Elesani banyanja kandhu ka doromo
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246592 , vital:51492 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M8
- Description: This is 3rd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246592 , vital:51492 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M8
- Description: This is 3rd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
Mungore
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246579 , vital:51491 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M7
- Description: This is 2nd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246579 , vital:51491 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M7
- Description: This is 2nd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
Siliva Bandi
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
Elesani banyanja kandhu ka doromo (Look at the Nyanja! There is something coming)
- Group of 14 Tonga men, Hugh Tracey
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137429 , vital:37523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-13
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137429 , vital:37523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-13
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
Mungore
- Group of 14 Tonga men, Hugh Tracey
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
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