Nalungunyo
- Maunda Waliaula with Bukusu men, Hugh Tracey
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176535 , vital:42711 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-05
- Description: Nalung'unyo was a quarrelsome wife who insisted that her husband divorce all his other wives and keep her only. Instead he divorced her as she was troublesome. The two singers occasionally imitate the sound of the lyre strings. Topical song, with Litungu 7 string long lyres, and 1 Luhengele inverted bowl (-12.151-).
- Full Text: false
- Date Issued: 1950
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176535 , vital:42711 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-05
- Description: Nalung'unyo was a quarrelsome wife who insisted that her husband divorce all his other wives and keep her only. Instead he divorced her as she was troublesome. The two singers occasionally imitate the sound of the lyre strings. Topical song, with Litungu 7 string long lyres, and 1 Luhengele inverted bowl (-12.151-).
- Full Text: false
- Date Issued: 1950
Ndisala shitongolwa
- Daudi Mutekete with Wanga men, Hugh Tracey
- Authors: Daudi Mutekete with Wanga men , Hugh Tracey
- Date: 1950
- Subjects: Wanga (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Nyanza f-ke
- Language: Wanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176439 , vital:42696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR161-15
- Description: This is a well known song by all the people: "I am as fierce as the black snake. Everyone wants me. The Kitoshi would like me to fight for them! If you think I am lying, go and ask them yourself. Song after fighting with conical drum, laced played with sticks. 1 Eshitsiriba side blown horn (-11.122-).
- Full Text: false
- Date Issued: 1950
- Authors: Daudi Mutekete with Wanga men , Hugh Tracey
- Date: 1950
- Subjects: Wanga (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Nyanza f-ke
- Language: Wanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176439 , vital:42696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR161-15
- Description: This is a well known song by all the people: "I am as fierce as the black snake. Everyone wants me. The Kitoshi would like me to fight for them! If you think I am lying, go and ask them yourself. Song after fighting with conical drum, laced played with sticks. 1 Eshitsiriba side blown horn (-11.122-).
- Full Text: false
- Date Issued: 1950
Nene nawile kibukulu
- Kilogeja Mwana Nkoko with Sukuma men and women, Hugh Tracey
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173656 , vital:42396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173656 , vital:42396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Nene nawile kibukulu
- Kilogeja Mwana Nkoko with Sukuma men and women, Hugh Tracey
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173646 , vital:42393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173646 , vital:42393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Ngutu Waga
- Authors: Oluoch Kando , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Bondo f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178135 , vital:42912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-12
- Description: "His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very lain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows:- 170, 152, 138, 116, 232, 202, 170, 152 vs. Praise song for a friend with Thum 8 string and Gava leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Oluoch Kando , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Bondo f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178135 , vital:42912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-12
- Description: "His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very lain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows:- 170, 152, 138, 116, 232, 202, 170, 152 vs. Praise song for a friend with Thum 8 string and Gava leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
Tong, tong
- Bondo Choir of Luo girls, leader, John Cosmos Owade, Hugh Tracey
- Authors: Bondo Choir of Luo girls, leader, John Cosmos Owade , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Bondo f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178057 , vital:42903 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-04
- Description: 'Tong, tong went with the wood chopper's axe. And there beside him was a girl dancing to the sound of his blows. He was entranced. Topical song.
- Full Text: false
- Date Issued: 1950
- Authors: Bondo Choir of Luo girls, leader, John Cosmos Owade , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Bondo f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178057 , vital:42903 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-04
- Description: 'Tong, tong went with the wood chopper's axe. And there beside him was a girl dancing to the sound of his blows. He was entranced. Topical song.
- Full Text: false
- Date Issued: 1950