- Title
- The‘person without the person’ in the early work of Paul Emmanuel:
- Creator
- Bronner, Irene
- Date Issued
- 2017
- Date
- 2017
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/147737
- Identifier
- vital:38666
- Identifier
- https://doi.org/10.1080/00043389.2012.11877161
- Description
- Paul Emmanuel’s early prints and incised drawings represent the human body as a presence that either is not easily seen, actively disappears or erases itself, or is entirely absent. In doing so, these still life and landscape works metaphorically explore inner, psychological ‘landscapes’, both conscious and unconscious. By drawing deliberate attention to his oblique and deceptive surfaces, Emmanuel’s process, medium and subject matter may be said to express subjectivity as a process of materialisation, as formed through the contingencies and inconsistencies of vision, experience and memory. To ‘see’ this process, and to understand what Emmanuel means by ‘seeing and not seeing’, I consider two strategies that Emmanuel arguably employs to disrupt viewing: partial, fragmented and multiple perspectives and empty clothing abandoned in landscapes.
- Format
- 17 pages
- Format
- Language
- English
- Relation
- de arte
- Relation
- Irene Bronner (2012) The‘person without the person’ in the early work of Paul Emmanuel, de arte, 47:85, 42-58, DOI: 10.1080/00043389.2012.11877161
- Relation
- de arte volume 47 number 85 42 58 May 2017 2471-4100
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
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