Showing items 221 - 240 of 369

Your selections:

Moroallo oa metsi a pula

  • Authors: Ts'oene Toma and young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161292 , vital:40613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-05
  • Description: The melody of this song strongly resembles the songs of the Northern Tanganyikans. "The floods of rain. Ngene, Ngene, the noise of rain. The lightening flashed and then rain came. Makhoabunyane of Mount Katike. When it makes this roaring sound it does it only to annoy. So I took up my stick and went to find out about it. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Morulantshoana (Something that makes your heart happy)

Motee (Name)

Motee (The cattle)

Motlhala wa Noga (The spoor of a snake)

  • Authors: Royal Choristers , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kanye f-sa
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165259 , vital:41224 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-14
  • Description: This group is the Chief's own choir. The chief Bathoen has always been interested in music and has composed several songs for choirs. He possesses a grand piano himself and keeps up a choir at his home, Kanye. He frequently takes his choir by lorry and car around the country to give concerts elsewhere. His style of composition reflects the insititutional type of song which has been popular among students for several years employing the usual common chords. Interest in the folk music of the country having been discouraged by their teachers as socially inferior, this style of singing was intended to take its place among the 'educated'. Concert song.
  • Full Text: false
  • Date Issued: 1959

Mphe, mphe ea lapisa, Mokoena (A beggar goes hungry, Mokoena)

  • Authors: Monki Mofolo and group of 8 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161983 , vital:40744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-01
  • Description: "Mokoena" is a Seboko name meaning "of the crocodile". "A beggar goes hungry. Mokoena, a man of Makoli's household. There is a gun in Letsabisa's house, you will not handle it, you will only handle it when everyone is dead, we Libe's bulldogs, nip each other. Thanks to the word Lekana spoke. Deliver us from temptations, Chief!" Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Mpolelle pitso e kgolo (Tell me of the great meeting)

Mulumuzana kamana (The elder is mean)

Murumi wakaenda ku Harari (The man who went to Harari (Salsibury))

Nama ke gotlole (Stretch your legs)

  • Authors: Royal Choristers , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165250 , vital:41223 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-13
  • Description: "Stretch your legs and I will jump over you." One good turn deserves another. This group is the Chief's own choir. The chief Bathoen has always been interested in music and has composed several songs for choirs. He possesses a grand piano himself and keeps up a choir at his home, Kanye. He frequently takes his choir by lorry and car around the country to give concerts elsewhere. His style of composition reflects the insititutional type of song which has been popular among students for several years employing the usual common chords. Interest in the folk music of the country having been discouraged by their teachers as socially inferior, this style of singing was intended to take its place among the 'educated'. Concert song.
  • Full Text: false
  • Date Issued: 1959

Natal koa Boroa Tshukudu

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165688 , vital:41272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-08
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Ndapanda kobidi ndini (I discovered the pain myslef)

Ndiribe m'mbale (I have no neighbour)

Ndoto (I am full)

Ngoana Mosinoa thola (Keep quiet, Mosinoa's child)

Ngwana le noga (The child and the big watersnake)

  • Authors: Lizi Mulani , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166263 , vital:41344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-07
  • Description: There was once a child who was with other children and met a man who liked her. He asked the child to pull a splinter from his thumb. For that service many cattle appeared magically and the child was asked to choose one. The other children became jealous and when they passed a large hole in the ground they threw her in. There she lived with a big snake. After a while she wanted to go home again and the snake asked if he could twine himself around her. He did so and as she reached her home the snake went back to his hole. The song was sung on the way home:- "When I sing this song, you will know that I am tired and we must rest a while. Story.
  • Full Text: false
  • Date Issued: 1959

Ngwanyana a tima Mosadi-Mogola mosoko (The girl who did not give the old woman food)

  • Authors: Gertrude Matlou , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166254 , vital:41343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-06
  • Description: A certain girl cooked food and did not give any to an old woman. Later on the girl went to play. While she was playing she saw a locust which she follwed into the country. Other girls with her got tired, but she went on. The same old woman was out in the bush and she caught the locust and handed it to the girl when she came up, but when the girl tried to accept it, the woman caught hold of her and she began to cry. A man who was nearby heard the cry and came and killed the old woman, took the girl and nursed her wounds. One day the girl went to the river and there met her fatherwho went with her to her rescuer and gave him an ox and then afterwards took her safely home again. Story.
  • Full Text: false
  • Date Issued: 1959

Njenjenje

Nkosi wotolera (The false chief)

  • Authors: Chiwandira Mvula , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dowa, Mzimba District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154938 , vital:39795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-15
  • Description: Some words are in Ngoni and some in the local Chewa. The apparent meaning of the words refers to some old dispute about a chieftsmanship, the false chief having died and the rightful chief re-instated. The player was very old and it seems his song refers to some event in past history of his early days or even before. Ngoma dance with Kalimba Mbira.
  • Full Text: false
  • Date Issued: 1959

Nkwe e jele Rantshilane (The leopard has eaten Rantshilane)

  • Authors: Kebaakantse Dikhudu and group of 20 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165241 , vital:41222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-12
  • Description: "A leopard has eaten Rantshilane. It held him, it ate him. Oh! Mokampa--wee!" The pitches of the 19 flutes were as follows:- 1728, 1568, 1280, 1136, 864, 760, 664, 584, 432, 380, 332, 292, 224, (216)? 194, 172, 144, 108, 98, 84. The pitch of each pipe can be varied by the player both by the position of the lips and tongue over the emboucher and by the force of the wind, especially noticeable in the higher pitched pipes. The general mode adopted can be gauged roughly but few conclusions as to a Tswana pipe scale can be made from this evidence alone. No names other than Tswana numerals were given to the pipes except to that of the leader playing the highest pipe - Mutenyane. Pipe dance with ensemble of 19 "Ditlhaka" flutes.
  • Full Text: false
  • Date Issued: 1959
  • Disclaimer
  • Privacy
  • Copyright
  • Contact