Bolelela Ramonogeng (Tell Ramonogeng)
- Mamideo Motlokwa and 22 men and women, Hugh Tracey
- Authors: Mamideo Motlokwa and 22 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165792 , vital:41282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-03
- Description: Song sung on returning to the village from the hills after the end of the initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamideo Motlokwa and 22 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165792 , vital:41282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-03
- Description: Song sung on returning to the village from the hills after the end of the initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
Intombi zegoli zilalemagenwane (The girls of Johannesburg are immoral)
- Four married women and one young girl, and men of the Queen's village, Hugh Tracey
- Authors: Four married women and one young girl, and men of the Queen's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152321 , vital:39246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-17
- Description: Sung for the "reed" ceremonies or Mhlanga. Mhlanga reed ceremony song.
- Full Text: false
- Date Issued: 1958
- Authors: Four married women and one young girl, and men of the Queen's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152321 , vital:39246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-17
- Description: Sung for the "reed" ceremonies or Mhlanga. Mhlanga reed ceremony song.
- Full Text: false
- Date Issued: 1958
M' Sodomo (Sodom was burnt)
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
Ozani muone kuwala (Come and see the glory)
- Samkani Mponela, Hugh Tracey
- Authors: Samkani Mponela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159051 , vital:40254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-23
- Description: This style of dancing is most popular in the Dowa district, where most large villages, they say, have their own groups of enthusiasts. "Come and see the glory of these boys". Not the European accent on the ultimate syllable. "muone kuwala", instead of the normal "mu'one kuw'ala". This may well spring from the fact that the Malipenga dance and its dance songs originated with military drilling as performed by the Kings African Rifles and the Nyasaland police. Mujanda dance with Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
- Authors: Samkani Mponela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159051 , vital:40254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-23
- Description: This style of dancing is most popular in the Dowa district, where most large villages, they say, have their own groups of enthusiasts. "Come and see the glory of these boys". Not the European accent on the ultimate syllable. "muone kuwala", instead of the normal "mu'one kuw'ala". This may well spring from the fact that the Malipenga dance and its dance songs originated with military drilling as performed by the Kings African Rifles and the Nyasaland police. Mujanda dance with Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
Wemithi Masogo uya wutala lonjani (Wemithi Masogo is going to have a baby)
- Group of 9 Swazi men, Hugh Tracey
- Authors: Group of 9 Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152584 , vital:39312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-09
- Description: Song sung when working with picks. "Wemithi Masogo is going to have a baby and we do not know what sort of thing she is going to produce." It would appear that Wemithi Masogo was no better that she ought to be and the parternity of her coming child was in doubt. Work song.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 9 Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152584 , vital:39312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-09
- Description: Song sung when working with picks. "Wemithi Masogo is going to have a baby and we do not know what sort of thing she is going to produce." It would appear that Wemithi Masogo was no better that she ought to be and the parternity of her coming child was in doubt. Work song.
- Full Text: false
- Date Issued: 1958
Banana bana Kayata
- Group of Luvale men, Hugh Tracey
- Authors: Group of Luvale men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Kalawo f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184162 , vital:44179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-09
- Description: The friction drum is a simple membrane drum with the lower end open. A stick is pierced through a hole in the centre of the membrane and hangs inside the body of the drum being suitably attached to the membrane by small cross pieces pierced through the stick itself. The player usually sits on the ground with the drum resting on his legs, the open end towards his body. Having moistered his hands (or sometimes a cloth) with water he sets the membrane in vibration by the friction of his hands pulling the stick downwards towards him. In this way a roaring sound is made and rhythms produced by alternating the stroke between the two hands. It is essential to keep the two hands wet, water having the same effect as resin on a violin bow. Drinking song with 1 Pwita friction drum and percussion
- Full Text: false
- Date Issued: 1957
- Authors: Group of Luvale men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Kalawo f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184162 , vital:44179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-09
- Description: The friction drum is a simple membrane drum with the lower end open. A stick is pierced through a hole in the centre of the membrane and hangs inside the body of the drum being suitably attached to the membrane by small cross pieces pierced through the stick itself. The player usually sits on the ground with the drum resting on his legs, the open end towards his body. Having moistered his hands (or sometimes a cloth) with water he sets the membrane in vibration by the friction of his hands pulling the stick downwards towards him. In this way a roaring sound is made and rhythms produced by alternating the stroke between the two hands. It is essential to keep the two hands wet, water having the same effect as resin on a violin bow. Drinking song with 1 Pwita friction drum and percussion
- Full Text: false
- Date Issued: 1957
Ilanga langishiya
- A.T. Mwamosi (Composer), Hugh Tracey
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Gaza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132786 , vital:36886 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-10
- Description: Two topical songs with 2 guitars
- Full Text: false
- Date Issued: 1957
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Gaza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132786 , vital:36886 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-10
- Description: Two topical songs with 2 guitars
- Full Text: false
- Date Issued: 1957
Mbwiya ndalo Chalo (Mbwiya, son of Chalo)
- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135672 , vital:37287 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-08
- Description: "Mbwiya son of Chalo-You must not go out without first saying where you are going." Topical song with 2 guitars and 1 bottle
- Full Text: false
- Date Issued: 1957
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135672 , vital:37287 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-08
- Description: "Mbwiya son of Chalo-You must not go out without first saying where you are going." Topical song with 2 guitars and 1 bottle
- Full Text: false
- Date Issued: 1957
Nabo aba Ngoni (Here are the Ngoni)
- Group of 14 Ngoni men and chorus of women, Hugh Tracey
- Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137629 , vital:37544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-14
- Description: This tune is clearly not Ngoni but Nsenga in orign and is sung in the style of their mothers' tribe and not their father's of Ngoni orign (Natal).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137629 , vital:37544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-14
- Description: This tune is clearly not Ngoni but Nsenga in orign and is sung in the style of their mothers' tribe and not their father's of Ngoni orign (Natal).
- Full Text: false
- Date Issued: 1957
Napolo (The snake)
- Kalino and friends, Hugh Tracey
- Authors: Kalino and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Zambia Nchanga mine compound) f-za
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151938 , vital:39189 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-14
- Description: The song is about a big snake in Nyasaland which bit a number of people. "Napolo" was the name of the snake. Topical song with 1 accordion and 1 drum.
- Full Text: false
- Date Issued: 1957
- Authors: Kalino and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Zambia Nchanga mine compound) f-za
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151938 , vital:39189 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-14
- Description: The song is about a big snake in Nyasaland which bit a number of people. "Napolo" was the name of the snake. Topical song with 1 accordion and 1 drum.
- Full Text: false
- Date Issued: 1957
Tsa eja setsi
- Group of Sotho men and small Sotho boys (Performers), Composer not specified, Hugh Tracey
- Authors: Group of Sotho men and small Sotho boys (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134196 , vital:37098 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-05
- Description: The spirited re-enaction of a mouse-hunt was performed by a group of middle-aged Sotho men, who had all gone mouse-hunting in their youth as herdboys. One sat on the ground, stabbing at imaginery mice, whilst the others encouraged him with shouts and cries-indicating in which direction the mouse had gone. It got away.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Sotho men and small Sotho boys (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134196 , vital:37098 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-05
- Description: The spirited re-enaction of a mouse-hunt was performed by a group of middle-aged Sotho men, who had all gone mouse-hunting in their youth as herdboys. One sat on the ground, stabbing at imaginery mice, whilst the others encouraged him with shouts and cries-indicating in which direction the mouse had gone. It got away.
- Full Text: false
- Date Issued: 1957
Ukhosi wako biba ugodhliliwan ngubani (Who is going to take over the chieftainship)
- Group of 14 Ngoni men and chorus of Ngoni women led by Mischeck Ndhlamini, Hugh Tracey
- Authors: Group of 14 Ngoni men and chorus of Ngoni women led by Mischeck Ndhlamini , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137446 , vital:37525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-01
- Description: This was sung at the death of the Ngoni Paramount Chief Mpezeni about 1942. The singers were not sure of the date. Song for succession of Chief with clapping and stamping and 1 pair pair of ankle rattles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Ngoni men and chorus of Ngoni women led by Mischeck Ndhlamini , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137446 , vital:37525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-01
- Description: This was sung at the death of the Ngoni Paramount Chief Mpezeni about 1942. The singers were not sure of the date. Song for succession of Chief with clapping and stamping and 1 pair pair of ankle rattles.
- Full Text: false
- Date Issued: 1957
Uyinkuku nje waibamba (Hold the fowl with your own hands)
- Men of Tuku's of Tuku Location, Hugh Tracey
- Authors: Men of Tuku's of Tuku Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Circumcision , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135840 , vital:37303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-10
- Description: Circumcision song for boys with stamping
- Full Text: false
- Date Issued: 1957
- Authors: Men of Tuku's of Tuku Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Circumcision , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135840 , vital:37303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-10
- Description: Circumcision song for boys with stamping
- Full Text: false
- Date Issued: 1957
Dabu mutamulani
- Tonga/ Hlanguni (Performers), A. Kossa (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132531 , vital:36848 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-02
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132531 , vital:36848 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-02
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
Nzi kombela foli
- Tonga/ Hlanguni (Performers), A. Kossa (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132540 , vital:36849 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-03
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132540 , vital:36849 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-03
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
Uta rungula wamamane lekaya (Greet the mothers at home)
- Tonga/ Hlanguni (Performers), T.O. Kowano (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , T.O. Kowano (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Humorous song , Guitar , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132604 , vital:36856 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-10
- Description: Humorous song with guitar
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , T.O. Kowano (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Humorous song , Guitar , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132604 , vital:36856 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-10
- Description: Humorous song with guitar
- Full Text: false
- Date Issued: 1955
Abana ba Baganda batabale
- Muliama Namale and Ganda people, Hugh Tracey
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170914 , vital:41983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-08
- Description: The singer praises the Ganda people for winning the last World War aided perhaps by a few friends). Topical song, with two conical drums and hand clapping, one drum 34" x 9", one 19" x 15 1/2".
- Full Text: false
- Date Issued: 1952
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170914 , vital:41983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-08
- Description: The singer praises the Ganda people for winning the last World War aided perhaps by a few friends). Topical song, with two conical drums and hand clapping, one drum 34" x 9", one 19" x 15 1/2".
- Full Text: false
- Date Issued: 1952
Ebi
- Authors: Abangba men , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Niangara f-cg
- Language: Bangba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166426 , vital:41362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-03
- Description: Gudu-gudu and Ndima are Lingala names for the drums. Gulu and Ngabi are their Abangba names. Bagwase-axe or hoe blades. The instruments were introduced in turns. First, a slit drum; second, a slit drum; a conical drum; fourth, a conical drum; fifth, a conical drum (played with 1 stick and one hand); sixth, pieces of iron. Drum rhythms for the Ebi dance. Two Gudu-gudu slit drums and 3 Ndima conical drums, laced and closed and 2 axe blades (-12.183-).
- Full Text: false
- Date Issued: 1952
- Authors: Abangba men , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Niangara f-cg
- Language: Bangba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166426 , vital:41362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-03
- Description: Gudu-gudu and Ndima are Lingala names for the drums. Gulu and Ngabi are their Abangba names. Bagwase-axe or hoe blades. The instruments were introduced in turns. First, a slit drum; second, a slit drum; a conical drum; fourth, a conical drum; fifth, a conical drum (played with 1 stick and one hand); sixth, pieces of iron. Drum rhythms for the Ebi dance. Two Gudu-gudu slit drums and 3 Ndima conical drums, laced and closed and 2 axe blades (-12.183-).
- Full Text: false
- Date Issued: 1952
Idi Mambo
- Muliama Namale and Ganda people, Hugh Tracey
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170887 , vital:41979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-05
- Description: This song is about Idi Mambo, a local eccentric who went about doing peciliar things. He once climbed up a tree and stayed there for four days to the amazement of the people who came from far and near to see him. It appears that 'pole sitting' is not prerogative of eccentric Americans only. Historical song, with one tall conical drum, open, pinned 34" x 9" - one large connical drum laced, 19" x 15 1/2" and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170887 , vital:41979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-05
- Description: This song is about Idi Mambo, a local eccentric who went about doing peciliar things. He once climbed up a tree and stayed there for four days to the amazement of the people who came from far and near to see him. It appears that 'pole sitting' is not prerogative of eccentric Americans only. Historical song, with one tall conical drum, open, pinned 34" x 9" - one large connical drum laced, 19" x 15 1/2" and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Kiriyo
- Barwegira ni Baine, Hugh Tracey
- Authors: Barwegira ni Baine , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171392 , vital:42055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-03
- Description: "A woman is a wonderful person, you pay for the dowry (Omwandu) and another man comes along and takes her off without caring about your money, by your leave or anything." The set of Budongo Likembe covers a range of four octaves from 1040 vs. down to 65 vs. Topical song, with 6 Budongo box resonated Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Barwegira ni Baine , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171392 , vital:42055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-03
- Description: "A woman is a wonderful person, you pay for the dowry (Omwandu) and another man comes along and takes her off without caring about your money, by your leave or anything." The set of Budongo Likembe covers a range of four octaves from 1040 vs. down to 65 vs. Topical song, with 6 Budongo box resonated Likembe.
- Full Text: false
- Date Issued: 1952