Kariaara
- Shinda Kamwana, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Shinda Kamwana , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/326095 , vital:60970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3068-XYZ7248
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Shinda Kamwana , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/326095 , vital:60970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3068-XYZ7248
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Mwamboko wa buxton
- Shinda Kamwana, Performer not specified, Tracey, Hugh
- Authors: Shinda Kamwana , Performer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/326130 , vital:60973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3069-XYZ7247
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Shinda Kamwana , Performer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/326130 , vital:60973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3069-XYZ7247
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kariaara (Slow motion)
- Authors: Shinda Kamwana , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiamuthambi f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175590 , vital:42597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-14
- Description: The button accordian has recently (1952) made its appearance in this area and largely on account of its ease of playing and the great amount of sound emitted, it has become very popular as an accompanying instrument. Most players are content to use only the simplest chords and as few notes as possible regardless of the melody of the song which the instrument accompanies rhythmically. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1950
- Authors: Shinda Kamwana , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiamuthambi f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175590 , vital:42597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-14
- Description: The button accordian has recently (1952) made its appearance in this area and largely on account of its ease of playing and the great amount of sound emitted, it has become very popular as an accompanying instrument. Most players are content to use only the simplest chords and as few notes as possible regardless of the melody of the song which the instrument accompanies rhythmically. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1950
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