Edele Nkosi
- Robert Golozera and 3 elderly women with the chief, Hugh Tracey
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
O sempone le la kana ke botlhale (I may be young, but I am clever)
- Silas Kgaragoba, Hugh Tracey
- Authors: Silas Kgaragoba , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165877 , vital:41291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-12
- Description: "Do not see me as young as I am, but I am clever." i.e. "I may be young, but I am clever."Sung when going up to the hills for initiation.
- Full Text: false
- Date Issued: 1959
- Authors: Silas Kgaragoba , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165877 , vital:41291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-12
- Description: "Do not see me as young as I am, but I am clever." i.e. "I may be young, but I am clever."Sung when going up to the hills for initiation.
- Full Text: false
- Date Issued: 1959
Mwana wanga (My child)
- Edess Nyalongwe, Hugh Tracey
- Authors: Edess Nyalongwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159681 , vital:40326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-14
- Description: There is a Chewa custom that when a girl is old enough she is taught how to become a good wife and mother by a groub of the elder women. Now there was a girl who married but did not have herself properly towards her husband. So he complained to the group of women who took her and taught her again. That was always our custom. This story is in fact, a kind of simple morality story told with the object of impressing upon the youth the necessity of virtue. The singers who wrote out the words of the songs failed to appreciate the sequence of phrases in the verse they sang. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Edess Nyalongwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159681 , vital:40326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-14
- Description: There is a Chewa custom that when a girl is old enough she is taught how to become a good wife and mother by a groub of the elder women. Now there was a girl who married but did not have herself properly towards her husband. So he complained to the group of women who took her and taught her again. That was always our custom. This story is in fact, a kind of simple morality story told with the object of impressing upon the youth the necessity of virtue. The singers who wrote out the words of the songs failed to appreciate the sequence of phrases in the verse they sang. Story song.
- Full Text: false
- Date Issued: 1958
Mangunden Thontweni (A name)
- Group of young Xhosa men and boys, Hugh Tracey
- Authors: Group of young Xhosa men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150417 , vital:38974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-04
- Description: "There is that white thing" Most of the words have no meaning at all. Group fighting song with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Xhosa men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150417 , vital:38974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-04
- Description: "There is that white thing" Most of the words have no meaning at all. Group fighting song with sticks.
- Full Text: false
- Date Issued: 1957
Ngolo alila
- Saidi Kikongo and Wagenya fishermen, Hugh Tracey
- Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168621 , vital:41631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-05
- Description: The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 to 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sanders of the River" and "Savage Splendour." The large slit drum was made out of a single log of wood measuring 25" across and 5 feet long. The slit was 4" to 4 and a half wide and 4 feet long. It was insulated from the ground by resting it on an old motor truck tyre which nowadays often replaces the less permanent bands of grass or other fibrous matter which are necessary if the wooden gong or slit drum is to be resound to full advantage. The gong should be supported like a xylophone note at the natural nodes, so as to prevent muffling the sound. The larger slit drum is called Mongungu. The smaller slit drum is called Mongungu Ngole. Other Genya drums wih membranes are called Lotongo Ngoma and Uke, but the wooden gongs or slit drums are the more numerous, being used not only for dancing but for sending messages as well. These items were copied from discs in the Reference Library section of the I.L.A.M. as the original tapes were not available. Consequently disc surface noise is apparent in some places. Paddling song with large slit drum, small slit drum, conical laced drum.
- Full Text: false
- Date Issued: 1952
- Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168621 , vital:41631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-05
- Description: The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 to 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sanders of the River" and "Savage Splendour." The large slit drum was made out of a single log of wood measuring 25" across and 5 feet long. The slit was 4" to 4 and a half wide and 4 feet long. It was insulated from the ground by resting it on an old motor truck tyre which nowadays often replaces the less permanent bands of grass or other fibrous matter which are necessary if the wooden gong or slit drum is to be resound to full advantage. The gong should be supported like a xylophone note at the natural nodes, so as to prevent muffling the sound. The larger slit drum is called Mongungu. The smaller slit drum is called Mongungu Ngole. Other Genya drums wih membranes are called Lotongo Ngoma and Uke, but the wooden gongs or slit drums are the more numerous, being used not only for dancing but for sending messages as well. These items were copied from discs in the Reference Library section of the I.L.A.M. as the original tapes were not available. Consequently disc surface noise is apparent in some places. Paddling song with large slit drum, small slit drum, conical laced drum.
- Full Text: false
- Date Issued: 1952
Sili nisichotamani sili ongawa ni dawa
- Saadani Abdu Kandoro, Hugh Tracey
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179250 , vital:43022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
- Description: "I do not eat what I do not desire, I do not eat it, though it may be medicine." This poem was sent as a letter to his friend, Kaluta Amri who replied in Mashairi poetry form in 'Dawa Mziwanda Kula". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179250 , vital:43022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
- Description: "I do not eat what I do not desire, I do not eat it, though it may be medicine." This poem was sent as a letter to his friend, Kaluta Amri who replied in Mashairi poetry form in 'Dawa Mziwanda Kula". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
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