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Charo Charo (The country, country)

Chawaiye-chawaiye (Married-married)

Chifundo chamanga (I long for my mother)

Chigona mbara (The drunkard)

Chikangaude (The spider)

  • Authors: Daliya Kafaniza , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158003 , vital:40138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-07
  • Description: A long time ago I went to the garden and there came a certain spider which turned into a man who told my children to give him some clothes to wear. The man told the children he had been sent by their mother. So he took the clothes and disappeared. "Children are children, they take their clothes from their clothes bag and give they away to anyone." Story song with clapping.
  • Full Text: false
  • Date Issued: 1958

Chimangala mangala (The cannibal)

  • Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
  • Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
  • Full Text: false
  • Date Issued: 1958

China mureya

Chinkanda amayi (The woman's beads)

  • Authors: Three young Nyanja men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
  • Language: Nyanja/Chewa/Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
  • Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
  • Full Text: false
  • Date Issued: 1958

Chipindura (To turn over)

Chisisi zano rine godo

  • Authors: M. Runesu Gumbo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154159 , vital:39615 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-06
  • Description: This singer makes up all his accompaniments for his humorous songs and sketches which are in the true line of rombe minstrel material. "Little sister, your idea is a jealous one. I go fetch firewood, you brought back ants. I go to the stream, you brought back dirty water, I go pound, you grind very coarsely, I go to cook, you cook undercooked food, I go to cut, you cut off to much, I go to take relish, you make it all dirty, I go to work in the fields, you go for young men, I go to wash clothes, you remain dirty, Little sister, your idea is a jealous one. Chisisi is taken from the English word 'sister' with the Karanga dimunitive 'chi'. Story song with Mbira.
  • Full Text: false
  • Date Issued: 1958

Chitako Bitileshi (Beatrice's thighs)

  • Authors: Joey Ngwira , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156876 , vital:40060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-09
  • Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. "Oh! the thighs of Beatrice. I could not sleep well last night." Self delectative song with board zither (Pango).
  • Full Text: false
  • Date Issued: 1958

Chumba (Barren)

  • Authors: Denis Yolambo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153806 , vital:39524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-05
  • Description: "You have taken a barren woman and I am very tired of her barren, barren, but today I am tired of her. My friend will have children. Mother, mother, but today mother I want a child but today, I Davis, I am protesting, I came to this land (of his in-laws) with the money of my brother, brother, brother but today! You have just come for trouble, brother, but today I make it clear to you. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Cimbwiwe (The Hyena)

Cinan'gomba (The Eagle)

  • Authors: Jason Kafunda and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153971 , vital:39549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-02
  • Description: A child hunting mice dug a hole and found an eagle inside. The bird told him not to tell his mother that he had found him. As the boy was on his way home the bird sang his song. When he met his mother she asked him why the bird was singing. The boy answered "Because I dug it out". The singing chased the bird until it was tired, so she caught it and killed it. S. "Cinang'omba cinang'omba coyaya ine, CH. Siico cinang'omba. S. Mwanawe, usakanene kwa amako kuti yaye Cimbalame ca banga pa msana ye. CH. Siico cinang'omba." "There is the eagle, there is the eagle. You, child, do not tell your mother that you have seen the eagle with spots on his back." Story and song (Nthanu)
  • Full Text: false
  • Date Issued: 1958

Coka Coka (Go away, go away)

  • Authors: 9 small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
  • Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

Coka coka Nate (Go to Nate)

  • Authors: Four girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160079 , vital:40381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-12
  • Description: There was once a certain man who took his wife to his home. Later on he got tired of her and he started to turn her away saying, "Go, go back to your home." "No" she said, "I must have a child before I go home and what is more you have not bought me any clothes to go dancing tsaba-tsaba." Pounding song, pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

Demelabantu ungangezwe (Attack, for you are as great as the world)

Doka, wandimara chiperi (They have refused me the beans)

Dongo-Dongola (The Clay child)

  • Authors: Children of Salima Government school , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Salima f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160143 , vital:40392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-19
  • Description: "A woman who had no child went to the 'doctor' who gave her medicine to make a child out of clay. He warned her that the child should never get wet. When it had grown up it was playing outside one day when the rain came. The mother quickly climbed onto an anthill and called the child 'Dongola. Dongola'! (clay). But the child got wet in the rain and when it came to the mother and she tried to pick it up it just melted away." This story which illustrates the intense desire of every African woman to have a child of her own is found in several parts of Africa. I first heard it in Southern Rhodesia among the Karanga of the Bikita district. In other socities the same instinct is frequently sublimated with pets or adoptions. Story song.
  • Full Text: false
  • Date Issued: 1958

Dudu sithando senfabulo (My happy, lovely girl)

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