Kimbalaliki bwaki umwene gwanu nyoile
- Tigalyoma Tiwesobwa with Zinza women, Hugh Tracey
- Authors: Tigalyoma Tiwesobwa with Zinza women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyabubungo f-tz
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172529 , vital:42215 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-06
- Description: "I must tighten my belt because I am going to work on my own house now." A most interesting example of the use of counter subjects to the ground. The verses sung by the soloist are not of the same length, but fit into the general rhythmic pattern. Wedding song, with conical, laced, drum.
- Full Text: false
- Date Issued: 1952
- Authors: Tigalyoma Tiwesobwa with Zinza women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyabubungo f-tz
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172529 , vital:42215 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-06
- Description: "I must tighten my belt because I am going to work on my own house now." A most interesting example of the use of counter subjects to the ground. The verses sung by the soloist are not of the same length, but fit into the general rhythmic pattern. Wedding song, with conical, laced, drum.
- Full Text: false
- Date Issued: 1952
Kimbalizi bwaki umweni guamunyoile
- Tigalyoma Tigweobwa, Zinza people, Composer not specified, Tracey, Hugh
- Authors: Tigalyoma Tigweobwa , Zinza people , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291319 , vital:56845 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1772-XYZ5203a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Tigalyoma Tigweobwa , Zinza people , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291319 , vital:56845 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1772-XYZ5203a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Kimbalizi bwaki umweni guamunyoile
- Tigalyoma Tilwesobwa, Zinza Women, Composer not specified, Tracey, Hugh
- Authors: Tigalyoma Tilwesobwa , Zinza Women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291484 , vital:56871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1776-XYZ5203a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Tigalyoma Tilwesobwa , Zinza Women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291484 , vital:56871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1776-XYZ5203a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mlekule bona nibajenda bona
- Siluvesitere Ilaliya, Hugh Tracey
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172684 , vital:42270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-03
- Description: "We all like to dance the Mlekule." The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172684 , vital:42270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-03
- Description: "We all like to dance the Mlekule." The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
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