- Title
- Comfortably numb: Crump unveiled—a review of the 2011 Alan Crump retrospective exhibitio
- Creator
- Cooper, Paul S
- Date Issued
- 2011
- Date
- 2011
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/147924
- Identifier
- vital:38685
- Identifier
- DOI:10.1080/00043389.2011.11877152
- Description
- Writing can at times be difficult. It is not without considerable anxiety that I undertake to write this particular review. Perhaps I should offer a short qualifier: this is not strictly a review but rather a collection of ideas around the works and their arrangement, as well as my own musings and reflections on Crump. I want to pick up on what I identify to be an approach that personalises Crump as a professor, colleague and artist (we find this tone embedded throughout the accompanying exhibition catalogue). 1 I have chosen to structure this essay using a series of trigger headings, some provocative and possibly even inflammatory, others more neutral and concerned with getting to the core of what this retrospective and posthumous show is all about. All the while my thinking is to channel a sense (or lack thereof, as it may turn out) of my own experience of his work and person.
- Format
- 7 pages
- Format
- Language
- English
- Relation
- de arte
- Relation
- Cooper, P., 2011. Comfortably numb: Crump unveiled—a review of the 2011 Alan Crump retrospective exhibition. de arte, 46(84), pp.70-76.
- Relation
- de arte volume 46 number 84 70 76 2011 2471-4100
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
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