Ken Bugul Dee-
- Authors: Selle Diop (comoser, performer) , Souleymane Faye (arranged by) , Lay Diagne (keyboards) , Robson (accoustic guitar, percussion) , Nagirou Dia, Selle Diop (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128467 , vital:36112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC11-01
- Description: Senegalese band featuring singing accompanied by keyboard, guitar and percussion
- Full Text: false
- Date Issued: 2000
Key decision-makers' perceptions of sustainable sea fisheries in Namibia and the implications for environmental education programmes
- Authors: Boois, Ulrich
- Date: 2000
- Subjects: Environmental education -- Namibia Fisheries -- Environmental aspects Fisheries -- Environmental aspects -- Namibia Sustainable development -- Environmental aspects Sustainable development -- Environmental aspects -- Namibia
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1661 , http://hdl.handle.net/10962/d1003544
- Description: This study investigates key decision-makers' perceptions of sustainable sea fisheries in Namibia, and explores the possibilities for the future development of education programmes that focus on "sustainability" in the fisheries sector. The concept of "sustainability" and its application in the context of a biological resource, namely sea fisheries, was examined. A series of questions were raised concerning sustainable fisheries: intergenerational implications of patterns of resource use, equity concerns, time horizons, and the protection of marine biodiveristy, among others. Examples from the Namibian and the European Community Sea Fisheries Industries are used to illustrate these issues. In spite of divergent views on what "sustainability" means, the study leads to certain findings that have broader policy implications. Data was collected from semi-structured interviews undertaken with six (6) key decision-makers in the Sea Fisheries Industry of Namibia, then analysed and assessed. The perceptions of key decisionmakers were determined by qualitative analysis in the interpretive paradigm. The data indicated some agreement in terms of what the key decision-makers think about the sustainable utilisation of the fisherjes resources. It is almost impossible to have complete agreement, because the decision-makers are from different contextual backgrounds. Those who make the decisions are more concerned about "how to manage" and those who act on the decisions put more emphasis on economic self-interest. Although the interviewees' perceptions of sustainable fisheries was imperfect, there was broad support for its aims and principles. The study also revealed that the achievement of sustainable sea fisheries development in Wamibia will require broader educational and public awareness programmes to enhance participation in decision-making debates. Formal and informal marine environmental education, from the perspective of "Responsible Fishing" has been emphasised.
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- Date Issued: 2000
Kolondji
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kouman
- Authors: Founy Faya (author, composer, lead vocal) , Marcelin Yace (flute) , Evan's Yace (guitar, arrangement) , Jojo (bass) , Kone Ibrahim, Founy Faya (percussion) , Astride, Oliza, Hariton T Cheky (chorus) , Showbiz
- Date: 2000
- Subjects: Popular music , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129695 , vital:36321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC31-08
- Description: Reggae music from Cote d'Ivoire's Burkinabe's diaspora
- Full Text: false
- Date Issued: 2000
Kounandi
- Authors: Banani Kone (composer, performer, arranger) , Nalini, Mamani Keita, Bintou Camara (chorus) , Dominique Sablier (piano) , Raphael Chossin (drums) , Julio (bass guitar) , Mouriba Koita, Fousseni Kouyate (N'goni) , Moussa Kone, Djelikedjan, Yacou (cora) , Oumar Dagon, Moussa Kouyate, Partrick (guitars) , Kerfala Kante (arranger) , Eric Bono
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Souther Region f-ml
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127631 , vital:36028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO5-05
- Description: Malian modern band, solo female vocalist and chorus sing accompanied by N'goni, cora, guitar, piano and drums
- Full Text: false
- Date Issued: 2000
Kounkan
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Koussougro-Sery
- Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129005 , vital:36202 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-08
- Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
- Full Text: false
- Date Issued: 2000
Kpihi-Gou
- Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129021 , vital:36205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-10
- Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
- Full Text: false
- Date Issued: 2000
L'Afrique d'avant
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129359 , vital:36266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-03
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
L'an 2000
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127719 , vital:36038 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-05
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
La bal
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Laissez-le
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129274 , vital:36255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-04
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
LaPaix
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128044 , vital:36069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-08
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Latent murderousness: an exploration of the nature and quality of object relations in rage-type murderers
- Authors: Cartwright, Duncan James
- Date: 2000
- Subjects: Murder Murder -- Case studies Murderers -- Psychology Criminal psychology Violence Narcissism Aggressiveness Anger
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2946 , http://hdl.handle.net/10962/d1002455
- Description: In this dissertation I investigate the intrapsychic make-up of rage-type offenders and explore the psychodynamics of the act of murder itself The dissertation begins with a discussion on the defining features of the act of rage-type murder. I then consider the role of personality characteristics and psychopathology in individuals who have committed such offences. With the basic features of the offender and act itself outlined, the following section reviews key areas of debate regarding the psychodynamics of violence and the intrapsychic make-up of the rage-type murderer. I first explore the nature of aggression as debated in psychoanalysis and conclude that the views expressed are often unn,ecessarily polarized regarding the origins of aggression and suggest that the specifics of particular types of aggression require consideration in order to assess their intrapsychic nature. The specifics of rage and violence are discussed with this in mind. In the second chapter of this section I develop a number of intrapsychic dimensions to be used in understanding how different types of violence are constituted. Psychodynamic contributions towards understanding rage-type murder, as a specific form of violence, are then discussed. Following this review, a number of directive ~uestions are formulated regarding (1) the intrapsychic dimension of rage-type murder; (2) the pJ;esence of the borderline personality in such offender~ and its intrapsychic nature; and (3) the_ specific psychodynamics that lie behind what is argued to be a defensive act of murder. A multiple case study approach, using nine imprisoned rage-type offenders, is used to further explore the above issues. Court summary reports, the Thematic Apperception Test and the Psychoanalytic Research Interview comprised the research material, with particular emphasis placed on the interview material. The interview is approached from a psychoanalytic perspective and I develop some theoretical, technical and analytical guidelines to try to broaden Jhe use of psychoanalysis in the research domain. Findings of the research reveal a specific kind of defensive organization that is characterized by a constellation of object relations that I term the 'narcissistic exoskeleton'. I suggest that these findings best fit the description of a particular kind of borderline personality organization typified by apparent 'normality'. Other prominent aspects of the dimensions of violence observed in these cases include: (1) a poor representational capacity; (2) an interactional style characterized by uncontainable projective exchanges between victim and offender; (3) a collusive primary object relationship combined with the absence of an internalized 'third object'; (4) a 'two-faced' superego structure; (5) the internalization of traumatic experience that has become associated with a bad object system; (6) phantasies of restoring ideal good in external objects alongside conscious fantasies of annihilation. Within the context of these factors the intrapsychic events that lead to the act itself are discussed. It is found that a collapse of the 'narcissistic exoskeleton', the intrusion of the bad object system and the unbearable shame that this evokes in the offender are prominent features of what culminates in an act of explosive rage and projective identification. Some of the implications of my research are briefly discussed in the concluding chapter.
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- Date Issued: 2000
Learning support materials (LSMs) and Curriculum 2005 (C2005): a research paper on the role of learning support materials in Curriculum 2005.
- Authors: Czerniewicz, Laura , Murray, Sarah R , Probyn, Margie J
- Date: 2000
- Language: English
- Type: Report
- Identifier: vital:7018 , http://hdl.handle.net/10962/d1007172
- Description: The report examines the role of LSMs in bringing about the change envisaged in Curriculum 2005. It highlights three aspects of the new curriculum that are especially pertinent: resource-based learning, information literacy and lifelong learning. It argues that lifelong learning depends on information literacy, and this literacy can only be acquired through interaction with resources. The new curriculum thus requires resources. The report then examines the way in which LSMs are conceptualised in policy documents. It reveals a lack of clarity both with regard to the nature of LSMs and who is responsible for producing them. It proposes a framework for the description of LSMs, which distinguishes between resources (the ‘raw materials’) and LSMs (resources shaped to a pedagogical purpose). The question of access to resources is then considered. The report argues that access requires a minimum level of expenditure, and points to the fact that spending on LSMs has fallen dramatically over the past four years. To enable access, LSMs must be well-structured, well-prepared and appropriate. They must also reach schools on time and be well-managed when they get there. The report also considers access to libraries and computer technology, both of which are vital in resource-based learning. It reveals severe cutbacks in school and provincial library services, and disparities with regard to access to libraries and computer technology, in particular and to LSMs in general. In multilingual societies, language is a factor that determines access to LSMs. The report reveals that although policy advocates a multilingual approach, increasing numbers of School Governing Bodies are opting for education in English. This will influence publishing in all African languages. The report then turns to the situation in classrooms and finds wide disparities between teaching practices in well-resourced and under-resourced schools with the former being closer to the practices advocated by C2005 than the latter. The report suggests that change will not occur overnight. Resources construct practice and are necessary in order for real change to occur. Low levels of literacy, especially in rural schools are exacerbated by the fact that children are expected to read in an inadequately mastered second language. Consequently, teachers interpret textbooks that are often inaccessible to learners thus setting patterns of rote learning and dependency that persist throughout children’s schooling. Poor basic literacy is also a concern as it is fundamental to the development of more sophisticated literacies required by C2005. The report considers the teacher-textbook debate and challenges its polarity, arguing instead for a hand-in-hand approach: textbooks and other LSMs cannot on their own improve teaching; they must be accompanied by teacher development. It is this view which frames discussion of three important components of teacher competence: use of LSMs; design / production of LSMs; and evaluation of LSMs Research suggests that teachers mediate LSMs and adapt them to existing practice and that teachers do not always share the vision of materials writers nor understand their conceptual goals. They may not even use LSMs when they are available. Nevertheless, international research has shown that carefully designed LSMs can support curriculum change. While policy now requires that teachers produce some of their own LSMs, research reveals wide disparities in their ability to do so. For many the desire to produce their own LSMs does not translate into a practical competence. Some commentators believe that it is unrealistic to expect teachers to produce their own LSMs: they should rather make use of good quality textbooks (which provide the learning programme), and develop their own supplementary materials. However this highlights the importance of consistent, fair and competent book evaluation systems/ practices, an area which research has shown to be currently extremely problematic. In conclusion, the report re-emphasises the importance of resources and stresses their role in capacity building. Concern is expressed that policy documents do not always pay sufficient attention to this. The report also points to the need to increase efficiencies in the system and spend what funding there is wisely. Finally, it highlights the need for more systematic research on what happens in classrooms to inform curriculum planning and implementation.
- Full Text:
- Date Issued: 2000
Lekoussa
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (accoustic guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127509 , vital:36018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-03
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Les Vielles Cabanes Ensorcelees
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127268 , vital:35994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-03
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Libre Ego
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131508 , vital:36588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-07
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
Ligeeya Woor
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130191 , vital:36385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-02
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000