Showing items 301 - 320 of 527

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Mwanaolo pawani? (Whose child is it)

- Lomwe Police at Zomba, Hugh Tracey

Mwanaya (This child)

- Chiko Phiri, Hugh Tracey

  • Authors: Chiko Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald District f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156135 , vital:39955 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-14
  • Description: "The child cries because it is not mine." The father of this seven months old child took his baby in his arms and sang two lullabies, which he said his wife did not know how to sing. The child was as good as gold during the first, but cried all through the second. In spite of the words of the second song, the child was in fact his own. He called himself "Extra Zambezi" for some private reason. Lullaby.
  • Full Text: false
  • Date Issued: 1958

Mwee amai (Why mother?)

- Young Chewa women, Hugh Tracey

Mwezi mtondo (Month after next)

- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey

Myekelenahlome Kalakubeka (Let the Chief attack when staying at his mother's house)

- Large group of Swazi men, Hugh Tracey

  • Authors: Large group of Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152475 , vital:39282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-08
  • Description: "Mye kelenahlome kahakubeka! Sihlangu Sengu enyama Sinyamalele! Lwandle lukhukhumu ke Lwashi'simizi yadoda. Lwashisa sigodlo. "Leave the Paramount Chief to attack whilst staying in his mother's house. The shield of the Paramount Chief has disappeared. The sea has risen and destroyed the houses of men and the king's palace. Umgubo regimental song (or group song).
  • Full Text: false
  • Date Issued: 1958

Naba baNgoni bagwaza ngomkhonto (The Ngoni fight with spears)

- Ngoni men, Hugh Tracey

  • Authors: Ngoni men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Dedza f-mw
  • Language: Zulu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160835 , vital:40551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-09
  • Description: This item was recorded in the Eastern Transvaal where the performers had come to work on a citrus estate. In spite of over a century of osolation from the main Ngoni peoples, these Ngoni of Nyasaland still retain in their music, dancing and customs, the traits of their distant relatives in the South. Musically it is interesting to note that many Ngoni seem to be able to sing in either the pentatonic modes of the Zulu groups or adopt the heptatonic modes of their mother's people who have married into the Ngoni clans. Ngoma wedding song with stamping and hand clapping.
  • Full Text: false
  • Date Issued: 1958

NaBanda naPhiri (Banda and Phiri)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156063 , vital:39947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-07
  • Description: 'Banda and Phiri, I started calling you long ago now you are left behind. A good example of Mang'anja clapping. The language spoken by these Chikunda emigrants into this region from the Zambezi valley near Tete is much mixed up with the local Mang'anja. Njole dance with clapping.
  • Full Text: false
  • Date Issued: 1958

Nabaya banjibya ekhhaya (There they are, and they are calling me)

- Ntsandvose Mucina, five Swazi women and 5 men, Hugh Tracey

Nahatangena

- Group of seven Shangaan(Ronga) men, Elias Silaule, Composer not specified, Tracey, Hugh

Nahatangena (When I entered)

- Group of 7 Shangaan (Ronga) men with Elias Silaule, Hugh Tracey

Najele (The beads around your neck, Najele)

- Ezra Chimpanda and 2 Chewa men, Hugh Tracey

Nakhona Singianga Giba I

- Group of young Swazi men, Hugh Tracey

  • Authors: Group of young Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152965 , vital:39367 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-04
  • Description: A song for running and for walking. The same song is done in two styles. A young men do this style of chanting when loping from one village to another. Their songs change each year, they say, but the style of performance remains. It is part of the young men's set of dances also. "We are as many as those of Giba. We (the people of Sobhuza). Chant for running and walking.
  • Full Text: false
  • Date Issued: 1958

Nakhona Singianga Giba II

- Group of young Swazi men, Hugh Tracey

  • Authors: Group of young Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152970 , vital:39368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-05
  • Description: A song for running and for walking. The same song is done in two styles. A young men do this style of chanting when loping from one village to another. Their songs change each year, they say, but the style of performance remains. It is part of the young men's set of dances also. "We are as many as those of Giba. We (the people of Sobhuza). Chant for running and walking.
  • Full Text: false
  • Date Issued: 1958

Namalumbe (Nightjars)

- Young Men and women, Hugh Tracey

Namaye Bikitara wakwere bus (We heard the Bikitara has taken a bus)

- Bikitara Banda and friend, Hugh Tracey

Namwali (The girl)

- Joachim Mwale, Hugh Tracey

  • Authors: Joachim Mwale , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159001 , vital:40249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-18
  • Description: It is a commonly held belief that salt tasted or used by women while they cohabit with their husbands has the effect of bringing on conception. A woman having an illicit love affair therefore tries to avoid salt. "The girl who illicitly cohabts with her lover does not touch salt. The tuning of the Bangwe was; 488, 456, 416, 380, 324, 304. The top string (above 488) was not in tune. Self delectative song with Bangwe board zither.
  • Full Text: false
  • Date Issued: 1958

Nana, ndili kupita (Sister, I am going)

- George Zongoloti, Hugh Tracey

  • Authors: George Zongoloti , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155703 , vital:39907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-04
  • Description: "Sister, I am going, keeping crocodiles, fish and everything there as you do! Do not play with young boys or girls. The small boy will kill you and might keep those things I told you about, rice, maize and flour which belong to you. So mind you do not play with them!" The singer keeps some magical objects such as crocodiles and fish with which to make her own magic. The singer warns his sister not to show the children her magical objects or she will be punished for it. Topicla song with Nthikwi drum.
  • Full Text: false
  • Date Issued: 1958

Nanchengwe (The Hamerkop (a bird))

- Small girls under 14 years, Hugh Tracey

Nanga mondithawe (Wherever you go)

- Four Tumbuka women, Hugh Tracey

Nanga nigiye (If I can dance)

- Timeyo Muandila and his wife, Hugh Tracey

  • Authors: Timeyo Muandila and his wife , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
  • Language: Zulu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160853 , vital:40554 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-11
  • Description: The Ngoni fighting traditions still linger on in this district although all the organisation has vanished. The Chief is still called 'Inkosi' and they greet hum with 'Bayete'. The Gubu bow in Natal is a large unstressed bow held vertically with the left hand near the lower end and beaten with a light stick. The string is stopped with the backs of the first and second fingers of the left hand. It is still foumd in the Zululand played by elderly people only and undoubtedly came up to Nyasaland with the Ngoni invasion of Jiri and Gomani clans in the early part of the 19th century. The solo dance 'ukugiya' performed by Zulu or Ngoni men in front of the line of dancers, is usually acompanied by the recitation of declamation of the dancers personal praises, on important personal right. Fighting sonf with Gubu musical bow.
  • Full Text: false
  • Date Issued: 1958
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