Mocholoko (The novice)
- Mokoto Tsoeliane and group of Koali men, Hugh Tracey
- Authors: Mokoto Tsoeliane and group of Koali men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161177 , vital:40599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-03
- Description: The Mohobelo dance is most typical of all Sotho dances and is notable for its sinous striding actions which are accompanied by rhythmic hissing and by stamping. The dance songs are performed by the spectators and not the dancers. There are frequently two or three movements or routines in a Mohobelo, a slow entry and dance, follwed by a fast leaping movement and frequently by a third slow routine. Each is given a local mane, often the name of the district of origin. Mohobelo men's dance with stamping.
- Full Text: false
- Date Issued: 1959
- Authors: Mokoto Tsoeliane and group of Koali men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161177 , vital:40599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-03
- Description: The Mohobelo dance is most typical of all Sotho dances and is notable for its sinous striding actions which are accompanied by rhythmic hissing and by stamping. The dance songs are performed by the spectators and not the dancers. There are frequently two or three movements or routines in a Mohobelo, a slow entry and dance, follwed by a fast leaping movement and frequently by a third slow routine. Each is given a local mane, often the name of the district of origin. Mohobelo men's dance with stamping.
- Full Text: false
- Date Issued: 1959
Sekupu ! (Drums)
- Lesole Motsoari, 3 diviners and a group of women, Hugh Tracey
- Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
- Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
- Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
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