Mayo mulume wandi nichinshele (Mother, my husband is a good for nothing)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140114 , vital:37834 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-08
- Description: A woman complains that her husband is an idle good for nothing. "Every morning he says he is going fishing, but he never comes back with any fish. And I am so tired of just cooking vegatables!" The song is sung in the evening when the men return empty-handed after a day's fishing. Mocking song after fishing.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140114 , vital:37834 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-08
- Description: A woman complains that her husband is an idle good for nothing. "Every morning he says he is going fishing, but he never comes back with any fish. And I am so tired of just cooking vegatables!" The song is sung in the evening when the men return empty-handed after a day's fishing. Mocking song after fishing.
- Full Text: false
- Date Issued: 1957
Ngoma (3)
- Group of Tonga men and women, Hugh Tracey
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138824 , vital:37676 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-07
- Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138824 , vital:37676 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-07
- Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
- Full Text: false
- Date Issued: 1957
Tuibale bonse nwe nseba (Let's flock together like nseba birds)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
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