Showing items 201 - 220 of 722

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Banyangkole itwe tukore tata

- Performer not specifed, Composer not specified, Tracey, Hugh

Barbeton

- Bulawayo Sweet Rythms, Composer not specified, Tracey, Hugh

Benu

- Maluba Mwale, Tonga men, Hugh Tracey

  • Authors: Maluba Mwale , Tonga men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184689 , vital:44249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-13
  • Description: "What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particulary well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasaland and the Zambesi valley. Chioda dance song for young women with Karigo one stringed lute
  • Full Text: false
  • Date Issued: 1950

Benu

- Maluba Mwale with Tonga men, performer not specified, Maluba Mwale, Tracey, Hugh

Benu

- Mwale, Maluba, Tongo men, Tracey, Hugh

Benu

- Mwale, M, Tonga people, Tracey, Hugh

Busumbu

- Isaka Kitutu, Hugh Tracey

  • Authors: Isaka Kitutu , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169421 , vital:41748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-02
  • Description: The Busumbu phosphate mines employ many Europeans, Indians and Africans. But what phosphate is used for is a bit of a mystery to the native miners. It is of course, a most important fertiliser. What it will be used for , they sing, will be known. In the meanwhile labourers are many, Europeans, Indians and Africans. The tapping of the players heel on the ground can be heard throughout this recording. Usually the players of these lyres wear an anklet of metal iron bells on that leg. The Gisu cannot be said to be the best exponents of the lyre but they belong to the Nilotic tradition of playing. Topical song with seven string Litungu lyre and leg bells.
  • Full Text: false
  • Date Issued: 1950

Busumbu Balulima

- Kitutu, Isaka, Tracey, Hugh

  • Authors: Kitutu, Isaka , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda City not specified f-ug
  • Language: Gishu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/297762 , vital:57625 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2003-XYZ5437
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Can-na

- J.O.p'Bitek Okot, Tracey, Hugh

Chifamba usiku

- Chingwaro, Jairosi, Composer not specified, Tracey, Hugh

Cinangwa canga

- Robati Sabumi, Bangwe wa inkulu, Composer not specified, Tracey, Hugh

Cinangwa Canga

- Sabuni, Robati, Composer not specified, Tracey, Hugh

Diyele Wane

- Japheti Zimba, Performer not specified, Composer not specified, Tracey, Hugh

Diyele wane

- Japhiti Zimba, Hugh Tracey

  • Authors: Japhiti Zimba , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185114 , vital:44329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-08
  • Description: The Kalimba, they say, is a comparatively new to this district and people. They have recently begun to learn it from the Nsenga at Fort Jameson where this player had gone to work on a Europen farm there in 1922. "You always call me 'dear' with your mouth, but what kind of 'dear' is this if you do not let me sleep with you?" This is a pleasnt little melody set against an appropriate accompaniment. The player's old voice does not do his own melody credit, as so often happens among folk singers, and it should be performed by a younger person to bring out its virtue. Love song with Kalimba Mbira (nine notes)
  • Full Text: false
  • Date Issued: 1950

Drum Rhythm

- Gogo women, Composer not specified, Tracey, Hugh

Ekigano kya Miyanda

- Rusania, Composer not specified, Tracey, Hugh

Ewe rono yangu (You are my heart)

- Ramadhani Fataki and 'Ngoma ya Udi', Hugh Tracey

Gwilane kangacepe gwilane

- Chewa men, Composer not specified, Tracey, Hugh

Gwilani kangacepe

- Chewa men, performer not specified, Composer not specified, Tracey, Hugh

Hadithi ya umbu

- Fataki, Ramadhani, Saidi Salum Nana, Tracey, Hugh

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