Busumbu
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169421 , vital:41748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-02
- Description: The Busumbu phosphate mines employ many Europeans, Indians and Africans. But what phosphate is used for is a bit of a mystery to the native miners. It is of course, a most important fertiliser. What it will be used for , they sing, will be known. In the meanwhile labourers are many, Europeans, Indians and Africans. The tapping of the players heel on the ground can be heard throughout this recording. Usually the players of these lyres wear an anklet of metal iron bells on that leg. The Gisu cannot be said to be the best exponents of the lyre but they belong to the Nilotic tradition of playing. Topical song with seven string Litungu lyre and leg bells.
- Full Text: false
- Date Issued: 1950
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169421 , vital:41748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-02
- Description: The Busumbu phosphate mines employ many Europeans, Indians and Africans. But what phosphate is used for is a bit of a mystery to the native miners. It is of course, a most important fertiliser. What it will be used for , they sing, will be known. In the meanwhile labourers are many, Europeans, Indians and Africans. The tapping of the players heel on the ground can be heard throughout this recording. Usually the players of these lyres wear an anklet of metal iron bells on that leg. The Gisu cannot be said to be the best exponents of the lyre but they belong to the Nilotic tradition of playing. Topical song with seven string Litungu lyre and leg bells.
- Full Text: false
- Date Issued: 1950
Were umwene umanya
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169538 , vital:41761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-15
- Description: "God knows everything and is all powerful. When he dies everyman must account for himself before God." This song ended abruptly because the bridge of his lyre suddenly collapsed. Religious chant with Litungu seven string bowl lyre, pinned, heptatonic.
- Full Text: false
- Date Issued: 1950
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169538 , vital:41761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-15
- Description: "God knows everything and is all powerful. When he dies everyman must account for himself before God." This song ended abruptly because the bridge of his lyre suddenly collapsed. Religious chant with Litungu seven string bowl lyre, pinned, heptatonic.
- Full Text: false
- Date Issued: 1950
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