Ekwane ka marumo (Come out with assegais)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165969 , vital:41302 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-06
- Description: "Mother, I am born for the assegai. Come out with the assegais people of Dikgale, Come out with the assegais. I was born for the leopard, I was born at the place where the Lehiliri trees grow. Come out with assegais. An old song from the fighting days of the last century. First Mazilikazi and later the whites fought in this district while the tribal headquaters were still here and later near Mochudi in Bechuanaland. Fighting song.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165969 , vital:41302 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-06
- Description: "Mother, I am born for the assegai. Come out with the assegais people of Dikgale, Come out with the assegais. I was born for the leopard, I was born at the place where the Lehiliri trees grow. Come out with assegais. An old song from the fighting days of the last century. First Mazilikazi and later the whites fought in this district while the tribal headquaters were still here and later near Mochudi in Bechuanaland. Fighting song.
- Full Text: false
- Date Issued: 1959
Ketekete ('Ketekete' the noise made by a bell)
- Lefu Rajane and a group of men, Hugh Tracey
- Authors: Lefu Rajane and a group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162437 , vital:40931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-08
- Description: "Ketekete Mamatshoa Fatse. I got up as a man would. The cow has miscarried. If I kept silent, I would shut the guests out. Guests, and the world's temptations." :Ketekete Mamatshoha Fatse" is a name that refers to somebody who had fallen down and gets up again (this being a name that describes such a person. Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
- Authors: Lefu Rajane and a group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162437 , vital:40931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-08
- Description: "Ketekete Mamatshoa Fatse. I got up as a man would. The cow has miscarried. If I kept silent, I would shut the guests out. Guests, and the world's temptations." :Ketekete Mamatshoha Fatse" is a name that refers to somebody who had fallen down and gets up again (this being a name that describes such a person. Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
Motee (Name)
- Abraham Mudukanele and 18 Hurutshe men, Hugh Tracey
- Authors: Abraham Mudukanele and 18 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165705 , vital:41273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-09
- Description: Male initiation song sung on going up into the hills for the period of seclusion during the initiation school.
- Full Text: false
- Date Issued: 1959
- Authors: Abraham Mudukanele and 18 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165705 , vital:41273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-09
- Description: Male initiation song sung on going up into the hills for the period of seclusion during the initiation school.
- Full Text: false
- Date Issued: 1959
Paseka oa tseka (Paseka is complaining)
- Mahlapane Qalike and group of Sotho women, Hugh Tracey
- Authors: Mahlapane Qalike and group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162304 , vital:40831 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-13
- Description: "Paseka is disputing over a piece of land, foolishly. He is disputing over the site behind Semoti's house. You, Mampolletse of Makhaba, The thing becomes more serious at night. Do not give Mahlapane any corn she does not hoe her cornfields. If my voice were a clock I would be ringing it through to Natal. To my friend at Monyameng. The length of a bundle of reeds." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Mahlapane Qalike and group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162304 , vital:40831 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-13
- Description: "Paseka is disputing over a piece of land, foolishly. He is disputing over the site behind Semoti's house. You, Mampolletse of Makhaba, The thing becomes more serious at night. Do not give Mahlapane any corn she does not hoe her cornfields. If my voice were a clock I would be ringing it through to Natal. To my friend at Monyameng. The length of a bundle of reeds." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
Tomolang ka diatla (like putting up carrots with your hands)
- Dintsa Marumolo and about 60 young men, Hugh Tracey
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
- Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
- Full Text: false
- Date Issued: 1959
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
- Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
- Full Text: false
- Date Issued: 1959
Mukadzi wanga (My wife)
- Young girls and 4 drummers, Hugh Tracey
- Authors: Young girls and 4 drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155820 , vital:39920 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-02
- Description: The drums are carved out of Mutondo wood (one of Sokosa wood) cut locally on the plain. The maker Bauleni made No. 5 as long ago as 1930. The others are more recent. The membranes are of ox hide. The dance is well performed by the young girls who stand in a row or semicircle near the drums and each comes out in turn to do a solo dance, a clever rhythmic routine ending with a sharp pelvic jerk. As one girl finishes another immediately takes her place. The drums are all played with curved wooden beaters except the 2 bass drums numbers 8 and 9 which are played with hands. Some of the girls held clappers and one a tin rattle. Likhuba dance with 9 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young girls and 4 drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155820 , vital:39920 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-02
- Description: The drums are carved out of Mutondo wood (one of Sokosa wood) cut locally on the plain. The maker Bauleni made No. 5 as long ago as 1930. The others are more recent. The membranes are of ox hide. The dance is well performed by the young girls who stand in a row or semicircle near the drums and each comes out in turn to do a solo dance, a clever rhythmic routine ending with a sharp pelvic jerk. As one girl finishes another immediately takes her place. The drums are all played with curved wooden beaters except the 2 bass drums numbers 8 and 9 which are played with hands. Some of the girls held clappers and one a tin rattle. Likhuba dance with 9 drums.
- Full Text: false
- Date Issued: 1958
Wa Ciyawo mkujaliani (The Yao despise me)
- Men and women of Pemba Village, Hugh Tracey
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154694 , vital:39765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-03
- Description: The player of the second drum was blind and had been so since childhood. The Yao despise me when I put on short trousers as if it is for the Mochomanga dance. Tell him to take them off they say. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154694 , vital:39765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-03
- Description: The player of the second drum was blind and had been so since childhood. The Yao despise me when I put on short trousers as if it is for the Mochomanga dance. Tell him to take them off they say. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958
Chibola mu lumbai
- Ester Bakankena, 12 Luba women, Hugh Tracey
- Authors: Ester Bakankena , 12 Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183931 , vital:44085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-06
- Description: The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
- Authors: Ester Bakankena , 12 Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183931 , vital:44085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-06
- Description: The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
Chiwawa mbuyu
- Lukwenya Simon and Lulua men, Hugh Tracey
- Authors: Lukwenya Simon and Lulua men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137007 , vital:37478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-11
- Description: Remarks of a woman sitting beside the singer are interpolated towards the end of the song. Topical song with 2 chisanzhi mbira, basket rattle and hand clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Lukwenya Simon and Lulua men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137007 , vital:37478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-11
- Description: Remarks of a woman sitting beside the singer are interpolated towards the end of the song. Topical song with 2 chisanzhi mbira, basket rattle and hand clapping.
- Full Text: false
- Date Issued: 1957
E-ye-ye kusumbukila kulunda (The Lunda marriage)
- Group of 6 Lunda men. Leader: Conguboyi Ntambo, Hugh Tracey
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139301 , vital:37724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-08
- Description: The Chief Mwinilunga Kalongisha is said to have destroyed the chieftainship of his younger brother and therefore lost the respect of his people. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139301 , vital:37724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-08
- Description: The Chief Mwinilunga Kalongisha is said to have destroyed the chieftainship of his younger brother and therefore lost the respect of his people. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
Fasonti (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Ihobe liyataka (Dove, don't run away, don't hop about)
- Group of young Mpondo married women, Hugh Tracey
- Authors: Group of young Mpondo married women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
- Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Mpondo married women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
- Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
- Full Text: false
- Date Issued: 1957
Maiyo ewandaile kufwalu chikwembe (My mother taught me the proper way to dress)
- Isaac Matafwani and Sunkutu, Hugh Tracey
- Authors: Isaac Matafwani and Sunkutu , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140018 , vital:37824 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-01
- Description: The rhythm of the struck bottle contains 12 pulses instead of the usual 16. Few popular tunes anywhere in the central Africa of N. Rhodesia and southern Congo are sung or played without the tinkling accompaniment of the bottle. Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Isaac Matafwani and Sunkutu , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140018 , vital:37824 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-01
- Description: The rhythm of the struck bottle contains 12 pulses instead of the usual 16. Few popular tunes anywhere in the central Africa of N. Rhodesia and southern Congo are sung or played without the tinkling accompaniment of the bottle. Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Mama Josefina
- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135663 , vital:37286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-07
- Description: The guitars were played without a capodasta (open string). Topical song with 2 guitars and 1 bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135663 , vital:37286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-07
- Description: The guitars were played without a capodasta (open string). Topical song with 2 guitars and 1 bottle.
- Full Text: false
- Date Issued: 1957
Mazha
- Group of 6 Luba men, Hugh Tracey
- Authors: Group of 6 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137680 , vital:37549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-03
- Description: "Masha" , the player of the female xylophone turned his left hand rubber-headed beater around, and hit the tonic (194 vs) continously while playing normally with the right hand, after the fashion of the Kanyoka players. The male range is 194 vs through two octaves and 1 note to 880. The female has two notes below 194 i.e. 160 and 144. 194 appears to be the tone centre. The scale of the instrument as follows: 880 776, 640, 576, 520, 480, 440, 388, 320, 288, 260, 240, 220, 194, 160. Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137680 , vital:37549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-03
- Description: "Masha" , the player of the female xylophone turned his left hand rubber-headed beater around, and hit the tonic (194 vs) continously while playing normally with the right hand, after the fashion of the Kanyoka players. The male range is 194 vs through two octaves and 1 note to 880. The female has two notes below 194 i.e. 160 and 144. 194 appears to be the tone centre. The scale of the instrument as follows: 880 776, 640, 576, 520, 480, 440, 388, 320, 288, 260, 240, 220, 194, 160. Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
- Full Text: false
- Date Issued: 1957
Nonkala (The crab)
- Authors: Jury Mpelho , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135934 , vital:37314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-06
- Description: The crab, being a water animal, is this case, a river crab, is being addressed as a diviner. The Xhosa believe their ancestral spirits inhabit streams. Topical song with dance band including saxaphone, double bass, guitar and drum
- Full Text: false
- Date Issued: 1957
- Authors: Jury Mpelho , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135934 , vital:37314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-06
- Description: The crab, being a water animal, is this case, a river crab, is being addressed as a diviner. The Xhosa believe their ancestral spirits inhabit streams. Topical song with dance band including saxaphone, double bass, guitar and drum
- Full Text: false
- Date Issued: 1957
Tandabala (Name of a man)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139756 , vital:37779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-05
- Description: This song, they said, is sung normally by women at the end of a girl's initiation period - a time when songs mentioning taboo subjects are not frequently found in African societies. It appears that the use of a guitar in a song of this nature is unusual. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139756 , vital:37779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-05
- Description: This song, they said, is sung normally by women at the end of a girl's initiation period - a time when songs mentioning taboo subjects are not frequently found in African societies. It appears that the use of a guitar in a song of this nature is unusual. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
Ulo tixo omkhulu (God Almighty - The High God)
- Women of Tuku's Location, Hugh Tracey
- Authors: Women of Tuku's Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135790 , vital:37299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-06
- Description: There is some doubt about the origin of this song. The singers claimed that it was a country song before Ntsikana used it as a hymn by the early part of the last century. Others affirm that Ntsikana himself composed it. In the 1700s Ntsikana prphesised that people would be coming from the North (the Fingos) and that the Whites would be coming with the Bible. The song was Ntsikana's own song and Rev. John Knox Bokwe set it in its present form, (information by his son J. T. Bokwe). During the song a man of about 35, danced a stamping dance. He was beautifully dressed in blanket edged with pale blue beads, wearing it like a train. He was also wearing several pounds worth of beads around his neck and torso. This song is sung at the weddings of the "Red Blanket" people. The dancer's beads were mostly in necklaces composed of strands of solid colour. He also wore double-stranded bracelets of pale blue and green beads. He carried a beautiful beaded animal skin, part of which had been sewn up to form a bag with a bead tasselled ornament. The blanket had rows and ornaments of pearl buttons sewn on it and was coloured with red ochre. Wedding song
- Full Text: false
- Date Issued: 1957
- Authors: Women of Tuku's Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135790 , vital:37299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-06
- Description: There is some doubt about the origin of this song. The singers claimed that it was a country song before Ntsikana used it as a hymn by the early part of the last century. Others affirm that Ntsikana himself composed it. In the 1700s Ntsikana prphesised that people would be coming from the North (the Fingos) and that the Whites would be coming with the Bible. The song was Ntsikana's own song and Rev. John Knox Bokwe set it in its present form, (information by his son J. T. Bokwe). During the song a man of about 35, danced a stamping dance. He was beautifully dressed in blanket edged with pale blue beads, wearing it like a train. He was also wearing several pounds worth of beads around his neck and torso. This song is sung at the weddings of the "Red Blanket" people. The dancer's beads were mostly in necklaces composed of strands of solid colour. He also wore double-stranded bracelets of pale blue and green beads. He carried a beautiful beaded animal skin, part of which had been sewn up to form a bag with a bead tasselled ornament. The blanket had rows and ornaments of pearl buttons sewn on it and was coloured with red ochre. Wedding song
- Full Text: false
- Date Issued: 1957
Uzubale kakukhle (Write nicely)
- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135763 , vital:37296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-03
- Description: "Write nicely in the register, because the marriage certificate is going to be sent to a far country." (i.e. Pretoria). This song is sung when the bride and groom are signing the register - it goes on - "We see here two clans or all various members of the tribe gathered together. Wedding song.
- Full Text: false
- Date Issued: 1957
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135763 , vital:37296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-03
- Description: "Write nicely in the register, because the marriage certificate is going to be sent to a far country." (i.e. Pretoria). This song is sung when the bride and groom are signing the register - it goes on - "We see here two clans or all various members of the tribe gathered together. Wedding song.
- Full Text: false
- Date Issued: 1957
Ye magwaza (To stab)
- Old Gcaleka men and women, Hugh Tracey
- Authors: Old Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150950 , vital:39020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-03
- Description: This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani. Circumcision song for Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Old Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150950 , vital:39020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-03
- Description: This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani. Circumcision song for Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957