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Halelua Kriste o tsogile

- Subiaco church music workshop participants, Ndlovu, Bernard, Florence,Sister, CPS, Hlabano, W. V., Dargie, Dave

Authors: Subiaco church music workshop participants , Ndlovu, Bernard , Florence,Sister, CPS , Hlabano, W. V. , Dargie, Dave
Date: 1980
Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Polokwane sa
Language: Northern Sotho, Pedi, Sepedi
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/382572 , vital:67681 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC082b-18
Description: An exit hymn, performed in Sepedi accompanied by the drum. Exit hymn from Missa Zimbabwe
Full Text: false
Date Issued: 1980

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Hamba Bekile

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318031 , vital:60014 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-29
Description: Traditional song, accompanied by clapping.
Full Text: false
Date Issued: 1980

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Hamba Bekile

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318041 , vital:60016 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-30
Description: Traditional song, accompanied by clapping and umrhube bow.
Full Text: false
Date Issued: 1980

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Hamba bekile

- Performer not specified, Composer not specified, Dargie, Dave

Authors: Performer not specified , Composer not specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/325483 , vital:60899 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC294a-10
Description: Traditional Xhosa song accompanied by umrhubhe and clapping
Full Text: false
Date Issued: 1980

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Hamba bekile

- Performer not specified, Composer not specified, Dargie, Dave

Authors: Performer not specified , Composer not specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/325488 , vital:60900 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC294a-11
Description: Traditional Xhosa song accompanied by umrhubhe and clapping
Full Text: false
Date Issued: 1980

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Hans Lodeizen en die romantiek

- Van der Berg, D Z

Authors: Van der Berg, D Z
Date: 1980
Subjects: Lodeizen, Hans, 1924-1950 -- Criticism and interpretation , Poetry, Modern -- History and criticism , Romanticism
Language: Afrikaans
Type: Thesis , Masters , MA
Identifier: vital:3565 , http://hdl.handle.net/10962/d1002088
Description: Hans Lodeizen is reeds in 1950 oorlede en alhoewel sy bundel Het lnnerlijk behang reeds meer herdrukke beleef het as enige bundel van bekender Vyftigers soos Remco Campert en Hans Andreus, het daar tot dusver sIegs twee krltiese studies en verder korter artikels oor sy digkuns verskyn. Heelwat kritici wys ook op die romantiese trekke in sy digkuns, maar soos bevestig deur De Rover, is daar nog nie aandag gegee aan wat hierdie "romantiek" dan werklik behels nie. As 'n mens die gedigte van Hans Lodeizen en die kritiese werke daaroor lees, word dit gou duidelik dat daar oënskynlik sterk romantiese trekke in sy digkuns aanwesig is, maar dat dit tog nie suiwer romantiek is nle. Soos Rodenko dit uitdruk: "hij is geen romanticus-uit-één-stuk, maar een gebroken romanticus." Deur twee kritici, nl. Stuiveling en Cartens word hy onderskeidelik egter as ekspressionis en surrealis bestempel. Wanneer ons verder in aanmerking neem dat Lodeizen algemeen aanvaar word as die voorloper, of as lid van die Vyftigers wat skerp van die Romantiek verskil, ontstaan die vraag of dit geregverdig is om Lodeizen as 'n "gebroke" of wat-dan-ook-al romantikus te beskou. Die doel van hierdie tesis is dan om na te gean in hoeverre daar weI sprake van romantiese nalewing in sy digkuns is en of dit net nawerking is. In aansluiting by Ziolkowski sal ons van nalewing praat wanneer 'n sekere gegewe, wat ons op grond van die ontleding van die Romantiek in die eerste hoofstuk as "romanties" ervaar, uit die gees van 'n moderne werk spruit. As nawerking beskou ons dan daardie gevalle waar dit duidelik is, dat ons met 'n teksgedeelte oneie aan die gees van die res van die teks te make het, wat nie op die selfde tydsvlak bestaan nie as die teks waarin dit ingebed is. Aangesien nalewing georiënteer is op die ideologiese inhoud van 'n algemene geesteshouding soos dit in die literêre denke tot uitdrukking kom, moet daar eers vasgestel word of daar wel so 'n gedagtekompleks by verskillende Romantiese digters aan te toon is, want slegs enkele, losstaande elemente vorm nog geensins 'n geesteshoudlng of styl nie. Dit is dan die doel van die volgende hoofstuk, terwyl die daaropvolgende hoofstukke sal probeer vasstel of die hoofkenmerke van die tipologiese romantiek wel in die werk van Hans Lodeizen aanwesig is.
Full Text:
Date Issued: 1980

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Harare Morena

- Music workshop participants, Composer not specified, Dargie, Dave

Authors: Music workshop participants , Composer not specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
Language: Sesotho
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/410991 , vital:70768 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119b-09
Description: Sotho church choral hymn with clapping, and accompanied by rattles and drumming.
Full Text: false
Date Issued: 1980

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Hayo ha! yeyo ndagezelwa

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317983 , vital:60009 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-26
Description: Unaccompanied traditional song.
Full Text: false
Date Issued: 1980

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Hayo ho! yeyo ndagezelwa

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318067 , vital:60018 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-32
Description: Traditional song with clapping accompaniment.
Full Text: false
Date Issued: 1980

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Hayo we we ma

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318103 , vital:60023 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-35
Description: Traditional song, accompanied by clapping and umrhube bow.
Full Text: false
Date Issued: 1980

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Hexatrygonidae, a new family of stingrays (Myliobatiformes: Batoidea) from South Africa, with comments on the classification of Batoid fishes

- Heemstra, Phillip C, Smith, Margaret Mary

Authors: Heemstra, Phillip C , Smith, Margaret Mary
Date: 1980
Subjects: Hexatrygonidae , Hexatrygon bickelli , Stingrays -- South Africa -- Classification , Rajiformes -- South Africa -- Classification
Language: English
Type: Text
Identifier: vital:14996 , http://hdl.handle.net/10962/d1019701 , ISBN 0-86810-038-2 , Ichthyological Bulletin of the J.L.B. Smith Institute of Ichthyology; No. 43
Description: A new species of stingray, Hexatrygon bickelli Heemstra and Smith, is described from a specimen washed up on a beach at Port Elizabeth on the south coast of South Africa. This new species differs from all other batoid fishes in having six gill arches and a peculiar hypertrophied snout that appears to be a well-developed electroreceptive organ, and in the configuration of its spiracles. Other characters that separate H. bickelli from previously known rays (myliobatiforms) are its small simple brain (other rays have a very large complex brain) and the absence of supraorbital crests on the cranium. In addition, all myliobatiforms are neritic (with none having been recorded below 200 m), and H. bickelli is.presumed to live in moderately deep water (400 to 1000 m). The classification of batoid fishes is reviewed, and Hexatrygon is placed in a new family and suborder of the Myliobatiformes. , Rhodes University Libraries (Digitisation)
Full Text:
Date Issued: 1980

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Ho ha hayo ho

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318058 , vital:60017 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-31
Description: Traditional song, accompanied by clapping.
Full Text: false
Date Issued: 1980

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Ho! ho! Nolenge

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/318118 , vital:60026 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-36
Description: Traditional song with clapping accompaniment.
Full Text: false
Date Issued: 1980

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Ho! ho! Notenge

- Choir Group, Composer Not Specified, Dargie, Dave

Authors: Choir Group , Composer Not Specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
Language: isiXhosa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317954 , vital:60006 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD143-23
Description: Traditional song with clapping accompaniment.
Full Text: false
Date Issued: 1980

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Holy, Holy

- Church Choir, Composer not specified, Dargie, Dave

Authors: Church Choir , Composer not specified , Dargie, Dave
Date: 1980
Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Thohoyandou sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/381397 , vital:67558 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC080a-07
Description: Missa Zimbabwe song transcribed into Venda, accompanied by clapping.
Full Text: false
Date Issued: 1980

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Hompa gokaKurukuru

- Music workshop participants, Group composition, Dargie, Dave

Authors: Music workshop participants , Group composition , Dargie, Dave
Date: 1980
Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
Language: Language not specified
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/410893 , vital:70758 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119a-08
Description: Church choral hymn with clapping and intermittent yodelling.
Full Text: false
Date Issued: 1980

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Hosannah

- Louis Trichardt church music workshop participants, Suping, T. W., Dargie, Dave

Authors: Louis Trichardt church music workshop participants , Suping, T. W. , Dargie, Dave
Date: 1980
Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Louis Trichardt sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/381546 , vital:67574 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC080a-18
Description: Tenor and base singers practice part of the Sanctus in Venda unaccompanied. Sanctus.
Full Text: false
Date Issued: 1980

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House in rural area, with power lines and mountains in the distance

Date: 1980
Subjects: Forced migration -- South Africa -- Eastern Cape -- Photographs Forced migration -- South Africa -- Oxton -- Photographs Forced migration -- South Africa -- Zweledinga -- Photographs Blacks -- South Africa -- Relocation -- Photographs Apartheid -- South Africa -- Photographs Oxton (South Africa) -- Race relations -- Photographs Zweledinga (South Africa) -- Race relations -- Photographs Squatters -- South Africa -- Oxton -- Photographs Squatters -- South Africa -- Zweledinga -- Photographs
Type: Image
Identifier: http://hdl.handle.net/10962/39118 , vital:24853 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/S 4901
Description: A series of twenty photographs showing scenes of houses (new and old) and landscape of the Oxton and Zweledinga areas of resettlement under the forced removals policy, 1980. Most of the community settled here had voluntarily left Glen Grey and Herschel in 1976, to avoid incorporation into the Transkei homeland, only to be incorporated, at a later date, into Ciskei instead. These photographs were taken by Priscilla Hall.
Full Text: false
Date Issued: 1980

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Houses in rural area with hills in the background

Date: 1980
Subjects: Forced migration -- South Africa -- Eastern Cape -- Photographs Forced migration -- South Africa -- Oxton -- Photographs Forced migration -- South Africa -- Zweledinga -- Photographs Blacks -- South Africa -- Relocation -- Photographs Apartheid -- South Africa -- Photographs Oxton (South Africa) -- Race relations -- Photographs Zweledinga (South Africa) -- Race relations -- Photographs Squatters -- South Africa -- Oxton -- Photographs Squatters -- South Africa -- Zweledinga -- Photographs
Type: Image
Identifier: http://hdl.handle.net/10962/39539 , vital:24895 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/S 4901
Description: A series of twenty photographs showing scenes of houses (new and old) and landscape of the Oxton and Zweledinga areas of resettlement under the forced removals policy, 1980. Most of the community settled here had voluntarily left Glen Grey and Herschel in 1976, to avoid incorporation into the Transkei homeland, only to be incorporated, at a later date, into Ciskei instead.These photographs were taken by Priscilla Hall.
Full Text: false
Date Issued: 1980

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Houses in rural area with three kids outside one of the houses

Date: 1980
Subjects: Forced migration -- South Africa -- Eastern Cape -- Photographs Forced migration -- South Africa -- Oxton -- Photographs Forced migration -- South Africa -- Zweledinga -- Photographs Blacks -- South Africa -- Relocation -- Photographs Apartheid -- South Africa -- Photographs Oxton (South Africa) -- Race relations -- Photographs Zweledinga (South Africa) -- Race relations -- Photographs Squatters -- South Africa -- Oxton -- Photographs Squatters -- South Africa -- Zweledinga -- Photographs
Type: Image
Identifier: http://hdl.handle.net/10962/39301 , vital:24871 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/S 4901
Description: A series of twenty photographs showing scenes of houses (new and old) and landscape of the Oxton and Zweledinga areas of resettlement under the forced removals policy, 1980. Most of the community settled here had voluntarily left Glen Grey and Herschel in 1976, to avoid incorporation into the Transkei homeland, only to be incorporated, at a later date, into Ciskei instead. These photographs were taken by Priscilla Hall.
Full Text: false
Date Issued: 1980

Showing items 221 - 240 of 913