Rhodes University Graduation Ceremony 1979
- Authors: Rhodes University
- Date: 1979
- Language: English
- Type: text
- Identifier: vital:8113 , http://hdl.handle.net/10962/d1004569
- Description: Rhodes University Graduation Ceremony on Friday, 6th April, 1979 at 8 p.m. [and] on Saturday, 7th April, 1979 at 10:30 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1979
- Authors: Rhodes University
- Date: 1979
- Language: English
- Type: text
- Identifier: vital:8113 , http://hdl.handle.net/10962/d1004569
- Description: Rhodes University Graduation Ceremony on Friday, 6th April, 1979 at 8 p.m. [and] on Saturday, 7th April, 1979 at 10:30 a.m. in the 1820 Settlers National Monument.
- Full Text:
- Date Issued: 1979
Salix babylonica - Weeping willow
- Authors: Skead, C J (Cuthbert John)
- Date: 1979
- Subjects: Salix babylonica -- South Africa -- Photographs , Trees -- South Africa -- Photographs
- Language: English
- Type: mixed material , photographs , notes
- Identifier: http://hdl.handle.net/10962/120366 , vital:34883
- Description: Caption "C. J. Skead's notes. Date of introduction of Weeping Willow. from: Parkes, Margery. 1979. Wheatlands. The Story of a Family and a Farm. Graaff-Reinet."
- Full Text: false
- Date Issued: 1979
- Authors: Skead, C J (Cuthbert John)
- Date: 1979
- Subjects: Salix babylonica -- South Africa -- Photographs , Trees -- South Africa -- Photographs
- Language: English
- Type: mixed material , photographs , notes
- Identifier: http://hdl.handle.net/10962/120366 , vital:34883
- Description: Caption "C. J. Skead's notes. Date of introduction of Weeping Willow. from: Parkes, Margery. 1979. Wheatlands. The Story of a Family and a Farm. Graaff-Reinet."
- Full Text: false
- Date Issued: 1979
Sanctus
- Andara music workshop participants, Wayera, Anastacia, Nebe, Benedet, Mokane, E., Dargie, Dave
- Authors: Andara music workshop participants , Wayera, Anastacia , Nebe, Benedet , Mokane, E. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara sx
- Language: Thimbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337590 , vital:62278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329a-03
- Description: Mbukushu Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Andara music workshop participants , Wayera, Anastacia , Nebe, Benedet , Mokane, E. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara sx
- Language: Thimbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337590 , vital:62278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329a-03
- Description: Mbukushu Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Performer not specified, Composer not specified, Dargie, Dave
- Authors: Performer not specified , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/341018 , vital:62718 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC337b-03
- Description: Indigenous Ovambo music accompanied by clapping
- Full Text: false
- Date Issued: 1979
- Authors: Performer not specified , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/341018 , vital:62718 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC337b-03
- Description: Indigenous Ovambo music accompanied by clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Performer not specified, Suping, T. W., Dargie, Dave
- Authors: Performer not specified , Suping, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku sx
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/340185 , vital:62612 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC336a-04
- Description: Arrangement of the Sanctus accompanied by clapping and drum
- Full Text: false
- Date Issued: 1979
- Authors: Performer not specified , Suping, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku sx
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/340185 , vital:62612 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC336a-04
- Description: Arrangement of the Sanctus accompanied by clapping and drum
- Full Text: false
- Date Issued: 1979
Sanctus
- Bunya music workshop participants, Sitarara, Teobal, Dargie, Dave
- Authors: Bunya music workshop participants , Sitarara, Teobal , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Rundu sx
- Language: Rukwángali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337500 , vital:62268 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC328b-02
- Description: Kwangali Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Bunya music workshop participants , Sitarara, Teobal , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Rundu sx
- Language: Rukwángali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337500 , vital:62268 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC328b-02
- Description: Kwangali Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Lumko church music workshop participants, Sithole, Clement, Brother, Dargie, Dave
- Authors: Lumko church music workshop participants , Sithole, Clement, Brother , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mahlabathini
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410438 , vital:70710 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC115b-11
- Description: Lumko church music workshop composition in Zulu, accompanied by the drum.
- Full Text: false
- Date Issued: 1979
- Authors: Lumko church music workshop participants , Sithole, Clement, Brother , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mahlabathini
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410438 , vital:70710 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC115b-11
- Description: Lumko church music workshop composition in Zulu, accompanied by the drum.
- Full Text: false
- Date Issued: 1979
Sanctus
- Oshikuku church music workshop participants, Sisters of Oshikuku, Dargie, Dave
- Authors: Oshikuku church music workshop participants , Sisters of Oshikuku , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337918 , vital:62320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC330a-03
- Description: Owambo Sanctus arranged to a traditional melody accompanied by rattle, drum and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Oshikuku church music workshop participants , Sisters of Oshikuku , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337918 , vital:62320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC330a-03
- Description: Owambo Sanctus arranged to a traditional melody accompanied by rattle, drum and clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Gobabis music workshop participants, Dargie, Dave
- Authors: Gobabis music workshop participants , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338380 , vital:62381 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC330b-16
- Description: Nama Sanctus accompanied by clapping
- Full Text: false
- Date Issued: 1979
- Authors: Gobabis music workshop participants , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338380 , vital:62381 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC330b-16
- Description: Nama Sanctus accompanied by clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Nyangana music workshop participants, Composer not specified, Dargie, Dave
- Authors: Nyangana music workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana sx
- Language: Gciriku
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337873 , vital:62313 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329b-06
- Description: Gciriku Gloria accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Nyangana music workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana sx
- Language: Gciriku
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337873 , vital:62313 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329b-06
- Description: Gciriku Gloria accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Sanctus
- Sister Martina OSB with the E Brothers Church, Martina, Sister, OSB, Martina, Sister, Dargie, Dave
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425683 , vital:72275 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-29
- Description: Church choral hymn, with singing accompanied by drums. New Zulu church service hymn.
- Full Text: false
- Date Issued: 1979
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425683 , vital:72275 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-29
- Description: Church choral hymn, with singing accompanied by drums. New Zulu church service hymn.
- Full Text: false
- Date Issued: 1979
Sanctus
- Sister Martina OSB with the E Brothers Church, Martina, Sister, OSB, Martina, Sister, Dargie, Dave
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425567 , vital:72263 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-17
- Description: Church choral hymn with singing accompanied by drumming. New Zulu church service hymn. Gloria.
- Full Text: false
- Date Issued: 1979
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425567 , vital:72263 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-17
- Description: Church choral hymn with singing accompanied by drumming. New Zulu church service hymn. Gloria.
- Full Text: false
- Date Issued: 1979
Satan and Lucifer: a comparison of their metamorphoses from Angel to Devil in Milton's Paradise lost and Vondel's Lucifer and Adam in Ballingschap
- Authors: Paterson, Lynette
- Date: 1979
- Subjects: Milton, John, 1608-1674 Vondel, Joost van den, 1587-1679
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2184 , http://hdl.handle.net/10962/d1001837
- Description: The aim of this thesis is to compare the poetic delineation of the character of Satan in Paradise Lost with that of Lucifer in Lucifer and Adam in Ballingschap, and to consider the influence of the genre in each case , not in order to prove similarities or differences , but rather to allow the characters to illuminate each other. Both Satan and Lucifer develop progressively from angel to devil in the course of the poem or play. However, this process is more than just a physical metamorphosis, or even a moral degeneration. It is in each case a process of identity change, intensely and consciously experienced by the character. The fall is a movement from God to Self. The unfallen creature's integrity consists in his submergence in the Being and Will of God; for the fallen creature integrity means a separate, independent self-hood. In rebelling against their role and duty as Archangel, Satan and Lucifer rebel against submergence in the Being of God and thus against their very nature and the order of things. Consequently they experience personal and psychological disintegration. From this condition of imbalance and uncertainty they both develop to a new state of personal reintegration and unequivocal identity, now as Arch-fiend. In neither case is the process instant or entirely concurrent with the physical fall into Hell. Rather, it is protracted, hence the division of this thesis into sections that focus on the different stages in the development: Archangel, Arch-rebel and Arch- fiend (introduction, p. ii-iii).
- Full Text:
- Date Issued: 1979
- Authors: Paterson, Lynette
- Date: 1979
- Subjects: Milton, John, 1608-1674 Vondel, Joost van den, 1587-1679
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2184 , http://hdl.handle.net/10962/d1001837
- Description: The aim of this thesis is to compare the poetic delineation of the character of Satan in Paradise Lost with that of Lucifer in Lucifer and Adam in Ballingschap, and to consider the influence of the genre in each case , not in order to prove similarities or differences , but rather to allow the characters to illuminate each other. Both Satan and Lucifer develop progressively from angel to devil in the course of the poem or play. However, this process is more than just a physical metamorphosis, or even a moral degeneration. It is in each case a process of identity change, intensely and consciously experienced by the character. The fall is a movement from God to Self. The unfallen creature's integrity consists in his submergence in the Being and Will of God; for the fallen creature integrity means a separate, independent self-hood. In rebelling against their role and duty as Archangel, Satan and Lucifer rebel against submergence in the Being of God and thus against their very nature and the order of things. Consequently they experience personal and psychological disintegration. From this condition of imbalance and uncertainty they both develop to a new state of personal reintegration and unequivocal identity, now as Arch-fiend. In neither case is the process instant or entirely concurrent with the physical fall into Hell. Rather, it is protracted, hence the division of this thesis into sections that focus on the different stages in the development: Archangel, Arch-rebel and Arch- fiend (introduction, p. ii-iii).
- Full Text:
- Date Issued: 1979
Scene in western half of the vlei at White Gate, Burntkraal camp, Crock Road
- Authors: Skead, C J (Cuthbert John)
- Date: 1979
- Subjects: Crinum campanulatum -- South Africa -- Eastern Cape , Plants -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12251 , http://hdl.handle.net/10962/d1013632
- Description: Where a few plants of Crinum campanulatum flowered for the first time after having been transferred there from another vlei by Mrs. Lou Mullins in 1960's. Previously this vlei had none of these whereas other vlei's there had lots.
- Full Text: false
- Date Issued: 1979
- Authors: Skead, C J (Cuthbert John)
- Date: 1979
- Subjects: Crinum campanulatum -- South Africa -- Eastern Cape , Plants -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12251 , http://hdl.handle.net/10962/d1013632
- Description: Where a few plants of Crinum campanulatum flowered for the first time after having been transferred there from another vlei by Mrs. Lou Mullins in 1960's. Previously this vlei had none of these whereas other vlei's there had lots.
- Full Text: false
- Date Issued: 1979
Scientific theories : a philosophical analysis
- Authors: Schwerin, Alan Kenneth
- Date: 1979
- Subjects: Science -- Philosophy , Logical positivism , Realism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2701 , http://hdl.handle.net/10962/d1001976
- Description: In this essay I have considered some of the philosophical problems involved in attempting to settle the question, What are scientific theories about? And in order to expose these problems, I have dealt with two influential responses to this question of the referents of scientific theories - namely, logical empiricism and realism.
- Full Text:
- Date Issued: 1979
- Authors: Schwerin, Alan Kenneth
- Date: 1979
- Subjects: Science -- Philosophy , Logical positivism , Realism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2701 , http://hdl.handle.net/10962/d1001976
- Description: In this essay I have considered some of the philosophical problems involved in attempting to settle the question, What are scientific theories about? And in order to expose these problems, I have dealt with two influential responses to this question of the referents of scientific theories - namely, logical empiricism and realism.
- Full Text:
- Date Issued: 1979
Sedimentology of the Katberg sandstone in the Eastern Cape Province
- Authors: Stavrakis, Nicholas
- Date: 1979 , 2013-10-16
- Subjects: Sedimentology -- South Africa -- Eastern Cape , Geology, Stratigraphic -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5034 , http://hdl.handle.net/10962/d1007355 , Sedimentology -- South Africa -- Eastern Cape , Geology, Stratigraphic -- South Africa -- Eastern Cape
- Description: The Katberg Sandstone is an arenaceous formation occuring stratigraphically three querters of the way up in the Beaufort Group in the south-eastern part of the main Karoo basin. A sedimentological study was carried out on the Katberg Sandstone and adjacent formations, in a 2 000 km² area south of Queenstown. Stratigraphic sections were measured and lithofacies based on the style of Miall (1977) were established for the Katberg Sandstone, Balfour and Burgersdorp Formations. Stratigraphic relationships show that the Burgersdorp Formation in the study area, is the lateral (distal) equivalent of the Katberg Sandstone. The changeover from sandstone to predominantly shale lithology occurs roughly east-west between Cathcart and Whittlesea. Stream hydraulic theory is discussed and the sedimentary structures of the various lithofacies are explained in terms of this theory. An analysis was done of thirty-four palaeochannels, and their various ancient flow characteristics were derived via multiple regression equations and a FORTRAN computer program. A statistical analysis of bedform structures, showed that flat-bedding of the upper flow regime is the dominant sedimentary structure of the Katberg Sandstone. Trough cross-bedding originating in aqueous dunes and planar cross-bedding of transverse bars, are fairly well represented while ripples are virtually absent. The opposite applies to the Balfour Formation where lower flow regime structures, viz., ripple cross-lamination and trough cross-bedding predominate. There is an even spread of (upper) flat-bedding, trough cross-bedding and ripple cross-lamination in the Burgersdorp Formation. Detailed measurement of typical short sequences from sections of the three formations, and transition matrix analyses, showed the facies assemblages to be of three stream types: (i) Katberg type: similar to Platte type of Miall (1977). Sediments were deposited by swiftly flowing, low sinuosity, braided, ephemeral streams with a predominantly sand bedload. Each flow started with preconsolidated silt and mud (flakes), and movement of exogenetic pebble lags. Channel avulsion and deposition of mud drapes in higher topographic levels of the stream were common phenomena. (ii) Balfour type: characterised by lateral accretion point bar type sequences of high sinuosity streams, and vertical accretion floodplain deposits. Lower flow regime dune and ripple bedform structures overlying (upper) flat-beds indicate a loss of stream power with channel migration. (iii) Burgersdorp type: similar to Katberg type for sandstone units, also crevasse-splays onto thick subaerially exposed floodplain aggradation reddish shales. Conventional microscopy and SEM studies showed tremendous diagenetic effects mostly in the form of secondary quartz growth in the sandstones of the three formations. Electron microprobe analyses were done on titanomagnetite grains from heavy mineral layers of the Katberg Sandstone, so that thermometric predictions could be made on provenance rocks. Palaeocurrents of the Katberg Sandstone are mostly Rank 4 and 5 types (Miall, 1974), i.e., they were generated within bars with not much change in stream orientation. Burgersdorp and Balfour formation palaeocurrents are Rank 1 - 3 types. In the case of the former this is owing to directional changes in channels as a result of frequent crevasse-splays, and in the case of the latter owing to differences in orientation between entire tracts of highly sinuous palaeostreams. Palaeocurrent directions in the Katberg Sandstone indicate a southeasterly provenance which accords with the findings of other Beaufort Group workers. Bed relief index calculations (Smith, 1970), made on Katberg rocks, considered together with the abundance of planar cross-bedding (of transverse bars) and apparent absence of longitudinal bars, testify to the deposition of the Katberg Sandstone in the distal parts of the braided stream environment. The Beaufort sediments of the study area have the sedimentological characteristics of a molasse sequence, but a different implied tectonogenesis. During Balfour sedimentation the equilibrium base was being raised very slowly at the source and complete fluvial sequences were deposited under a humid temperate climate, on a slowly subsiding plain. During Katberg/Burgersdorp times, source area tectonism was pronounced but interrupted and incomplete sequences were deposited under an arid climate. Provenance rocks for the formations studied included biotite mesoperthitic granite, granulite, charnockite, granite porphyry, granophyre, metaquartzite, greenschist and possibly diorite, epidosit e and alkaline volcanic rocks. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
- Full Text:
- Date Issued: 1979
- Authors: Stavrakis, Nicholas
- Date: 1979 , 2013-10-16
- Subjects: Sedimentology -- South Africa -- Eastern Cape , Geology, Stratigraphic -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5034 , http://hdl.handle.net/10962/d1007355 , Sedimentology -- South Africa -- Eastern Cape , Geology, Stratigraphic -- South Africa -- Eastern Cape
- Description: The Katberg Sandstone is an arenaceous formation occuring stratigraphically three querters of the way up in the Beaufort Group in the south-eastern part of the main Karoo basin. A sedimentological study was carried out on the Katberg Sandstone and adjacent formations, in a 2 000 km² area south of Queenstown. Stratigraphic sections were measured and lithofacies based on the style of Miall (1977) were established for the Katberg Sandstone, Balfour and Burgersdorp Formations. Stratigraphic relationships show that the Burgersdorp Formation in the study area, is the lateral (distal) equivalent of the Katberg Sandstone. The changeover from sandstone to predominantly shale lithology occurs roughly east-west between Cathcart and Whittlesea. Stream hydraulic theory is discussed and the sedimentary structures of the various lithofacies are explained in terms of this theory. An analysis was done of thirty-four palaeochannels, and their various ancient flow characteristics were derived via multiple regression equations and a FORTRAN computer program. A statistical analysis of bedform structures, showed that flat-bedding of the upper flow regime is the dominant sedimentary structure of the Katberg Sandstone. Trough cross-bedding originating in aqueous dunes and planar cross-bedding of transverse bars, are fairly well represented while ripples are virtually absent. The opposite applies to the Balfour Formation where lower flow regime structures, viz., ripple cross-lamination and trough cross-bedding predominate. There is an even spread of (upper) flat-bedding, trough cross-bedding and ripple cross-lamination in the Burgersdorp Formation. Detailed measurement of typical short sequences from sections of the three formations, and transition matrix analyses, showed the facies assemblages to be of three stream types: (i) Katberg type: similar to Platte type of Miall (1977). Sediments were deposited by swiftly flowing, low sinuosity, braided, ephemeral streams with a predominantly sand bedload. Each flow started with preconsolidated silt and mud (flakes), and movement of exogenetic pebble lags. Channel avulsion and deposition of mud drapes in higher topographic levels of the stream were common phenomena. (ii) Balfour type: characterised by lateral accretion point bar type sequences of high sinuosity streams, and vertical accretion floodplain deposits. Lower flow regime dune and ripple bedform structures overlying (upper) flat-beds indicate a loss of stream power with channel migration. (iii) Burgersdorp type: similar to Katberg type for sandstone units, also crevasse-splays onto thick subaerially exposed floodplain aggradation reddish shales. Conventional microscopy and SEM studies showed tremendous diagenetic effects mostly in the form of secondary quartz growth in the sandstones of the three formations. Electron microprobe analyses were done on titanomagnetite grains from heavy mineral layers of the Katberg Sandstone, so that thermometric predictions could be made on provenance rocks. Palaeocurrents of the Katberg Sandstone are mostly Rank 4 and 5 types (Miall, 1974), i.e., they were generated within bars with not much change in stream orientation. Burgersdorp and Balfour formation palaeocurrents are Rank 1 - 3 types. In the case of the former this is owing to directional changes in channels as a result of frequent crevasse-splays, and in the case of the latter owing to differences in orientation between entire tracts of highly sinuous palaeostreams. Palaeocurrent directions in the Katberg Sandstone indicate a southeasterly provenance which accords with the findings of other Beaufort Group workers. Bed relief index calculations (Smith, 1970), made on Katberg rocks, considered together with the abundance of planar cross-bedding (of transverse bars) and apparent absence of longitudinal bars, testify to the deposition of the Katberg Sandstone in the distal parts of the braided stream environment. The Beaufort sediments of the study area have the sedimentological characteristics of a molasse sequence, but a different implied tectonogenesis. During Balfour sedimentation the equilibrium base was being raised very slowly at the source and complete fluvial sequences were deposited under a humid temperate climate, on a slowly subsiding plain. During Katberg/Burgersdorp times, source area tectonism was pronounced but interrupted and incomplete sequences were deposited under an arid climate. Provenance rocks for the formations studied included biotite mesoperthitic granite, granulite, charnockite, granite porphyry, granophyre, metaquartzite, greenschist and possibly diorite, epidosit e and alkaline volcanic rocks. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
- Full Text:
- Date Issued: 1979
Sele Ahom
- Church service leader and congregation, Composer not specified, Dargie, Dave
- Authors: Church service leader and congregation , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Langa, Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/422189 , vital:71918 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC010a-01
- Description: Church choral hymn with unaccompanied singing
- Full Text: false
- Date Issued: 1979
- Authors: Church service leader and congregation , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Langa, Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/422189 , vital:71918 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC010a-01
- Description: Church choral hymn with unaccompanied singing
- Full Text: false
- Date Issued: 1979
Senze senze
- St. Gabriel's Church Choir, Martina, OSB, Sister, Dargie, Dave
- Authors: St. Gabriel's Church Choir , Martina, OSB, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Church music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/292656 , vital:57004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC003b-02
- Description: New African Church Hymn
- Full Text: false
- Date Issued: 1979
- Authors: St. Gabriel's Church Choir , Martina, OSB, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Church music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/292656 , vital:57004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC003b-02
- Description: New African Church Hymn
- Full Text: false
- Date Issued: 1979
Senze Senze
- Church music workshop participants, Composer not specified, Dargie, Dave
- Authors: Church music workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Bulawayo sa
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368954 , vital:66158 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC062a-09
- Description: Hymn, accompanied by the drum
- Full Text: false
- Date Issued: 1979
- Authors: Church music workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Bulawayo sa
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368954 , vital:66158 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC062a-09
- Description: Hymn, accompanied by the drum
- Full Text: false
- Date Issued: 1979
Senze senze
- St. Gabriel's church choir, Martina, Sister, OSB, Dargie, Dave
- Authors: St. Gabriel's church choir , Martina, Sister, OSB , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/385286 , vital:67995 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC003a-02
- Description: Church hymn, accompanied by clapping. Antiphon.
- Full Text: false
- Date Issued: 1979
- Authors: St. Gabriel's church choir , Martina, Sister, OSB , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/385286 , vital:67995 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC003a-02
- Description: Church hymn, accompanied by clapping. Antiphon.
- Full Text: false
- Date Issued: 1979