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Arap Tapartale oleiy o Oleiy o laleiy o

Arap Tapartele oleiy o laleiy o

  • Authors: Kepkoske Arap Chepkwony with Kipsigis men , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kericho f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176963 , vital:42777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-11
  • Description: The player flips the bridge of the lyre with a finger tip as he plays. The song is largely a repetition by the chorus of the words 'olei yo lalei yo' a kind of "Hey - nonny - nonny." The singer also brings into his song the names of many places he has visited and likes in common with his audience. Both Kipsigis and Nandi are noted for their patriotism, their love of country as such, which they frequently express in song. This is comparatively rare with Bantu people who do not as a rule praise the beauty of the countryside and are mostly insensitive to scenery. Praise song with Chepkong 6 string bowl lyre.
  • Full Text: false
  • Date Issued: 1950

Aroko wendi wuododengo

Arumbarumba nyamini kidi

Arwa Otieno

Arwa Otieno

  • Authors: Mirasi, Ogalo , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
  • Language: Dho Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/297431 , vital:57578 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1986-XYZ5456
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Asaadahill

Asaadahill

Askari aka Zomba

Asonga omwami tagayala

  • Authors: Abalere ba Kabaka , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170608 , vital:41941 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-03
  • Description: This song warns a man to be good and a faithful servant once he is entrusted with service by his master. A man must respect the messenger of a chief for he is sent by the Chief himself. He must respect a man in authority even though he is of small stature for he represents the King. Morality song with 3 Ndere flutes, end blown, notched, open, 1 cylindrical drum, pinned, footed (-14.01201-), 3 conical drums, laced, 2 played with hands and 1 with sticks. (-14.22301-).
  • Full Text: false
  • Date Issued: 1950

Asonga omwani tagayala

Atalwa Endito

Atalwa endito

  • Authors: Baiyani Medurek with Arusha men , Hugh Tracey
  • Date: 1950
  • Subjects: Maasai (African people) , Songs, Maasai , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
  • Language: Masai
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173992 , vital:42429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-12
  • Description: "I eloped with your wife and she is still with me. So what can you do about it?" sings the man. He then goes on to sing about his cattle and the hills of Arusha. The second man took over the solo part half way through the item. The simple responses by the men is said to be typical of Embrukoi singing. Embrukoi dance song for men and women.
  • Full Text: false
  • Date Issued: 1950

Atate wuchona kwa Rhodesia

  • Authors: Joviani Nkhoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184857 , vital:44279 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-06
  • Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
  • Full Text: false
  • Date Issued: 1950

Atenderezebwe

Aupo tena mkwaju

Aupo tena mkwaju

Awa Ronga Waship

Awa Ronga washipile

Awakasi Mbaweyi

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