Sihaw'kele Nkosi
- Molefe, S. C., Composer not specified, Dargie, Dave
- Authors: Molefe, S. C. , Composer not specified , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Vosloorus sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/331200 , vital:61531 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC319b-02
- Description: Church music accompanied by drum
- Full Text: false
- Date Issued: 1977
- Authors: Molefe, S. C. , Composer not specified , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Vosloorus sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/331200 , vital:61531 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC319b-02
- Description: Church music accompanied by drum
- Full Text: false
- Date Issued: 1977
Thabanini kuKristu
- Music workshop participants, Composer not specified, Dargie, Dave
- Authors: Music workshop participants , Composer not specified , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kwanongoma sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389712 , vital:68477 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC067b-15
- Description: Zulu church choral hymn accompanied by drumming and rattles.
- Full Text: false
- Date Issued: 1977
- Authors: Music workshop participants , Composer not specified , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kwanongoma sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389712 , vital:68477 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC067b-15
- Description: Zulu church choral hymn accompanied by drumming and rattles.
- Full Text: false
- Date Issued: 1977
Ucwelayo
- Workshop participants, Shabalala, G., Dargie, Dave
- Authors: Workshop participants , Shabalala, G. , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Bulawayo sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368336 , vital:66090 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC061a-11
- Description: An unaccompanied hymn
- Full Text: false
- Date Issued: 1977
- Authors: Workshop participants , Shabalala, G. , Dargie, Dave
- Date: 1977
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Bulawayo sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368336 , vital:66090 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC061a-11
- Description: An unaccompanied hymn
- Full Text: false
- Date Issued: 1977
Okulitanga ya ngombe
- Authors: Petrus Sefeni , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195528 , vital:45575 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR215-12
- Description: Praises of cattle
- Full Text: false
- Date Issued: 1965
- Authors: Petrus Sefeni , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195528 , vital:45575 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR215-12
- Description: Praises of cattle
- Full Text: false
- Date Issued: 1965
Chimveka tune
- Eight small Chopi boys, Tracey, Hugh
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193331 , vital:45322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-16
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193331 , vital:45322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-16
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
Chimveka tune
- Eight small Chopi boys, Tracey, Hugh
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193340 , vital:45323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-17
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193340 , vital:45323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-17
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
Ha-a, twanana
- Makanana, Daine Mutombeni, Shangaan women, Tracey, Hugh
- Authors: Makanana, Daine Mutombeni , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187781 , vital:44696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-08
- Description: The name of this singer Makanana means 'Jump for joy'. These Shangan or Tsonga people of the Transvaal are related to the Shangaans of Mozambique many of them having come up onto the highlands during the war of pacification between Gungunyana and the Portuguese at the turn of the century. "When we were still in love, in Johannesburg, it was fine." Love song
- Full Text: false
- Date Issued: 1963
- Authors: Makanana, Daine Mutombeni , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187781 , vital:44696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-08
- Description: The name of this singer Makanana means 'Jump for joy'. These Shangan or Tsonga people of the Transvaal are related to the Shangaans of Mozambique many of them having come up onto the highlands during the war of pacification between Gungunyana and the Portuguese at the turn of the century. "When we were still in love, in Johannesburg, it was fine." Love song
- Full Text: false
- Date Issued: 1963
Homolela ngwanaka
- Four Pedi women and a baby, Four Pedi women, Tracey, Hugh
- Authors: Four Pedi women and a baby , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189265 , vital:44832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-13
- Description: It is hard to decide whether lullabies such as this are meant to put the baby to sleep or merely to drown its crying with an even louder noise. "Keep my child. We shall go to Sabie. We shall eat bread, food for the whites. Keep quiet my child." (A different town is mentioned in each verse). Lullaby
- Full Text: false
- Date Issued: 1963
- Authors: Four Pedi women and a baby , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189265 , vital:44832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-13
- Description: It is hard to decide whether lullabies such as this are meant to put the baby to sleep or merely to drown its crying with an even louder noise. "Keep my child. We shall go to Sabie. We shall eat bread, food for the whites. Keep quiet my child." (A different town is mentioned in each verse). Lullaby
- Full Text: false
- Date Issued: 1963
Imbodlela
- Impamphala School Choir, Composer not specified, Recordist not specified
- Authors: Impamphala School Choir , Composer not specified , Recordist not specified
- Date: 1960
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/448749 , vital:74757 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0001-T2431b
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1960
- Authors: Impamphala School Choir , Composer not specified , Recordist not specified
- Date: 1960
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/448749 , vital:74757 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0001-T2431b
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1960
Waselo waselo
- Chewa women, Composer not specified, Tracey, Hugh
- Authors: Chewa women , Composer not specified , Tracey, Hugh
- Date: 1958-05-28
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Visanza f-mw
- Language: Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252334 , vital:52226 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT594-M66 , Research no. M3H17
- Description: A chintala women dance song about the promiscuity of a mans wife.
- Full Text: false
- Date Issued: 1958-05-28
- Authors: Chewa women , Composer not specified , Tracey, Hugh
- Date: 1958-05-28
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Visanza f-mw
- Language: Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252334 , vital:52226 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT594-M66 , Research no. M3H17
- Description: A chintala women dance song about the promiscuity of a mans wife.
- Full Text: false
- Date Issued: 1958-05-28
Nkamuona nkadamphwetheka (If I see him I will hurt him)
- E. J. Mbewe and I. K. Mwale, Hugh Tracey
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
Waselo waselo (Jumping, jumping)
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156954 , vital:40072 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-16
- Description: A husband complained that his wife was unfaithful to him and worried about his son by this woman, as she would have to leave him if she did not mend her ways. The translation given for Waselo as 'jumping' may indeed be literally incorrect, but it is intended to convey promiscuity in going about with several men. Dance song for Chintala women dance.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156954 , vital:40072 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-16
- Description: A husband complained that his wife was unfaithful to him and worried about his son by this woman, as she would have to leave him if she did not mend her ways. The translation given for Waselo as 'jumping' may indeed be literally incorrect, but it is intended to convey promiscuity in going about with several men. Dance song for Chintala women dance.
- Full Text: false
- Date Issued: 1958
Kulene mamama ndaimbirira, nikawa kapongo ndaimbirira
- Mutanga, Tenesi, Tonga men, Composer not specified, Tracey, Hugh
- Authors: Mutanga, Tenesi , Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-06-29
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Zambezi Valley f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/235722 , vital:50335 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT464-L85 , Research no. L2J9
- Description: A mendicant's song accompanied by the sound of feet and clapping.
- Full Text: false
- Date Issued: 1957-06-29
- Authors: Mutanga, Tenesi , Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-06-29
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Zambezi Valley f-za
- Language: Tonga (Zambia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/235722 , vital:50335 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT464-L85 , Research no. L2J9
- Description: A mendicant's song accompanied by the sound of feet and clapping.
- Full Text: false
- Date Issued: 1957-06-29
Matshoba
- Women and children of Dabi's Location, Composer not specified, Tracey, Hugh
- Authors: Women and children of Dabi's Location , Composer not specified , Tracey, Hugh
- Date: 1957-05-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/228059 , vital:49516 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT391-L12 , Research no. L1G1a
- Description: Indigenous folk threshing song with singing accompanied by the sound of sticks being struck on the ground .
- Full Text: false
- Date Issued: 1957-05-05
- Authors: Women and children of Dabi's Location , Composer not specified , Tracey, Hugh
- Date: 1957-05-05
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/228059 , vital:49516 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT391-L12 , Research no. L1G1a
- Description: Indigenous folk threshing song with singing accompanied by the sound of sticks being struck on the ground .
- Full Text: false
- Date Issued: 1957-05-05
Didiyela nonkala ngasemlanjeni
- Xhosa women of Kalana Location, Composer not specified, Tracey, Hugh
- Authors: Xhosa women of Kalana Location , Composer not specified , Tracey, Hugh
- Date: 1957-05-04
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa King Williams town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227998 , vital:49509 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT390-L11 , Research no. L1E5b
- Description: Indigenous divining folk song with singing and clapping.
- Full Text: false
- Date Issued: 1957-05-04
- Authors: Xhosa women of Kalana Location , Composer not specified , Tracey, Hugh
- Date: 1957-05-04
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa King Williams town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227998 , vital:49509 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT390-L11 , Research no. L1E5b
- Description: Indigenous divining folk song with singing and clapping.
- Full Text: false
- Date Issued: 1957-05-04
Ahe likalakati
- Group of Sotho women, Hugh Tracey
- Authors: Group of Sotho women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151581 , vital:39144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-13
- Description: The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang. Mokihibo dance for women (knee dance) with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Sotho women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151581 , vital:39144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-13
- Description: The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang. Mokihibo dance for women (knee dance) with clapping.
- Full Text: false
- Date Issued: 1957
Maelele Mapengo
- Group of Venda girls, performer not specified, composer not specified, Tracey, Hugh
- Authors: Group of Venda girls , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409303 , vital:70576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT20-KV18-KV7C4C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Group of Venda girls , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409303 , vital:70576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT20-KV18-KV7C4C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mukalanga awole (Come Mukalanga, come rain)
- Group of Tonga women, Hugh Tracey
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138080 , vital:37591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-12
- Description: The Valley Tonga call it "clapping for rain." clapping being the local method of supplication. They could not say who or what Mukalanga might be. It may well refer to the second wife of the Monomotapa who was called. "Come clouds", they sky itself is "jube". Our informer, Chief Chiabi told us that his people had crossed the Zambezi river led by a famous man like the Karanga prophet Chaminuka. This man is said to have struck the waters and they divided. All the people, together with their flocks and herds crossed over over on the dry stones of the river bed. He eventually died under a certain baobab tree in a kind of trance state and ever since then the place has been set aside as a rain shine. Rain son with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138080 , vital:37591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-12
- Description: The Valley Tonga call it "clapping for rain." clapping being the local method of supplication. They could not say who or what Mukalanga might be. It may well refer to the second wife of the Monomotapa who was called. "Come clouds", they sky itself is "jube". Our informer, Chief Chiabi told us that his people had crossed the Zambezi river led by a famous man like the Karanga prophet Chaminuka. This man is said to have struck the waters and they divided. All the people, together with their flocks and herds crossed over over on the dry stones of the river bed. He eventually died under a certain baobab tree in a kind of trance state and ever since then the place has been set aside as a rain shine. Rain son with clapping.
- Full Text: false
- Date Issued: 1957
Nyele/Horns
- Authors: 17 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138490 , vital:37642 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-14
- Description: An experimental recording of the Nyele horns, to demonstrate their tuning, the order of their appearance and general scheme of melody. They are commonly played with drums and not by themselves alone, and are employed upon various ceremonial occasions such as funerals and large gatherings. They vary in size from about 5" to 18" long and are taken from a variety of antelope. Names of Nyele pipes (from smallest to largest) 1. Kampeko. 2. Simulya sikiri. 3. Senseku. 4. Jungainga. 5. Pindakati. 6. Muwere. 7. Siamupa. 8. Mpako. 9. Fulwa. 10. Saina. 11. Mulundu chigabana. 12. Gapalikwa. 13. Fumbira momba. 14. Tiabutiabu. 15. Tandamubbgwa. 16. Tandawanyoko. 17. Tukirauso. Horn ensemble with set of 17 Nyele antelope end-blown horns.
- Full Text: false
- Date Issued: 1957
- Authors: 17 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138490 , vital:37642 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-14
- Description: An experimental recording of the Nyele horns, to demonstrate their tuning, the order of their appearance and general scheme of melody. They are commonly played with drums and not by themselves alone, and are employed upon various ceremonial occasions such as funerals and large gatherings. They vary in size from about 5" to 18" long and are taken from a variety of antelope. Names of Nyele pipes (from smallest to largest) 1. Kampeko. 2. Simulya sikiri. 3. Senseku. 4. Jungainga. 5. Pindakati. 6. Muwere. 7. Siamupa. 8. Mpako. 9. Fulwa. 10. Saina. 11. Mulundu chigabana. 12. Gapalikwa. 13. Fumbira momba. 14. Tiabutiabu. 15. Tandamubbgwa. 16. Tandawanyoko. 17. Tukirauso. Horn ensemble with set of 17 Nyele antelope end-blown horns.
- Full Text: false
- Date Issued: 1957
Telela (Listen)
- Authors: Samuel Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138608 , vital:37655 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-02
- Description: "Listen, we are going for a meeting, we are all going to dance the Masabe. - Listen, all of you.- "What is that noise? The noise of the aeroplane. We hear the noise but we have never seen the aeroplane." Msabe dance song with 3 drums. (Mgogo: open, pegged and played with sticks. Masunta and Mpati, open, pegged and played with hands.)
- Full Text: false
- Date Issued: 1957
- Authors: Samuel Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138608 , vital:37655 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-02
- Description: "Listen, we are going for a meeting, we are all going to dance the Masabe. - Listen, all of you.- "What is that noise? The noise of the aeroplane. We hear the noise but we have never seen the aeroplane." Msabe dance song with 3 drums. (Mgogo: open, pegged and played with sticks. Masunta and Mpati, open, pegged and played with hands.)
- Full Text: false
- Date Issued: 1957