Kulima ndikwa bwino
- Joseph Chileshe, Alecksoni Sakala, Tracey, Hugh
- Authors: Joseph Chileshe , Alecksoni Sakala , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382185 , vital:67642 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO592-DD7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Joseph Chileshe , Alecksoni Sakala , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382185 , vital:67642 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO592-DD7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Kyanyina Maraiga
- Felisiano Karungula with Haya boys, Hugh Tracey
- Authors: Felisiano Karungula with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172631 , vital:42232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-15
- Description: Kyayina Maraiga is the name of a certain woman who played the Nyimba gourd rattles very well. She was popular on this account. She also had a large shamba or garden of cassava. The song speeds up considerably towards the end. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Felisiano Karungula with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172631 , vital:42232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-15
- Description: Kyayina Maraiga is the name of a certain woman who played the Nyimba gourd rattles very well. She was popular on this account. She also had a large shamba or garden of cassava. The song speeds up considerably towards the end. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Lyakulokela malaya heyakulo kela
- Bundi, Mbilo, Nyamwezi men and women, Composer not specified, Tracey, Hugh
- Authors: Bundi, Mbilo , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291130 , vital:56821 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1769-XYZ5192
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Bundi, Mbilo , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291130 , vital:56821 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1769-XYZ5192
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Lyakulokela malaya heyakulo kela
- Mbilo Bundi with Sukuma men, Hugh Tracey
- Authors: Mbilo Bundi with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173760 , vital:42408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-10
- Description: You are being burnt by the sun, you unfaithful woman." The leader has a very harsh voice no doubt the result of years of singing in this style. The name of the dance is sometimes given as Buchyeke and sometimes as Ucheyeke. Bucheyeke dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Mbilo Bundi with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173760 , vital:42408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-10
- Description: You are being burnt by the sun, you unfaithful woman." The leader has a very harsh voice no doubt the result of years of singing in this style. The name of the dance is sometimes given as Buchyeke and sometimes as Ucheyeke. Bucheyeke dance song for men and women.
- Full Text: false
- Date Issued: 1950
Manyanda. Kulowa, 1st movement
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187226 , vital:44587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-01
- Description: A good example of Malipenga and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drum which accompany the singing gourds. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187226 , vital:44587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-01
- Description: A good example of Malipenga and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drum which accompany the singing gourds. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Manyanga drum rhythms
- Athman, Sakumu, Husumi Isike, Composer not specified, Tracey, Hugh
- Authors: Athman, Sakumu , Husumi Isike , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/288921 , vital:56576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1726-XYZ5166
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Athman, Sakumu , Husumi Isike , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/288921 , vital:56576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1726-XYZ5166
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Maria Dolosta
- Bukondi Paulo with Haya boys, Hugh Tracey
- Authors: Bukondi Paulo with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172609 , vital:42229 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-13
- Description: "Why should you forget me, Maria Dolosta." The dance is a series of pas seuls, each dancer in turn coming out into the ring and doing steps and leaps of his own invention. Kyanyenamaraiga dance song for boys, with 2 laced conical drums, 1 bell (-12.55-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Bukondi Paulo with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172609 , vital:42229 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-13
- Description: "Why should you forget me, Maria Dolosta." The dance is a series of pas seuls, each dancer in turn coming out into the ring and doing steps and leaps of his own invention. Kyanyenamaraiga dance song for boys, with 2 laced conical drums, 1 bell (-12.55-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Masakumu lahu bi Ridha
- Mohammed Shaban, Arab men, composer not specified, Tracey, Hugh
- Authors: Mohammed Shaban , Arab men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/369855 , vital:66269 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0296-D7M2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Mohammed Shaban , Arab men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/369855 , vital:66269 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0296-D7M2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Masakumu lahu bi Ridha
- Mohammed Shaban, Arab men, Folk, Tracey, Hugh
- Authors: Mohammed Shaban , Arab men , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/300891 , vital:57986 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2185-XYZ5609
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Mohammed Shaban , Arab men , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/300891 , vital:57986 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2185-XYZ5609
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Michaeli Owuor
- Odera, J.P, Zinza women, Tracey, Hugh
- Authors: Odera, J.P , Zinza women , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Dho Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/292165 , vital:56950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1782-XYZ5210
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Odera, J.P , Zinza women , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Dho Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/292165 , vital:56950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1782-XYZ5210
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mu chipatela ndina gona ndeka
- Nangwale, Robison, Chikomba, Jere, Composer not specified, Tracey, Hugh
- Authors: Nangwale, Robison , Chikomba, Jere , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/280970 , vital:55678 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1325-XYZ4783
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Nangwale, Robison , Chikomba, Jere , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/280970 , vital:55678 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1325-XYZ4783
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Ndiribe mwai
- Robison Nanjwale, Jere Chikomba, Composer not specified, Tracey, Hugh
- Authors: Robison Nanjwale , Jere Chikomba , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315640 , vital:59737 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2732-XYZ6266
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Robison Nanjwale , Jere Chikomba , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315640 , vital:59737 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2732-XYZ6266
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Nyange Kutetea
- Tawakwali, Laisoni, Composer not specified, Tracey, Hugh
- Authors: Tawakwali, Laisoni , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Ndonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278281 , vital:55371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1174-XYZ4992a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Tawakwali, Laisoni , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Ndonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278281 , vital:55371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1174-XYZ4992a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Obalemege
- Yosamu Kanagwa, Toro men, composer not specified, Tracey, Hugh
- Authors: Yosamu Kanagwa , Toro men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368195 , vital:66075 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0245-D5M6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Yosamu Kanagwa , Toro men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368195 , vital:66075 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0245-D5M6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Obalemege
- Yosamu Kanagwa, Toro men, Composer not specified, Tracey, Hugh
- Authors: Yosamu Kanagwa , Toro men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/294157 , vital:57170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1895-XYZ5322T
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Yosamu Kanagwa , Toro men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/294157 , vital:57170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1895-XYZ5322T
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Obalemege
- Yosamu Kanagwa and Toro men, Hugh Tracey
- Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
Omtwale Kasha
- Ernest Kibuka, Haya men of Bukoba District, composer not specified, Tracey, Hugh
- Authors: Ernest Kibuka , Haya men of Bukoba District , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/367849 , vital:66030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0229-D4X1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Ernest Kibuka , Haya men of Bukoba District , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/367849 , vital:66030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0229-D4X1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Omtwale Kasha
- Ernest Kibuka with Haya men, Hugh Tracey
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172042 , vital:42151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-12
- Description: "Take him to Kasha's village, where he will be happy and have plenty to drink." A beer made from bananas is the favourite drink of the district. Note the somewhat complicated rhythmic structure of the song. Topical song with conical laced drum and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172042 , vital:42151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-12
- Description: "Take him to Kasha's village, where he will be happy and have plenty to drink." A beer made from bananas is the favourite drink of the district. Note the somewhat complicated rhythmic structure of the song. Topical song with conical laced drum and clapping.
- Full Text: false
- Date Issued: 1950