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Nasi indoda ingishaya (My husband beats me)

- Five young women and group of men, Hugh Tracey

  • Authors: Five young women and group of men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153010 , vital:39372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-09
  • Description: The women perform this dance after work or after bringing back the reeds to repair the village palings. These palings are well made with four horizontal strips tied with a woven grass cord (Lutinzi). Ukutsamba, with clapping and ankle rattles.
  • Full Text: false
  • Date Issued: 1958

Nchuwa (The four row game)

- Donald Mpunda Banda and two Chewa men, Hugh Tracey

  • Authors: Donald Mpunda Banda and two Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159980 , vital:40363 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-01
  • Description: "Even although you have given me Cinthele cloth, I will still run away to Baloni." Nchuwa is the game with four rows of holes or cups in the ground played with seeds or pebbles, and the sketch is meant to represent an exciting game between friends. It is a game of very ancient orign and is found widely throughout Eastern Africa under a number of different names and rules. It is said to have been imported into Africa by Arabs or people further East as long ago as the 10th century. Sketch-impromptu.
  • Full Text: false
  • Date Issued: 1958

Ndachinyuka, Pitoria (I will say no more, Pitoria)

- George Zongoloti and chorus of small girls, Hugh Tracey

  • Authors: George Zongoloti and chorus of small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
  • Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
  • Full Text: false
  • Date Issued: 1958

Ndachiona kale (I saw it long ago)

- Simenti Phiri, Hugh Tracey

Ndaji! Jize! (Ready! Right!)

- Mulanzi and Malunja, Hugh Tracey

Ndaramba miranda kumudzi kwangu (I will have more trouble in my home)

- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey

Ndarira (I cry)

- Dawusi Chirongo, Hugh Tracey

Ndasaya may angu (I have lost my mother)

- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey

Ndayamba dale (I start, darling)

- Young girls and 5 drummers, Hugh Tracey

Ndaza apa ndaima (I am here waiting)

- Bifi Phiri and friend, Hugh Tracey

Ndicha Girita pano mufare mufare (I am leaving here, stay happily)

- Saini Murira, Chingaipa Madzikuminga, Zhogi Muzengedza and Saini Madera, Hugh Tracey

Ndikati ubwera ulendo waimba wisulo kunjila

- Tweleve elderly women and two drummers, Hugh Tracey

  • Authors: Tweleve elderly women and two drummers , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
  • Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Ndimgayo Timba (The bird Timba)

- Agnes Maknwalo, Hugh Tracey

Ndinali naye m'ngono wanga (I had a young brother)

- Robson Cibwe and Chewa boys, Hugh Tracey

Ndingindi (The well dressed man)

- Elizabeth Banda and Chewa women, Hugh Tracey

Ndorowe ngoma (I play music)

- Pineas Hungwe, Hugh Tracey

Ndozofa (I shall die)

- Pineas Hungwe, Hugh Tracey

Ndudzi nendudzi

- Stephen R. Gumbo, Hugh Tracey

  • Authors: Stephen R. Gumbo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154211 , vital:39621 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-08
  • Description: A certain Nyasa went to see his his Karanga parents-in-law and they all began drinking. Owing to difficulties which arose over the mispronounciation of certain words, he decided to distract them by saying he knew od a piece where there was even better beer. His mother-in-law then said she would accompany him there. Much later on when they had both drunk a great deal they both left the mother-in-law saying, "Don't leave me behind or I shall be murdered by 'tsotsis' (fuffians) and when my dead body is found, you will be accused of killing me." Humorous song.
  • Full Text: false
  • Date Issued: 1958

Ng'ombe zaya (His cattle)

- Kampala Mware and Chewa boys, Hugh Tracey

  • Authors: Kampala Mware and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159989 , vital:40364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-02
  • Description: The listeners answer 'Tilitonsi' "We are together". There was once a man who had some cows and he went to herd them out in the bush. When he felt hungry he went to a certain tree to cook a few grains of maize to eat. When he had eaten all he had cooked, he looked up and found his cows had disappeared. He called his son and told him the cattle had gone. "Bring me an arrow" he said, and then he sang this magic song "Ng'ombe dzaya" so they were able to find the animals again and took them back to the village. Nthano story song.
  • Full Text: false
  • Date Issued: 1958

Nga, nga, nga, nda reka (Lift and drop)

- Bauleni Zhuau, Hugh Tracey

  • Authors: Bauleni Zhuau , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155829 , vital:39921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-03
  • Description: The drum leader was not satisfied with the pitch of the drums and stopped playing to adjust the amount of wax on two of the drums and then started again while the girls continued to sing. The wax is made of caster oil beans pounded up, it sticks onto the drum heads in spite of the continual beating of sticks and hands. The addition of wax or paste lowers the note of the drum and the removal of quite a small amount of wax raises the note. Thus the drums can be tunned with reasonable accuracy. The players brought more paste on the drum heads than they needed, no doubt because a certain amount is lost in playing and then tuned by removing a certain amount on each head with a curved piece of tin shaped like a spoon. Note the stress upon the final syllable of Reka NdaReka. Likhuba dance with 9 tuned drums.
  • Full Text: false
  • Date Issued: 1958
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