Long ago when a grown girl did not behave herself properly there were persons who had the duty of instructing her in deportment and manners. Is she did not obey her instructors she would be punished or beaten by the elder women. The girl in the stroy was just such one. Story song.
- Full Text: false
- Date Issued: 1958
Nyimbo dzambalame ndinyama (Cries of birds and animals)
- Authors: H. Kachere and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160214 , vital:40420 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-06
- Description: It is a game among small boys, they say, to imitate the familiar sounds of the countryside, its birds and animals, and for the the others to guess their identity. The group of boys recorded here had little difficulty in doing so, without previous rehearsalvof any kind.
- Full Text: false
- Date Issued: 1958
Nzenzere, linde, linde (Wait, grasshopper, I want to take my bow)
- Authors: Gezani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154045 , vital:39557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-10
- Description: "Grasshopper, waiy, wait, Let me get my bow! Grasshopper wait! that small leg! Edo, mother, let me get my bow. Grasshopper, wait." Self delectative song with Sansi.
- Full Text: false
- Date Issued: 1958
Nzia ya gudo achiend kumunda (The song of the baboon who went to the field)
- Authors: Stephen Runeso Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154270 , vital:39642 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-03
- Description: This is a new version of an old song. Humorous song with Kalimba (mbira).
- Full Text: false
- Date Issued: 1958
O Hlahla-gowam (Oh, Hlahla is mine)
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152774 , vital:39341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-06
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
O Jele
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156970 , vital:40074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-17
- Description: "When you say the name of my husband, do not call him O Mwali, I call him Ojele." A song which reflects a fine point of etiquette, the correct name of her husband. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
O-dressi chivara madona (O the dress of the girl)
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Beni Furancungo, Macanga District, Tete f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153685 , vital:39499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-16
- Description: This item was strummed across the strings. "Oh, the dress of women. She left her child on the road to Nyungwe." (Tete). Topical song with Bangwe board zither, resonated.
- Full Text: false
- Date Issued: 1958
Ode tate, kuseli kwaphili kuli njati (There is a buffalo)
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153665 , vital:39495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-14
- Description: "There is a buffalo behind the hill, Ngala, let us go and shoot it." " No, no, my bow is broken!" The hill Ngala is a big, solid granite boss about 30 and 40 ft. high, about a mile fro, the village. "A woman is just naturally immoral. She has tattoo marks inside her thighs. She will sell her body for any small thing such as pennies, to find sugar cane for herself." Drinking song.
- Full Text: false
- Date Issued: 1958
Ogandaba Nyasisha (He will burn the whole country)
- Authors: Group of unmarried Swazi girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152956 , vital:39366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-03
- Description: Songa of this kind are commonly used to make the time pass more quickly on a journey. Walking song.
- Full Text: false
- Date Issued: 1958
Ogo de zili ndi myendo (She has tattoo marks)
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153652 , vital:39494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-13
- Description: It is notable that the Chewa men of the region have the lowest opinion of their wives and vice versa, the custom which allows immediate marriage without bride price (Dibolo) or any other formality except what is locally called 'snatching' has clearly led to this state of affairs and whether recent or of long standing they could not say. Drinking song.
- Full Text: false
- Date Issued: 1958
Omuna wanga (Oh! my husband)
- Authors: Thawani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156788 , vital:40050 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-05
- Description: A woman complaining to her brother that he has married her off to a bad husband who beats her. She asks to go to Karonga (the chief) to be divorced. Her husband has no money to buy her beer but he buys it for a stranger. Lament with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Onani ndenge yokwela masula (Look at the aeroplane)
- Authors: Woman of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158526 , vital:40202 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-07
- Description: The Chief Masula was taken to England with other Nyasaland chiefs for a few months visit in 1957. The song refers to the aeroplane in which he returned landing at the airport, Chileka near Blantyre. "Look at the aeroplane in which Masula came from England. He slept at Chileka on his way back from England. Chintale dance song with bass drum.
- Full Text: false
- Date Issued: 1958
Opela utumiza (Though you give me cloth)
- Authors: Visanza girl's school choir , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160016 , vital:40369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-05
- Description: The man in the context went away to look for his employer, Mr. Baloni (Mr. Baron) near Lilongwe and stayed away for a very long time. He sent his wife cloth, but she said she did not want just cloth but her husband for whom she would go all the way to Lilongwe in order to be with him. Nsita dance song for women with clapping.
- Full Text: false
- Date Issued: 1958
Owaha o Lomwe (When you come from Lomwe)
- Authors: Sitoni Maulidi and Dailoni Likluva , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160652 , vital:40489 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-10
- Description: This strange song is sung about three months after the burial, they say. "You befoul yourself. When you came from Lomwe, you had no plate. You met me, your friend, but have turned against me." Obseques after death, with clapping.
- Full Text: false
- Date Issued: 1958
Ozani muone kuwala (Come and see the glory)
- Authors: Samkani Mponela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159051 , vital:40254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-23
- Description: This style of dancing is most popular in the Dowa district, where most large villages, they say, have their own groups of enthusiasts. "Come and see the glory of these boys". Not the European accent on the ultimate syllable. "muone kuwala", instead of the normal "mu'one kuw'ala". This may well spring from the fact that the Malipenga dance and its dance songs originated with military drilling as performed by the Kings African Rifles and the Nyasaland police. Mujanda dance with Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
Pamukadzi wo munu takataka
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154373 , vital:39654 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-13
- Description: In this song the singer explains, is about men who spend their time with other men's wives. Why do you do so? he sings. It is because she makes good tea, because she cooks well, because she laughs with me. "You get out or I will hit you." Topical song with guitar.
- Full Text: false
- Date Issued: 1958
Panali mwanace (The son's fortune)
- Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154775 , vital:39774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-12
- Description: There was once a man and his son who went to the lake for fishing, they caught nothing and went home. The son bought an egg but dropped it on the path, but inside the egg were cows and goats in plenty. So he sang a song saying, "We went to the lake but got no fish, but when I bought this egg I had no idea what was in it." Now the father became jealous of his son. He took some glue and glued his son to a tree, but all the cattle and goats stayed with the son and the father still got none. So he left his son in the bush. When he was asked by is wife where his son was, he said, "Oh! he was ahead of me." The woman replied, "You walk too much with my son and now you have lost him." The listeners often call out the typical Yao response og 'Go'. Story song.
- Full Text: false
- Date Issued: 1958
Panali Ntowi-towi (The bird Ntowi-towi)
- Authors: Kampala Mware and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154086 , vital:39561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-14
- Description: There was once a bird called Ntowi-towi, who went to a certain village to find a wife but he failed because he had thin legs. So he returned to his house. But later, some of the girls who had turned him down went to get fruit. On their way they wanted water to drink. But the bird refused eo allow them to drink as they had refused him. One girl thereupon decided to marry him after all, and they all sang "I came to your village to marry you and you refused me on account of my legs, now I will take you to be my wife." Now the girl and the bird stayed together and often sang the same song together. "I went to your house to marry you and you refused m because of my thin legs." Eventually the girl ran away from the bird, but he went on singing all alone the very same song. Story song (Nthanu)
- Full Text: false
- Date Issued: 1958
Panari mtsikana wina (The girl and the beads)
- Authors: Boys of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
- Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
- Full Text: false
- Date Issued: 1958
Panzi paweni mayo (At other peoples village)
- Authors: C. Thipha , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155966 , vital:39936 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-17
- Description: At another peoples villages it is better when you are alive. There used to be a house here. Why was it taken away? It is because you are too talkative." There seems to be some sound common sense about this song but somehow it escapes the singers whose minds have receded towrds the pleasures of trivialities. It is a good thing to have your wits about you when drinking away from home or you may be tempted to make such observations as I am sure there used to be a house here. Old boy, what has happened to it? And as the song implies make a fool of yourself. Drinking song with clapping.
- Full Text: false
- Date Issued: 1958