Abamalaya
- Salima with Haya women, Hugh Tracey
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-12
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-12
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Nkingulila ngende
- Kyomile Kabanyolekile with Haya men, Hugh Tracey
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171899 , vital:42136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-01
- Description: The fishermen haul in their nets onto the shore and call to each other instructions and encoragement. Lake Victoria is called Nyanja by the Haya people. "Open the door and let me out, I want to go to the village beyond." The singing of the fishermen as they go fishing out on the lake at night is a feature of the district. Their voices can be heard for miles across the quiet waters of the lake in behind the islands which protect their bay. They used a drum, they said, to help their singing as normally they would beat the gunwale of their canoe with the paddles. Fishing song, with conical laced drum beaten with sticks and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171899 , vital:42136 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-01
- Description: The fishermen haul in their nets onto the shore and call to each other instructions and encoragement. Lake Victoria is called Nyanja by the Haya people. "Open the door and let me out, I want to go to the village beyond." The singing of the fishermen as they go fishing out on the lake at night is a feature of the district. Their voices can be heard for miles across the quiet waters of the lake in behind the islands which protect their bay. They used a drum, they said, to help their singing as normally they would beat the gunwale of their canoe with the paddles. Fishing song, with conical laced drum beaten with sticks and clapping.
- Full Text: false
- Date Issued: 1950
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